FIVE FAVOURITES: GRAMN.

Blending soulful vocals with lush synths and trip-hop inspired beats, GRAMN. is the new project of Hackney-based Awks. She transforms her experiences as a woman of colour in both the music industry and wider society into catchy, slickly produced tunes.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with GRAMN. to ask about her “Five Favourites” – five songs that have inspired her songwriting techniques. Check out her choices below, and scroll down to listen to GRAMN.’s latest single ‘Mini Milk’ at the end of this post.

1. Earth, Wind & Fire – ‘September’
They’re my heroes – look how big the band is, they play perfectly, I’ve never not heard it. I remember being really small in my cot, and my dad singing this song bare close to my face. But he’s dead now.

2. Kendrick Lamar – ‘These Walls’
This is my go to Kendrick tune. It’s a revenge story about how he seduced the girlfriend of the man who killed his friend Dave. I’m like, that’s like something I would do. ‘These walls’ works on so many levels; the walls of a vagina, prison walls, city walls, the walls put up by systemic racism in America. At the same time it’s such a tune. Bilal’s vocals are so nice, you can listen to it any time, in the shower, in your car, when you’re happy or sad. It just works.

3. Stevie Wonder – ‘Living For The City’
He’s such a G, he writes stuff that you always wanna listen to. It’s so well crafted, someone’s actually gone, “wait how am I gonna make this a banger?”, and he’s done that on every track. The break downs are everything and this song is a perfect example. It’s 7 and a half minutes long and I always play it twice.

4. Tierra Whack – ‘Unemployed’
Her flow, her diction, I can understand every word she’s saying. her flow switches up at the drop of a hat, she’s just like aaaaaand switch. She uses all these different voices like I try to do to bring different characters into the stories I’m telling. Plus there’s a massive potato in the video and potatoes are my favourite absolute motherfucking favourite vegetable. But more than anything she’s just so unapologetically herself – I have so much respect for that, especially when there’s so much pressure to get in the mould.

5. CHIKA – ‘industry Games’
So good. I mean everybody knows that crazy things happen in the music industry but no one really seems to speak about it, so it’s great that’s she’s just like – there you go. And she’s rude, just the perfect amount of rude – her lyricism is incredible. But tiny desk is what really made me fall in love with her – it’s perfect.

Thanks to GRAMN. for sharing her favourites with us. Listen to her track ‘Mini Milk’ below.

Follow GRAMN. on Facebook & Spotify for more updates.
ganser

FIVE FAVOURITES: Ganser

Formed of Nadia Garofalo (keyboards/vocals), Alicia Gaines (bass/vocals), Charlie Landsman (guitar) and Brian Cundiff (drums), Chicago-based Ganser have garnered comparisons to the likes of 90s noise-makers Fugazi, Shellac, and Sonic Youth. The band have recently shared their new album, Just Look at That Sky, via Felte Records and it’s a defiant fusion of jolting rhythms, confrontational vocals and manic riffs.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with bassist & vocalist Alicia Gaines to ask about her “Five Favourites” – five songs that she believes have inspired Ganser’s song-writing techniques on their latest record. Check out her choices below, and scroll down to watch Ganser’s video for ‘Projector’ at the end of this post.

 

1. Yeah Yeah Yeahs – ‘Date With a Night’
There is a songwriting mode we’ve utilized at times which I’ve jokingly called “Doom Hoedown” or “Doom Shuffle.” Before really getting into The Birthday Party and their ilk, my first concert back home with my high school friends was Yeah Yeah Yeahs. I remember being blown away by their raw delivery and Karen O’s command of her particular vocal style. It took us a while to tease out what songs lean into Nadia and my strengths as vocalists, but man the music’s like a glove for O’s voice here. Listening to this really makes me miss the chaos of playing live.

2. Ultravox – ‘Distant Smile’
For Ganser, it’s about contrast. The violence and serenity in this track really compliment each other. Red looks more red against green, and so on. In a way the form of this one is a backwards version of our track ‘Emergency Equipment and Exits’. I love how the back half of this song sounds like its running away from itself.

3. Talking Heads – ‘Life During Wartime’ (Live in Los Angeles 1983)
This live version has an inevitability that’s hard to escape. The faster tempo and incredible work by the band’s support vocalists adds to the urgency on this classic. Tina Weymouth is just a monster. I have a strained and complicated relationship to the history of particularly Black women backup singers for white bands, but my affinity for this song and album (Stop Making Sense) remains.

4. These Immortal Souls – ‘The King of Kalifornia’
When there isn’t really a template for voice or perspective, it’s a journey to find what feels natural or what you need to try on to see how it fits. I think this album (I’m Never Gonna Die Again) is the first time we’ve really waded into “cockiness” as an attitude, which isn’t something women are encouraged to do. It felt really good to really absorb the energy of Rowland and some of the 90’s British bands we love. Bravado feels like a lounge lizard to me. We free associated in that direction and that attitude crept into several songs on our new record.

5. Liars – ‘No.1 Against the Rush’
I’m so amazed every time I look at Liars’ range. I have a soft spot for ambivalent tone bands like Liars and Radiohead have. There’s always a sinister edge, a wistfulness to their music throughout their discography that’s extremely admirable. Our album Just Look at That Sky is really comfortable for ambivalence, but that takes time and living in the grey. We’re just here to eavesdrop.

Thanks to Alicia for sharing her favourite songs with us.
Watch the video for Ganser’s latest single ‘Projector’ below.

Order your copy of Ganser’s new album here.

Photo Credit: Kirsten Miccoli

FIVE FAVOURITES: Delhia de France

Crafting a solo career between Berlin and L.A over the past two years, Producer and songwriter Delhia de France has been busy re-working a track from German producer Robot Koch’s latest album, The Next Billion Years. She takes Koch’s concept of sound-tracking the far distant future of earth on ‘All Forms Are Unstable’ and gives it an alt-pop twist, breathing new life in to the instrumental piece with her soft vocals and shimmering electronics.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Delhia to ask about her “Five Favourites” – five songs that inspired her song-writing techniques. Check out her choices below, and scroll down to listen to her cover of ‘All Forms Are Unstable’ at the end of this post.

1. Massive Attack – ‘Paradise Circus’
‘Paradise Circus’ has a certain melancholic lightness to it that I really like. Massive Attack have been consistently bending genres and been a huge influence of mine since forever. Their latest project Eutopia with Young Fathers is as brilliant as it is important. The tracks are layered over with speeches and lectures by prominent educational figures demanding justice, equality, sustainability. Goosebumps education.

2. Fever Ray – ‘I’m Not Done’
This whole album is one of my all time fives. I will never get tired diving into these eerie synth baths that have a very artificial sound yet and incredibly warm vibe. It really is an album of light and dark and to create opposites so each side can shine is something that I picked up from Karin Dreijer’s productions.

3. Rosalia – ‘A Palé’
I love how the track begins with this soothing melody and then takes a totally different turn. It’s incredible how she fuses traditional flamenco with modern sounds. I love all the space in between and her voice effortlessly pouring over it like a waterfall.

4. Thom Yorke – ‘Skip Divided’
Radiohead had always been a massive influence to me and Thom Yorke with his extraordinary fragile voice throwing words at you like daggers. He has a special way of writing melodies that uniquely beautiful. How he marries the piano with these textured organic sounds has been, I’ve always been fascinated.

5. The Knife – ‘Silent Shout’
Again Karin Dreijer, this time with her brother Olof. The whole Silent Shout album has been an eye-opener to me, these simple melodies and her bone-shaking voice combined with glowing and sawing synths are so far opposite of my usual sound yet so captivating and just plain beautiful in this genius simplicity.

Thanks to Delhia de France for sharing her favourites with us.
Listen to her cover of ‘All Forms Are Unstable’ below.

Photo Credit: Alix Spence

Five Favourites: DEHD

Set to release their new album later this week, Chicago’s DEHD have been impressing us this year with a series of gritty singles. With a raw edge, brooding basslines and sultry vocals, they create instantly infectious indie-pop, and we can’t wait to hear the album in its entirety.

We think one of the best ways to get to know a band is by asking what music inspires them or influences their writing. So, we caught up with vocalist Emily Kempf to find out her “Five Favourites” – five albums that she loves more than most. Check out her choices below, and keep your ears out for DEHD’s new release on Friday.

Broncho – Double Vanity /  Bad Behavior
I’m obsessed with Broncho, I think they are a perfect band. I can put them on in any place with any group of people and they just fit in. They are the band everyone wants to know – like a secret you find pride in knowing about first and can’t wait to tell your bestie. If I could marry music I would marry Broncho.

Emily Sprague – Water Memory
I’ve listened to Emily’s ambient masterpiece Water Memory more times than maybe any other record. The amount of times I’ve tucked away in the corner of the tour car with Water Memory in my headphones is countless. It’s my go-to to feel calm, to feel safe, to fall asleep or to mediate with. It’s a beautiful peaceful sweeping record that brings you somewhere far far away and then all the way back home again. It just washes you right out.

Jah Wobble & The Chinese Dub Orchestra
A special choice, several years ago this was a record I originally picked for its cover at random in a record shop in Seattle. It’s best listened to while laying on the floor alone or with a pile or friends. Make sure to have either a ceiling fan or the windows open wide to invite a light breeze. This record is to be listened to with intention – and buckle in, it will soothe and surprise you.

Sibylle Baier – Colour Green
This is a record to cry to, a classic cry album for sure. Her melodies and lyrics and lilting breathless voice make you feel like you’re all grown up and alone in a cottage someplace cold and quiet, with snow on the ground. She’s a secret tear on the pillow late at night when no one’s paying attention. Beautiful and heartbreaking and worth every second.

Sunglow – Hog Heaven
Daniel is a mastermind producer of playful, inspiring soundscapes that energize and incite. I have been a fan for a while and also could put on any of his records to shift a mood in the room instantaneously. It’s fun, fresh and pure freak mode. Don’t shuffle! Play in suggested record order, the songs are all “holding hands”.

Huge thanks to DEHD for sharing their Five Favourites with us! 

Flower Of Devotion, the new album from DEHD, is out this Friday 16th July via Fire Talk. Watch their latest video for ‘Month’ here:

Photo Credit: Alexa Viscius