ALBUM: ZAMILSKA – ‘Uncovered’

A ruthless, beguiling take on the forces that influence and overwhelm us; ZAMILSKA‘s latest release Uncovered is a densely hypnotic record permeated by the artist’s fascination with levitation. The result is thirteen richly textured tracks that seethe with “the anxiety of what we want vs what we get”.

Following 2016’s Undone and 2014’s Untune, Uncovered is the third in a trilogy marking ZAMILSKA’s progression from an unknown artist in to an emerging talent that cannot be overlooked. At times chilling, at times enchanting, ZAMILSKA’s industrial-techno hybrid is ruled by the need to purge ones self of negativity: “It’s about getting something out, to be able to start again, to rise” she explains. That urge is evident in both the sound and the artwork on Uncovered (see image above), which is an apt visual metaphor for the way her music lifts and suspends at unexpected intervals.

Pounding beats, ticks, sporadic bells, inaudible voice samples and relentlessly jagged synths are carefully staggered throughout opening track ‘Message’. Second track ‘Dolls’ hosts lighter percussion, but the same unnerving feeling permeates this and following track ‘Hospital’. It’s a nightmarish affair that pre-empts brief interlude ‘Still’, before bleeding in to ‘Hollow’, which combines melodic and industrial elements in beautiful yet brutal fashion.

The aptly named ‘Gape’ is overshadowed by the quiet fury of ‘Alive’, on which ZAMILSKA intermittently seethes “She’s a girl who can eat you alive”. ‘Delusion’ teases with its lighter synth sounds providing a welcome respite from the harshness of previous tracks, before bleeding in to ‘Prisoner’. Its warped synths and slow, unsettling beats are reminiscent of The Downward Spiral era Nine Inch Nails – a band ZAMILSKA has openly confessed an obsession with, and who in turn have championed her on their own Spotify playlist.

The pulverizing beats on ‘Blind’ act as an audible purge, whilst final three tracks – ‘Back’,’Front’,’Done’- feel less weighty, like a sonic resurrection. ZAMILSKA’s ability to orchestrate a record about “floating upwards, not about falling down” whilst exploring the sonic space between feels effortless, and Uncovered is a stunning third offering from this promising Producer.

Buy your copy of ZAMILSKA’s new album Uncovered here.

ZAMILSKA UK Tour Dates 2019
02/08/19 – The Shacklewell Arms, London
03/08/19 – Visions Festival, London

Kate Crudgington
@KCBobCut

Track Of The Day: ZAMILSKA – ‘Hollow’

Dense, rhythmic, hypnotic beats permeate Polish producer ZAMILSKA‘s new single ‘Hollow’, the first track released from her upcoming album due later this summer. The jagged soundscape combines techno textures and intriguing vocal samples to reflect “the anxiety of what we want vs what we get”.

From Silesia, the coal-mining region of Poland, Natalia Zamilska’s music combines both melodic and industrial elements in a beautiful yet brutal fashion. Her work has attracted the attention of Nine Inch Nails, who recommended one of her tracks on their official Spotify playlist and recently she stepped into the gaming world and contributed to RUINER (Digital Dragon Award 2018 winner Best Polish Game Soundtrack), which features her music heavily throughout.

ZAMILSKA has also garnered acclaim from Radio BBC 6 Music’s Iggy Pop, Mary Anne Hobbs and Tom Ravenscroft, and with her superb remix of Gazelle Twin’s ‘Belly of the Beast’ which was played on the ABC series How To Get Away With Murder.

With her ability to create beats that ricochet around our skulls and her obvious talent for collaborating, we’re biting our nails in anticipation of ZAMILSKA’s upcoming record. Listen to ‘Hollow’ below and follow ZAMILSKA on Facebook for more updates.

Kate Crudgington
@KCBobCut