Get In Her Ears Live @ Notting Hill Arts Club w/ Foxgluvv 16.03.19

Get In Her Ears returned to Notting Hill Arts Club on Saturday night to host another successful evening of alternative and electronic music. Headliner Foxgluvv was joined by Party Fears and Grapefruit who performed their sounds to a buzzing, appreciative crowd.

First up were five piece Grapefruit, who delivered their dreamy and intoxicating blend of atmospheric guitar tunes with enviable intricacy. Frontwoman Angela’s captivating vocals were especially impressive on singles ‘Colder’ and the band’s latest release ‘Black and Blue’, but collectively the group were mesmerising to watch. Guitarist Grace broke a string but Party Fears came to her rescue….

The Berlin-based duo took to the stage afterwards and played a raucously enjoyable set filled with disco-punk bangers. Joined by their friend Sean on bass, Maggie (guitars & vocals) & Eilis (drums) played a knockout set which featured their latest single ‘Sun King II’, delivered with an energy and charisma that won over the crowd in a heartbeat.

Closing the night was “hungover pop” artist Foxgluvv, who was joined on stage by producer Scott. The pair clearly enjoyed playing and singing to every beat, as they danced away to their buoyant and infectious tunes. ‘Fries’ and ‘Expensive’ were definite set highlights – during ‘Expensive’ Foxgluvv even brandished her own personalised dollar bills and showered the crowd with them. Her soft vocals and sassy attitude worked perfectly together, cementing her as a firm Get In Her Ears favourite.

Huge thanks to the bands, sound engineer and staff at Notting Hill Arts Club. Keep your eyes peeled for more gig announcements from us soon!

Photo Credit: Jon Mo Photography

GUEST BLOG: Grimalkin Records

Get In Her Ears is all about supporting, collaborating, and communicating with other womxen and non-binary people in the DIY music scene. So, when Nancy Kells from the USA got in touch to tell us about her work as Facilitator of Grimalkin Records, we wanted to know more! Along with ten other members, Nancy works to support and release music by womxn from all walks of life.

Together, Nancy & Elizabeth Owens put the following blog together to explain more about their work at Grimalkin. Read what they have to say below and follow Grimalkin Records on Bandcamp to keep track of all the music they’re releasing! 

 

Grimalkin Records originally started out as Friends For Equality after the November 2016 US election and passing of Brexit in the UK. What began as a small benefit compilation project between two friends has now evolved into Grimalkin Records, a benefit label and queer artist collective. Currently, we are ten members strong, scattered between Richmond and Hampton Roads, VA, Guayanilla, Puerto Rico, Philadelphia, PA, Springfield, MO, and Baltimore, MD. All of us are queer women, trans men, non-binary, gender non-conforming, or agender folx.

Our primary mission is to support queer people—especially queer artists of color— and encourage people to get more involved in their local communities, and we aim to get there by strengthening the bridge between music and activism.

Specifically, we:

  • Release limited edition cassette tapes and lathe cuts to fundraise for various local organizations and individuals
  • Organize benefit shows and release parties
  • Create zines and merch items to spread our messages and augment our fundraising efforts
  • Support each other artistically and emotionally as individuals and friends

We are not genre-centered and all genres of music are encouraged for submissions (yay, we love music!). While most of our releases are benefit releases intended to raise money for a non-profit or community organization of the artist’s choice, releases can also support the artist/band or any other individuals who are in need of financial support. You don’t have to be a “member” of (or “signed to”) the label to release with us, either. We dig flexibility and run on an independent, case-by-case basis.

For example, last year we did a co-release with Madison Turner and her label Close by Air. We made a small batch of cassettes for her latest album, A Comprehensive Guide to Burning Out, with the full album on side A and a live recording of a Grimalkin benefit show set on side B. She chose donate all proceeds from this release to support Health Brigade, a free local clinic providing service for marginalized and oppressed folks in Virginia.

We passionately feel that music, art, and collaboration provide vital fuel in the work of healing and restoring justice. We also believe that real change happens from the ground up, and so have a strong focus on helping people on an individual level and through grassroots support of local organizations who have already been doing important (and often unseen) social justice and civil rights work.

Logistically, everyone in the collective pitches in when they can with a variety of things in whatever ways they feel they can; whether that means helping other individual members or the label as a whole, it’s all part of the same body. There’s no pressure on how much anyone does–people do what they can when they have time for it. You can learn more specifically about everyone in Grimalkin and check out their projects here.

We have big dreams, and eventually plan to be able to pay artists and musicians stipends to help with releases and shows and provide cassette packages for musicians to promote and sell on their own platforms.

We are always looking for more folks to join our family and are especially in need of people who thrive on promotional/outreach work and social media (if anyone’s interested *hint hint*)! We are also always looking for more community organizations, artists, collectives, and labels to collaborate with and are always open to new ideas.

If you think you’re a good fit for our collective or would like to put out a release with us, please email grimalkinrecords@gmail.com.

We have several exciting releases and collaborations lined up for 2019 and we hope you’ll check us out and keep coming back. The best way to stay in touch is by following us on social media and subscribing to our email list. We also have a website in progress for more general info.

Keep up to date with Grimalkin Records
Website
Facebook
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Twitter 

Interview: Cro Cro Land Founders, Angela and Julia

We’re currently getting extremely excited about Croydon’s brand new multi-stage festival, Cro Cro Land!

Organised by Croydon residents Angela Martin and Julia Woollams, the festival aims to promote gender equality in both its line-up and staff, is championing a number of local bands and artists, and is working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

Paying host to some of our current favourites, including Nova Twins, Chorusgirl, Fightmilk, ARXX, Berries, Jetstream Pony, Bugeye and many more, we’re proud to be involved in helping out at the festival, and will even be spinning a few tunes on the day!

So, prior to everything kicking off on 6th April, we caught up with organisers Angela and Julia to find out more…

Hi Angela and Julia, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Angela: I’m a member of the band Bugeye, music activist and co-founder of the Croydonist and Cro Cro Land Festival.
Julia: I’m a graphic designer mainly working in the charity and arts sector. I’m also the other founder of the Croydonist, which is a Croydon cultural blog, as well as co-founder of Cro Cro Land.
Angela: We’re also married, so partners in crime in every sense!

You’re currently organising Cro Cro Land –  Croydon’s brand new multi stage indie music festival – which is super exciting! What inspired the idea to do this?
A: Lots of things really. We’ve always been inspired by the fact that Croydon has such a rich musical history. It’s the birthplace of punk for one thing, and so many other great musical happenings such as Dubstep and Grime.
J: It used to be a place on every band’s tour schedule, but with venue closures, Croydon has sort of fallen off the map. We want to change that.
A: In recent years, we’ve seen so many people come together and form collectives for the greater good of music. DIY zines, podcasts, new promoters, dedicating their own time at no financial gain to try to impact change. There has been a real fight to improve the gender balance at festivals and ensure that women are fairly represented. This is an area that we feel very strongly about, and so we decided we wanted to get involved and create an event that took all of these things into consideration, paid artists fairly, as well as bringing together a number of grassroots collectives together under one roof.

How did you go about picking the fantastic line-up for the festival?
J: The line-up was a mixture of recommendations from grassroots collectives such as yourselves, The Zine UK, Benumu and Kick out the Jams – to name but a few – plus our own wishlist and artists applying via the festival submission page.

And what would you say has been the hardest part about organising a festival?
A: Where to start! I guess it was difficult not knowing whether we would be successful in our funding applications or not. Festivals aren’t cheap to put on after-all. However, the Arts Council National Lottery Grant was approved, and Croydon Council have also confirmed financial support, so we feel pretty blessed right now.

The line-up is filled with some of our favourites such as Nova Twins, The Lovely Eggs, ARXX, Bugeye and Chorusgirl! And what strikes me about the festival and makes it stand out at the moment is the great gender balance of the line up – was there an intentional and specific decision to do this, or did it just naturally pan out that way?
J: It came quite naturally to be honest. We did go back and look at our list of potential bookings to make sure we met this pledge, and found that we were pretty spot on from the word go.

And how do you feel about the general lack of female headliners at a lot of big festivals at the moment?
A: I think it’s quite disappointing. I totally get that if someone wants to put on a festival and pay for it, they should be able to book whoever they want, but there is still a level of responsibility that falls to promoters to address gender issues. On a positive note, the PRS Keychange initiative is making a dent in there, with a number of festivals pledging a gender balanced bill. I know there’s still a way to go on this, but the more festivals that treat this as the norm, then ultimately it pressures others to also follow suit.

It’s great that you’re hosting a festival in Croydon, somewhere that doesn’t yet have many music events, in comparison to areas in North and East London – will there be a focus on local bands at the festival?
J: There certainly is. We are supporting local talent as well as running a mentoring programme with our charity partner Lives Not Knives. The mentoring programme will be offered to those who have experienced social exclusion and/or victims of crime with a special focus on women in the community.

And for any upcoming bands/artists looking to apply for the festival next year, do you have any tips?
A: Get in early. We plan on launching the new application process a couple of months after this year’s event, so keep an eye on our socials. I guess what we look for are bands that are supportive of the scene in general, and not just focused on their own agenda. If you like other bands’ content, retweet, comment and share, then we want to hear from you. To make a difference in this industry, it’s about working together. We don’t believe in popularity contests of who has the most followers on Twitter. Because that’s kind of bullshit at the end of the day. What counts is how active you are, if we like your music, and think you have potential.

What are you most looking forward to about Cro Cro Land?
J: When it’s finished. Just kidding. I guess once the festival is in full swing we might be able to relax – hopefully!
A: I’m looking forward to the moment before the doors open and everything is in place. It’ll be a real emotional feeling, as I think everything we’ve been through to get here will really hit home.

How do you feel the music industry is for new bands and artists at the moment – would you say it’s difficult to get noticed?
A: The UK is a hard market. There’s many pros and cons. The biggest con is trying to get the big labels to listen. They want bands to have already made it to a certain level before getting involved. The pros are that a huge number of people are saying ‘fuck that’ and creating their own industry. There’s a great network of bands that all support each other, promoters who work their arses off to make shows a success and create noise about the bands. It’s working too and we’re starting to see bands breaking through at long last.

Finally, as we’re a new music focused site, are there any particular new bands or artists from Croydon that you’d recommend we check out?
A: Hmmm, let me see! There’s Jetstream Pony, The Weird Things, Bears in Trees, who are all good fun. As for other bands that we are playing non-stop, check out Tiger Mimic, Kath & The Kicks and Feral Five. We’re a bit in love with all the bands on our bill though.

Thanks so much to Angela and Julie for answering our questions, we can’t wait to see you on 6th April!

Cro Cro Land takes place at Urban Xchange, Croydon (a minute’s walk from East Croydon station) on 6th April. For tickets and line-up details, check out their website.

Listen to our Cro Cro Land favourites playlist here:

Track Of The Day: MIKEY – ‘Love Levitation’

“I make my own rules and break everybody elses” sings MIKEY in their altruistic voice on new track ‘Love Levitation’, taken from their recent EP, Paths. The Berlin-based nightlife icon explores themes of “intimacy, embodying both genders, and living in fear of being stigmatised by society” on their latest record, and it’s a powerful collection of electronic-based pride and defiance.

MIKEY’s performance history is extensive: from small acoustic sets in Australia, to performing with Sink the Pink and creating unique looks that led to a design commission from Rihanna. House music duo Basement Jaxx even invited MIKEY in to the studio for collaboration ‘Walk the Dog’, and MIKEY has recently featured in a film for Depeche Mode’s Global Spirit Tour, directed by Anton Corbijn.

With their list of accolades forever growing, it’s no wonder MIKEY is seeking a love that “must transcend conformity” on ‘Love Levitation’ – as they champion this in both their lifestyle, and their lyrics. After supporting Hercules & The Love Affair in Europe last year, MIKEY will be back on the road this summer. Listen to ‘Love Levitation’ below, and follow MIKEY on Facebook for more updates.

Listen to MIKEY’s EP Paths here.

Kate Crudgington
@KCBobCut

PLAYLIST: June 2018

We’re mid-way through 2018, and we’re ready to share another playlist packed with fresh new sounds for your very eager ears! Take some time to scroll through our track selections, hit play on the Spotify link below, and let your ears fill up with the glorious new sounds of June…

Fever Ray – ‘If I Had A Heart’
Fever Ray were one of the headliners of Field Day this year and it could not have been a better end to the festival, hypnotic beats, terrifyingly warped vocals and an explosive stage performance. Gender bending outfits, with reverberating sound all whipped up together by the psychedelic and endorphin inducing visuals. When this track started I lost my mind – wow wow wow. (Tash Walker)

Catgod – ‘Keep My Promises’
Lead by sibling duo Robin and Catherine, Catgod’s new single interweaves swirling folk-tinged melodies with trip-hop inspired beats. As Robin’s soaring vocals are perfectly complemented by Cat’s exquisite harmonies, it showcases the band’s unique musicality in a cinematic soundscape that’ll captivate on first listen. Heartbeat In My Hand, the debut EP from Catgod, is out 22nd June. (Mari Lane)

Dott – ‘Bleached Blonde’
Galway’s Dott have released the perfect single for girls who love sunshine, surfing, and super-catchy garage pop anthems. The track is taken from their upcoming album Heart Swell, which is set to be released via Graveface Records on 8th June. It’s not on Spotify yet, but you can watch the video for it below. (Kate Crudgington)

S4U – ‘Heart’
‘Heart’ is the latest single London-based duo S4U (Something For You) taken from their upcoming Mixtape Heart 2 Say, which will be released via Different Recordings on 6th July. Looking forward to that a lot… I’m loving S4U’s new low-slung R&B experimental electro with some heavy 90s influences. Of the track S4U says “Curved, Parallel conscious, sub conscious, the synergy of heart and mind generates wise choices that benefit all. In other words as you appreciate that which is appreciating you. It is a wonderful thing to hold someone as your object of attention while you feel that G force Roses in Britain” Lovely. (TW)

The Menstrual Cramps – ‘Make Girls Feel Good’
Combining activism with musical prowess, The Menstrual Cramps provide a captivating force that we all need now more than ever.  With their fist-clenching ferocity, racing catchy hooks and a tongue in cheek wit, they create truly infectious punk-rock anthems. And this track is no exception – an epic dose of empowering energy, with lyrics like “you always look like such perfection that you don’t even need to try”, it’ll leave you feeling good and ready to take on the world. And we CANNOT WAIT to see The Menstrual Cramps headline for us at The Finsbury on Friday(ML) 

Slowcoaches – ‘Found Down’
Having previously captured our hearts with the totally epic, anti-toxic-masculinity anthem ‘Complex’, Slowcoaches are back with a new single. Racing with a seething energy, ‘Found Down’ hits your ears with its scuzzy riffs and the raw, angst-driven vocals of Heather Perkins. Oozing an immense, punk-fuelled power, it’s a perfect blast of raging honesty that we need now more than ever. (ML)

Placebo – ‘Scared Of Girls’
I scored tickets to Placebo’s Meltdown gig at Southbank Centre (curated by Robert Smith) and although this will be the fourth time I’ve seen them (quit bragging Kate), my heart is still beating double time with joy at the prospect of potentially hearing this track live. I imagine this song title accurately describes how most men feel when they see me dancing to it on a night out… (KC)

The Joy Formidable – ‘Dance Of The Lotus’
This is the band responsible for getting me in to alternative music a decade ago, so when I heard new single ‘Dance Of The Lotus’, my inner 18 year old imploded. They’re playing Robert Smith’s Meltdown Festival on the same day as NIN, and they’ll be playing at one of my favourite venues, The Lexington, in August. I missed out on tickets for both, so if anyone wants to help a girl out…I write good reviews… (KC)

Hilary Woods – ‘Inhaler’
‘Inhaler’ is the first single from Hilary Woods’ upcoming debut solo album Colt, which is set to be released via my favourite label Sacred Bones Records on 8th June. It’s a pensive, delicate, melancholy track about her struggles with homesickness, and it’s going to sound beautiful live when ringing out against the walls of St Pancras Old Church on 11th June. (KC)

VTR – ‘Soul To Skin’
‘Soul To Skin’ is taken from Brixton duo VTR’s recently released EP of the same name via Dream Diary. So sultry, so smooth, so seductive. This track reverberates around my ears giving me so much audible pleasure, very excited to hear more from these two in the future. (TW)

Barrie – ‘Tal Uno’
The new single from Brooklyn’s Barrie, ‘Tal Uno’ is filled with jangly hooks and swooning vocals, creating a totally dreamy, twinkling soundscape. As glistening synth-filled melodies glide alongside glitchy beats, it’s impossible not to float away in the shimmering, psychedelic haze that Barrie create. (ML)

ELA Lindsey – ‘Healing Me Slow’
This is the debut track from Nashville’s singer-songwriter ELA Lindsey who found her musical passion later in life starting at the age of 29. She says that by releasing this single she hopes to inspire other women to start their artistic journeys later than the typical industry standard usually allows. ‘Healing Me Slow’ has been firmly stuck in my head over the last couple of weeks, starting with her sweet and gentle vocals, then breaking down into this dark electro synth laden TUNE. With all the hooks and loops I could ever want. INTO IT. (TW)

Tigercats – ‘Candy’s Tailor’
Tigercats’ new single ‘Candy’s Tailor’ is filled with twinkling, jangly melodies and uptempo, calypso-like beats. Flowing with raw vocals and rich layers of sound, it’s an utterly uplifting summer anthem, and I’m already getting pretty excited about seeing these guys at Indietracks Festival next month! Pig City, the new album from Tigercats, is out now. (ML)

Nine Inch Nails – ‘Ringfinger’
I only discovered the true glory of NINs last year (always late to the party, when will I learn?) but I’m seeing Trent Reznor & co twice this month – at Meltdown Festival & The Royal Albert Hall – and I am nerve-shreddingly excited. ‘Ringfinger’ is one of my favourite tracks on 1989’s Pretty Hate Machine, and although they’re unlikely to play it live – I’ll still be bouncing off the walls in anticipation leading up to the gigs. (KC)

Photo Credit: Slowcaoches shot by Priti Shikotra

Track Of The Day: LOTIC – ‘Hunted’

If you’re seeking a “high-camp…very abstract take on Queen of the Damned meets Lost Boys”, then Lotic‘s video for recent single ‘Hunted’ is essential viewing. Directed by Matt Lambert (who gave the above explanation); the dark, sensual, delightfully disturbing set of visuals are the perfect accompaniment to Lotic’s altruistic sound.

The opening lyrics to ‘Hunted’ – “brown skin, masculine frame, head’s a target, actin’ real feminine, make ’em vomit” – provide the perfect context for Lambert’s video:”We had this spontaneous idea of a cursed deity whose strength and sexual energy is fueled by the souls of bougie white boys they seduced, and then murdered ritualistically in a small beach resort town.” This gritty backdrop is made all the more alluring by Lotic’s mesmerising beats and well-crafted electronic sounds.

‘Hunted’ will feature on Lotic’s debut album Power, which is set to be released via Tri Angle Records on 13th July. “It originally started as an empowerment album,” explains Lotic, speaking about their upcoming record. “I felt that I needed to offer something outside of myself, as sort of a healing moment”.

Power will also be released on limited edition vinyl, housed in a die cut sleeve designed by Marwan Kaabour, and will feature a vinyl only exclusive track called ‘Burn A Print’. The album artwork was shot my acclaimed director and photographer Matt Lambert, styled by Rich Aybar and features Lotic wearing clothes designed by Iris Van Herpen.

Watch the video for ‘Hunted’ below and pre-order your copy of Lotic’s Power here.

Follow Lotic on Facebook for more updates.

Photo credit: Matt Lambert

Kate Crudgington
@KCBobCut

Track Of The Day: BLÓM – ‘Skank Witch’

If you’re a fan of Newcastle’s Tough Tits, you’re definitely going to approve of Blóm, who define themselves as “three cute punks playing pure radge shit”. Together; Erika, Liz and Helen (both formerly Tough Tits) create experimental, hardcore noise-punk and they’ve shared a devious example of their abilities on latest single, ‘Skank Witch’.

Taken from the band’s debut two-track EP POWERFRAU/SKANK WITCH – released via Hominid Sounds – the new single and the accompanying track explore themes such as politics, oppression, mental health, abuse, and the idea of being an outsider. Embracing the label of “QT punx” (queer/trans punk), Blóm clash masculine & feminine ideals in both their style and aesthetic, projecting chaos, conflict and discomfort onto their audiences whilst simultaneously asking: “does any of it actually fucking matter?”

The band will support their debut launch with a weekend of UK gig dates, followed
by an extended UK summer tour with Newcastle-based noisemakers Okay Champ (full tour details to be confirmed). Check Blóm’S Facebook page for more details, and listen to ‘Skank Witch’ below.

You can purchase Blóm’s 2 track EP from Bandcamp.

Kate Crudgington
@KCBobCut