Five Favourites: Bria

Whilst you may recognise Bria Salmena from working in Orville Peck’s world-conquering backing band, she is also an immensely innovative artist in her own right. Following the release of Cuntry Covers Vol.1 in 2021, Salmena has now collaborated with multi-instrumentalist Duncan Hay Jennings once again for Vol.2., set for release next month.

As a taster of the upcoming EP’s release, Bria has now shared her rendition of Paula Cole’s ‘Where Have All The Cowboys Gone?‘. Adding her own unique reverb-strewn scuzz and whirring danceable energy to the original, her rich, sumptuous vocals ripple alongside a soul-strewn groove, creating a dreamily immersive soundscape.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of Cuntry Covers Vol.2, we caught up with Bria to ask about the music that has inspired her the most. Rather than pick five all-time top albums, she’s selected the songs she’s listening to the most right now – read/listen below and check out Cuntry Covers Vol.1 while you await the release of Vol.2!


It’s impossible for me to pick my favourite songs or albums, I’m just not one of those people. For me, it’s constantly in flux. So I’ve decided instead to share my top five songs of January 2023. And to be clear, these are not songs released in Jan 2023 but rather what’s been on repeat in my house, car, headphones etc. This list is extremely manic, I hope you enjoy it. 

Nourished By Time – ‘Romance In Me’
Nourished By Time is a new discovery – initially introduced through an NTS playlist. There’s a very obvious nostalgic quality to the track, but I really just think the vocal progression is something entirely unique. I love the production – there’s a really satisfying balance of tension between the keys and guitar, especially in the choruses. This song really builds extremely well, I feel as though I kind of get swept away in it. It’s the kind of song I find myself harmonising with vocally, however annoying that may seem. When I’m in the mood to feel heartbroken I’ll probably put this song on.

Kate Bush – ‘Pull Out The Pin’
I’m a long-time Kate Bush fan, and this song came back into my rotation this month. The intensity of this track lyrically and musically is so satisfying for me. I love Bush’s ability to tell a story, it feels like theatre. This song was written after she had seen a documentary about the Vietnam war, wherein they show Vietnamese soldiers putting little silver buddhas in their mouths as they approached the front line. I love hearing this side of Bush’s vocal range – her ability to sing-scream is so beautiful, it’s been somewhat cathartic to listen this month. I also feel as though this is an overlooked B-side of hers, so I’m urging you now to give it a listen. 

Deftones- ‘Change (In The House Of Flies)’
So technically, I started having this song on repeat in December, but there are no rules here. On Christmas day, I went to a very famous bikini bar here in Los Angeles called Jumbo’s, and one of the dancers did a very impressive pole dance to this song. I hadn’t heard it in so long and after that, I played it throughout my somewhat lonely holiday season. I think it might be the hottest song ever written – not sexiest, but hottest. The whole record is amazing, I don’t even know if I can say any more about it.

Golpe – ‘Non Piergarti’
Golpe is an Italian punk band whose first full-length record came out in 2021. Lots of Italian friends had told me to check them out and I finally did sometime last fall. ‘Non Piegarti’ might be one of my favourites of theirs – with ‘La Colpa E Solo Tua’ as a close second. I’ve spent most of January moving into a new apartment and sorting out my life here in Los Angeles, and the song title translates to “Don’t Bend Over” which has been a bit of a mantra of mine throughout a stressful month. I’m a big fan of the production of this song, and I love the vocal effect on this song and how well the guitars sit alongside. It’s heavy, but very well-balanced.

Florist – ‘Red Bird Part 2 (Morning)’
This song is extremely beautiful and EXTREMELY sad. You’ve been warned. When I’m searching for a sort of sad calm feeling, I will put this on. It’s a beautifully tragic song about the death of the singer’s mother. I’m drawn to the simplicity of the instrumentation, rooted in acoustic guitar and accompanied by a kind of dreamy ethereal electric guitar. I also am a big fan of the double unison vocals on this track – I myself love doing that, as I feel you can really round out the sound that way.


Massive thanks to Bria for sharing her five ‘favourites’ with us! Listen to new single ‘Where Have All The Cowboys Gone?’ now:

Cuntry Covers Vol.2, the upcoming EP from Bria, is set for release on 24th February via Sub Pop.

Photo Credit: Justin Aranha

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Five Favourites: Princess Chelsea

Having been creating her signature dreamy indie-pop for eleven years now, New Zealand artist Princess Chelsea has just released her fifth album Everything Is Going To Be Alright. Tinged with an early noughties shimmering nostalgia, it’s a poignant collection of cinematic soundscapes that twinkle with an ethereal splendour and captivating raw emotion.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Everything Is Going To Be Alright, we caught up with Princess Chelsea to ask about the music that has inspired her the most. See below for their choices of their five favourite songs, and be sure to watch the cute new video for album track ‘Love Is More‘ at the bottom of this feature.

Marianne Faithfull – ‘Morning Sun’
This is from Marianne Faithfull’s early period and it’s an undiscovered gem, I suppose! It sounds very ‘English’ to me in a good way. It’s a beautiful track – the harps and her beautiful slightly monotonous eerie vocals (a little bit reminiscent of Nico). Marianne always was a total queen and her vocals from this early 1960s period of her career are quite different to her later more widely known work. As an artist she is a fascinating character who really got dealt a tough blow by music press and public who were very judgemental of her for any ‘mistakes’ (aka not being perfect) in her private life. After being London’s golden girl for a few years, she disappeared into a world of addiction and complicated experiences only to re-emerge over twenty years later with just as amazing music (Broken English being her comeback album). My track ‘Time‘ is heavily influenced by early Marianne Faithfull and English pop in the way I produced and arranged it – and I actually covered this song on my 2016 album Aftertouch.  

The Bats – ‘Sir Queen’
In the 1980s Flying Nun Records was formed in the South Island of New Zealand in Christchurch by Roger Shepherd, although it is associated more with an even more southern city Dunedin, when somebody coined the term “The Dunedin Sound” to describe the jangly guitar pop style of some of the bands on the label who were heavily influenced by the open chords of the Velvet Underground. Seminal acts The Clean, The Chills, The Verlaines, and The Bats made jangly guitar pop music that proved to be heavily influential internationally and still is. Kaye Woodward from The Bats is one of the most interesting “indie rock” (lol) guitarists I’ve had the pleasure of listening to and her work with The Bats as displayed on ‘Sir Queen’ from their classic album Daddy’s Highway is emotive, particular and loose at the same time. I’ve been a fan of The Bats and many of the early Flying Nun acts since I was a teenager, and any guitar work I do (or make other people do, haha)  is greatly influenced by these bands whose style of playing is far more important than technical prowess. My song ‘Love Is More’ from my new album is definitely influenced by Kaye Woodward’s trademark ‘bendy’ guitar playing.

Jane’s Addiction – ‘Jane Says’ (Live from Kettle Whistle)
Jane’s Addiction are a truly weird band that don’t really fit into any kind of genre. In the 1990s in LA they were junkie surfers that made heavy rock music influenced by Led Zeppelin, but it was also glam, arty and truly ‘alternative’ – influenced by I imagine a whole lot of esoteric music. Frontman Perry Farrell would wail and leap around on the stage like some kind of androgenous mad puppet. While totally unintentional I think my track ‘The Forest‘ certainly reminds me of Jane’s Addiction sometimes which isn’t really surprising seeing as it’s my first truly ‘rock’ song and they were my first favourite ‘rock’ band. The live version of ‘Jane Says’ with its massive drum sound, and Farrell’s vocals sailing over the top – plus the addition of steel drums – make for a truly original yet totally rocking melodic band. I think somehow and always Jane’s Addiction will always influence my live performance.

The Gun Club – ‘Sex Beat’
The Gun Club is a band I discovered as a teenager and their guitar sound in particular is something I’ve always loved – it’s punk, but it’s also got tonality of country music with tremolo, twang and a lot of reverb. Their later albums would sound more shoegazey and shiny (Mother Juno), but the first album is a great example of the county / punk influence of this wonderful band. I think a lot of guitar tones on ‘We Kick Around’ remind me of the Gun Club. The solo on ‘I Don’t Know You‘ is by my friend Vincent HL who plays on this track and is a huge Gun Club fan.

Fleetwood Mac – ‘What Makes You Think You’re The One’
After years of listening to Fleetwood Mac, I started repetitively listening to deep cuts from the double album Tusk which followed their massive album Rumours and was a critical yet commercial kind of flop (well a flop for Fleetwood Mac – it still sold millions). Lindsay Buckingham was probably doing way too much cocaine during this period and there are a lot of great what I call “weird Lyndsay Buckingham songs” dispersed throughout Tusk. I think he was maybe listening to a lot of punk music at the time and was trying to insert some of that energy into Fleetwood Mac which may have been perceived as soft rock for moms and dads or something by then. And there’s nothing wrong with that haha. His vocal performance on this track and a lot of the backing vocal loops all over Tusk, and also on the album Tango In The Night (‘Family Man’ is a great example of this) definitely influenced my track ‘I Don’t Know You’ and a lot of my backing vocal ideas in general. When I sing “I DONT KNOW!”, I am 100% channeling Lyndsay – intentionally and quite overtly.

Massive thanks to Princess Chelsea for sharing her Five Favourites with us! Watch the video for latest single ‘Love Is More’ here:


Everything Is Going To Be Alright, the fifth album from Princess Chelsea, is out now via Lil Chief Records.

Photo Credit: Frances Carter

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FIVE FAVOURITES: Muna Ileiwat

London-based, New Jersey-born songwriter Muna Ileiwat creates tender indie pop tunes that are a blend of soft vocals, shimmering electronics and steady beats. Her debut EP, Twenty-Seven, released today (19th Aug) via Fear of Missing Out Records, explores the fluctuating nature of relationships in all their forms, and the resilience and freedom that comes with creating art for arts sake.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Muna to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for ‘Pity Party’ at the end of this post.

 

1. Ms. Lauryn Hill – ‘I Find It Hard to Say (Rebel)’
This song made me want to learn guitar and start writing my own music. When I started guitar lessons I learned classical music. At the end of each lesson, my teacher and I would spend a bit of time learning a “pop” song. This was the first song I chose. I heard Lauryn Hill’s MTV Unplugged album a lot when I was young (my dad owned it on CD). I’m not really into live albums except this one I love. I’ve come back to this song throughout my life. It’s not a conventional structure and the lyrics are stunning. The song’s nearly 7 minutes long, but every time I listen to it, it feels like half the time, probably because it’s so moving. Lauryn Hill’s performance is so raw. Once I was old enough, I discovered the song was about the murder of Amadou Diallo.

2. Yeah Yeah Yeahs – ‘Maps’
An indie gem. I have such a soft spot for Karen O, she’s so badass! Yeah Yeah Yeahs were one my first introductions to indie music (this song in particular). There’s something so understated and vulnerable about the chorus line – “wait, they don’t love you like I love you”. It’s hard to convince me that a guitar solo is ever cool, but Nick Zinner’s solo in this is very cool. I got so wrapped up in the story behind this song. Music is so much about storytelling. You get a unique perspective into the deepest parts of people’s inner emotional states, the things people want to talk about, but just don’t know how. In the music video, Karen O is apparently crying real tears because her boyfriend was hours late to the shoot, right before her tour. There’s speculation that the song title is an acronym for ‘My Angus Please Stay’ and even though Karen O has never confirmed it, this kinda makes me love the song more. It really hurts. You feel her disappointment when the person you love can’t show up for you in the ways you need.

3. Selena – ‘Como La Flor’
I spent my early childhood in the US and Selena was always on the radio. I can’t begin to explain how much I love her and what she represents. Her outfits – incredible. Her voice – flawless. Her stage presence – mesmerising. Her music crossed cultural boundaries. That’s so powerful. Her iconic performance of this song at the Astrodome can bring me to tears. I’ve watched that performance a billion times. She was so talented. Her music is a nostalgic part of my childhood.

4. Solange – ‘Losing You’
The synths, chord progression, harmonies, production, the video – I love this song! It’s so fun! It’s melancholy cloaked in catchy hooks. I love the simplicity of the lyrics. Nothing is hidden under metaphors. I find songwriting like this bold. You can’t disguise your vulnerability under fancy wordplay. It’s direct. I’m a big Dev Hynes fan so the fact that he co-wrote this explains why it’s so goddamn good. I’ve always appreciated Solange’s holistic approach and commitment to her art. The video manifests a sense of community. It reminds me of Curaçao and that island life.

5. Robyn – ‘With Every Heartbeat’
I’ve always admired Robyn’s songwriting. She’s so inspiring and her music is so cathartic. This song has everything you need – a sweeping orchestra and driving beat. The lyrics are a perfect blend of hopefulness and devastation, particularly in the chorus. Robyn is so good at finding that balance, and nothing hits like a pop song about the realisation that you have to leave someone behind even though it hurts. I dream, and will continue to dream of writing a Robyn equivalent one day.

 

Thanks to Muna for sharing her favourites with us! Watch her video for ‘Pity Party’ below.

Pre-order Muna Ileiwat’s debut EP, Twenty-Seven, from Rough Trade here

Follow Muna Ileiwat on Apple Music, Spotify, Twitter, Instagram & Facebook

Photo Credit: Guy Gotto

Kate Crudgington
@KCBobCut

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Five Favourites & Video Premiere: Femegades – ‘Daddy Says’

Having previously received acclaim for singles ‘Speechless‘ and ‘Be Alone‘, and wowed crowds headlining Camden Rocks Presents, grunge-rockers Femegades have now announced the release of their new EP, Not All Men, set for release in September. To celebrate the announcement, the band have shared a brand new video for stirring single ‘Daddy Says’. Gentler in tone than previous offerings, heartfelt ballad ‘Daddy Says’ poignantly reflects on the somewhat challenging subject matter of a father encouraging his daughter into the sex industry. As front person Em’s honey-sweet vocals lilt alongside the backdrop of strummed Americana-inspired hooks and a catchy musicality, Femegades showcase their ability to tackle hard-hitting subjects; giving a voice to issues that society may prefer to shy away from.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of the stirring new video for ‘Daddy Says’ and the upcoming EP, we caught up with Femegades to ask about the music that has inspired them the most. See below for their choices of their five favourite songs, and watch the new video for ‘Daddy Says’ at the bottom of this feature.

Fugazi – ‘Suggestion’
A song by four dudes calling out the harassment of women. The dynamics they employ sonically to build up and release tension – it really is a masterpiece. And, given our female/male co-writing dynamic in the band, it is such an inspirational song for us; a great example of how switching gender roles for a song can still produce something so powerful. It shows you don’t need to be constrained by only writing from the perspective of the female character. The live version sung by Amy Pickering really takes it to another level as well.

Pete Yorn – ‘Life On A Chain’
I received Pete Yorn’s album as a gift when I was quite young and only really listened to it years later, which made me say to myself – what were you thinking?! The album is great as a whole and this song really hits home.I love the vibes of rock meets folk meets acoustic. Not often that I can tolerate an album from start to finish, however this one is definitely one I can listen to on repeat and really influenced a lot of the sounds in the music I played early on.

Angus & Julia Stone – ‘The Devil’s Tears’
Always a sucker for sibling musical ensembles but Angus and Julia just hit differently. Their simplistic yet emotionally charged songs really showed me that taking it back a step and playing on those heartstrings using minimalism can really resonate.

Jewel – ‘Who Will Save Your Soul?’
Always been a fan of Jewel – her vocals, her lyrics, her energy – it’s a lot of what I aspire to be able to put forth when writing or performing. She’s just so damn cool and I love it.

Taking Back Sunday – ‘MakeDamnSure’
A bit of high school nostalgia here, but Taking Back Sunday just give me a rush of energy that’s infectious. Absolutely feel like I can lose myself listening to them.

Massive thanks to Femegades for sharing their Five Favourites with us! Watch the affecting brand new video for ‘Daddy Says’ here:

Not All Men, the upcoming new EP from Femegades, is set for release on 1st September via Regent Street Records.

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