LIVE: A.A. Williams – Lafayette, London 04.03.22

After two years of re-scheduling show dates and a tentative return to live music across the UK, London-based songwriter A.A. Williams delivered a stunning performance that showcased her heavy sound in all its glory at Lafayette last night.

A classically trained multi-instrumentalist, Williams’ blending of post-rock and post-classical elements has a hypnotising quality, one that was clearly appreciated by her silent crowd. It’s rare to hear a venue so quiet between songs, but Williams congregation remained devotedly still throughout her set.

Performing songs from her debut album Forever Blue, which she released in 2020, Williams opened the show with an exquisite rendition of ‘All I Asked For (Was To End It All)’. Her soft vocals floated above beguiling keys before heavy riffs and percussion broke the spell and dominated the track’s closing minute. What’s obvious throughout the set is Williams’ and her bandmate’s impressive instinct for volume fluctuation. Her balancing between loud and quiet is the lifeblood of Forever Blue, and it’s something that translates beautifully into a live setting.

Suited in black and playing her guitar in the spotlight, Williams cut a calm and captivating figure, enhanced by her ability to switch from a fragile-sounding exhale of words to a powerful extended vocal. Her voice was occasionally lost in the flood of heavy, feverish sound, but in the moments where it did cut through, it made for intense and cathartic listening, effortlessly elevating the rapturous mood.

It’s hard to pick standout tracks from the set, as Williams’ performance had a whole, defined, cinematic quality to it. Her poignant renditions of ‘Dirt’, ‘Fearless’ and the emotionally raw ‘I’m Fine’ made listeners hold their collective breath, but closing her set with ‘Melt’ was undoubtedly a highlight. The smouldering, brooding track was stripped of its more melancholic feel once the blitz-like volume change kicked in, once again displaying Williams’ and her bandmate’s instincts for intricately cauterizing the ear drums.

Taking time to thank her fans between songs and genuinely appreciative of their applause at the end of the show, A.A. Williams provided an aural tonic of intense, beautifully executed sound at Lafayette, proving that the two year wait to hear her poetic ruminations on Forever Blue was well and truly worth it.

Follow A.A. Williams on bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

Get In Her Ears w/ Piney Gir 21.11.19

Kate was back in the studio this week with guest co-host Beth White. They played a plethora of new music; featuring highlights from ARXX, Bitch Falcon, PONY, Polly Money, The Menstrual Cramps, The Baby Seals, Nomke & Fightmilk.

Piney Gir joined them in the studio to perform acoustic versions of her tracks ‘Dream Catcher’ & ‘Great Pretend’ and for a chat about her recent album, You Are Here. We can’t wait to have her headline our FREE GIHE gig at The Finsbury Pub on Fri 14th Feb 2020 (event details here).

Listen back:

Tracklist
TLC – No Scrubs
Grimes – So Heavy I Fell Through The Earth
Bitch Falcon – Damp Breath
ARXX – You Got What You Want
REWS – Birdsong
Jemma Freeman – Hard Times
PONY – Limerence
Honeymoan – Still Here
Fightmilk – Four Star Hotel
Glacier Veins – Not Gonna Stay
Eilis Frawley – Illusions
Phlake – Baby Steps
Dutch Mustard – Get What You Want
Scrounge – Purpose
Pongo – Quem manda No Mic
Ren Harvieu – Teenage Mascara
Polly Money – Twntys
The Menstrual Cramps – Idols
Deux Furieuses – Let Them Burn
Nomke – Ended (by the morning)
Claire Foxx & The Antisocial Justice Warriors – Problem Child
Breakup Haircut – I Don’t Wanna Do Things
The Baby Seals – My Labia’s Lop-sided But I Don’t Mind
Berries – Written In Paint
Nao – In The Morning
Amy Fitz Doyley – Ears
Avril Lavigne – I’m With You