NEW TRACK: ALT BLK ERA – ‘Rockstar: LUNAR’

After sharing their blistering nu-metal inspired track ‘Rockstar’ at the end of last year, genre-defying sister duo ALT BLK ERA are showcasing their softer side on latest single ‘Rockstar: LUNAR’. Beautifully contrasting with the band’s usual visceral, heavy sound, ‘Rockstar: LUNAR’ is an earnest reflection on an unhealthy relationship, gently edging listeners towards acceptance and finding strength in their vulnerability.

Formed of sisters Nyrobi and Chaya, ALT BLK ERA create tenacious alternative anthems designed to express their vivid personalities. Inspired by the likes of Ho99o9, Nova Twins, Hacktivist and Billie Eilish, they blur the boundaries of punk, nu-metal and trap to form their riotous, anthemic sounds. Refusing to be pigeonholed, ALT BLK ERA enjoy exploring their musical dynamic further by releasing ‘SOLAR’ and ‘LUNAR’ versions of their songs. Nyrobi’s Solar energy represents her wild, raucous spirit, and Chaya’s calmer, more introverted energy is represented by Lunar.

Their original single ‘Rockstar’ was a volatile, all-consuming wall of noise, but on ‘Rockstar: LUNAR’, the duo filter the heaviness of romantic infatuation through a different lens. Full of tender vocals, evocative piano sounds and confessional lyrics, the track is a poignant rumination on an emotionally harmful relationship. The pair find solace in opening up about the difficult reality of loving someone who is bad for you, and have showcased their impressive, seamless ability to move between music genres in the process.

Listen to ‘Rockstar: LUNAR’ below:

ALT BLK ERA UK Live Dates 2023
Mar 18: CH Hirscheneck, Basel
Mar 31: UK Bodega, Nottingham
Apr 05: UK Hare & Hounds, Birmingham
May 25-28: UK Bearded Theory, Derbyshire

Follow ALT BLK ERA on bandcamp, Spotify, Tik Tok, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

LIVE: Rolo Tomassi & Holy Fawn – Electric Ballroom, Camden 15.02.23

“If you keep buying the tickets, we’ll keep coming back!” – a simple statement, but one that rang true for a room full of loyal Rolo Tomassi fans at Camden’s Electric Ballroom on Wednesday night. Playing their biggest headline show to date at the London venue, the Sheffield-based five-piece spent the final night of their recent European tour in front of an appreciative and energised crowd.

Formed back in 2005, the band – comprised of Eva Korman, James Spence, Chris Cayford, Nathan Fairweather and Al Pott – have enjoyed the type of hard earned, admirable longevity that is rarely afforded to bands in any music scene, especially those in alternative spheres. After Wednesday night’s performance however, it’s easy to see why Rolo Tomassi have kept their fans coming back to shows after almost two decades of playing together.

Opening their set with atmospheric anthem ‘Almost Always’, the all-encompassing, swelling guitar sounds and Korman’s measured vocals were enhanced by an impressive light show. It set the precedent for a night of nuanced, commanding sound that was executed with tenacious, distinctive Rolo Tomassi flair. Korman’s elastic vocal range was unsurprisingly, hugely impressive. Her cord-ripping screams were contrasted with softer moments throughout the set, and made all the more potent by the crystalline, visceral walls of sound her bandmates conjured.

The setlist was comprised predominantly of tracks from the band’s recent album, Where Myth Becomes Memory, including ‘Closer’, ‘To Resist Forgetting’, ‘Labyrinthine’, ‘Mutual Ruin’, ‘Prescience’ and an encore of ‘Drip’. These were balanced alongside offerings from 2018’s Time Will Die and Love Will Bury It, (‘Aftermath’, ‘Rituals’, ‘A Flood of Light’, ‘Contretemps’) and interspersed with a handful of songs from 2015’s Grievances (‘Opalescent’ and ‘Stage Knives’). All received enthusiastic reactions from the crowd, with hands and horns in the air throughout the show.

Before Rolo Tomassi took to the stage however, their fans turned up early for sets from hotly tipped support acts Heriot and Holy Fawn. The latter, who were playing their second ever UK show, expressed a heartfelt gratitude to the headliners and the spectators for giving them such a warm welcome. The Phoenix-based four-piece delivered a genre-defying set packed with sounds that captivated and obliterated in equal measure.

Formed of Ryan Osterman, Evan Phelps, Alexander Rieth, and Austin Reinholz, Holy Fawn have a collective intuition for balancing perfectly timed, blissfully noisy drop ins alongside more shadowy, majestic sounds. This state of emotional flux is something the band captured on their recent album Dimensional Bleed, and it’s one that translates beautifully in a live setting.

Whilst the gentler, more ethereal elements of Osterman’s vocals were occasionally lost in the mix, his screams cut through perfectly. From the bruising nature of heavier tracks like ‘Death Is A Relief’, ‘Blood Pact’ and ‘Dark Stone’, through to their more melodic offerings ‘Arrows’ and ‘Seer’, Holy Fawn’s magnetic sound resonates long after listening.

Together, Rolo Tomassi, Holy Fawn and Heriot provided a welcome headrush of visceral, raw, intricately delivered noise to an attentive fanbase who will no doubt return in their droves when future tour dates are announced.

Follow Rolo Tomassi on bandcamp, Spotify, Twitter, Facebook & Instagram

Follow Holy Fawn on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate Crudgington
@KCBobCut

 

ALBUM: VUKOVI – ‘Nula’

“What does the future hold for the female of the species?”

Welcome ‘user17359’. You will shortly be departing Trinity Lunar Port for Mars Sanctity Terminal, immersing yourself in VUKOVI‘s latest record for the duration. Since their formation twelve years ago, the genre-defying Scottish duo – comprised of vocalist Janine Shilstone and guitarist Hamish Reilly – have been in flux; roaming rabid wolves sinking their teeth into a constantly evolving sound all their own. From 2011’s It Looked So Good On Me… and 2012’s …But I Won’t Wear You Again EPs, to 2017’s self titled debut and 2020’s Fall Better LP, Janine and Hamish’s chemistry is infectious; a combination of “dark themes and dirty fucking riffs.” Now, VUKOVI are exiting the stratosphere and heading into deep space with sci-fi/horror NULA; a conceptual album set in a distant (yet unnervingly familiar) future. Inspired by sci-fi escapism like Katsuhiro Otomo’s Akira, NULA is a cyberpunk abomination; a sonically ambitious mutation of anthemic pop melodies.

Opening with the cinematic ‘DEPARTURE’ and moshpit inducing ‘TAINTED’, VUKOVI set the tone for NULA. “You’re a fucking monster…” Considered the property of nefarious capitalist corporation Sanctity, and exploited through inhumane experimentation for over twenty five years, the eponymous extra-terrestrial is an otherworldly reflection of Janine’s own survival; her subconscious trauma bleeding into her lyrics. Compulsive, creative and unapologetic: We’d like to wish you a safe and pleasant journey.

“You think I’m a god… Fuck that, fuck you too!” ‘LASSO’ condemns pop idol worship – and highlights the music industry’s hypocrisy, through filthy, fuzz-drenched riffs and insatiable pop-tinged vocals. ‘QUENCH’ delivers sexual liberation with moxie and nu metal groove. “I’m not in love, just wanna feel your touch!” Infused with synthetic noise, ‘SLO’ follows; an ethereal exploration of OCD: “You have a toxic reliance on it and in your eyes that condones reckless behaviour.” Yet, despite feeling broken and vulnerable, NULA (and indeed Janine) re-claims control on mid-album pop-punk-rager ‘I EXIST’, through blood, death and raucous riffs – courtesy of Hamish’s live wire intensity! “I’ve found you, motherfucker!” “I think about what’s happening in the world too much… The greed. The cruelty. There’s a lot of that on the record,” Janine explains. Depression… It’s a temporary feeling. Emotionally driven, VUKOVI stage-dive into anthemic chaos, stronger and feeling empowered: “Stand up / You’ve got to fight… / I know it’s tough / But it’s not enough to give up…”

“I AM NULA. AND I AM FREE.”

After brief respite during interlude ‘ATTENTION’, the disquiet duo’s distorted disorder continues on ‘SHADOW’, ‘HADES’ and ‘KILL IT’; three tracks propelled by an infectious combination of electronic instrumentation, heavy-as-fuck hooks, and raw emotion. “One taste of blood is not enough…” For NULA, revenge is poetic. Confronting abuse with justified angst – “Oh, I’ve waited, for retribution / I’ll watch you burn…” – ‘HURT’ is heavy metal catharsis, whilst ‘SAD’ is a somber realisation that you can never forget trauma. Just like Ripley in Ridley Scott’s Alien, NULA is a survivor realising her own strength and resilience. “I’ll never be whole but I’m a fighter / Kick me in the dirt but still like dust I’ll rise / I’m gonna be heard.” There is no closure, but that is okay. NULA represents female empowerment, and there is life after trauma.

So… “What does the future hold for the female of the species?” Janine pauses for a zeptosecond during closer ‘XX’ before declaring in her distinct Scottish drawl: “She is the answer to extinguishing this toxic masculine cesspool of a society. She deserves to live in a world without fearing for her life… She is the future of humanity… and it’s time to fuck the system!”

Ken Wynne
@Ken_Wynne

INTERVIEW: Nova Twins

It’s the last night of Nova Twins’ European tour when I speak to vocalist & guitarist Amy Love and bassist Georgia South. They’re in Zurich sat in the excellently decorated basement of Dynamo Werk 21, the venue they’ll be playing later that day, which features a huge wall of colourful cassette tapes and tiles with various graffiti scribbles. The band have been bringing the gargantuan sounds of their Mercury Prize nominated album Supernova to crowds across the continent, and they’re ready to bring the riot one last time, before heading back to the UK.

“We did our US tour before this one, so we haven’t actually been home for a few months,” Amy explains. “It’s been really good, but it will be nice to get home, catch up with family and to play our biggest headline shows to date in the UK.”

“It’s our last show with Dream Nails tonight too,” Georgia adds. “They’ve been really amazing to take out in Europe, the shows have been so fun.”

Nova Twins’ extensive touring schedule is something that understandably requires a lot of stamina and focus. The pair explain that they try to maintain good physical and mental health whilst travelling between cities, playing high octane sets to their raucously supportive crowds. I ask how they manage such an impressive feat.

“I mean, we try to do sit ups everyday, but that usually only lasts for about three days,” laughs Amy. “But overall, we’re quite healthy, especially because our shows are high energy, so we need to look after ourselves physically. We don’t really booze a lot on tour, and we try to eat well, so when we do start feeling fatigued, we make sure we’re warming up our voices and your bodies before we go on stage. So that is really, really helpful.”

“Also, on this tour, we forced ourselves to do things, even though we were really tired,” Amy acknowledges. “We had some spare time when we were in Amsterdam that we could’ve spent in the hotel catching up on sleep, but we were like ‘No!’ We forced ourselves out of the weird Groundhog-Day-tour thing and we went and explored and it made us feel so much better.”

“I would say go on walks when you can too,” advises Georgia. “It’s really hard to get time and space to yourself on tour, especially because you’re in the van all day, then you get to the venue, you sound check and do the show, and then you do the same thing everyday for the next seven weeks. It’s important to have time to yourself, even if it’s just a nice shower! Going out for a nice dinner with the crew is always good too.” The pair shared pictures of them enjoying one of these dinners with Dream Nails in Reims on their socials earlier on in the tour.

Nova Twins have been the support acts on tours with established acts like Prophets Of Rage and Bring Me The Horizon, so I ask them what process they go through when it comes to choosing support artists for their own shows.

“It’s really important for us to make sure that we’re working with women, non-binary, trans and artists of colour, because we’re normally the ones that have been left at the back in the alternative scene,” Amy explains. “We created a playlist called Voices For The Unheard that is predominantly artists of colour who make alternative music, and we’ve been taking different people from this playlist on tour with us. We had Gully Boys with us in the US, CHERYM on a previous UK tour, and now we have Dream Nails and Aziya too. We just want to shine a light on them, because they’re all amazing and incredible in their own right.”

Since their inception, Nova Twins have pushed the boundaries for artists of colour in heavy music. From their open letter to the MOBO Awards asking the panel to consider adding a Rock/Alternative category, curating their Voices For The Unheard Playlist and having Dr Martens press a limited edition vinyl for it, to simply existing in a predominantly white, male music genre; Amy & Georgia have remained true to themselves and their communities in an industry that often tries to crush artists who attempt to do this.

The duo’s knockout second album, Supernova, was nominated for this year’s Mercury Prize Award too. The nomination was not only hugely deserved, but it was groundbreaking as they were the first women of colour who make heavy, alternative music to be acknowledged for the award. Despite the original ceremony being disrupted by the death of Queen Elizabeth II, the duo were thrilled to perform ‘Antagonist’ at the awards show once things were back on track.

“We grew up watching The Mercury Prize awards and we would always look at the list of nominees, so to be included was literally a childhood dream,” Georgia enthuses. “To be on such a great award show that rewards people for their art, not just for numbers and record sales. The whole day was just great vibes. Because it was round two, everybody was less nervous and more excited to see each other again.”

“Little Simz was outstanding, she really did captivate the room,” Amy remembers. “I think everyone just brought their A game. They were just there doing what they love. It felt like a room full of like-minded people, sharing the space and supporting each other. We’ve heard from other artists who have been to other award ceremonies where there’s been a weird competitive vibe in the air, but The Mercurys didn’t feel like that. It just felt like a celebration of everyone’s albums. Everyone was so happy for each other.”

It seems like a good time to dive into what the band are most proud of about their second album, Supernova. Of course, the pair appreciate the critical acclaim surrounding their record, but on a personal level, it means much more to them.

“Going through the pandemic was a tough time for everybody in different ways, and I think we are just super proud that we got to actually make the album during that time,” Amy reflects. “We found so much focus and so much peace in it. When everything else was so uncertain, we had the album. We were separated during lockdown, so it was a really good way for us to to remain connected and to surprise each other with ideas, and to have things to look forward to.

When we finished writing it, we really hoped it wasn’t going to be one of those albums that gets thrown out there, and then nothing happens with it, you know? We just hoped it would have a good lease of life, because we put our heart and soul into it. We’re just really proud that we even managed to get it together in such a weird time. Whatever was going on around us didn’t really break us, we kept going and moving forward, which is something to be said in this industry.”

As a DIY journalist, it’s been a privilege to watch Amy & Georgia catapult themselves over the barriers that have traditionally held female artists of colour back for years. Not only do they make phenomenal, genre-defying music, they remain focused on their DIY ethos of lifting others up with them as they move on to the next step, not forgetting the fans and the platforms that have supported them from day one.

This passion is shared by their fans and followers, who have been selling out the majority of venues on the band’s recent EU tour. When asked which songs from the new album hit hardest, the pair are quick to claim ‘Choose Your Fighter’ and ‘Antagonist’ as the most energetic of the new tunes. “’K.M.B.’ (Kill My Boyfriend) is quite cute actually,” Amy adds, “especially when everyone screams that at the top of their lungs. You can really feel the heartbreak with that one!”

From live shows, to the Radio 1 Live Lounge! Nova Twins recently delivered an iconic version of Beyonce’s ‘Break My Soul’ for the show’s hugely popular segment.

“It was always going to be tricky to pick a song, because we’re not a band who really come from a covers background,” Amy explains. “We just knew we had to cover Queen Bey and we had to do her justice. It was so nerve wracking, because you only get one take. You speak to Ricky and Melvin, and then it’s like ‘take it away!’ but we were really happy with the outcome.”

“We love Beyonce. Beyonce is queen to us. She’s a goddess,” enthuses Georgia. “It was fun because the song is so different from our own music, which meant we could just completely mess with it.”

Nova Twins creativity doesn’t just extend to covering Queen Bey’s club banger though. For years, Amy & Georgia have been customizing and creating their own outfits for video shoots and live sets under the moniker of Bad Stitches.

“We knew that we really wanted to make our own outfits for The Mercury Awards, so we spent three days making them in between rehearsals,” Georgia explains. “You just have to cram it in really. We’ve discovered that sometimes you just have to stay up until three in the morning to fit everything in, it’s just how it is,” she laughs, “eventually we’d love to be able to expand Bad Stitches so that other people can buy our clothes too.”

The duo will no doubt be wearing their best threads for their upcoming UK shows, beginning in Glasgow on 10th November, Manchester on the 11th and then London on the 12th.

“These UK shows are our biggest headline shows to date. I think we always feel a little differently about home gigs, because we know our friends and family will be watching, so there’s a little bit more anxiety I guess,” Amy comments. “I remember going to see other bands play at Brixton Electric and being like, ‘wow, this is a sick venue, I’d love to play here’ and now we’ve been able to sell it out for our own show – it’s still kind of mind blowing really. I hope it’s a really good night. We’ve got a bit more production stuff for these shows too, so that should be cool.”

Grab the remaining tickets to Nova Twins’ UK shows here!

Follow Nova Twins on SpotifyTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut