PLAYLIST: November 2019

The shift from autumn to winter has been abrupt this year, and if our eclectic track choices are anything to go by; the lack of vitamin D has clearly hit us hard. From moody electronics, to upbeat bedroom bangers, to experimental soundscapes – we’ve got it all on our November playlist. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the end of the page…

 

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (Tash Walker)

HAVVK – ‘Operate’
The new single from long term faves HAVVK, ‘Operate’ is about getting caught up in the pressures of everyday life, and how this can effect your health and relationships. Filled with twinkling hooks and front woman Julie’s soaring celestial vocals, it’s a captivating creation filled with stirring emotion. Of the track, Julie explains: “There’s been a massive culture-shift towards measuring our happiness by productivity. Our digital lives mean that there’s always something we can be achieving and we have fewer obvious moments to switch off and connect with ourselves or the humans around us.” ‘Operate’ is out now via Veta Records, and will be followed by  HAVVK’s debut album, Cause & Effect, on 22nd November. (Mari Lane)

Le Butcherettes – ‘Tunisia’
Teri Gender bender opens this song with the lyrics “I’ve been masturbating thinking of no-one at all / and you make think that it is selfish of me / but I am no one at all” and I just want to applaud her for such an unexpected, celebratory few lines. ‘Tunisia’ is so funky, so catchy, and I’m so excited to hear the band’s new EP, Don’t Bleed, in February 2020. (Kate Crudgington)

Sea Change – ‘Scratch That Itch’
Norwegian artist Sea Change (aka Ellen Sunde) navigates personal metamorphosis on her new album, Inside, which this track is taken from. Sunde softly sings “I have a white hot anger / I’m slowly setting it free” over mellow synth textures and looping beats that sit in contrast to to emotion she’s expressing. This contradiction in sound and lyricism is what makes Sea Change’s music so compelling, and I’ve had her album on repeat since its release on the 15th. (KC)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, and she will be hitting New Rvier Studios in London on December 8th. I’ll be there, join me. (TW)

ESYA – ‘Blue Orchid’
“I only came here for the meat” broods ESYA (Ayse Hassan of Savages/Kite Base/180db) on her latest track ‘Blue Orchid’, lifted from her new EP Absurdity of ATCG (II) – Emergent Form. Filled with buzzing synth textures, direct vocals and pummeling beats; the song fleshes out the absurdities of our relationships and interactions with each other. We can’t wait for ESYA to headline our next gig at Notting Hill Arts Club on Sat 30th November. Tickets are available on DICE, and you can find all the event info here. (KC)

JFDR – ‘Taking A Part of Me’
I’m highlighting one of my Icelandic loves on this list, JFDR, who is a prolific songwriter and multi-instrumentalist, who we’ve supported at GIHE before as a part of her other project Samaris. ‘Taking A Part of Me’ is the first new material to be taken from her forthcoming album set for release in 2020, in conjunction with a gig at St Pancras Old Church on 30th January. Hauntingly perfect. (TW)

Pallas Athene – ‘Through Hell’
One of my favourite songs of the month, ‘Through Hell’ by Pallas Athene, taken from their debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – its spaced out vocals and calming chords – keep up the great work! Looking forward to the future of Pallas Athene. (TW)

Memphis LK – ‘Roses’
This track has been buzzing around my head over the last couple of weeks. It comes from Melbourne-based Memphis LK, described as a “spirited bass-pop on a bed of dystopian electro” – in other words ‘Roses’. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl, and was punished for it. “I got whoopings for walking like a girl, for using the restroom sitting down like a girl,” says Diamond today. Written whilst Diamond was incarcerated in various men’s correctional facilities between 1999 and 2009, ‘I Am Her’ is a poignant offering oozing an infectious funk-filled groove. With last week being Trans Awareness Week, I wanted to bring everyone’s attention back to this soulful anthem of self-realisation. (ML)

Brix & The Extricated – ‘Wolves’
The latest single from Brix Smith Start (of The Fall) and her awesome band Brix & The Extricated. ‘Wolves’ reflects on pack mentality and the freedom to show your scars. Oozing eerie undertones alongside the impassioned grit of Smith Start’s vocals, it’s filled with searing hooks and a  powerful grunge-tinged energy. Brix & The Extricated’s album, Super Blood Wolf Moon, is out now. (ML)

Captain Handsome – ‘I Wish I Had A Dog’
The debut single from Captain Handsome (aka Lily from faves Fightmilk), ‘I Wish I Had A Dog’ is a poignant exploration of every-day anxieties. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. ‘I Wish I Had A Dog’ is out now via Reckless Yes, and is taken from Captain Handsome’s upcoming EP, set for release in early 2020. (ML)

Siv Disa – ‘Moths’
The new single from New York based artist Siv Disa, ‘Moths’ is a poignant reflection on the captivity of love. Propelled by eerie, atmospheric hooks, ‘Moths’ showcases Disa’s soaring raw vocals alongside a spellbinding majesty. ‘Moths’ is out now via Trapped Animal Records. (ML)

Anne Müller – ‘Drifting Circles’
An epic seven minute instrumental from Berlin-based cellist and composer Anne Müller. ‘Drifting Circles’ is lifted from her highly anticipated debut solo album Heliopause, which is set for release on 29th November via Erased Tapes. I love Müller’s blend of frantic yet soothing strings, and feel like they would still captivate me even if the track was double its duration. (KC)

Tears|Ov – ‘All Else Is Bondage (for A.)’
Founded in 2015, Tears|Ov are a queer arts and LGBTQI+ trio. Formed of sound artist/musician Lori E Allen, cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale; their sounds are experimental, unusual, and always engaging. Their latest album, A Hopeless Place, was initiated by award-winning photographer Wolfgang Tillmans, who asked them to perform at Tate Modern’s South Tanks for his retrospective back in 2017. A Hopeless Place is out now. (KC)

Katie Gately – ‘Bracer’
Brace yourselves for ten minutes of poignant, eerie electronic sounds from Producer Katie Gately. This single is taken from her second album, Loom, which is set for release on 14th February via Houndstooth. The record is dedicated to Katie’s mother, who passed away in 2018 due to a rare form of cancer. Her shifting stages of grief have informed her sparse, yet seismic soundscapes. Not for the faint-hearted. (KC)

WATCH: Penelope Trappes – ‘Carry Me’

Sublime, haunting vocals and beautifully shot images make up the video for Penelope Trappes‘ latest single ‘Carry Me’. The track is taken from her sophomore album Penelope Two, which is set to be released via Houndstooth on October 26th.

Originally from Australia but now based in London, Penelope’s dark, pensive, melancholy soundscapes are formed around “field recordings…guitars and synth drones, piano and reverb”. They declutter the mind and ensnare the senses, and ‘Carry Me’ is a beautiful example of her ability to blend tender vocals, layers of sound, and divine visuals with artistic flair.

Speaking about her upcoming album Penelope Two, Trappes extrapolates: “I spent 2017 being an empath with two dear friends, who lost very close loved ones. One lost nearly her whole family in an accident and the other lost his partner of 23 years, after she gave birth to their third child. Echoing distance, pain, love and infinity – this album is dedicated to them”.

Trappes transforms real pain in to other-worldly comfort, proving her worth as a confidant and as an artist. Watch the video for ‘Carry Me’ below and follow Penelope Trappes on Facebook for more updates.

Pre-order your copy of Penelope Two here.

Photo Credit: Agnes Haus

Kate Crudgington
@KCBobCut

WATCH: Soft As Snow – ‘Pink Rushes’

If you’re seeking “an intense and intimate mental catharsis”: then Norwegian-born, Berlin-based duo Soft as Snow are the band to invest your listening time in. The pair release their debut album Deep Wave on April 6th, via Houndstooth records, and they’ve shared a video for gently named single ‘Pink Rushes’, which is taken from the record.

Together, Oda Egjar Starheim and Øystein Monsen create “oblique left-field pop” that recalls Cabaret Voltaire, Throbbing Gristle, deep Detroit techno, 90s IDM and Fever Ray. They prefer to avoid laptops when creating music; opting for analogue machinery, samplers, live drums and processed guitars. ‘Pink Rushes’ is a knockout example of this. Pulverizing bass and intense rhythmic throbs sit brutally beneath Oda’s “vocal witchcraft”.

Speaking of their recording process, Oda said:

“We kept a lot of the initial takes from the jams. There’s something with that first immediate and spontaneous energy that’s really essential and hard to recreate later on. It’s more important for us that the vocals have the right energy and feeling for the song, than being recorded properly and having to refine the lyrics”

We love Soft As Snow’s defiant, creative, angular style. Listen to ‘Pink Rushes’ below, and follow the band on Facebook for more updates.

Deep Wave is released on 6th April via Houndstooth Records.

Kate Crudgington
@KCBobCut