PLAYLIST: February 2021

We’ve made it through the first two months of 2021! Despite the current lockdown here in the UK, the GIHE team have been busy unearthing more new music gems to help you get through these long and tedious days. We’ve put together an eclectic mix of alt-pop gems, atmospheric electronics and gritty guitar tunes on our February playlist.

Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post. Follow GIHE on Spotify to hear all of our previous playlists too.

 

Scrounge – ‘Leaking Drains’
The new single from South East London duo Lucy and Luke – aka Scrounge – ‘Leaking Drains’ offers a stark soundscape reflecting on the state of society at the moment. Propelled by Lucy’s raw, snarling vocals and slashing guitar alongside Luke’s immense, thrashing beats, it builds to a colossal cacophony before coming to a disconcerting, abrupt end – only adding to the stirring tension that has built up throughout. Oozing a ferocious power, the duo have created something that is striking both in its jarring potency and rage-driven force.
(Mari Lane – Managing Editor)

HAVVK – ‘Home’
The first single to be shared from HAVVK’s upcoming new album, ‘Home’ is a stirring reflection on appreciating those closest to you. Propelled by a shimmering ethereal fuzz, the track showcases the soaring celestial majesty of front woman Julie’s vocals, as they float with an impassioned splendour over scuzzy hooks and a gritty, driving energy. Fusing together tinges of ’90s grunge-fuelled angst with twinkling shoegaze sensibilities and the band’s own unique poignant grace, it’s a truly captivating soundscape. (ML)

Softcult – ‘Another Bish’
Informed by their love of Bikini Kill and Smashing Pumpkins, alternative duo Softcult blend atmospheric guitars, energetic percussion and bittersweet vocals to create their hazy, antagonistic sounds. Formed of Ontario-based twin sisters Phoenix and Mercedes Arn Horn, this single ‘Another Bish’ was born from their desire to resist and relieve the pressures of existing in a patriarchal music industry. I had a lovely chat with the grrls over Zoom a few weeks ago which you can read here.
(Kate Crudgington – Features Editor)

New Pagans – ‘Harbour’
A tenacious celebration of women’s strength and resilience throughout pregnancy and childbirth, New Pagans’ latest single ‘Harbour’ is based on the experiences of vocalist Lyndsey McDougall’s pregnancy with her own daughter. Full of the Belfast band’s trademark urgent riffs and catchy melodies, it’s an empowering examination of the fears and triumphs that accompany this unique time in a woman’s life. I can’t wait to hear New Pagans’ debut album, The Seed, The Vessel, The Roots and All, when it’s released on 19th March. (KC)

Grandmas House – ‘Always Happy’
A thumping post-punk anthem that seethes with sardonic wit, ‘Always Happy’ is the latest single from Bristol-based trio Grandmas House. Released via Brace Yourself Records, the track is a raucous juxtaposition of the confident image we project externally to others, when internally we often feel the complete opposite. (KC)

Pretty Happy – ‘Salami’
A wise-cracking anthem about the complexities of processed meat, ‘Salami’ is the new single from Cork art-punk trio Pretty Happy. Full of sarcastic lyrics, gutsy vocals and crashing percussion, the track is a ridiculously good off-kilter banger that rambles through the band’s many absurd thoughts and feelings about the pork-based snack. (KC)

Hadda Be – ‘Another Life’
Complete with a refreshed line-up and new name, Hadda Be (formerly Foundlings) bring their shimmering joy to latest single ‘Another Life’. Despite the track’s somewhat melancholic sentiment – “it covers me in worry, now that’s all I ever know” – it’s buoyed by an infectious jangling energy as scuzzy hooks whirr alongside frenetic beats and Amber’s rich vocals. An uplifting slice of indie-fuzz-pop that’ll leave you longing to dance along to its sparkling sounds live. (ML)

Lauren Auder – ‘Heathen’
“I think this may be my favourite song I’ve ever worked on,” explains London-based songwriter Lauren Auder about this track, and I can see why. ‘Heathen’ is actually my first introduction to her sound, but what an intro it is! It mixes everything I love about electronic music – yearning vocals, urgent beats, rapturous synths and guitar noises – it’s all here and it gives me goose bumps every time I listen. Definitely check out Auder’s new EP, 5 Songs For The Dysphoric, if you’re into this. (KC)

Tyler Holmes – ‘Nothing’
I’ve only recently become acquainted with Tyler Holmes, but I have fast fallen in love with their poignant, affecting and utterly unique sweeping electronic soundscapes. Holmes has spent a lifetime crafting their own Black, Queer narrative by pushing the limits of their imagination and their innovative ability to fuse together genres to create truly stirring, instantly immersive sonic trips is showcased perfectly on ‘Nothing’. Holmes is set to release their new album next month via Ratskin Records. Watch the video for ‘Nothing’ here. (ML)

SPIDER – ‘Water Sign’
Born in Nigeria but raised in Dublin, London-based twenty-one year old SPIDER blends jagged electronics and brooding guitar riffs alongside her distinctive vocals to create her evocative sounds. Her focus is on how a track makes you feel – whether that’s a feeling of power, fluidity or chaos – and on ‘Water Sign’ she weaves these emotions into a cohesive, stirring electronic soundscape. (KC)

Roma – ‘Stay Like This’ (Tiiva Remix)
I’ve been following queer artist & producer Tiiva since I heard their re-working of Despicable Zee’s ‘We Won’t Stop’ last year, and I’m continuously impressed by their instinct for choosing talented and interesting artists to collaborate with. Tiiva reached out to songwriter Roma during lockdown after hearing her track ‘Stay Like This’ and the pair have worked together to create this lush, dreamy electronic tune. Roma originally wrote this song from the perspective of her daughter, exploring what it means to grow up in a modern world and Tiiva overcame their own adult cynicism to create this woozy new remix. (KC)

Show Boy – ‘Turn It On’
Following 2019’s Surreal, London artist and producer Show Boy has today released his much awaited brand new EP Ishtar Lion. A wonderfully eclectic collection, the EP showcases Show Boy’s knack for blurring genre boundaries, combining influences from across the musical spectrum to create perfectly catchy offerings oozing an uplifting, vibrant energy and heartfelt emotion. Driven by the soaring power of his unique vocals, ‘Turn It On’ interweaves an intricate musicality with a sparkling soulful splendour, resulting in a euphoric ode to new beginnings. (ML)

Callaz – ‘Queima Essa Ideia’
Recorded in Berlin and produced by the brilliant Ah! Kosmos, the title of this latest single from songwriter Callaz translates roughly as ‘Burn That Idea’. Based between Lisbon and Berlin, Callaz has recently released her second album, the brilliantly titled Dead Flowers & Cat Piss, and it’s full of her soft vocals, candid lyrics and alt-pop soundscapes. (KC)

Grove – ‘Ur Boyfriend’s Wack’
Bristol-based hyperpop artist Grove blends chaotic synths, warped beats and wicked rap verses on this high octane track ‘Ur Boyfriend’s Wack’. Taken from their debut EP, QUEER + BLACK, this song forms part of Grove’s aural journey through their experiences of being young, black and queer. (KC)

Ci Majr – ‘Summer Drug’
Ci Majr is an emerging non-binary artist from Atlanta and this new single ‘Summer Drug’ is a flirty, joyful dose of dancing beats and smooth vocals. Of the track, Ci explains: “I think a lot of us have been in a place where we’ve been hurt from a relationship and have a hard time opening up again…so this song is saying ‘yes, you can absolutely satisfy my physical needs but we’re not taking it further than that’; likening ‘using’ someone for their body just like you’d use a drug of some sort.” (KC)

Desire – ‘Zeros’
The latest single from Desire, ‘Zeros’ will capture the ears with its sweeping celestial aura. As a majestic, electro-driven soundscape provides the backdrop for Megan Louise’s honey-sweet soaring vocals, glitchy beats and twinkling hooks create a truly moreish offering, oozing an ethereal, effervescent grace. Of the track, Desire explain: “As the calendar pages fly by, we are all reaching for a new normal on what sometimes feels like an endless loop. The cyclical music echoes flashback sequences of a recurring dream.” (ML)

Blonde Maze – ‘Fade Into You’
An exquisite rendition of a Mazzy Star classic, Blonde Maze’s ‘Fade Into You’ oozes all the poignant, rich emotion of the original, whilst adding her own unique blend of soaring electronics and uplifting chiming beats to create something truly euphoric steeped in its own ethereal splendour. Another blissfully cathartic creation from Blonde Maze, showcasing her ability to take an already beautiful track and transform it into something that is completely, undeniably, and majestically, her own. (ML)

Kalbells ft. Miss Eaves – ‘Pickles’
A dreamy tune about escaping a romantic pickle, ‘Pickles’ is a delightful new offering from cosmic-pop collective Kalbells, featuring rapper Miss Eaves. Kalbell’s will be releasing their new album Max Heart on 26th March, which they describe as a “portrait of badass women harnessing their improvisational magic.” (KC)

pecq – ‘Stranger’
‘Stranger’ is the debut single from Oxford psych-pop duo pecq, aka Nikò O’Brien and Hannah Jacobs. It’s a delicate, lush soundscape which the pair wrote, produced and self-released through their own label, Upcycled Sounds Records, earlier this year. pecq are set to release their debut EP, also called Stranger, this summer. (KC)

Jenny Moore’s Mystic Business – ‘Woman Is A Word’
A cover of Empress Of’s ‘Woman Is A Word’, this latest offering from the six-piece choral punk ensemble highlights the power of voices coming together in unity. Oozing a sweeping, celestial splendour, the many vocals flow together in harmony, propelled by an upbeat, jazz-infused musicality. Adding their own unique euphoric energy to the poignant sentiment and soulful passion of the original, Jenny Moore’s Mystic Business have created an emotive and empowering rendition. (ML)

BAXTR – ‘Grace On Fire’
The latest single from London-based trio BAXTR, ‘Grace On Fire’ reflects on the feelings of helplessness that come with seeing someone you love suffer. A sweeping, uplifting slice of alt-pop it oozes nostalgic tinges harking back to the anthemic indie classics of the early noughties, whilst maintaining its own unique shimmering power. As Floss’ honey-sweet vocals flow with a celestial majesty throughout, the track builds with explosive, soaring riffs and a swirling heartfelt emotion to create something truly stirring. (ML)

Samantha Crain – ‘Bloomsday’
Taken from her upcoming new EP, I Guess We Live Here Now, Samantha Crain’s latest single ‘Bloomsday’ is a poignant slice of Americana combining beautifully strummed melodies and a stirring warmth. As the impassioned subtle power of Crain’s rich vocals ooze shades of the raw emotion of Sharon Van Etten, twinkling hooks flow with a rustic charm to gently grace the heartstrings. I Guess We Live Here Now, the upcoming new EP from Samantha Crain, is out 9th April via Real Kind Records/Communion Records. Watch the video for ‘Bloomsday’ here. (ML)

Ex:Re – ‘Where the Time Went’ (with 12 Ensemble)
This song stopped me in my tracks when I first heard it. The title, Elena Tonra’s vocals and lyrics, composer Josephine Stephenson’s cinematic string arrangements – they all resonate so much deeper during this extended period of lockdown. ‘Where The Time’ went is one of ten beautiful tracks on Tonra’s new collaborative album, Ex:Re with 12 Ensemble, and it’s accompanied by a wonderful music video that she directed too. Watch it here. (KC)

Hannah Peel – ‘Ecovocative’
I’m very late to the Hannah Peel party, but I’m in love with her ambient electronic soundscapes. This single ‘Ecovocative’ is lifted from her upcoming album Fir Wave, which is set for release on 26th March via Peel’s own label My Own Pleasure. (KC)

 

Track Of The Day: HAVVK – ‘Home’

Having been big fans of Dublin-based HAVVK since they headlined our first gig at The Finsbury back in 2016, we have been continually impressed and consistently charmed by all they’ve created since. Now, having received support from the likes of BBC 6Music’s Lauren Laverne and John Kennedy on Radio X, and following 2019’s debut full length album Cause & Effect, the trio have announced a brand new album set for release in July this year.

The first single to be shared from the album comes in the form of ‘Home’ – a stirring reflection on appreciating those closest to you. Propelled by a shimmering ethereal fuzz, the track showcases the soaring celestial majesty of front woman Julie’s vocals, as they float with an impassioned splendour over scuzzy hooks and a gritty, driving energy. Fusing together tinges of ’90s grunge-fuelled angst with twinkling shoegaze sensibilities and the band’s own unique poignant grace, it’s a truly captivating soundscape.

Of the track, Julie explains:

‘Home’ is about the freedom of youth and being oblivious to the protections you have around you. It’s about appreciating the people who have always been there for you even when you were at your worst – even if you weren’t grateful for it – and who’ve helped you get back up again every time. I feel really connected to this song right now. Over the past year, we’ve all had our social structures pulled out from underneath us and we’re missing the basic nourishment of human connection. I do miss the obliviousness of normal life (and dancing, and gigs, and hugs!), but I hope I’ll go back to the world a bit more grateful – far less transactional – and really value the humans around me.”

Produced by Rocky O’Reilly, ‘Home’ proves once again that HAVVK are a band on the rise; one who are consistently honing and developing their sound, continuing to impress and enchant the ears, not content to stick within the confines of any one sonic genre.

 

‘Home’ is out now, taken from HAVVK’s upcoming second album Levelling, produced by Rocky O’Reilly and set for release in July this year.

Mari Lane
@marimindles

GUEST PLAYLIST: Bitch Falcon

Formed of Lizzie Fitzpatrick (vocals/guitar), Barry O’Sullivan (bass) and Nigel Kenny (drums), Bitch Falcon have been firm favourites of GIHE since they played live for us at The Finsbury Pub supporting Trash Kit in 2017. Since then, the Dublin-based trio have shared stages with the likes of Girl Band, Fontaines DC, Black Peaks and Pussy Riot, and now they’re gearing up to release their debut album Staring At Clocks via Small Pond Records on 6th November.

After repeatedly listening to their latest single ‘Gaslight’, we asked the band to put together a playlist of some of their favourite tunes. Featuring artists like Ultraista, CLT DRP, Big Thief, HAVVK, Brittany Howard, Percolator and Phoebe Bridgers, it’s an eclectic mix of International and Irish music that’s kept the trio going during a time when they’ve been mostly prevented from making music together.

Listen to the playlist below and follow Bitch Falcon on bandcamp, Spotify and Facebook for more updates.

 

PLAYLIST: St. Patrick’s Day 2020

We began drafting this St. Patrick’s Day Playlist before we were fully aware of the extent of the coronavirus pandemic in Ireland and before the Irish government called for the mass closure of pubs and clubs, thus removing any chance to publicly celebrate on the 17th. We debated whether it was appropriate to mention St. Patrick’s Day at all – especially after the numerous gig & parade cancellations both in Ireland and here in London – but seeing the resilience of our Irish friends and musicians on social media motivated us into completing it.

We all need a distraction during these uncertain times, so dive into our St. Patrick’s Day playlist – you’re going to find a new favourite artist among our choices! We’ve included links to each artist’s social media, Spotify and/or Bandcamp accounts and we urge you to stream or purchase their music if you have the funds to do so. Make sure you scroll all the way down for the playlist link…

Æ MAK – ‘Dancing Bug’ (Spotify)
A solid fan of Æ MAK otherwise known as Aoife McCann, I’ve followed her since the beginning of 2019, fresh off her recent support of both tUnE-yArDs and Warpaint. ‘Dancing Bug’ is her latest offering which speaks to her chaotic electronic beats and primitive vocal rhythms. (Tash Walker)

Cosha – ‘Do You Wanna Dance’ (Spotify)
A previous favourite of mine known as Bonzai, who released an old favourite of mine Where Are U Now, came back in 2018 under the name Cosha, teaming up with producer Rostam for this single. I’ve been keeping my ears and eyes peeled for their new music ever since. (TW)

New Pagans – ‘Admire’ (Spotify & bandcamp)
Filled with urgent, intensely catchy songs that challenge the norms surrounding relationships, history and gender, New Pagans’ debut EP Glacial Erratic is a powerful blend of alternative sounds. The Belfast band take the best elements of post-punk, grunge and indie rock and transform them in to abrasive, melodic noise. ‘Admire’ is my favourite track from the EP. (Kate Crudgington)

HAVVK – ’52’ (Spotify)
HAVVK have been long term favourites here at GIHE; a band who continually combine activism with their unique musical prowess, their exquisite, spine-tingling splendour resonates now more than ever. Although written about the extreme political dynamics in the run up to the Brexit vote in 2017, their track ‘52’ remains a poignant soundscape with all that’s happening in the world right now. Oozing a stark, stirring emotion, alongside the soaring, celestial splendour and gritty raw emotion of front woman Julie’s vocals, it’s filled with a glistening musicality juxtaposed with a frenzied, angst-driven climax. (Mari Lane)

The Cranberries – ‘Ode To My Family’
I couldn’t really not include The Cranberries on an Irish playlist. With the heartbreaking crystalline vocals of the late Dolores O’Riordan alongside a delicate twinkling musicality, each of their offerings sends shivers down my spine every time. I’ve chosen this particular track as, during these extremely troubling and anxiety-inducing times, I’d like to give an ode to MY family, and all loved ones – we need each other now more than ever, even if for some us it means not being able to physically see one another right now. Solidarity and good vibes to you all; we can get through this together. (ML)

REWS – ‘Monsters’ (Spotify)
I never fail to be impressed by the power of Shauna Tohill’s vocals and they’re out in full force again on this new REWS track. ‘Monsters’ is an aural challenge to self-doubt and a bit of fiery pop-rock encouragement to persevere in the face of anxiety. (KC)

Vulpynes – ‘2 Cents’ (Spotify)
Propelled by the gritty, impassioned vocals of guitarist Molly, ‘2 Cents’ rages with a seething energy and sublime raw power as scuzzy punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s a storming, empowering offering from my favourite Irish duo. We’re sad that we’re no longer able to host Vulpynes at The Finsbury on 3rd April, but we do hope to reschedule the gig for as soon as possible! (ML)

Bitch Falcon – ‘Prime Number’ (Spotify & bandcamp)
Mari booked Dubliners Bitch Falcon as the penultimate act for one of our GIHE gigs at The Finsbury a few years ago, and I was totally blown away by their live set. Such a raw, powerful sound. ‘Prime Number’ is a personal favourite, but I’d recommend listening to their latest single ‘Damp Breath’ too. (KC)

Party Fears – ‘Money’ (Spotify & bandcamp)
Party Fears are based in Berlin, but Maggie Devlin is originally from Northern Ireland. The band have been consistent favourites at GIHE since Mari first gave them a spin on our Hoxton Radio show and this track ‘Money’ is one of my favourites. Keep your eyes peeled for their new single ‘All Is Good’, set for release on 27th March. (KC)

PowPig – ‘Pretty Woman’ (Spotify & bandcamp)
PowPig are Irish DIY at its best, I was totally blown away when I found out that they were still at school. ‘Pretty Woman’ and ‘Mayday’ are their most recent releases jam packed with indie harmonies and grizzly guitars. Loving it. Here’s to hearing more from them in the future. (TW)

Hilary Woods – ‘Orange Tree’ (Spotify & bandcamp)
Dublin-based Hilary Woods creates abrasive, primal, charged soundscapes that blur industrial and orchestral elements. She uses sound and image to navigate emotional territories and I feel intensely comforted when I listen to her music (I also cry to it sometimes, but that’s okay too). “My body knows I can’t make it out” sings Woods on ‘Orange Tree’, tentatively trying to make peace with her physicality and her surroundings. This need to face her inner fears underscores her latest record, Birthmarks, which is an unsettling, but genuinely liberating listen. (KC)

Fears – ‘Blood’ (Spotify)
Fears is the moniker of London-based, Irish musician Constance Keane. I first heard her music while listening to The Irish Jam, and I’ve been keeping tabs on her ever since. I love her dark, minimal electronic sounds. Definitely a bit of me. (KC)

SOAK – ‘Bloodbuzz Ohio’ (Spotify)
I came across SOAK last year when she released her sophmore album Grim Town, which is most definitely worth a listen. This however is SOAK’s cover of The National’s ‘Bloodbuzz Ohio’, tender and gentle and a pleasingly fresh rendition. (TW)

Aoife Nessa Frances – ‘Here In The Dark’ (Spotify & bandcamp)
‘Here in the Dark’ is taken from the very enjoyable debut Land of No Junction by Aoife Nessa Frances. Her voice evokes so much emotion, you’ll soon find yourself falling into the songs reflective melodic musings. (TW)

Maria Kelly – ‘july’ (Spotify)
Alt-folk artist Maria Kelly’s ‘july’ looks inward, exploring the idea that we are ultimately in control of how we feel, and must take responsibility for what we choose to dwell on. Another truly beautiful offering from the Irish songwriter, it flows with her silky smooth, emotion strewn vocals and a stirring, bewitching musicality. Oozing a heartbreaking sense of vulnerability, it sparkles with a mystical grandeur, creating something truly mesmerising. (ML)

Rosie Carney – ‘Bud (Rose)’ (Spotify)
This is the last track to close Rosie Carney’s album Bare. ‘Bud (Rose)’ is a beautiful instrumental which mixes birdsong with piano. The piano is one of my favourite instruments to hear on record especially when it is played with such tenderness, as it is here. (TW)

B*witched – ‘C’est La Vie’
One of the first cassette singles I bought, when I was about twelve, I just wanted to include this one from the Irish girl group to put a smile on our faces – so, turn up it up, sing along and try to forget about everything for three sweet minutes! (ML)

 

We’d also like to give a shout out to GIHE allies and Irish born London-based musicians Niall Jackson and Matthew Sutton. Niall co-hosts The Irish Jam (along with Mel, Kealan & Rob) on Riverside Radio, which celebrates Irish music. Kate often contributes to their ‘New Music Sunday’ section.

Matthew fronts his own outfit called TAYNE, and is currently creating new music with his tattoo machine equipment. They both play together in Sweat Threats too. Both are trying to stay creative in a time of uncertainty, so if you can stream/purchase their music or merch, it would be greatly appreciated. (TAYNE bandcamp here. Niall ‘Swimmers’ Jackson bandcamp here).