FIVE FAVOURITES: Fran Lobo

A singer, songwriter, producer, DJ, choral composer & sound artist; Fran Lobo has extensive and impressive experience in multiple areas of the music industry. The North East London artist takes inspiration from both the club scene and the choral scene to create her own music, and her new EP, Brave – released today (19th June) via Slow Dance Records – is a stellar example of how she seamlessly mixes these genres together.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Fran to ask about her “Five Favourites” – five songs that have influenced her writing techniques. Check out Fran’s choices below, and scroll down to watch the video for her track ‘Brave’ at the end of this post.

 

1. Aaliyah – ‘More Than A Woman’
This has got to be one of the best R&B/Pop songs ever made. The production from Timbaland is so playful and ASMR like. All the crazy percussion shakes, scrapes and clatters are so delicious. The drums are so powerful and the squelchy synths take you to a deep sludge. The guitar licks and string sample sounds are insane and the outro section just listening to that squelch alone is such life. Of course Aaliyah’s syrup vocals and delivery top it all off, it’s totally luscious and sensual. I love this track! I always aim to play it if I’m DJing somewhere and watch the crowd drop into ecstasy.

2. Tirzah – ‘Holding On’
I’m so in love with Tirzah and Mica, their Devotion record is a slight obsession for me. This track is so simple and hits so direct yet in a complex way. I love the brassy synth sound and highly reverbed, floaty but big old school drum machine beat which is so driving. Tirzah’s vocal is so relaxed but also troubled. “This feeling’s controlling me, I can’t shut it down” – it’s so gentle and so melancholic and easy at the same time. I can imagine dancing to this in a big club and also crying at the same time. I really connected to the sentiment of this song when I went through a troubling relationship while writing this EP. I even danced around at like 3am with said person blasting this track on full, singing the lyrics pretty much to them! It’s got such a yearning and fragile quality to it and at the same time the sounds are so pleasing you can’t help but sway and step to it.

3. FKA twigs – ‘Sad Day’
The latest Twigs record is my favourite piece of work she’s put out. The production is really adventurous and powerful. This particular track has an incredibly classic quality to the songwriting. In my opinion, it’s one of the strongest songs on the record, production aside. It’s got a simplicity to it too that drives the story home. I love the sound design/ field recordings throughout and use of vocal sampling in the breakdowns. The drum programming is really interesting and has strange textures in there. The chorus is killer and my absolute favourite part – the bridge sounds like something from Kate Bush’s ‘Running Up That Hill’ era. It’s so beautiful and really lifts your heart out of your chest. I think the song is so exposing and vulnerable and it’s a perfect mix of old songwriting and adventurous 2020 production.

4. Everything Everything – ‘Kemosabe’
What an incredible band! This song, just as a feeling, brings me so much joy. The chorus takes you up to space, makes you want to outstretch your arms and look to the sky. The vocal production on the intro and strange noises are really great, how all the sounds really move around. All the new elements that come in genuinely make you so excited. The guitar parts and “Yes!” shouts/echoes really build you to the chorus amazingly. I like how quick and rhythmically the vocals and lyrics are delivered, again quite stark and unusual. The bridge brings a great down moment, then the synths build us back into the chorus. I think it’s jaw-droppingly great as a song, and all the movements happen at the right time. The production and body of the song is really alive and keeps moving forwards.

5. Mount Kimbie ft. Micachu – ‘Marilyn’
Andy, who I worked with on my EP recorded the marimba on this in his studio. The intro is so great. And wow, Mica’s vocal is just so standout. I love listening to her voice, it tells you so much! I love the live percussion and orchestral instruments mixed with drum machine/live kit. All the sounds are so interesting, the mix of them. What I love about this tune is that it sounds like it was recorded in one take or as a jam, it’s so free and natural.

Thanks to Fran for sharing her favourites with us. Listen to her new EP Brave here.

Fran will be playing at the Love record stores digital event on Saturday 20th June.
Full event details here.

Photo credit: El Hardwick

Kate CrudgingtonLeave a comment

FIVE FAVOURITES: OHMME

Formed of Sima Cunningham and Macie Stewart; Chicago-based OHMME blend driving beats and brooding, distorted guitars to create their deceptively simple, catchy songs. The pair are set to release their new album, Fantasize Your Ghost, on 5th June via Joyful Noise Recordings, and it’s full of snaking riffs and restless lyrics designed to relieve the feeling of being stood still. 

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Macie & Sima to ask about their “Five Favourites” – five songs and/or albums that have influenced their writing techniques. Check out their choices below, and scroll down to listen to OHMME’s track ‘Selling Candy’ at the end of this post.

1. Cate Le Bon – Mug Museum
Macie: Cate Le Bon is a new discovery for the both of us. We listened to ‘Reward’ a lot last Spring/Summer when we were touring, and then dug into some of her earlier records. “Mug Museum” really stands out as one of our favourites. The guitars weave together in this snake-like way which inspired a lot of our approach to the guitar part writing on Fantasize Your Ghost. She just has such great songs and arrangements that groove so easily and make you feel good. ‘Are You With Me Now’ is one of our favourites off of the record.

2. Kate Bush – The Kick Inside
Macie: It would be impossible to downplay how much we love Kate Bush. She has this ability to create a different universe on each record of hers, and listening to The Kick Inside woke something up inside of us. I can’t believe she was 17 when she made this record! She’s so young but her voice is so powerful and commanding, it’s really inspiring. It’s cool how this record plays with the aspect of performance in the theatre sense, she’s always embodying these characters in her songs and making them larger than life. It opens up a lot of possibilities of what a song could be.We have a dream of doing a Kate Bush cover night and performing the entirety of this record…We’ll let you know when that happens.

3. The Roches – ‘Hammond Song’
Sima: There’s something about the unison singing in the song that just cuts right through you. The Roches’ use of harmony, unison, and polyphonic singing has been very influential on us the last couple years as we play with all the different ways we can combine our voices. We also adore their songwriting; how direct and hilarious but also earnest it can be. The eponymous album that this song comes from also feels like it was written specifically for people (and maybe even more specifically, women) who are on tour all the time.

4. The Mystery of Bulgarian Voices
Sima: I grew up singing in a choir and was introduced to Bulgarian Women’s Choral singing at a young age and I always loved it. I love any singing where you can sing full-throttle – sacred harp, gospel – it just pulls your guts right up through your throat and I love that. A few years ago on tour, Macie put on the album made by this group and we we’re both just really excited about it. Its one end of the spectrum of singing that we love to indulge in and you can hear it pretty directly influence moments on Fantasize Your Ghost.

5. Neko Case – Star Witness
We’ve both loved Neko for a long time; her voice, her music, but especially her poetry. We sing this song sometimes together when we’re sitting around with acoustic guitar. Neko has an incredible ability to convey a mood without saying exactly what or who she is always singing about. The sound of her words works so well with how her melodies leap and bound around each other. This album came out at a time when we were coming of age as songwriters and is therefore immortalized in our brains forever.

Thanks to Macie & Sima for sharing their favourites with us.
Follow OHMME on Spotify and Facebook for more updates.

Kate CrudgingtonLeave a comment

FIVE FAVOURITES: Low Hummer

Like most bands this year, Hull quintet Low Hummer are preparing to spend their summer in isolation writing new material, instead of gigging around the UK. Their latest single ‘Picture Bliss’ released via Dance To The Radio Records was written pre-pandemic, but its context is uncannily relatable during these (dare we say it?) “unprecedented” times. The track is a noisy, cathartic burst of guitars and crashing percussion, with dual vocalists Daniel Mawer and Aimee Duncan talking about two strangers who find each other moments before the world self-destructs.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Low Hummer’s Aimee & Steph to ask about their “Five Favourites” – five songs or albums that influenced the band’s writing techniques. Check out their choices below, and scroll down to listen to ‘Picture Bliss’ at the end of this post.

 

1. Pixies – ‘Gigantic’
Aimee: Although we all knew of each other before we started the band, it was only really a quick hello if we passed each other in the street! That meant we had, and still have a lot of different influences and backgrounds to our music and don’t often agree on liking the same bands. However, one band we all manage to agree on is Pixies. We don’t particularly make radio friendly music, but thanks to a band like Pixies we realised we can still aim to write pop songs, with hooky choruses even if they’re heavily disguised by odd chord choices, screaming vocals and distorted noises. Frank and Kim’s vocal styles are at odds with each other but work wonders together, whilst Joey’s guitar work often goes for odd riffs that are still instantly recognisable as his. Dan used ‘Gigantic’ in particular as a reference when we recorded ‘Picture Bliss’, joint vocals play a big part in what we do, and Pixies inspired us, they show its manageable to convey sensitivity vocally whilst still chucking in a load of distorted guitars!

2. Lost in Translation Official Soundtrack
Steph: It’s one of our favourite soundtracks collectively, and definitely would have played a role in us working parts out for ‘Picture Bliss;. The inspiration of bands like Death In Vegas along with My Bloody Valentine would have helped us learn how to manage sensitive melody lines and lyrics with distortion and odd sounding riffs. Not forgetting Bill Murray singing along to ‘More Than This’ which helped us fall in love with cheesy riffs and catchy choruses, both of which we’d have written off when we were kids. The Jesus and Mary Chain are not a band we gravitate towards to a lot, but again, their song ‘Just Like Honey’ which features at the end of the film felt like a good reference point for ‘Picture Bliss’. It’s another song that has a joint vocal with plenty of reverb and distortion, our producer Matt played us a few 80s guitar bands whilst we recorded and we gravitated towards emulating scrappy sounding stuff from that era. Lyrically there’s plenty of melancholy, sadness, underpinned with determination which probably inspired us for ‘Picture Bliss’.

3. The Velvet Underground – ‘Femme Fatale’
Aimee: Navigating the dynamics between a male and female vocal was challenging for us at first, especially because of our style. It took a lot of discussion between me and Dan when I first joined the band. Prior to Low Hummer, I’d only ever really sang in my solo country-inspired style. I’d dabbled in some shouting in a few awkward teenage phases, but it didn’t stick. So, when I joined the band it took quite a lot of encouragement from Dan to nudge me towards a more assertive style. Admittedly, he was right, and I can enjoy breaking out of my comfort zone. (Thanks Dan).

One thing we always agree on, though, is a mutual love of The Velvet Underground. We use them frequently as inspiration as we explore the dynamic between our vocals. I sang ‘Femme Fatale’ on my soundcloud a few years ago – one of the reasons Dan asked me to join the band. It felt like a good reference point for me to grasp my vocal position within ‘Picture Bliss’. The song allowed me to find that point between pushy and delicate vocals, which is something I haven’t explored as much in our other releases.

4. Joy Zipper – ‘1’
Steph: This song was on a lot when we began writing ‘Picture Bliss’, we really admired how its neither a stereotypical quiet or loud song, it sits somewhere in the middle. Sometimes when we write simpler songs, we’re keen to throw them away as we don’t feel we’ve worked hard enough on them, it almost comes a little too easy! That’s how we felt with our new single and it took a lot of encouragement from our manager Sally to decide to release it. But sometimes the easiest ones to write are the best. Joy Zipper’s ‘1’ follows a familiar pop song format, but for a simple enough structure it has so many beautiful moments, from its playful, devilish and childlike lyrics to whirling feedback intro and grungy chord progressions, along with a hummable section during the bridge. It’s a really joyful melody line, with optimistic verses, but the chord progressions, and ending, send you off kilter just enough to feel a little unsettled,

5. Her Official Soundtrack
Steph: It’s never actually been released, so I’m not sure it counts! But the film score from Her definitely subliminally influenced the creation of ‘Picture Bliss’. As a band we’re all suckers for sad films, and that usually extends to the music that goes with them. The score was created by the people behind Arcade Fire, and, much like Lost in Translation, it feels other-worldly; full of elements you recognise but can’t always place or hold onto. Whilst stylistically, it’s almost the opposite to what we do, we really loved the way the simple, fuzzy, swaying melodies and carefully placed lazy keys capture the melancholy of the story. The film itself is futuristic and disturbing, which is something replicated in the post-apocolyptic world presented lyrically in ‘Picture Bliss’, and both are full of that all-too relatable sadness which seems to slowly creep up and bite you late on Sunday nights.

Thanks to Aimee & Steph for sharing their favourites with us.
Follow Low Hummer on Spotify & Facebook for more updates.

Photo Credit: Credit: Shoot J Moore 

Kate CrudgingtonLeave a comment

FIVE FAVOURITES: Sans Soucis

Italo-Congolese singer-songwriter Sans Soucis caught our attention after the release of her most recent single, ‘Make One From A Two’. The song explores the complexities of love, uniting Soucis’ delicate vocals with an intimate, orchestral backing to create a tapestry of rich acoustics. She’s set to release her new EP, Unfinished, on 17th April, and we’re excited to hear it.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Sans Soucis to ask about their “Five Favourites” – five songs that influenced their song writing techniques. Check out their choices below, and scroll down to listen to ‘Make One From A Two’ at the end of this post.

 

1. Coldplay – ‘A Rush of Blood to the Head’
This is probably what really got me into songwriting. I never properly took the time to write my own music until I was 20, but I started developing a certain sensitivity around songwriting by listening to Coldplay. They are my first love and probably this is one of the first pieces of music on which I shed a few tears when I was a teenager. I believe music can touch many different strings in our lives, depending on where we are, how we relate to it, but certainly great and evergreen music doesn’t leave you any choice but to empathise with what’s presented to you and dig deeper into something you weren’t seeing before. Coldplay unsealed so many new ways for me to decide how and where to fulfil my need to establish a profound connections with people.

2. Nelly Furtado – ‘I’m Like a Bird’
Ok, I’m taking it this right back to the time I had the physical ability to listen to a song more than 20 times in a row. It was a time where I would get excited about music more than anything else around me. Looking back, I think I was starting to stick my nose out for some pop music to sing along to. My sister and I used to make so many CDs to put in the car, and we spent quite a lot on time online “crate-digging”. The only music I was learning and singing at that time was the music I was given in my classical choir, so Nelly Furtado on my way to school, or on my way to my singing classes sounded like freedom. My knowledge of English was just about good enough to catch the chorus, and I remember getting so frustrated with my blurred understanding of the song that I searched for the lyrics online and started translating word by word. I felt like such a hippie every time I was singing it. It’s such a good pop song!

3. St. Vincent – ‘Marry Me’
This is probably from one of my favourite albums ever! I love every track. It is so original; merging pop, classical music, alternative rock, enticing the ear of such a broad range of listeners, unified under the most beautiful melodies and arrangements. When I discovered St. Vincent, I felt musically ready to take all this beauty in. I really respect artists who write their own music and produce it, because I’m doing the same myself and it is of great inspiration to witness how much creativity and boldness is out there to be discovered. She is definitely someone I look up to when I think about my career.

4. Arthur Verocai – ‘Desabrochando’
Arthur Verocai is a Brazilian composer who started releasing music a bit less than 50 years ago. I discovered his music last year and I got massively obsessed with it. The piece I chose comes from his album No Voo Do Urubu, released in 2016. It is so peaceful and beautifully executed. It encapsulate my love for folk music, guitar and orchestration. It reminds me of my grandparents and the afternoons we spent at home listening to old opera cassettes, of my father spinning records from Italian songwriters 24/7 and of my strong connection with my own folklore. This is another example that proves music can speak to anybody, regardless of who they are and where they’re coming from.

5. Bjork – ‘It’s Oh So Quiet’
It was difficult to pick my last one, but I couldn’t leave this one behind. Bjork is a real visionary and I respect her so much to bring big band out for such an epic walk in the 2000s. I love how dramatic this performance is. You almost feel like being in a movie while listening to it. The interpretation draws you in so much that you really don’t feel like leaving in the end. It’s also such a good representation of how I feel when I fall in love, that I feel like claiming it as my personal soundtrack.

Thanks to Sans Soucis for sharing her favourites. Follow Sans Soucis on Facebook, Instagram and Twitter for more updates.

Photo Credit: Luca Perrin

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