Record Store Day 2019: GIHE Picks

It’s the most wonderful time of the year… That’s right, Record Store Day. The excitement, the unity of eager queuers, the smell of that shiny vinyl as you release it from its sleeve, the empty pockets at the end of the day… But most of all, the music. A day dedicated to celebrating our favourite music, and those wonderful shop-owners who provide us with so much of it.

Ahead of the big day this Saturday (13th April), we thought we’d share some of the special releases that we’re most looking forward to this year. From the riotous power of classics by legends no longer with us, to our favourite soundtracks, and brand new releases from current bands making waves, here’s some of the records we’re hoping to get our hands on…

Mari Lane:

Elastica – BBC Sessions
I think Justine Frischmann and co. first came to my attention when I saw ‘Waking Up’ on an episode of TOTP, with none other than Damon Albarn appearing on keys/posing; and that was it – I was instantly in awe of the immense sense of cool that oozed from the three guitar-wielding women on stage. Failing my attempts to get hold of their 1995 eponymous debut on special release (plus an exclusive fanzine) in 2017, this year I have my heart set on Elastica’s BBC Sessions, released for the first time ever on vinyl. Whilst Strange Fruit released the Radio One sessions on CD back in 2001, this is the first artist curated release of the band’s sessions –  combining tracks recorded for John Peel, Steve Lamacq and Mark Radcliffe.

White Vinyl plus poster. Info here

Courtney Barnett – ‘Everybody Here Hates You’/’Small Talk’
Last year, I managed to get hold of Barnett’s special Record Store Day Release, ‘City Looks Pretty’/’Sunday Roast’, and this year I’m equally as determined to bag her new single ‘Everybody Here Hates You’, along with B-side ‘Small Talk’, on exclusive 12”. Courtney Barnett is probably my favourite, and most relatable, lyricist in the world. She has a unique ability to tackle everyday life with a spot-on wit and raw honesty, perfectly showcased in this wonderfully blues-infused latest offering.

12″ Vinyl via Marathon Artists. Info here.

Bang Bang Romeo – ‘Cemetery’/’Creep’
Taken from their Shame On You EP, ‘Cemetery’ is one of South Yorkshire group Bang Bang Romeo’s less raucous offerings, and is in itself an ode to record stores and finding your place within a music scene, with the lyrics capturing that excitement of going into a record store: “‘Finally found a place where I feel a part of something more ….in your arms where I found The Smiths & The Flaming Lips”. I’ve been aware of the awesomeness of Bang Bang Romeo for a while now, but it was only last Saturday at local festival Cro Cro Land that I was able to witness the incredible, rip-roaring power of Stars and co. live; my mind was completely blown and will never be the same again.

7″ Vinyl via Five Seven Music. Info here

X Ray Spex – I Am A Cliché
As any regular followers of our site, listeners to our radio show, or attendees of our gigs will be aware; we’re pretty massive fans of X Ray Spex and all that iconic front woman Poly Styrene did for music. We even kicked off our first ever radio show on Hoxton Radio over four years ago with the legendary ‘Oh Bondage, Up Yours’. So, being able to own this brand new compilation, featuring exclusive studio versions of tracks and live recordings, all on dayglo coloured vinyl, would be pretty much a dream come true! There are, however, only 500 copies being released… So, failing getting my hands on this record (or in addition to!), I will definitely be delving into Zoë Howe and Celeste Bell’s new book about Poly Styrene – Dayglo: The Poly Styrene Story. Featuring creative work from her archives, it includes material ranging from the flyers and early design drafts for X-Ray Spex, to her later visual art and lyrics

2 x LP – Dayglo Vinyl, gatefold sleeve with art card. Info here

Kate Crudgington:

The Crow OST
Despite being 26 years old, The Crow’s official soundtrack still feels and sounds as contemporary as many of its modern-day counterparts. Look at the talent featured on it: The Cure, Nine Inch Nails, Rage Against The Machine, Medicine, The Jesus and Mary Chain – if that’s not incentive to make you don your white face paint and black lipstick and rock out like Eric Draven on a rooftop, I don’t know what is. The soundtrack will be released via Rhino on 2 LPs, white & black with 3 sides of audio and the fourth with an “etching”. I will do whatever I can to get my hands on it!

2 LP – White & Black; 3 sides audio, 4th side etching. Info here

Soccer Mommy – For Young Hearts
I only arrived at the Soccer Mommy party last year when she released her debut studio album Clean, and I’ve had single ‘Your Dog’ in my head ever since. Her career was on the rise way before that though, with her bandcamp EP For Young Hearts being the release that first caught her all this much deserved attention. 

LP via Fat Possum Records with lyrics sleeve and fold-out poster. Info here

John McGovern:

Lost In Translation OST 
Two Scarlett Johansson movies from the early noughties; two wildly different soundtracks. If you’re old enough to remember the late ’90s, before Hollywood indies really boomed, then you probably also remember what it felt like when movies this fresh and sounding this cool suddenly appeared – and with female stars at their centre. Lost in Translation is all early 21st century indie hipster cool – Phoenix, Squarepusher, Peaches.

Violet Colour Vinyl. Info here.

Ghost World OST
Ghost World is more sprawling, reflecting its central characters’ adolescence: blues classics, Bollywood rock. Both also feature nods to some of celluloid’s less pleasant sounds: Bill Murray’s take on Roxy Music’s ‘More Than This’ in a Tokyo karaoke bar; the suburban stylings of Ghost World’s ‘Graduation Rap’ scene. This being Record Store Day though, perhaps what marks it out most is its Enid Coleslaw ’77 punk style’ blue vinyl.

LP via Shanachie Entertainment. Info here.

Honeyblood – ‘The Third Degree’/’She’s a Nightmare’
The second single from Stina Tweedale’s duo-turned-solo-turned-group Honeyblood’s third album, In Plain Sight. Aside from the song’s deceptively simple pop-rock sound, the cover’s tarot card design is particularly appealing if, like me, you’re into the cartomantic fortune-telling aesthetic. Chrysa Koukoura illustrations littered the band’s self-titled debut with moths and butterflies and it’s great to see her return here.

12″ Vinyl via Marathon Artists. Info here.

Iggy Pop – ‘The Villagers’/’Pain & Suffering’
One of the curios of garage rock hero Iggy Pop’s career, 1982’s Zombie Birdhouse incorporates spoken-word poetry, afro-beat and synthesisers all over the place – with ‘The Villagers’ being a perfect example. Despite its production from Blondie’s Chris Stein, the album met with middling reviews but now seems extremely foresighted given latter-day indie/post-punk’s magpie nature and willingness to go abrasive. Added bonus: the cover is a perfect example of Iggy’s ’80s awkward cool.

7″ Single, Coloured Vinyl. Info here.

Ken Wynne:

Bad Religion – ‘My Sanity’/’Chaos From Within’
Founded almost four decades ago in 1980, L.A. punk rock band Bad Religion are preparing to release their seventeenth studio album next month – the socio-political Age of Unreason. With ‘My Sanity’/’Chaos From Within’ the band question the sanity of a world so divided that each side regard the other as out of their fucking mind! Previously released to various streaming services, I have been listening to both songs on repeat in anticipation of the new album, and this limited RSD 7″ from Epitaph. There is no denying that Bad Religion are pissed off with the current political situation in the United States, and who could blame them? If the rest of the album is anything as thought-provoking as ‘My Sanity’/’Chaos From Within’, Age of Unreason could become an important album for social justice.

7″ Limited Edition Print. Info here.

The Lillingtons – Death By Television
Originally released in 1999 by Panic Button Records – an imprint of Lookout! Records – Death By Television was the second studio album from Wyoming pop punkers, The Lillingtons. Emblazoned with artwork lifted from Roger Corman’s 1963 science fiction/horror flick X: The Man with the X-Ray Eyes, Death By Television is the result of The Lillingtons incorporating influences from various B-movies of the 1950s and 60s into their Ramones-styled approach to punk rock. If you are as obsessed with sci-fi/horror popcorn pulp as I am, Death By Television doesn’t disappoint. Considered an important record in pop punk, the RSD release – limited to 666 copies worldwide (obviously) – is B-movie bliss and I can’t wait to get my hands on it this Saturday.

LP Picture Disc via Red Scare Industries. Info here.

Shit Girlfriend – ‘Dress Like Cher’/’Socks On The Beach’
Having recently discovered Shit Girlfriend after stumbling upon the music video for ‘Mummy’s Boy’ – and recognising Laura-Mary Carter from alt-rock band, Blood Red Shoes – I’m ecstatic to see that the DIY London glam-punk duo have reemerged with ‘Dress Like Cher’/’Socks On The Beach’ on 7″ splatter vinyl. Previously releasing ‘Mummy’s Boy’​/’​I Don’t Wanna Die’ via PNKSLM on RSD 2017, Laura-Mary Carter and Natalie Chahal return with more scuzzy, distorted pop hooks and no shortage of punk rock attitude.

7″ via Punk Slime.

We’d also like to take this opportunity to give a big thank you to some of our favourite record shops: Bridport Music (sorry to miss the cake this year!), Sister Ray, Reckless Records, Rough Trade and Defend Vinyl.

And, if you can’t wait ’til Saturday, have a listen to our special RSD 19 playlist here:

 

@marimindles
@kcbobcut

@etinsuburbiaego
@Ken_Wynne

Playlist: Galentine’s Day 2019

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and womxn who enrich our lives.

We wanted to celebrate it with you in the best way possible: by chucking some of our favourite female-identifying artists on a big old playlist. We’re all about self-love & sisterly (not just cis-terly) love today, so have a read about our choices, then hit play!

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
Whenever I hear this I immediately want to get up and dance. Two talented women coming together to sing about equality and independence never fails to make me feel good. It was released in 1985, but the lyrics are just as poignant today.
(Kate Crudgington)

The Julie Ruin – ‘Girls Like Us’
I couldn’t make a playlist and not include something from queen Kathleen. And this track from The Julie Ruin seems to sum up our feelings this Galentine’s perfectly. A unifying anthem for all us misfit grrrls, it never fails to pick me up and leave me feeling ready to face the world. 
(Mari Lane)

Argonaut – ‘You Are’
With motivational lyrics such as “You rock, you can change the world, you inspire boys and girls, you can do anything!”, Argonaut’s ‘You Are’ is the perfect motivational pop-punk anthem to unite and empower you and your friends this Galentine’s.
(ML)

Honeyblood – ‘Babes Never Die’
Every time I hear Honeyblood’s Stina sing “Witch if I float, damned if I don’t” on this track it fills me with such a rush of defiance. It’s an anthem for resilience and I regularly return to it on days where I need extra motivation.
(KC)

Sleater Kinney – ‘Modern Girl’
I’m currently reading Carrie Brownstein’s memoir ‘Hunger Makes Me A Modern Girl’ (the title of which is taken from this track) and it is honestly one of the most enjoyable and refreshing reads – she just seems totally down to earth, unpretentious and incredibly witty. And one thing that particularly stands out throughout is (despite encountering various obstacles) the constant unwavering friendship and unity between Brownstein and bandmate Corin Tucker. 
(ML)

Wolf Alice – ‘Beautifully Unconventional’
I dismissed this song the first time I heard it on Visions Of A Life because it’s not as heavy or shoegazey as the majority of Wolf Alice’s other songs. However, when I heard it live and frontwoman Ellie dedicated the song to a female friend, it changed the way I listened to it. Now when I hear the track, I think of how great that gig was, and how great it is to celebrate being a “beautifully unconventional” girl.
(KC)

Panic Pocket – ‘Mr Big’
Inspired by too many formative Sex And The City marathons, ‘Mr Big’ is an uplifting ditty about desperately wanting your close friend to stop defining herself by her relationship status and focus instead on friendship. Strewn with memorable SATC quotes, highlighting the importance of friendship – “Don’t laugh at me but maybe we could be each other’s soulmates” – it’s a luscious slice of indie-pop from the duo. (ML)

Dream Nails – ‘Chirpse Degree Burns’
The mock-anxiety Dream Nails sing with as they lament about being ghosted on this track is so funny and so relatable! This is the perfect Galentine’s (and Valentine’s) Day anthem.
(KC)


The Baby Seals – ‘Guuurl’
With their uplifting charisma and triumphant wit, The Baby Seals consistently champion autonomy and body positivity with their wonderfully tongue-in-cheek offerings. Celebrating all things female and breaking gender boundaries in all the right ways, with ‘Guuurl’ The Baby Seals assure us that we can indeed pee where want to. And we cannot wait to seem them live again for us at The Finsbury celebrating International Women’s Day on 8th March!
(ML)

Miss Eaves – ‘Bush For The Push’
A vibrant celebration of self love, GIHE fave Miss Eaves’ ‘Bush For The Push’ is filled with all her trademark disco-punk energy, reminiscent of queen Peaches. An empowering and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…” – it encourages us to celebrate and take pride in our body, whatever shape or size it may be.
(ML) 

Nova Twins – ‘Hit Girl’
Georgia & Amy share a unique talent for making riotous new music, and they’re a brilliant example of what you can achieve when you’re working alongside your best friend. They’ve yet to release a song I don’t instantly fall in love with, and I can’t wait to catch them live again later this year at Cro Cro Land.
(KC)

Lizzo – ‘Good As Hell’
I just can’t get enough of Lizzo’s joyous, body-positive spirit and immensely infectious offerings. And with motivational lyrics such as “Come now, come dry your eyes; you know you a star, you can touch the sky”, ‘Good As The Hell’ is the ultimate feel-good anthem to sing at the top of your lungs to your besties when they need cheering up.
(ML)

Cyndi Lauper – ‘Time After Time’
With Galentine’s Day originally being coined by the ever inspirational Leslie Knope from Parks And Recreation, I just had to include this classic. ‘Time After Time’ soundtracks a rare moment of unity between contrasting characters April and Ann in the series, as we see the two coming together (with an appearance from Donna!), singing this song, showing the power of music in bringing us together. 
(ML)

Alanis Morissette – ‘Thank you’
This iconic 1998 tune from Alanis is the best thing to sing to yourself on a day where things aren’t going your way, or if you need a minute to take stock of what you’re really grateful for. Whether you do that in your head, in front of your bedroom mirror, or naked in the street like Alanis does in the video is entirely up to you…
(KC)

Antony and the Johnsons – ‘You Are My Sister’
I can’t put into words just how utterly beautiful and deeply moving I find this song, so I’ll just leave it here: “You are my sister, and I love you, may all of your dreams come true.” Happy Galentine’s, sisters. 
(ML)

Listen to our special Galentine’s Day Playlist here, and give us a follow on Spotify if you fancy it:

LIVE: Indietracks Festival 27/07/18 – 29/02/18 (PART 2)

(Part 2 of our Indietracks Festival review – read Part 1 here….)

Continuing a completely joyous Saturday, queens Dream Wife take to the outdoor stage. Having not seen them for about three years when they completely blew me away at Visions Festival, they do not disappoint. Oozing their trademark empowering force, Rakel and co. take my breath away once more; such is their immense liberating power. Sparkling with her vibrant charisma, Rakel is the perfect, engaging front woman as Alice and Bella deliver frenzied, defiant hooks. With shout outs to Alice’s super cool grandma (who I was standing next to in the crowd), and a truly stirring performance of ‘Somebody’ (“this one’s about smashing gender roles that need to be smashed”), Dream Wife prove they’re an unstoppable force to be reckoned with.

After unsuccessfully attempting to get into the church to catch Spanish band Melenas (they sounded good from the door though!), we chill out for the rest of Saturday evening – preparing ourselves for a Sunday jam-packed full of some of the best new music.

Despite a rainy start, all the lush live music on Sunday certainly brightens the mood. The first example being Brighton band Just Blankets who bring their dreamy harmonies to the indoor stage; the perfect start to the day.

And the rain doesn’t stop us heading to see personal faves Wolf Girl. Alongside many “wet jokes”, they deliver their immensely infectious, thoroughly engaging indie-pop to perfection. As the crowd unites in a buoyant, albeit damp, cheer, I find that singing along to the uplifting hooks and exquisite harmonies of tracks such as ‘Middlesexy’ causes me to complete forget the weather and drift away on waves of Wolf Girl’s sunny energy.

Heading back to shelter for our favourite Feminist Punk Witches Dream Nails on the indoor stage, the DIY spirit and wonderful music continues. Despite having seen them live many times, Dream Nails never fail to totally inspire me. Treating us to a range of songs, new and old, they deliver their message as loud and as clear as ever to an adoring crowd of near 700. With her truly captivating intense energy, Janey leads the way in raging against sexual violence, misogyny and Facism, as guitarist Anya delivers impressive racing riffs, and Mimi and Lucy complete the punk-filled power of this unique band. As they deliver riotous impassioned lyrics such as “Hey mister, get your hands off my sister”, and express solidarity with those coming out as queer with uplifting offerings like ‘Swimming Pool’, a wonderful aura of unity sweeps throughout the crowd – as girls, women and non-binary people of all ages (in front of me a mother bops with her head-phoned baby in arms) dance and sing in solidarity – and I’m reminded once again why these strong-spirited wonder-women are so essential in our lives right now.

After sticking around to dance in buoyant joy to the utterly uplifting and twinkling calypso-like musicality of Tigercats, the empowering mood continues with (yet another GIHE fave), The Baby Seals in the church. With their uplifting charisma and triumphant wit, they champion autonomy and body positivity with wonderfully tongue-in-cheek (and amazingly entitled) offerings such as ‘My Labia’s Lopsided But I Don’t Mind’ and ‘Nipple Hair’, as well as mighty tracks celebrating Masturbation Month. Apologising for mentioning “tits” in a church, The Baby Seals celebrate all things female and break gender boundaries in all the right ways with their superb insightful humour and catchy musical prowess.

Sticking around in the intimate setting of The Church, we’re welcomed by another band who’ve wowed us at one of our nights at The Finsbury – the immensely impressive Sink Ya Teeth. Oozing their addictive, pulsating beats and ‘80s-inspired dance-pop hooks, they continue to prove themselves to be one of the most exciting bands around. As Maria Uzor’s smooth, intoxicating vocals soar, Gemma Cullinford’s pounding, funk-fused bass-lines provide a perfect, groove-ridden soundscape.

As the sun shines once more, we head back to the outdoor stage for North London’s Girl Ray. With their sweet, sunny charisma, each offering is a truly uplifting delight. Flowing with smooth, swooning vocals and catchy jangly melodies, they deliver their dreamy slices of gentle garage-rock with a sparkling grace, and – despite appearing to miss my personal favourite ‘Stupid Things’ – continue to cement their place firmly in our hearts.

After another welcome interlude with the owls and parrots (still not over how amazing this festival was!), final band of the weekend, Scotland’s Honeyblood, soothe our ears as the sun goes down. With a shimmering grace combined with their scuzzy garage-rock anthems and subtle empowering energy, the duo draw an end to the live music with all the perfect uplifting colour and fiery finesse we could have hoped for.

And that’s it; after spending a few more blissful hours dancing away in The Marquee, my first Indietracks is over. The most refreshing and enjoyable of weekends; one which exceeded all expectations. It was simply so wonderful to be a part of an event that so triumphantly champions DIY bands and artists of all genders and genres, in a beautiful location that’s not only family friendly, but a safe space for all, however you may identify.

Unfortunately, it still seems to be unusual to attend bigger festivals these days and not encounter ingrained misogyny or disrespect of some kind, but Indietracks felt like a different world; a safe, joy-filled world, and one jam-packed with all the best music (Also, did I mention there are owls and parrots?!). So, huge thanks to the organisers for creating something so beautiful, and I can only hope that more events start to take a leaf out of your book very soon!

Until next year, Indietracks…

Mari Lane
@marimindles