PLAYLIST: October 2024

The Get In Her Ears team have put together another mix of alt-pop tunes, indie-folk musings, alternative, grunge & shoegaze sounds, punk bangers, eclectic electronic soundscapes and some Halloween themed Gloomy Grrrl tracks for your listening pleasure. Take some time to scroll through our selections below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

PostLast – ‘Halloween’
‘Halloween’ is an apt track to kick off our October playlist with, courtesy of Irish duo PostLast. Lifted from the band’s debut EP, Pull Me Into The Open Sea, released via Veta Records, Julie Hough and Stephen McHale tap into their “childlike sense of wonder” on this track. Through their unfiltered brand of dream-pop, PostLast offer listeners a space to enjoy feeling nostalgic, joyful and melancholic all at the same time.
(Kate Crudgington – Features Editor)

TTSSFU – ‘Studio 54’
I love the dark, cinematic allure of this track from Manchester artist Tasmin Nicole Stephens aka TTSSFU, who has just signed to Partisan Records. ‘Studio 54’ is the final track on her latest EP, Me, Jed and Andy, and it’s inspired by the tumultuous relationship between Andy Warhol and his partner Jed Johnson. I’m so glad this dropped into my GIHE inbox – a new personal favourite for sure. I love the accompanying video too, which you can watch here. (KC)

Skutterfly – ‘Changing Room’
Having won us over playing live for us at The Cavendish Arms last month, First Timers alumni Skutterfly have now shared their debut single. The first song they ever recorded together, ‘Changing Room’ fizzes with a sparkling energy as jangly hooks and ‘90s reminiscent grunge-tinged allure. They’re definitely ones to watch and we can’t wait to hear more!
(Mari Lane – Managing Editor)

HotWax – ‘She’s Got A Problem’
GIHE faves HotWax have announced their debut album with the release of this blistering new single. ‘She’s Got A Problem’ will feature on their LP, Hot Shock, which is set for release on 7th March 2025 via Marathon Artists. Produced by Catherine Marks (boygenius, Wolf Alice), the band put together an all-female team to record the album, which includes input from Steph Marziano (Picture Parlour, Cassandra Jenkins) and Warpaint drummer Stella Mozgawa. We can’t wait to hear their riotous debut record, which you can pre-order here. (KC)

Jæd – ‘Bakkos’
Another knockout single from London based Irish-Puerto Rican musician Jæd. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra at The Shacklewell Arms, and we were all blown away by her stage presence and dynamic vocals and guitar playing. Jæd will be releasing her debut album, I Loved The Gauntlet And There Was No Other Way, on 29th Nov via cult Irish label The Delphi Label. This track, ‘Bakkos’, features on the record and it’s a visceral imaginary tale of indulgence and self-judgement, set within the setting of a chaotic Bacchanalian court. (KC)

Clutter – ‘Jesus’
Recently signed to PNKSLM Recordings, Stockholm quartet Clutter have a sound that’s as cacophonous as their namesake. This track ‘Jesus’ is a noisy blend of their gritty riffs, swirling dual vocals and driving beats. The band will be releasing ‘Jesus’ along with their debut single ‘Holy Brother’ on a limited edition 7″ vinyl on 7th November, which you can pre-order here. (KC)

High. – ‘Catcher’
This latest single from New Jersey shoegazers High. is a glistening rumination on grief, which holds deep personal resonance for the band. It’s the second offering from their upcoming EP, Come Back Down, which is set for release on 24th January 2025 via New York indie label Kanine Records. I love their blend of effervescent vocals, heavy reverb and poetic lyricism. The track is accompanied by a music video, directed by bassist Bridget Bakie and starring drummer Jack Miller, which you can watch here. (KC)

Comic Sans – ‘Mr President’
Having completely blown us away with their immense energy and charisma playing live for us at New River Studios last week, London’s queer emo-punk ones to watch Comic Sans have now shared a raging new single. Propelled by a racing energy and angst-driven power, ‘Mr President’ showcases all there is to love about this exciting new band; a soaring punk anthem delivered with a fierce sense of urgency. Of the track, the band explain: “Mr President is an amalgamation of lyrics derived from grief, and an expression of frustration at the world, blended with band improvisation to create a song that expresses our individuality.” We highly recommend you catch Comic Sans live at the single launch for ‘Mr President’ on 28th October at The Windmill in Brixton – tickets here. (ML)

The Menstrual Cramps – ‘Class War’
A fierce rebuttal against trickle-down economics and the hold that the ruling classes have over society, ‘Class War’ is the latest single from GIHE faves, Bristol’s The Menstrual Cramps. Oozing their trademark seething energy alongside frenzied punk hooks and an immense empowering drive, it offers an rousing call to action to fight back; to join a union and hold those in power to account. Of the track, front person Emilia comments: “Workers rights are being taken away from us at an alarming rate, and the best way to combat this is with collective bargaining and activism…” Watch the new video for ‘Class War’ here. (ML)

Fightmilk – ‘Yearning and Pining’
Another one taken from the upcoming album from absolute faves Fightmilk, ‘Yearning and Pining’ offers a ridiculously catchy tongue-in-cheek love song. Exquisitely fusing together twinkling hooks and anthemic gritty energy with a lilting country twang, the track races with the angsty anticipation of a mega crush. Of the track, front person Lily comments: “(It’s) a two-minute country-punk biscuit about having the cosmic horn for someone. Being so lusty that you give yourself an asthma attack…” And there’s a gloriously DIY accompanying video that was filmed entirely on a doorbell cam. No Souvenirs, the upcoming new album from Fightmilk, is out 15th November via Alcopop! Records. Catch them live to celebrate – details here. (ML)

Daffodildos – ‘What’s Ur Excuse’
Having recently released their debut EP via Not Saints – a pioneering label committed to supporting artists in recovery from addiction – Brighton trans-punk trio Daffodildos have spent the year making a name for themselves, touring the country, delivering important social messages with their trademark playful attitude. Taken from the EP, ‘What’s UR Excuse’ is fuelled by fierce scuzzy hooks, offering a catchy punk anthem raging against the cruelty that society inflicts on animals, and capitalism’s reliance on the suffering of innocent animals for profit. Not My Cup Of Tea, the debut EP from Daffodildos, is out now. (ML)

Man/Woman/Chainsaw – ‘The Boss’
Lifted from their upcoming EP, Eazy Peazy, which is set for release on 7th November via Fat Possum Records, this track from London based art punks Man/Woman/Chainsaw is a grinding, unpredictable exploration of power dynamics. The band have fused electric violin, synths and guitars together to form their heaviest track yet. I remember Brixton trio Alien Chicks recommending Man/Woman/Chainsaw to us when they were guests on our Soho Radio show last year, and after hearing ‘The Boss’, I can see why! (KC)

Lobby – ‘folding out’
Featuring members from Goat Girl and leather.head, South London slowcore trio Lobby have shared a brand new single. Following last year’s ‘in the wall’, ‘folding out’ flows with a twinkling energy as honey-sweet vocals ripple over fuzzy musical layers and a stripped back raw emotion. Of the track, the band explain: ““It’s about the desire to watch the layers someone has built up, unfold, to reveal the core of who they are, and the unquestioning support needed for that process to occur.” (ML)

Queen Of Nothing – ‘How Does It Feel’
I’m so glad this debut single from independent artist Abi Crisp aka Queen Of Nothing dropped into my GIHE inbox. ‘How Does It Feel’ is taken from her soon-to-be-released EP, The Pull, which she recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie). I love her atmospheric guitar tones and her brooding vocals, which shift in volume throughout the track. (KC)

Labyrinthine Oceans – ‘Pinch’
A dark reflection on self autonomy and escaping societal expectations, ‘Pinch’ is the latest single from London/Newcastle dream rock band Labyrinthine Oceans. It’s taken from their upcoming second EP, home, which is set for release in the near future. The band blend grinding riffs, crashing percussion and melancholic vocals in attempt to confront the uncomfortable truths that underline vocalist Julia O’Neill’s lyrics, which give the track its heavy lullaby quality. (KC)

sweet93 – ‘what’s true?’
I love this dreamy offering from New York artist sweet93, fronted by elusive vocalist Chloe. I’m new to her blissed out brand of ambient shoegaze, but after hearing ‘what’s true?’ I’ll definitely be diving into her debut album, All The Same All OK, which she released back in 2021. (KC)

Mi.el – ‘Hers To Own’
The latest single from dream-pop duo Mi.el, ‘Hers To Own’ explores themes of change, personal growth and self-love, offering a sparkling empowering energy. Interweaving a tapestry of different sonic textures, providing the backdrop to rich syrupy vocals, it glistens with an understated uplifting grace. (ML)

Friedberg – ‘Hardcore Workout Queen’
Described by Friedberg’s founding member Anna as an anthem for “the Champion of the slobs”, ‘Hardcore Workout Queen’ is the title track from the band’s upcoming album, which is set for release on 8th November. Juxtaposing upbeat indie-pop rhythms with lyrics about being unmotivated to excel at physical exercise, the track is a playful, relatable reflection on living the lifestyle that suits you – whether that means you’re smashing it in the gym or relaxing with snacks on the sofa. (KC)

God’s Mom – ‘Maddalena’
A new collaboration between Canadian artist Bria Salmena (FRIGS, Orville Peck) and producer/film-maker A.Matthews, God’s Mom create innovative soundscapes combining vocal traditions rooted in Salmena’s Italian heritage with glitchy electro-driven dancefloor beats. Celebrating the power and beauty of the community that the duo found in Toronto and Rome’s club scene, ‘Maddalena’ offers a cinematic cacophony that resonates with a driving energising allure. As It Was Given, the new album from God’s Mom, is out now – exclusively available on Nina. (ML)

foxgluvv – ‘i need to understand but i don’t’
Brighton based DIY pop artist foxgluvv has returned with this brand new single, their first since 2023. Inspired by their journey of self-discovery and the complexities of gender identity, foxgluvv explains that ‘i need to understand but i don’t’ is “more than just a song” to them, it’s their way of supporting their LGBTQIA+ listeners and reminding them not to panic if they haven’t got everything figured out just yet. It’s full of foxgluvv’s hyper-pop beats and catchy lyricism, making it an anxious-yet-euphoric anthem. (KC)

Susi Pagel – ‘Anything Like U’
Self-described as Belfast’s ‘pink pop princess’, Northern Irish artist Susi Pagel is set to release her debut EP very soon, which she worked on with local legend and GIHE fave Rocky O’Reilly. Taken from the EP, ‘Anything Like U’ reflects on the feelings of relief that come from realising you’ve made a lucky escape from a toxic person, and I just love its glistening punk-pop energy. Susi Pagel’s debut EP, can you hear me now?, is set for release next month. (ML)

Moniah – ‘Sweet Escape’
This track from emerging London-based indie pop artist Moniah is all about letting go of what’s holding you back and living in the moment. Through her emotive vocals and lilting alt-pop melodies, she offers her listeners a brief moment of respite from the grind of everyday life. (KC)

Catbear – ‘Carry On’
The latest single from Brighton/London queer duo Catbear, ‘Carry On’ offers a soaring immersive soundscape. Combining elements of ‘80s-inspired synth pop with a gritty post-punk edge, it explores themes of overcoming adversity and pushing through life’s challenges with a captivating ethereal splendour. (ML)

Aisha Badru – ‘Side Of The Moon’
Set to release a new album next month, Nigerian-American artist Aisha Badru has now shared a beautiful new single. Sparkling with a delicate effervescent grace, ‘Side Of The Moon’ reflects on our life’s journey towards healing with a blissful charm. The Sun Still Rises, the upcoming new album from Aisha Badru, is set for release on 29th November via Nettwerk. (ML)

Breymer – ‘When I Get Through’
Set to release their new album, When I Get Through, later this month, Minnesota born artist Sarah Walk aka Breymer creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality as it reflects on a personal journey of self-discovery with a stark honesty, it’s a truly exquisite collection. Breymer is in the UK next month, playing dates in London and Brighton – details here. (ML)

Sunflower Thieves – ‘So Far So Good’
A poignant, relatable tune from Leeds based duo Sunflower Thieves here. Taken from their upcoming EP, Same Blood, set for release on 30th October 30th, ‘So Far So Good’ is a tender exploration on the very human need for connection and the often overwhelming feeling of our own insignificance in the grand scheme of things. Sunflower Thieves deliver these ruminations gently through their considered lyrics and soft acoustic guitar sounds. (KC)

Katie Malco ft. SOAK – ‘Babette’
Another disarming tune from Katie Malco, this time featuring Northern Irish songwriter SOAK. The pair toured the US together in 2023, which SOAK comically recalls as a time they navigated their way through North America with little more than their “drivers’ licences and delusion.” ‘Babette’ is inspired by Malco’s sense of being too much, or not enough, and how this inner conflict transpires into relationships and social situations. The track’s call-and-response style reflects how communication can break down between two people over time, with Malco and SOAK’s emotive vocals hitting a relatable nerve throughout. (KC)

jasmine.4.t – ‘Elephant’
The first UK signee to Phoebe Bridgers’ label Saddest Factory Records, Manchester based musician jasmine.4.t has announced her debut album, You Are The Morning, set for release on 17th January 2025, by sharing this track ‘Elephant’. Inspired by her memories of her first love after she came out as a trans woman, ‘Elephant’ is a moving reflection on how it feels to be friends with someone when you both know you want more. Produced by Julien Baker, Phoebe Bridgers and Lucy Dacus, jasmine’s sensitive lyricism, acoustic and electric instrumentation – plus the wonderful voices of the Trans Chorus of Los Angeles at the close of the track – all combine to create a passionate, buoyant exploration on the complexities and joy of finding your first queer love. (KC)

Miya Folick – ‘Alaska’
Following on from her previous single ‘La Da Da’, LA-based songwriter has shared another beautifully vulnerable offering here. ‘Alaska’ is inspired by her fear of potentially losing her relationship, but she pacifies this pain with the realisation that she would cope if that sadly became a reality. Her raw lyricism, emotive vocals and gentle instrumentation soothe these difficult thought processes, making ‘Alaska’ a tender and cathartic offering. (KC)

Heff VanSaint – ‘Weavers Fields’
Originally from Aberdeen, London based artist Heff VanSaint has just released her new EP Best Days Gone. Of the release, she explains: “It’s not as hopeless as the title suggests. I guess it’s a metaphor for where I am in my life. It starts off very misty eyed and full of longing for what’s gone and then through reflection regains a kind of optimism that is dogged in its hopefulness.” A lovely sentiment, and it is a really beautiful collection of tracks – and I think perhaps I have a particular soft spot for this one as it definitely has shades of The Boss, which is always a good thing in my books. (ML)

Waxahatchee – ‘Much Ado About Nothing’
The latest single from Katie Crutchfield – aka Waxhatchee – ‘Much Ado About Nothing’ flows with the lilting Americana twang and stirring raw emotion that I love so much. The first taste of new music from Crutchfield since her much-acclaimed album Tigers Blood earlier this year, it’s another exquisite offering from one of my absolute favourites. (ML)

Clara Mann – ‘Stadiums’
Having supported the likes of Bill Ryder-Jones and Bat For Lashes, London-based artist Clara Mann has now shared a beautiful new single. Reflecting on the both the beauty and difficulties of loving someone whose passion lies in being creative, ‘Stadiums’ offers a beautifully folk-strewn ballad, flowing with a delicate musicality and the sparkling subtle allure of Mann’s vocals. (ML)

Natalie Fée – ‘Daughter Of Nature’
‘Daughter Of Nature’ is the debut single from Bristol based environmental activist, author and musician Natalie Fée. It’s the eponymous track from her upcoming debut album, which is set for release in 2025. Natalie has expanded her preexisting love of nature through her indie-folk musings, and hopes that this will be a new form of connection to the environment for her listeners too. (KC)

Mark Trecka, Midwife – ‘Witch’s Hat’
Add this plaintive collaboration between Parisian sound artist Mark Trecka and Colorado multi-instrumentalist Midwife to your Halloween playlist NOW! It’s a haunting blend of the pair’s other-worldly vocals, moody electronics and twitchy percussion, which Trecka hopes will resonate with those who are “dreaming and celebrating the other side in this thinning veil season.” I love it. (KC)

Joh Chase ft. Brittany Ann Tranbaugh and Natalie Carol – ‘Gossamer Thread’
The debut collaborative single from LA based songwriter Joh Chase, Brittany Ann Tranbaugh and Valley Queen’s Natalie Carol, ‘Gossamer Thread’ offers a stirring slice of Americana reflecting on themes of interconnectedness, fragility and resilience. Shimmering with a catchy, lilting musicality, a heartfelt raw emotion ripples throughout, demanding multiple listens. ‘Gossamer Thread’ is out now via legendary label Kill Rock Stars. (ML)

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PLAYLIST: September 2024

The Get In Her Ears team have put together another mix of indie anthems, alternative & shoegaze sounds, punk bangers, alt-pop tunes and eclectic electronic soundscapes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’ is another seething offering from punks on the rise Lambrini Girls. Following raging singles ‘God’s Country’ and ‘Body Of Mine’, it’s propelled by a fierce racing energy and ferocious sense of urgency, once again cementing Lambrini Girls as a truly formidable force to be reckoned with. Lambrini Girls will be heading off on their biggest headline tour yet next Spring. Tickets and info here.
(Mari Lane – Managing Editor)

Glixen – ‘Sick Silent’
I’m fully crushing on this crushing piece of heavy shoegaze from Arizona-based band Glixen. Vocalist Aislinn Ritchie’s melancholy voice floats over spiralling, intensely distorted riffs, shrouding listeners in a chasm of intoxicating noise. I’m looking forward to hearing the EP Glixen are currently working on with producer Sonny DiPerri (My Bloody Valentine, DIIV)
(Kate Crudgington – Features Editor)

Slung – ‘Neurotic’
Having completely blown us away playing for us at the Sebright Arms earlier this year, grunge-tinged supergroup Slung (featuring members of Sit Down, The Death Of Us and InTechnicolour) have now released their debut single. Building with an ominous tension, ‘Neurotic’ ripples with a haunting energy, finally culminating in an fierce climax of raging catharsis. Of the track, front woman Katie explains: “The song is a series of small moments from my life that have been representative of this more encompassing overall fear of disempowerment and relinquishing control… A recurring dream of being born with superpowers, but then one day, when everyone’s counting on you, your power just disappears and and you have no idea how to bring it back.” (ML)

Bonnie Trash – ‘Kisses Goodbye’
Bonnie Trash – led by Canadian-Italian twin sisters Emmalia and Sarafina Bortolon-Vettor – have amplified their darkened post-punk anthems by inviting their longtime friends Emma Howarth-Withers (bass) and Dana Bellamy (drums) to join their line up. As a four piece, the band are able to double down on the intensity of their sound, which explores shadowy emotions like grief, heartache and loss. It’s these experiences that have shaped Bonnie Trash’s recent EP, My Love Remains the Same, which is out now via one of my favourite labels Hand Drawn Dracula. (KC)

dethcaps – ‘Wave Goodbye’
This track from San Francisco grunge band dethcaps is an intense reflection on depression and suicidal thoughts. By blending their raw, observational lyricism with hazy melodies and swirling riffs, the band hope to inspire connection and empathy when it comes to the complexities of these issues. “It’s not just a song,” the band explain, “it’s a conversation starter and a powerful statement on the realities of mental health.” (KC)

ARXX – ‘Swim’
Written after Hanni came out as non-binary last year, ‘Swim’ is the latest single from total faves ARXX. A song dedicated to empowering trans people with their gender journeys, it offers a swirling euphoric ode to trans joy and being able to be your true self; reminding those currently coming to terms with their gender identity that it does get better. Hanni explains: “The world currently doesn’t feel like a very safe place to be trans, and for that reason a lot of the dialogue around trans issues is really scary and saddening. Those stories are so necessary, but with ‘Swim’ I wanted to take a minute to express the joy that comes with learning yourself and feeling love from your community around you.” I’ve had this song on repeat all week, crying and smiling and just being so grateful that ARXX exist. I can’t wait for their new album, Good Boy, which is out a week today (pre-order here) and I’m super excited to see them live again at Lafayette on 6th November! (ML)

SASAMI – ‘Slugger’
I’m eternally impressed by the way SASAMI can switch between folk, metal and pop music and make it look and sound totally seamless. I had her genre-blending album, SQUEEZE, on repeat when she released it back in 2022, but her recent singles ‘Honeycrash’ and ‘Slugger’ are now becoming new favourites of mine. I’m thrilled that she’s reclaiming pop music in her own way and using it to explore her gender, sexuality and romantic relationships, developing her own sense of self within this process. ‘Slugger’ will feature on her excellently titled new album, Blood On The Silver Screen, which is set for release on 7th March 2025 via Domino. SASAMI will also be in the UK in October playing two headline shows – The Lower Third in London on the 29th and Yes in Manchester on the 30th. (KC)

CATBEAR – ‘Grow Up’
The second single of the year from London-Brighton queer duo Catbear, ‘Grow Up’ offers an ‘80s-tinged synth-pop anthem reflecting on the struggles of being an underachieving millennial. Propelled by sizzling beats and a searing gritty energy, it’s another example of the instantly infectious genre-defying creations that Catbear are able to captivate our ears with. Of the track, they explain: “Plenty of songs are written about being a teenager, even about the progression into early adulthood, but hey, we’re in our 30s now. This is life in England in 2024 for us – maybe some people can relate.” (ML)

Roller Derby – ‘Ready To Forget’
Embodying a sparkling bittersweet mix of joy and melancholy, ‘Ready To Forget’ offers an intimate reflection on coming to terms with the end of a relationship; beautifully interweaving raw textures with the stirring empowering energy of its harmonious choruses. Bringing a fresh energy to the German duo’s ever-evolving sound, I love its swirling, gritty allure. Roller Derby release their debut album on 28th February next year and will be celebrating with a little trip to the UK next May, including dates playing for us in London and Brighton. info & tickets here! (ML)

Georgia Gets By – ‘Split Lip’
‘Split Lip’ is the woozy, intoxicating title track from Georgia Gets By’s recent EP. The solo project of New Zealand artist Georgia Nott, who has spent the last decade fronting electronic pop project BROODS, under her new moniker Notts explores the diverse nature of true intimacy and the sting of rejection, all inspired by the end of her first queer relationship. (KC)

Soft As Snow – ‘Palms’
Berlin-based Soft As Snow are back with a hypnotic blend of experimental trip-hop sounds on their latest single ‘Palms’. Taken from their third album, Metal.wet, which is set for release on 8th November via Beacon Sound, it’s the first taste of what’s to come from this dynamic duo who create ethereal-yet-edgy soundscapes. (KC)

Freak Slug – ‘Spells’
The latest single from Manchester artist Xenya Genovese aka Freak Slug, ‘Spells’ fizzes with a glitchy, quirky energy and sultry allure, offering an instant earworm that’ll have you hooked on first listen. ‘Spells’ is taken from Freak Slug’s upcoming debut album, I Blow Out Big Candles, which is set for release on 8th November via Future Classic. (ML)

Pom Pom Squad – ‘Street Fighter’
Ahead of the release of their new album next month, Pom Pom Squad have now shared a fierce synth-driven new single. Oozing a sizzling energy, it offers a racing slice of pop-punk complete with an infectious tongue-in-cheek sense of fun. (ML)

Urge Surfer – ‘Glass Ceiling’
New York electro-pop duo Urge Surfer released their latest EP, Alphabet Archive, at the end of August, and this track ‘Glass Ceiling’ features on the record. Together, Jordan Smith and Chelsea O’Donnell explore gender dysphoria, their evolving identities and embracing change on their new offering, all underscored by their atmospheric synth textures. (KC)

Dogviolet – ‘Violets’
Although it may seem like Dogviolet have been around for a while now (they actually played their first ever gig for us back in 2022!) they are only now releasing their debut single. And it’s been worth the wait. Oozing a soaring celestial splendour and seething raw emotion, it offers a stirring tale of queer awakening and young love. Dogviolet will celebrating the single’s release with a night of Sapphic joy next Wednesday 2nd October. Limited tickets left on Dice! (ML)

Miya Folick – ‘La Da Da’
The latest single from LA artist Miya Folick, ‘La Da Da’ follows her 2023 album, Roach. Rippling with a raw emotion and twinkling sense of vulnerability, it delves into themes of identity and desire, as it builds with a lilting energy to a beautifully shimmering ballad. Folick reflects: “I was slowing down, saying no, responding when I actually had an answer, and asking for the things I specifically desired rather than the things I thought I was supposed to want.” (ML)

Soccer Mommy – ‘Driver’
Described as a “testament to her spaciness and indecision” this latest single from Nashville indie artist Soccer Mommy is all about embracing your flaws. ‘Driver’ is taken from her upcoming album, Evergreen, which is set for release on 25th October via Loma Vista. Soccer Mommy has mined her innately raw songwriting techniques on her new record to help her move through the lingering effects of personal loss. I’m looking forward to hearing the LP in full. (KC)

Our Girl – ‘What You Told Me’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album in November. Ahead of the album’s release, and following previous offerings ‘Relief’, ‘Something About Me Being A Woman’ and album title track ‘The Good Kind’, latest single ‘What You Told Me’ reflects on the heartbreak of seeing illness affect someone you love, and the joy that can come in the moments of respite. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, it fizzes with a stirring raw emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind, the upcoming album from Our Girl, is set for release on 8th November via Bella Union. Pre-order here. (ML)

Sassyhiya – ‘Boat Called Predator’
Having charmed us playing live for us at both the Shacklewell Arms and Matchstick Piehouse last year, London-based faves Sassyhiya have now announced that their debut album will be released in November. Propelled by a jangly energy and the band’s trademark twinkling lighthearted uplifting charisma, latest single ‘Boat Called Predator’ is named after a boat that Kathy and Helen saw being towed while they were travelling through Scotland. Take You Somewhere, Sassyhiya’s debut album, is due for release on 8th November via Skep Wax Records. (ML)

Fightmilk – ‘That Thing You Did’
The latest single from their upcoming new album No Souvenirs, ‘That Thing You Did’ showcases all there is to love about total faves Fightmilk. Exploring post break-up feelings of trying (and refusing) to forgive and forget, it’s propelled by the band’s trademark scuzzy energy, creating an instantly catchy slice of perfect punk-pop that’s angsty and uplifting in equal measure. No Souvenirs, the upcoming third album from Fightmilk, is out on 15th November via Alcopop! Records. Catch them live on tour to celebrate. I can’t wait to see them that night at Paper Dress Vintage. Tickets and info here. (ML)

NEXT TO NADA – ‘MOTHS’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their latest single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ recent EP, WHINE // MOTHS, a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Split Chain ft. Softcult – ‘(Re)-Extract’
I am obsessed with this heavy collaboration between two of my current favourite bands: Bristol noise merchants Split Chain and Canadian shoegaze duo Softcult. With it’s blistering riffs, crashing percussion, gauzy vocals and screams; it’s pure Gloomy Girl territory and I LOVE it. (KC)

A.A. Williams – ‘SPLINTER’
Currently on her debut tour of the United States, London based heavy songwriter A.A. Williams has shared this potent new lament. ‘Splinter’ masterfully blends Williams’ tentative piano keys with thundering riffs and crashing percussion to create a cathartic four and a half minutes of doom-tinged, atmospheric sound. She will be returning to the UK to appear on the main stage at Damnation, Europe’s largest indoor metal festival, at Manchester’s BEC Arena on 2nd November. (KC)

Divide and Dissolve – ‘Monolithic’
Newly signed to Bella Union, ‘Monolithic’ is the latest single from Divide and Dissolve, the heavy instrumental project of Takiaya Reed. Her haunting saxophone notes collide with a cacophony of cymbal smashes and gargantuan riffs to create a sonic prayer for “systems of liberation, freedom, Indigenous sovereignty and for a Black future.” Reed is set to release a new album in 2025, the heavily anticipated follow-up to Divide and Dissolve’s fourth LP, Systemic, out now via Invada. (KC)

Zamilska ft. husky – ‘Odyssey’
I was excited to see this track by Polish electronic artist Zamilska drop into my inbox earlier this month. Taken from her upcoming album, United Kingdom Of Anxiety, which is set for release on 4th October via Untuned Records (Zamilska’s own label), this track is an intoxicating post-apocalyptic soundscape that totally enraptures the senses. Zamilska will be supporting the inimitable Kim Gordon on her upcoming European tour. Full dates can be found here. (KC)

Bambie Thug – ‘Hex So Heavy’
Described as “a witches siren” and “a warning” to those who have crossed them, I’m hooked on this seething slice of genre-defying noise from Ireland’s Bambie Thug. The artist’s potent desire to reek havoc on those who have underestimated them is personified in the track’s accompanying visuals, which see Bambie take on the form of a foreboding arachnid creature. The artist is currently on the European leg of their ‘Crown The Witch’ tour, supported by devious duo The Darklings for the majority of their dates, with the addition of my older brother’s band – Northampton industrial/electronic project Drownd – for their show in Amsterdam on 8th October! (KC)

Toya Delazy – ‘Eazy’
I was gutted to have missed Toya Delazy’s collaborative performance with GROVE and Taliable when I was at Supersonic Festival in Birmingham last month, but I’m glad this single from the South African Zulu artist dropped into my inbox shortly afterwards. “This song is a story about someone who climbed into their own grave looking for hope,” Delazy explains. “It’s about taking a hard situation and making it work in your favour. Leaving South Africa as a Zulu girl to go to Britain to sing Zulu songs was seen as suicide, given the history we have with the British, but I really believed in the power of collaboration and diversity, even though the world today weaponises our diversity against each other.” I love Delazy’s distinctive vocals, which flow over frenzied beats and glitchy electronics here. (KC)

45AcidBabies – ‘Love Me 10der’
The return of Dutch garage pop-punks 45AcidBabies, ‘Love Me 10der’ sizzles with whirring riffs as the band offer a colourful retaliation to tax authorities and the powers curtailing our rights; an empowering ode to ‘painting the world pink’ and building community. (ML)

SOPHIE ft. Hannah Diamond – ‘Always and Forever’
Late, great producer and trans pioneer SOPHIE’s eponymous new album has been released, and what a joy it is to have it in existence. The posthumous LP showcases just how essential and innovative SOPHIE’s creations were, put together by her brother and longtime producer Benny Long. Featuring Hannah Diamond, single ‘Always and Forever’ was recorded in London during the 2020 lockdowns and turned out to be the last time that she would see her friend SOPHIE. A glistening and heartfelt offering, listening to it you can’t help but feel that SOPHIE is still with us, continuing to influence the pop landscape with her unique spirit and sound. SOPHIE, the posthumous release, is out now via Transgressive and Future Classic. (ML)

Elsa Hewitt – ‘Poiselle’
I’m such a big fan of Elsa Hewitt’s ambient electronic creations. This track is taken from her upcoming album, Dominant Heartstrings, which she will be releasing in the near future. I’m still spinning her previous LP, Chaos Emeralds – but I’m excited to hear more of her wonderful synth and vocal loops on this new record. (KC)

heka x Saint Jude – ‘Swallow’
‘Swallow’ is one serene part of a beautiful collaboration between South London left-field musicians heka and Saint Jude. Released via Slow Dance Records, the cinematic track melts heka’s atmospheric gothic-folk influences into Saint Jude’s gentle, celestial ruminations. You can listen to their equally as captivating companion piece ‘In Your Garden’ here. (KC)

Half Waif – ‘The Museum’
The new single from Nandi Rose aka Half Waif, ‘The Museum’ is taken from her upcoming new album, See You At The Maypole, a stunningly heartfelt collection, written after Rose experienced a devastating miscarriage. Flowing with an effervescent grace, this single offers a stirring reflection on climate catastrophe and the irony of the idea of museums “preserving pieces of furniture in a pristine, white-walled space when outside, everything is collapsing.” See You At The Maypole is set for release on 4th October via ANTI-. (ML)

Dawn Richard & Spencer Zahn – ‘Diets’
Lifted from their upcoming second collaborative album, Quiet In A World Full Of Noise, ‘Diets’ is a dreamy offering from New Orleans R&B singer Dawn Richard and New York composer Spencer Zahn. Throughout the track, Richard draws parallels between cutting out harmful relationships and losing weight, all underscored by Zahn’s tentative and considered keys. Their new record looks set to be a deeply emotive collection of songs, set for release on 4th October via Merge Records. (KC)

Dear Pariah – ‘KOKO’
This is an exquisitely emotional, tender offering from independent artist & former GIHE radio guest Charlie Hinchcliff aka Dear Pariah. ‘Koko’ will feature on her upcoming EP, The Weeper Takes, which is set for release in October by the excellent Trapped Animal Records. The tracks are inspired by Hinchcliff’s ongoing struggle with her chronic illness multisystem Sarcoidosis, her sobriety and the literal weeping that sometimes occurred when she was recording and writing her music. Watch the accompanying video for ‘KOKO’ here and catch Dear Pariah live at St. Pancras Old Church on 1st November. Ticket link here. (KC)

Sephine Llo – ‘Rest With Me’
An ethereal lament for her late husband Robert, this single from multi-instrumentalist Sephine Llo is a remarkably poignant, shape-shifting piece of work. Taken from her upcoming album, Diamond Fall, which is set for release on 25th October – the date of the couples 10th wedding anniversary – the track features samples from a song Robert wrote as a teenager, seamlessly woven into Sephine Llo’s gentle instrumentation and guided by her yearning vocals. (KC)

Gazelle Twin – ‘Two Worlds’ (Keeley Forsyth Ghost Version)
A glitchy, haunting form of musical possession; Keeley Forsyth’s remix of Gazelle Twin’s track ‘Two Worlds’ enhances the shudder inducing atmosphere cultivated by the original offering. Forsyth’s “Ghost” version features on Shadow Dogs, a brand new album of reworkings and reinterpretations of songs from Gazelle Twin’s acclaimed fourth album, Black Dog. The new LP will be released on 18th October via Invada, and features contributions from Gary Numan, Penelope Trappes, BEAK>, Marta Salogni and more of Gazelle Twin’s talented collaborators. (KC)

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PLAYLIST: October 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

deep tan – ‘xenomorph queen’
Having been a big fan of deep tan for a few years now, I’m excited to see that – following last year’s diamond horsetail EP – they’re back with a brand new single, and new line-up, ahead of their live shows supporting QOTSA on tour next month. Reflecting on themes of matriarchy, queer parenting and sapphic love, ‘xenomorph queen’ oozes all the discordant immersive allure that we’ve come to know and love from the trio. Instantly captivating the senses with its mystical ethereal majesty, it showcases deep tan’s ability to create their own truly unique brand of other-worldly angular post-punk. Watch the video for ‘xenomorph queen’ here.
(Mari Lane – Managing Editor)

Fräulein – ‘The Last Drop’
Is it even a GIHE playlist if we don’t include a track by Fräulein? (No, it’s not). Joni & Karston have shared this excellent single via Submarine Cat, which Joni says is inspired by the “manic uncertainty, the confusing, exasperating and self-destructive patterns that you can fall into after the end of a relationship”.
(Kate Crudgington – Features Editor)

Grrrl Gang – ‘Cool Girl’
Indonesian riot grrrl group Grrrl Gang have been a rising force in the Southeast Asian music scene since their formation in 2016, and are now commencing their world takeover with the recent release of their debut album. Having been featured in the likes of NME and Spin, with the album, Grrrl Gang showcase their ability to fuse together their empowering riotous punk energy with a poignant raw honesty and relatable fizzing emotion. Uplifting and cathartic in equal measure. Spunky, the debut album from Grrrl Gang, is out now via Trapped Animal, and via legendary label Kill Rock Stars in the US. (ML)

HotWax – ‘High Tea’
Another anthem from GIHE faves HotWax, taken from their recently released EP, Invite Me, Kindly. Vocalist Tallulah explains: “‘High Tea’ is about two people in your life who are very close to you but don’t mix well, leaving you in the middle feeling torn. It’s a conversation that has gone on for too long, you have to spit out your doubt and let your bad feelings leave you. It’s a song for people to let go and be free.” (KC)

LipGloss – ‘Anna (Walks Along The Street)’
Recorded at Start Together Studios with GIHE fave Rocky O’Reilly, ‘Anna (Walks Along The Street)’ is the new single from Belfast band LipGloss. Oozing a sparkling dark majesty, and building with a scuzzy anthemic splendour, it reflects on the band’s own personal experiences of growing up in Northern Ireland with a raw impassioned energy; reverb strewn riffs colliding perfectly with the immense soaring vocals. I can’t wait to hear more from this lot! (ML)

Dermabrasion – ‘Halberdier’
**NEW FAVOURITE BAND ALERT**
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, the track is a heavy, brooding gothic anthem that rumbles with discontent. Perfect listening for Halloween (or anytime of the year tbh). (KC)

Slothrust – ‘Pony’
I’m not sure I’ve talked enough about my obsession with Slothrust on GIHE yet, but – having been a fan for a few years – seeing them live in New York last year just completely took my breath away. I was totally captivated by their scuzzy, raw emotion and the utterly immersive, no-frills charisma of front-person Leah Wellbaum. They’ve just released a new EP, I Promise, which includes this fiercely seductive cover of Ginuwine’s ‘Pony’, along with three other versions of the track, my favourite being the extended version: 15 minutes of pure swirling joy. With a couple of wonderful new original tracks too (plus a magical cover of ‘Somewhere Over The Rainbow’), the EP showcases all there is to love about Slothrust. (ML)

Chelsea Wolfe – ‘Whispers In The Echo Chamber’
A potent blend of shadowy industrial sounds and her trademark captivating vocals, Chelsea Wolfe’s latest single is accompanied by the news that she’ll be releasing her seventh album, She Reaches Out To She Reaches Out To She, via Loma Vista on 9th February 2024. ‘Whispers In The Echo Chamber’ is a heavy rumination on trusting your inner voice and following your own intuition. Wolfe is “bathing in the blood of who [she] used to be” – cleansed and cutting as ever. (KC)

Vyva Melinkolya & Midwife – ‘Doomer GF Song’
I’ve made no secret of my admiration for the sounds that Vyva Melinkolya & Midwife make together, and this track is another perfect example of the unique symbiotic musical relationship they share. ‘Doomer GF Song’ – what a title, and what a sound. (KC)

Atka – ‘Eye In The Sky’
Set to release her debut EP next month, London-based, Brandenburg-born artist Atka creates captivating cinematic soundscapes. This first taster of the EP, ‘Eye In The Sky’ shimmers with a dark, haunting energy, reflecting on the social construction of identity. A stirring offering showcasing the beguiling majesty of this innovative artist. The Eye Against The Ashen Sky, the upcoming debut EP from Atka, is out on 3rd November. Catch Atka live in London on 7th November at Studio 9294. (ML)

body / negative – ‘persimmon’
An exquisitely gloomy piece of ambient shoegaze from body / negative, the solo project of multi-instrumentalist Andy Schiaffino. ‘Persimmon’, is taken from their upcoming album, Everett, which is set for release on 8th December. The record is inspired by love, loss and grief, following the death of their Father, featuring contributions from Midwife and Amulets – two of my favourites. I can’t wait to hear it. (KC)

GENN – ‘The Sister Of’
Lifted from their debut album, unum, released via their own label Liminal Collective, this is another dynamic offering from Malta-via-Brighton art punks ĠENN. Their album is a cell-tingling listen, inspired by deep empathy and feelings of otherness. Read more about it and watch the stunning accompanying video for ‘The Sister Of’ on our website here. (KC)

070 – ‘Black Dress’
I am OBSESSED with this track from 070 Shake, which is equal parts moody and euphoric. She’s going to be releasing a new album soon and I cannot wait to hear it. (KC)

Coolgirl – ‘Druid’s Hood’
Another sensational electronic offering from GIHE fave Lizzie Fitzpatrick aka Coolgirl. Inspired by the sounds on vintage video games, ‘Druid’s Hood’ is taken from the Dublin-based artist and producer’s upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records. (KC)

Echo Juliet – ‘Life On Trains’
This is the latest single from Birmingham-based electronic musician Echo Juliet, taken from her debut 7 track mini-album, Abandon Reality, out now via her new label Invisible IDs. This track – written entirely on a train – is a hypnotic, electronic minimal groove. Speaking about the track, Echo Juliet explains: “I’ve spent a lot of time on the train for work and wanted to capture the feelings that gives me. The groove has a kind of rolling, perpetual forward motion but I was also feeling exhaustion, listlessness and a sense of inevitability that I tried to capture in the melody” Such a vibe! Read Echo Juliet’s Five Favourites feature on our website for more insight into her music. (Tash Walker – Digital Editor)

Janette King – ‘Nah Mek Me Fall’
An end-of summer track drawing On Janette King’s Caribbean roots, incorporating patois into her lyrics layered over those infectious beats, ‘Nah Mek Me Fall’ is perfect for this hazy October sun. A celebration of identity and a testament to the power of music in conveying the tangled journey of love and uncertainty. (TW)

Rubie – ‘Sicily’
This was my track of the show for our October Soho Radio show. It comes from Rubie, who describes herself as a songstress, producer, multi-instrumentalist and unbridled trans voice from south London. I first encountered Rubie as a member of Jenny Moore’s Mystic Business and of course the fantastic F*Choir. But this is Rubie in her solo iteration here, fresh off her new EP release, Whatever Cage – totally mesmerising. Rubie will be opening for Living Body on 2nd November at New Cross Inn, and playing an in-store lunchtime gig at Dash the Henge on 4th Novemeber, which will also go out live on Resonance FM, all ahead of the EP launch party on 30th November at Walthamstow Trades Hall – see you there! (TW)

Caleb Nichols – ‘Demon Twink’
California-based poet and musician Caleb Nichols creates beautifully poignant indie-pop ballads with a lilting heartfelt energy reminiscent of the stirring offerings of Elliott Smith. I was lucky enough to catch Caleb live at The Cavendish Arms this Spring and am very much looking forward to having them play for us at Matchstick Piehouse on 1st December, along with adults and Gay Skeleton Club. Grab a ticket here. Their latest album, Let’s Look Back, is out now via Kill Rock Stars. (ML)

ME REX – ‘Jawbone’
Having just released their debut album, ME REX continue to win my heart with each new offering, and latest single ‘Jawbone’ is no different. I just can’t get enough of the swirling emotion oozing from their stirring lyrical storytelling with their trademark glistening musicality and impassioned energy. Giant Elk, the debut album from ME REX, is out now via Big Scary Monsters. (ML)

Francis of Delirium – ‘First Touch’
Produced by Catherine Marks and released via Dalliance Recordings, this truly dreamy track is all about those initially heady moments of love or lust. Francis of Delirium will be playing a headline show at the Lexington in London on 15th November. (TW)

Coco – ‘Mythological Man’
Formed in 2019, LA trio Coco have just announced the release of their second album. Out first taster of the album is ‘Mythological Man’; a reflection on common ‘masculine’ archetypes, it offers a blissful dose of lilting indie-pop. Rippling with luscious hooks and the honey-sweet vocals of Maia Friedman, it’s a dreamy soundscape, oozing subtle playful wit -visualised perfectly in the accompanying self-directed video. Simply titled 2, the upcoming second album from Coco, is set for release on 1st March 2024 via First City Artists. (ML)

Maple Glider – ‘Don’t Kiss Me’
Australian artist Tori Zietsch aka Maple Glider has just released her brand new album, I Get Into Trouble. Offering a poignant reflection on her Christian upbringing, reflecting on themes of shame, consent and sexuality, it’s a truly stirring collection of starkly honest, yet delicately beautiful, compositions. Flowing with a glistening musicality as the heartfelt crystalline splendour of Zietsch’s vocals ripples with raw emotion, the album showcases her ability to reflect on potentially difficult subject matter with an immersive cathartic grace and shimmering majestic allure. Read our recent interview with Maple Glider here. (ML)

Sheherazaad – ‘Mashoor’
The debut single from New York based artist Sheherazaad, ‘Mashoor’ reflects on her South Asian sonic lineage; drawing on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. Watch the stirring accompanying video for ‘Mashoor’ here. (ML)

Gazelle Twin – ‘Fear Keeps Us Alive’
This Gazelle Twin track, taken from her recently released fourth album Black Dog, spotlights once again what an instinctive, shape-shifting artist she is. Released via one of my favourite labels INVADA Records, this single and her new record are partially inspired by her childhood experiences with the paranormal, which makes for perfect listening this October. (KC)

Hilary Woods – ‘Burial Rites’
Following on from her poignant rumination ‘Where The Bough Has Broken’ – an atmospheric ode to communal growth and memory – Irish artist Hilary Woods has returned with another hypnotic instrumental titled ‘Burial Rites’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is a magnetic, gloomy cogitation inspired by the Gaelic Celtic ritual of Keening; a traditional form of vocal lament when mourning for the dead. (KC)

 

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LISTEN: GIHE on Soho Radio with Hinako Omori (16.10.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. Artists featured on the eclectic playlist included Phoebe Troup, Coolgirl, Bas Jan, 070 Shake, Echo Juliet, Slothrust, Janette King, Rubie, Projector, Kloxii Li, GENN, body/negative and more.

London-based multi-instrumentalist Hinako Omori also came into the studio to chat about her upcoming second album, stillness, softness…, which is set for release via Houndstooth on 27th October. She reflected on what inspired her to write the record, how it differs in sound from her 2020 debut full length album, a journey…, and her upcoming anticipations for her live show at London’s ICA on the 2nd of December. Grab a ticket here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 13th November from 12-2pm!
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
SOPHIE – Immaterial
Janette King – Nah Mek Me Fall
Francis of Delirium – First Touch
Phoebe Troup – Worm Dance
Coolgirl – Druid’s Hood
070 Shake – Black Dress
Echo Juliet – Life on Trains
Gabriel Gifford, Aphty Khéa – Voice From The Wind
Mica & The Midnight Blue – Human Beings
Livia – Glue
Franny London – Funny Girl
Hinako Omori – ember
**Interview with Hinako Omori**
Kloxii Li – Angel Dust
body / negative – persimmon
Chelsea Wolfe – Dusk
Twin Rains – Laws Of The Universe
Projector – And Now The End
GENN – The Sister Of
Rubie – Sicily
Glass Isle – Pols d’Ombres
Slothrust – Pony
Comic Sans – Winter In Sokcho
Clementine Valentine – Selenelion
Bas Jan – No More Swamp
Amy Winehouse – October Song

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