Track Of The Day: Penelope Trappes – ‘Eel Drip’

A goose bump inducing, emotionally charged electronic soundscape, London-based, Australian-born musician Penelope Trappes has shared her latest single ‘Eel Drip’. Taken from her upcoming EP of the same name, which is set for release on 23rd October via Houndstooth, the track is a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point.

“‘Eel Drip’ Is about honouring the dead, the passing of lives within you and beyond you,” Trappes explains. “It’s about physical or emotional change, acknowledging fears, and being true to yourself… reaching your full potential.” Through her use of arpeggiated electronics and her beguiling vocals, Trappes extrapolates on these themes and invites her listeners to experience the comfort and the catharsis that comes with this acceptance.

The track is accompanied by a beautiful video directed by Agnes Haus, and inspired by artist Francesca Woodman’s 1970s series of nude self-portraits with Eels. Trappes reflects on what the visuals mean to her: “In the process of changing and shedding past notions of myself, there is another world between the past and the future. An eternal state, unknown, warped, slippery, free. Submitting to change, dying… being reborn.”

Watch the video for ‘Eel Drip’ below and follow Penelope Trappes on bandcamp, Spotify, Instagram and Facebook for more updates.

Photo credit: Agnes Haus

Kate Crudgington
@KCBobCut

LISTEN: Lotic – ‘Cocky’

Experimental sounds and assertive lyrics combine with dramatic flair on ‘Cocky’, the latest single from Houndstooth signee Lotic. Following on from her previous single ‘Burn A Print’, Lotic continues her message of self-belief and empowerment on this defiant new track.

“‘Cocky’ is a song for the girls,” explains Lotic. “It’s a reminder to always recognize and demand your worth. It grants permission to radically stand in your truth, even when it may shock or offend, and most of all it’s a celebration of growth, prosperity, and confidence.” It’s this traffic-stopping attitude that fuels the demanding, energetic nature of Lotic’s electronic tunes.

Born in Houston USA but now a familiar face on the Berlin underground club and electronic music scene, Lotic (aka J’Kerian Morgan) shared her debut album Power in 2018. The record showcased her vocal and songwriting abilities for the first time, consolidating her skills into a coherent message about transforming fear in to fierce autonomy.

As with all her releases, Lotic declares that her mission is to “live life to the fullest by not giving a fuck about what anybody thinks,” which she effortlessly achieves on ‘Cocky’. Listen to the track below and follow Lotic on Facebook & Spotify for more updates.

 

Photo credit: Philip Primus

Kate Crudgington
@KCBobCut

LISTEN: Katie Gately – ‘Waltz’

Inspired by one of her Mother’s favourite artists, Leonard Cohen; Katie Gately‘s new track ‘Waltz’ is a haunting, powerful call to arms encouraging listeners to dance, even in the midst of overwhelming grief.

The track is lifted from Gately’s upcoming album Loom, which is set for release via Houndstooth on 14th February. The record is dedicated to Gately’s Mother, who passed away in 2018 due to a sudden onset of a particularly aggressive form of cancer. The electronic musician & producer has channelled her grief into these new songs, and ‘Waltz’ is one example of how transformative this can be.

After listening to Leonard Cohen’s track ‘Take This Waltz’ on repeat for an entire day, Gately was inspired to write ‘Waltz’. The accompanying video directed by Samantha Shay was shot at an abandoned Catholic convent, and features modern dancer Bobbi Jene Smith opposite Gately, who appears in her own video for the very first time.

“When you see me, I am already gone” muses Gately at the beginning of the track, as Jene Smith performs her primal, urgent, crooked choreography around the stark walls of the convent. Speaking about the track, and the accompanying visuals, Gately explains further: “When I listen, I see images that correlate to a zebra on a bad LSD trip. But I feel that its absurdity honours the chaos of losing someone you love more than time, space or measure. And so perhaps my message is: it’s okay to feel like a drunk zebra when your heart is breaking. Or, to quote the far greater poet Leonard Cohen: “When things get really bad, just raise your glass and stamp your feet and do a little jig. That’s about all you can do.””

Gately’s admirable outlook and bravery in writing and recording the video for ‘Waltz’ didn’t go unnoticed by Director Samantha Shay. “When I work with a musician, there is a wide spectrum to feelings about being filmed or photographed, and Katie expressed that she didn’t feel comfortable on camera,” she explains. “The day of the shoot, I asked Katie if she wanted to be challenged as a performer or not, and she practically demanded it of me. What resulted was absolutely magnetic. She wilfully and bravely let her walls collapse in front of us, and this video, to me, is a powerful portrait of her.”

And what a beguiling, intense portrait it is. Watch the video for ‘Waltz’ below and follow Katie Gately on Facebook & Spotify for more updates.

Katie Gately UK Live Dates 2020
April 1st – London’s Cafe Oto

Photo Credit: Steve Gullick

Kate Crudgington
@KCBobCut

PLAYLIST: November 2019

The shift from autumn to winter has been abrupt this year, and if our eclectic track choices are anything to go by; the lack of vitamin D has clearly hit us hard. From moody electronics, to upbeat bedroom bangers, to experimental soundscapes – we’ve got it all on our November playlist. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the end of the page…

 

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (Tash Walker)

HAVVK – ‘Operate’
The new single from long term faves HAVVK, ‘Operate’ is about getting caught up in the pressures of everyday life, and how this can effect your health and relationships. Filled with twinkling hooks and front woman Julie’s soaring celestial vocals, it’s a captivating creation filled with stirring emotion. Of the track, Julie explains: “There’s been a massive culture-shift towards measuring our happiness by productivity. Our digital lives mean that there’s always something we can be achieving and we have fewer obvious moments to switch off and connect with ourselves or the humans around us.” ‘Operate’ is out now via Veta Records, and will be followed by  HAVVK’s debut album, Cause & Effect, on 22nd November. (Mari Lane)

Le Butcherettes – ‘Tunisia’
Teri Gender bender opens this song with the lyrics “I’ve been masturbating thinking of no-one at all / and you make think that it is selfish of me / but I am no one at all” and I just want to applaud her for such an unexpected, celebratory few lines. ‘Tunisia’ is so funky, so catchy, and I’m so excited to hear the band’s new EP, Don’t Bleed, in February 2020. (Kate Crudgington)

Sea Change – ‘Scratch That Itch’
Norwegian artist Sea Change (aka Ellen Sunde) navigates personal metamorphosis on her new album, Inside, which this track is taken from. Sunde softly sings “I have a white hot anger / I’m slowly setting it free” over mellow synth textures and looping beats that sit in contrast to to emotion she’s expressing. This contradiction in sound and lyricism is what makes Sea Change’s music so compelling, and I’ve had her album on repeat since its release on the 15th. (KC)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, and she will be hitting New Rvier Studios in London on December 8th. I’ll be there, join me. (TW)

ESYA – ‘Blue Orchid’
“I only came here for the meat” broods ESYA (Ayse Hassan of Savages/Kite Base/180db) on her latest track ‘Blue Orchid’, lifted from her new EP Absurdity of ATCG (II) – Emergent Form. Filled with buzzing synth textures, direct vocals and pummeling beats; the song fleshes out the absurdities of our relationships and interactions with each other. We can’t wait for ESYA to headline our next gig at Notting Hill Arts Club on Sat 30th November. Tickets are available on DICE, and you can find all the event info here. (KC)

JFDR – ‘Taking A Part of Me’
I’m highlighting one of my Icelandic loves on this list, JFDR, who is a prolific songwriter and multi-instrumentalist, who we’ve supported at GIHE before as a part of her other project Samaris. ‘Taking A Part of Me’ is the first new material to be taken from her forthcoming album set for release in 2020, in conjunction with a gig at St Pancras Old Church on 30th January. Hauntingly perfect. (TW)

Pallas Athene – ‘Through Hell’
One of my favourite songs of the month, ‘Through Hell’ by Pallas Athene, taken from their debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – its spaced out vocals and calming chords – keep up the great work! Looking forward to the future of Pallas Athene. (TW)

Memphis LK – ‘Roses’
This track has been buzzing around my head over the last couple of weeks. It comes from Melbourne-based Memphis LK, described as a “spirited bass-pop on a bed of dystopian electro” – in other words ‘Roses’. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl, and was punished for it. “I got whoopings for walking like a girl, for using the restroom sitting down like a girl,” says Diamond today. Written whilst Diamond was incarcerated in various men’s correctional facilities between 1999 and 2009, ‘I Am Her’ is a poignant offering oozing an infectious funk-filled groove. With last week being Trans Awareness Week, I wanted to bring everyone’s attention back to this soulful anthem of self-realisation. (ML)

Brix & The Extricated – ‘Wolves’
The latest single from Brix Smith Start (of The Fall) and her awesome band Brix & The Extricated. ‘Wolves’ reflects on pack mentality and the freedom to show your scars. Oozing eerie undertones alongside the impassioned grit of Smith Start’s vocals, it’s filled with searing hooks and a  powerful grunge-tinged energy. Brix & The Extricated’s album, Super Blood Wolf Moon, is out now. (ML)

Captain Handsome – ‘I Wish I Had A Dog’
The debut single from Captain Handsome (aka Lily from faves Fightmilk), ‘I Wish I Had A Dog’ is a poignant exploration of every-day anxieties. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. ‘I Wish I Had A Dog’ is out now via Reckless Yes, and is taken from Captain Handsome’s upcoming EP, set for release in early 2020. (ML)

Siv Disa – ‘Moths’
The new single from New York based artist Siv Disa, ‘Moths’ is a poignant reflection on the captivity of love. Propelled by eerie, atmospheric hooks, ‘Moths’ showcases Disa’s soaring raw vocals alongside a spellbinding majesty. ‘Moths’ is out now via Trapped Animal Records. (ML)

Anne Müller – ‘Drifting Circles’
An epic seven minute instrumental from Berlin-based cellist and composer Anne Müller. ‘Drifting Circles’ is lifted from her highly anticipated debut solo album Heliopause, which is set for release on 29th November via Erased Tapes. I love Müller’s blend of frantic yet soothing strings, and feel like they would still captivate me even if the track was double its duration. (KC)

Tears|Ov – ‘All Else Is Bondage (for A.)’
Founded in 2015, Tears|Ov are a queer arts and LGBTQI+ trio. Formed of sound artist/musician Lori E Allen, cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale; their sounds are experimental, unusual, and always engaging. Their latest album, A Hopeless Place, was initiated by award-winning photographer Wolfgang Tillmans, who asked them to perform at Tate Modern’s South Tanks for his retrospective back in 2017. A Hopeless Place is out now. (KC)

Katie Gately – ‘Bracer’
Brace yourselves for ten minutes of poignant, eerie electronic sounds from Producer Katie Gately. This single is taken from her second album, Loom, which is set for release on 14th February via Houndstooth. The record is dedicated to Katie’s mother, who passed away in 2018 due to a rare form of cancer. Her shifting stages of grief have informed her sparse, yet seismic soundscapes. Not for the faint-hearted. (KC)