LISTEN: Husk – ‘My Innocence’

Having previously treated our ears to uptempo pop gems ‘Heal With Time’ and ‘Below The Neck’, and having received acclaim from the likes of BBC 6Music’s Tom Robinson, BBC Radio Cymru’s Janice Long and Gaydio, Manchester based trans masc, non-binary artist HUSK has now shared a brand new single.

Propelled by glitchy, tribal beats and a fiery, vibrant groove, ‘My Innocence‘ oozes a swirling, empowering energy. With an uplifting passion, HUSK’s distinctive, sweeping vocals flow as a shimmering euphoric splendour glistens with every note. A fiesty pop banger, it’ll leave you feeling energised – ready to hit the dance floor with loved ones and unite in the celebration of queer love and diversity.

Of the track, HUSK reflects: “I just wanted to make a song that you could dance to about new exciting queer love.

They have certainly succeeded in this with ‘My Innocence’! And at a time when it is more important than ever to spread the message of equal rights for all, and love and solidarity within the LGBTQIA+ community and its allies. So, press play, turn it up and celebrate queer joy!

Mari Lane
@marimindles

PLAYLIST: Pride 2021

As many of our regular readers will know, at Get In Her Ears we strive to support LGBTQIA+ artists all year round via our website, radio show and our live music nights. This Pride Month, we continue to celebrate and share the work of these artists, and take some time to reflect on the history & impact of LGBTQIA+ artists in music and in wider creative spheres too.

Our co-founder Tash Walker, who is also the Co-Chair of the charity Switchboard LGBT+ Helpline & co-producer of the award-winning The Log Books podcast, wrote this powerful intro to our Pride Playlist last year. We’re sharing her words again to let our LGBTQIA+ readers and allies know: we see you, we support you and we love you – this month, and every month. If you need support during Pride Month or at any time, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

Tash: “It’s more important than ever to remember why Pride started. Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the black and transgender and gender non-conforming communities.

Covid-19 and its multiple lockdowns have had an unimaginable impact on all of us, especially folks from marginalised communities – magnifying any existing situation people may be in from domestic violence to transphobia, biphobia, homophobia but especially loneliness and isolation. Something members of the LGBTQIA+ communities have been battling heavily against for a while now.

What Pride means to everyone within the LGBTQIA+ communities will be different, but as a queer person I stand and I protest for every single one of those people’s rights. For LGBTQIA+ rights, for anti-racism, for black people, for people of colour, for transgender and gender non-conforming people and every intersectionality in-between. We have to learn from our history and we have to work together where we support the human rights of each and every one of us. People should be free to live without fear of judgement or discrimination. People should not have to fear for their lives because of their sexuality, gender identity, race, socio-economic class, disability or religion.

If your pride flag doesn’t include black and brown stripes, it’s outdated. If your pride flag doesn’t include the transgender flag, it’s outdated. So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone, but most importantly, black lives matter, trans lives matter, black trans lives matter.”

Read about our track choices for our Pride 2021 playlist below and scroll down to the end of the post to listen to it on Spotify.

Ma Rainey – ‘Prove It On Me Blues’
This 1928 song by Ma Rainey, who is unarguably the mother of blues, is possibly one of the first references to queer lesbian culture. Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT+ playlist. (Tash Walker)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on our GIHE radio show, included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

Big Freedia – ‘Judas’ (Lady Gaga Cover)
I’m absolutely loving Big Freedia’s cover of Lady Gaga’s ‘Judas’ which features on Gaga’s Born This Way Reimagined album, celebrating the 10th anniversary of her second record. Gaga has also enlisted the help of Kylie Minogue and Orville Peck to embellish her evergreen sentiments about self love, having the freedom to love anyone you want and to express that love however you want to. (Kate Crudgington)

Lido Pimienta – ‘Declare Independence’ (Björk Cover)
This is such a beautiful cover by Colombian-Canadian artist Lido Pimienta, released as part of Spotify’s Pride campaign. I was lucky enough to interview her last year about her amazing album Miss Colombia, and on this new offering her defiant spirit and powerful voice shine through just as brightly. Pimienta released this track as a statement of solidarity with the LGBTQ+ communities, and also for Colombian and Palestinian people struggling for freedom and dignity in their homelands. (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist. (KC)

Robyn – ‘Dancing On My Own’
Robyn is an outspoken ally for LGBTQ+ rights. I think it’s important to recognise the role that allies play within LGBTQ+ history and the movement’s continued fight for equality. Being an ally is about educating yourself, it’s about listening, being visible, challenging inequality and helping to educate others. Being an ally isn’t just about LGBTQ+, it applies to any under-represented, marginalised section of society worldwide. As Stonewall says “If we want to live in a world where people are accepted without exception, we all need to be part of the solution.” (TW)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Mykki Blanco – ‘Free Ride’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and their music is just oh so gooooood. (TW)

Desire Marea – ‘Tavern Kween’
This amazing track by Durban, South Africa-based artist Desire Marea was inspired by Desire’s aunts who went against social norms to find their own forms of freedom in the usually male-occupied taverns in their hometown of Amandawe. Desire explains: “It’s an ode to them, an ode for defiance and feminine manifestations everywhere, an ode to people who come alive at night, to people who enjoy being free and also an ode to people who are fierce about claiming their freedom.” The accompanying video is also sublime. (KC)

Witch Prophet – ‘Makda’
I have Tash to thank for introducing me to the majestic sounds of Ethio queer hip-hop fusion artist Witch Prophet. ‘Makda’ is a celebration of the Ethiopian Queen of Sheba and, as Witch Prophet explains, “the power of Black women and mothers” which she highlights in the track’s beautiful accompanying video. (KC)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people, Planningtorock and their music has unquestionably helped me on my own gender identity journey and I’m sure many others. (TW)

Ragdoll, Husk – ‘Throwback’
A collaboration between trans, non-binary artist and GIHE fave Husk and non-binary drag queen Ragdoll, ‘Throwback’ offers a wittily nostalgic dance anthem, sparking many fond memories for us millennials. A massively uplifting, fun-filled banger, complete with Husk’s smooth, soulful vocals and a wonderfully infectious groove, it’s a perfect accompaniment to any Pride party. (Mari Lane)

Crisp&Classy X Rookes – ‘Basic’
Electro-pop duo CRISP&CLASSY (aka producer Kat Knix and singer-songwriter Plushy) pride themselves on bringing sexual liberation and self-acceptance to the UK pop scene. Collaborating with GIHE fave, London-based artist and promoter of queer female identity, Rookes, ‘Basic’ is a vibrant, uplifting dance-floor anthem. Blasting into the ears with an explosive fizzing energy, it’s an effervescent ode to being yourself and silencing anyone who chooses to get in your way. (ML)

ARXX – ‘DEEP’
The latest single from GIHE faves Brighton duo ARXX, ‘DEEP’ is an empowering ode to leaving behind all your anxieties and getting what you want. Interweaving a more electro-infused, glitchy sound than previous releases with their signature ferocious grunge-fuelled drive, it instantly hits you with its raw, anthemic rush and gritty, sensual prowess. ARXX have now also released a number of remixes of ‘DEEP’ – including one by Dream Wife’s Alice Go. (ML)

Ci Majr – ‘Ultraviolet’
Non-binary Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems with a twinkling sensitivity. Taken from their latest EP Side Effects, ‘Ultraviolet’ sparkles with a heartfelt sense of hope alongside a scintillating energy and instantly catchy, shimmering hooks. (ML)

Alex Loveless – ‘Meet Me Tonight’
There’s something about Hackney-based DIY electronic artist Alex Loveless’ music that’s just effortlessly chill. ‘Meet Me Tonight’ is their latest single, but I would also recommend checking out their recent EP, Phone Keys Wallet too. (KC)

Amaroun – ‘Perish’
Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. It’s one of my faves. (TW)

BISHI – ‘Who Has Seen the Wind’
As part of Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. She’s an incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

STRAIGHT GIRL – ‘Limón’
Describing themselves as “fiercely and fearlessly queer,” Leeds-based electronic artist STRAIGHT GIRL is a master at exorcising their demons and developing them into their own brand of “grave rave” sounds. I love this track ‘Limón’ which is a vibrant, jagged soundscape inspired by disjointed and self-critical thoughts. (KC)

Gordian Stimm – ‘Though My Love Is Always Still’
I am such a huge fan of everything Gordian Stimm aka Maeve Westall of itoldyouiwouldeatyou releases. They’ve crafted so many experimental gems in the last year, from their debut album Your Body In On Itselfto this single for Amateur Pop Inc.’s compilation record, their offerings are intensely eclectic & so well produced. (KC)

Twin Pixie – ‘Firestarter’
Philadelphia-based hyper-pop duo TJ Cole and Aiv Rubino aka Twin Pixie are inspired by the likes of SOPHIE and Grimes and explore themes of queerness and the supernatural in their majestic, ethereal soundscapes. Propelled by glitchy beats, ‘Firestarter’ races with a sweeping cinematic allure as poignant spoken-word vocals soar, tearing into the sexist norms of society. (ML)

Khx05 – ‘Trouble’
I have Nova Twins to thank for introducing me to North Carolina-based artist Khx05. They feature on the duo’s compilation album Voices For The Unheard, a blistering collection of alternative anthems that showcase the eclectic, tenacious range of talent from artists of colour in the heavy & alternative music scenes. (KC)

Ms Mohammed – ‘Pandora’
‘Pandora’ and its rolling, rumbling drums – such a tune by Ms Mohammed who we had a total blast with in the Get In Her Ears studio a few years ago. As well as being an artist in her own right, Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBTQIA+ rights and visibility, Ms Mohammed is challenging prejudice through her music and we stand by her every step of the way! (TW)

pink suits – ‘pink suits everyone’
Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Taken from their recently released album, political child, ‘Pink Suits Everyone’ oozes a rousing, stirring intent. Offering a vibrant message of inclusivity and hope, here the duo urge us to come together and unite against the powers that seek to contain us. Watch the new video for ‘Pink Suits Everyone’ here. (ML)

Ezra Furman – ‘Suck The Blood From My Wound’
Having recently come out as a Transgender woman, and shared beautiful images of herself with her child, Ezra Furman has long been a favourite of mine, since I first fell in love with her 2018 album Transangelic Exodus. This Pride, I think it’s particularly important to celebrate the Transgender community whilst drawing attention to how society’s acceptance of trans and gender non-conforming people still has a long way to go. As Furman poignantly states in her coming out message: “I’m telling you I’m a mom now for a specific reason. Because one problem with being trans is that we have so few visions of what it can look like to have an adult life, to grow up and be happy and not die young. When our baby was born I had approximately zero examples that I had seen of trans women raising children. So here’s one for anyone who wants to see one. I’m a trans woman and a mom. This is possible.” (ML)

Chuck SJ – ‘Sink Your Teeth In’
This single is taken from DIY multi-instrumentalist Chuck SJ’s upcoming debut album Resist.Recharge.Revolt, which is set for release later this year. Full of atmospheric guitar riffs, sparse beats and glitchy electronics, it’s an industrial-tinged rumination on the forces that construct, influence and sometimes dismantle our ways of thinking. Chuck is also one half of punk duo Byenary who you can check out here. (KC)

Bitch Hunt – ‘Shapeshifter’
Non-binary band Bitch Hunt originally formed at the amazing First Timers fest, and have just released their debut EP via Reckless Yes. The title track of the EP, ‘Shapeshifter’ is a stirring slice of effervescent punk-pop, reflecting on themes of transition and gender identity, and how we are consistently ‘shape-shifting’ depending on our circumstances. A resonant yet ultimately uplifting offering, oozing a sparkling sense of optimism. (ML)

Grace Petrie – ‘Pride’
Taken from 2018’s album Queer As Folk, Grace Petrie’s ‘Pride’ offers a reflection on the strides that have been made for the LGBTQIA+ movement over the years, whilst also drawing attention to how far we still have to go to end all forms of discrimination. With her poignant, heartfelt lyricism oozing both a stirring sense of solidarity and hope, as well as frustration and rage (“I know you don’t want to face the fact / that each and every day we’re still being attacked…”), it’s a perfectly resonant anthem drawing attention to why we still need Pride, over 50 years on from the Stonewall Rebellion. (ML)

Naz and Ella – ‘Internalised’
Having been guests on our radio show back in 2019, alt-folk duo Naz & Ella recently released their new EP, De-Humanize. Taken from the EP, ‘Internalised’ is a deeply poignant offering about overcoming internalised queerphobia. Oozing a gritty edge and sweeping, stirring majesty, it’s an empowering ode reflecting the heartfelt message running throughout the EP as a whole, as the band explained in a recent interview with us: “… you don’t have to participate in your own dehumanisation to comply with social norms.” (ML)

Arlo Parks – ‘Black Dog’
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. ‘Black Dog’ is no different, a frank, heart-breaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. From talking, to supporting, to asking and reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can encourage and show people that asking for help is a sign of strength not weakness. (TW)

Kele – ‘Smalltown Boy’ (Bronski Beat Cover) 
I was lucky enough to speak to Kele Orekeke about his new album The Waves Pt. 1 earlier this month for The Line Of Best Fit, and he was incredibly generous with his time. I regret that I was too shy to tell him how much of my late teens & early twenties I spent dancing to Bloc Party and his first album The Boxer, so I thought I’d mention it here instead. His cover of Bronski Beat’s iconic LGBTQ+ anthem ‘Smalltown Boy’ is really beautiful, fore-fronting the track’s unique melancholy in an understated and moving way. (KC)

GIHE: Tracks Of 2020

It feels strange to be celebrating anything in 2020, but the GIHE team want to shine a light on some of the brilliant music that’s been released against the odds during the last 12 months. If you or your band managed to release some music this year – congratulations! You should be super proud. If you didn’t manage to write anything new this year though, we fully understand and we’ll still be here to sing your praises when you feel ready to write again.

Following our album round-up yesterday, today we share our ‘top tracks’ of 2020. As you can tell, we haven’t held back, as there’s just been so much amazing music released this year that we felt deserved a mention. So, read about our forty two favourite songs of the year (told you we weren’t holding back!), and then hit play on our mammoth, and super eclectic, playlist at the end of this post….

HAWXX – ‘Deadlands’
Having previously blown us away with their immense live show, heavy rockers HAWXX this year released their epic four track debut Deadlands. And the immense title track has been on heavy rotation around my ears since first hearing it back in May. With an explosive frenzied energy propelling raging hooks and the seething vocals of front woman Anna Papadimitriou, it’s an utterly compelling whirlwind; a fantastically fierce accompaniment to the chaos of 2020.
(Mari Lane: Co-Founder/Managing Editor) 

Vulpynes – ‘Sister’
Having been majorly disappointed when we had to cancel our April gig at The Finsbury that Dublin duo Vulpynes were set to headline, it came as some consolation that they released a perfectly riotous EP Us Against Them later in the year. Taken from the EP, ‘Sister’ is a powerful ode to ‘pseudo sisterhood’. Propelled by Molly’s raw, impassioned vocals, it oozes an immense sense of urgency amid a seething eerie underlying force. With swirling, reverb-strewn hooks and pounding primal beats, it’s a fantastically fierce, empowered slice of ferocious rock magnificence.
(ML)

Guitar Gabby/The Txlips – ‘The Dead Pool’
With a mission to change the narrative in which the music industry showcases women, Atlanta based Guitar Gabby and The Txlips partner with Girls Rock Camps internationally and nationally to bring classes about home recording, equipment set up, copyright law and more to young girls. Taken from their explosive album Prison Of Life, ‘The Dead Pool’ is filled with scuzzed out riffs as Gabriella Logan’s seething growl soars. Oozing a gritty emotion, it’s a ferocious, empowering anthem; a completely necessary angst-driven offering for these strange times.
(ML)

Problem Patterns – ‘Sell By Date’
Taken from The Fight Is Not Over – a collaborative record with songs from Strange New Places, Gender Chores and Sister Ghost, in addition to Problem Patterns – ‘Sell By Date’ is a perfectly raging anthem rallying against societal gender norms and the pressures and expectations put on women of a certain age to have children (something I relate to HARD). Propelled by an empowering seething energy, it’s a frenzied fist-clencher that leaves me longing to witness it in all its live glory. The Fight Is Not Over addresses the need to continue pushing for more inclusive and diverse spaces and was recorded by Rocky O’Reilly to raise money for  The 343, an Artist-Focused, Feminist-led, Queer Arts Space in East Belfast. Read our interview with the four bands and find out more about the project here.
(ML)

New Pagans – ‘Yellow Room’
I love it when my feminist literature and new music worlds collide! Inspired by the semi-autobiographical short-story The Yellow Wallpaper by American author Charlotte Perkins Gilman, Belfast-based New Pagans’ penned ‘Yellow Room’ to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland. Through the medium of Gilmans’ text, the band explore the isolation faced by new mothers, with Lyndsey McDougall’s urgent vocals leading the way. I loved listening to the band’s EP Glacial Erratic earlier this year too and I can’t wait to hear more from them in 2021.
(Kate Crudgington: Co-Founder/Features Editor)

LIINES – ‘Sorry’
Having received acclaim from the likes of Sleaford Mods, John Kennedy and BBC 6Music’s Steve Lamacq, as well as blowing us away headlining for us at The Finsbury, Manchester trio LIINES consistently impress with their distinctive, raw post-punk. Oozing the band’s trademark dark, brooding power, ‘Sorry’ builds with deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, it’ll captivate the ears with its punk-fuelled bewitching allure.
‘Sorry’ is out now (with B side ‘On and On’) via Reckless Yes.
(ML)

Tiger Mimic – ‘Where The Fire Used To Be’
Disappointed that we had to cancel what would have been their debut gig for us in April, we were glad to hear Tiger Mimic’s new releases this year. Propelled by a driving energy, ‘Where The Fire Used To Be’ blasts out racing riffs alongside the soaring splendour of front woman Jess’ striking vocals. Building to an immense climax, it offers a sense of hope in these seemingly hopeless times, reassuring us that “the whole world will start over in the spring”.
(ML)

Bitch Hunt – ‘Spaceman’
Since forming at First Timers Fest, London based all queer/non-binary band Bitch Hunt have been going from strength to strength; last October impressing us at GIHE us with their immense live set at The Finsbury. Taken from a split cassette that they released with fellow faves adults earlier this year, ‘Spaceman’ is an observational and relatable slice of punk-pop. With Bitch Hunt’s trademark impassioned energy and swirling harmonies, it’s a spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives.
(ML)

Porridge Radio – ‘7 Seconds’
In a year where so much went wrong, watching the unstoppable rise of Porridge Radio felt so right. With ‘7 Seconds’ the band moved away from the guitar-heavy sound of their Mercury-nominated album, Every Bad, towards alternative ’80s synths. The result is reassuringly nostalgic, like it’s jumped from the soundtrack of a badass John Hughes film; melancholic, but still upbeat and unbelievably catchy.I’m in love with front-person and songwriter Dana Margolin’s voice. Bold and strong, but vulnerable too, they sing of wasting, waiting and rising above it all. Against the backdrop of a rather tedious few months, ‘7 Seconds’ feels hopeful and exciting. When it comes on the radio, as it frequently has, I feel a little jolt of electricity run through my veins. And it’s a jolt that’s wired straight to my heart, mind… and my feet. The song – and the band – are something very special, and I can’t wait to see what they do next.
(Vic Conway: Contributor)

CMAT – ‘I Wanna Be a Cowboy, Baby!’
“Always the cowboy, never the cow / I hate the way my life turned out” might just be the lyric of 2020, provided by Irish pop sensation CMAT. “[The song is] based around a VINE that was really popular from a couple of years ago of a load of guys drinking cans outside in a playground saying “I wanna be a cowboy baby!,” CMAT explained when we spoke to her about the single in September. The popstar has a talent for taking obscure scenarios and molding them into intensely relatable, catchy pop tunes and ‘I Wanna Be a Cowboy, Baby!’ is a charming slice of  Americana-tinged pop that laments the struggles of urban isolation.
(KC)

Kynsy – ‘Cold Blue Light’
Based on her own experience of being at a New Years Eve party watching a man spout racist remarks, Dublin-based multi-instrumentalist Kynsy’s single ‘Cold Blue Light’ is a dark synth-pop gem that oozes with defiant attitude. I love her genre-blending sounds and I’m excited to hear more from her in 2021.
(KC)

Jessica Winter – ‘Sad Music’
This is the title track from Queen of sad bangers Jessica Winter’s debut EP, and it’s an electro-pop gem. Inspired by the need to relieve heartbreak through the medium of music, Winter effortlessly blends elements of electronica, pop, R&B and industrial music to create her intensely dance-able sounds. I pranced around my bedroom miming to ‘Sad Music’ for most of Lockdown 1.0.
(KC)

Husk – ‘Heal With Time’
One of our favourite discoveries of 2020, Manchester-based trans non-binary artist HUSK creates uptempo pop gems. Released in the summer, ‘Heal With Time’ oozes a celebratory sound juxtaposed with a poignant, reflective lyricism. Propelled by ’80s-inspired glistening hooks and synth-soaked uplifting summer vibes, it’s a vibrant, danceable anthem, shimmering with a sparkling empowering energy.
(ML)

Kadija Kamara – ‘Best Moves’
Even in uncertain times, London-based songwriter Kadija Kamara remains focused on her ‘Best Moves’. On this single, she calmly reminds listeners to own their “magic” and recognise the value of their own work, reassuring them with her warm beats, grooving bass lines and smooth vocals. With a sound best described as “alt-soul” which combines her love of ’60s and ’70s analogue sounds, Kadija’s passion for nostalgia permeates her musical output.
(KC)

Evil House Party – ‘Wicked’
An intoxicating blend of hazy vocals and sultry synths, Evil House Party’s debut single smoulders with the intensity of a hot summer night fuelled by Bonnie & Clyde-esque musings. ‘Wicked’ is a “bittersweet revenge pop anthem” that seduces listeners with its yearning vocals and heady beats.
(KC)

CIRCE – ‘Ten Girls’
London based dark-pop artist Circe is inspired by the films of David Lynch, the brutality of Margaret Atwood’s fiction, the soundtrack to Stranger Things and Baz Lurhmann’s Romeo & JulietThis single ‘Ten Girls’  takes its title from a quote from The Handmaid’s Tale. Of the track, Circe explains: “[Atwood’s novel] is a poetic but disturbing view of women living in a dystopian oppressive world. This chimes with my own fractured generation of cancel culture, swipes of sex, and revenge porn.” I’m obsessed with Circe’s debut EP She’s Made Of Saints, which is full of sweeping, cinematic gems.
(KC)

Notelle – ‘Bugs’
I love the industrial-tinged production and wispy vocals on Nashville-based “nightmare-pop” artist Notelle’s single ‘Bugs’. She wrote this song after a break-up when she felt like part of her ex was still invading her body and it’s an intoxicating, feverish effort to rid herself of this unwanted sensation.|
(KC)

Noga Erez – ‘You So Done’
A resilient, emotionally charged offering from an uncompromising artist, Noga Erez’s single ‘You So Done’ delves deep into the memories left behind by a toxic relationship. Far removed from the joviality of her lockdown inspired single ‘NO News On TV’, Erez channelled her fears, frustrations and un-nerving flashbacks into this track, which radiates with artistic confidence. Accompanied by a stunning set of visuals directed by Indy Hait, also featuring her musical partner Ori Rousso, the Tel Aviv-based artist continues to blow us away with her mesmerising musical accomplishments.
(KC)

Eilis Frawley – ‘Stats’
Taken from her incredible EP Adult Life, Eilis Frawley’s ‘Stats’ is one of the most stunning and necessary listens of 2020. Offering a completely unique soundscape from the classically trained percussionist, it combines arresting drum-beats with Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. Adult Life is out now via Reckless Yes.  
(ML)

Princess Nokia – ‘Sugar Honey Iced Tea (S.H.I.T)’
Openly queer rapper and all round inspiration, Destiny Nicole Frasqueri – aka Princess Nokia – writes powerful, feminist anthems promoting self love and raging against the patriarchy. Fusing together infectious beats and a powerful, angst-driven energy, along with her trademark tongue-in-cheek wit, with ‘S.H.I.T’ Princess Nokia once again offers an empowering and playful presence in these times when pushing for change is so important.
(ML)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Joyfully schooling listeners how to make uplifting kitsch-pop tunes under the strangest of circumstances, Irish artist Æ MAK’s single ‘i dance in the kitchen’ was made with “100% childsplay and solo belly laughs.” Featuring the vocals of fellow Irish artist Seba Safe, the track is lifted from her EP how to: make a kitsch pop song to show the world, which she produced from home during Lockdown 1.0. I loved bopping around my bedroom to this record and of course, dancing in the kitchen to it too.
(KC)

Lido Pimienta – ‘Eso Que Tu Haces’
No-one else makes electronic music sound as warm and meaningful as Colombian-born, Toronto-based artist Lido Pimienta does. This track ‘Eso Que Tu Haces’ (translated roughly as ‘That Thing You Do’) is one of many triumphant singles lifted from Pimienta’s Grammy-nominated album Miss Colombia, which is a vivid celebration and criticism of her Colombian heritage. I have spent many an hour marvelling at the artwork on this record and singing along to my baby pink vinyl, despite knowing only three words in Spanish.
(KC)

Eckoes – ‘The Light’
Having dazzled us playing live at The Finsbury a few years back, London-based Eckoes consistently creates beautiful, soothing soundscapes. Filled with strobing synths and shimmering guitars, ‘The Light’ showcases the truly spellbinding power of Eckoes’ soaring vocals, as it lulls the listener into a cathartic sense of hypnosis with its alluring grace. A truly captivating offering from an artist on the rise.
(ML) 

Serena Isioma – ‘King’
Chicago-based musician Serena Isioma’s single ‘King’ is full of seductive beats and brooding bass lines. It’s a shimmering reflection on the problematic friendships 20-year old Isioma has found themselves in. “’King’ is about remembering your worth,” the songwriter explains. Isioma’s latest EP The Leo Sun Sets is every bit as poignant and dreamy as this single.
(KC)

Despicable Zee – ‘We Won’t Stop’ (Tiiva Remix)
A captivating, left-field electronic exploration of dual heritage, motherhood and self-autonomy, Oxford-based drummer and producer Despicable Zee (aka Zahra Haji Fath Ali Tehrani) released her third EP Atigheh in 2019. This year, with the help of an eclectic mix of collaborators, Zee shared a remix of the recording titled Atigheh Reimagined, which opened with this track by Tiiva. Keeping the hypnotic qualities of the original, Tiiva’s treatment of  ‘We Won’t Stop’ fuses smooth, breathy vocals together with dense yet ambient beats. I can’t recommend listening to this EP enough, it also features collaborations with Tiece, Planningtorock and Young Knives.
(KC)

MJ Guider – ‘FM Secure’
Lifted from her album Sour Cherry Bell, MJ Guider’s shadowy single ‘FM Secure’ is permeated by murky industrial sounds and atmospheric, beguiling vocals. Based in New Orleans, MJ Guider (aka Melissa Guion) blends elements of shoegaze, gothic pop and industrial sounds to create her hypnotic music. On Sour Cherry Bell, Guider explored power dynamics and the notion of “lost and found” and these musings extended to ‘FM Secure’, its ominous glow intensifying with each listen.
(KC)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ single ‘Cruel Sensuality’ is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. This is a grade A BANGER.
(KC)

Kelly Lee Owens – ‘L.I.N.E’
I could have picked any track from Kelly Lee Owens’ second album, Inner Song, having listened to it on repeat so often that it’s become like listening to one continuous ambient epic.  ‘L.I.N.E.’ stands out, as the most deeply emotional song on the album, and because it gives some exposure to Owens’ vocals, also a central feature of  ‘Luminous Spaces’, her collaboration with Jon Hopkins, and one of my favourites from last year .  It’s also a reflection of how much more electronic music I’ve listened to lately (other notable acts from the last 18 months have included Peggy Gou, Bicep, and HAAi).  It could be that I’ve missed the old days of being out and about, at venues packed with bodies, light and sound – but I also think there’s something valuable in the (often) unspoken emotion of electronic music at a time when connections between us all have been strained.  Given the domestic nature of much of recent times, and paraphrasing a Jarvis Cocker single from 2020, I’ve been listening to House Music all year long.
(John McGovern: Contributor)

Grawl!x – ‘Epicene’
Having headlined the last gig we held at The Finsbury before the world changed forever, Grawl!x creates euphoric cinematic soundscapes filled with twinkling electronic hooks and spellbinding harmonies. Characterised by Maria’s distinctive impassioned vocals and a poignant stirring emotion, each offering from the Derby-based artist is utterly captivating.
‘Epicene’ is taken from Grawl!x’s album Peeps, out now via Reckless Yes.
(ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born artist Penelope Trappes’ most recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point. Through her arpeggiated electronics and beguiling vocals, Trappes extrapolates on these themes and invites her listeners to experience the comfort and the catharsis that comes with this acceptance.
(KC)

Mentrix – ‘Walk’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. ‘Walk’ is full of captivating vocals, atmospheric electronics and commanding percussion. It’s taken from her debut album, My Enemy, My Love, which is a powerful exploration of female resilience, independence and what happens when women are caught between two cultures, each filled with their own flaws and freedoms. It’s a stunning record and this track is a definite highlight.
(KC)

Blonde Maze – ‘Not All Flowers Bloom’
Having been a huge fan of New York artist and previous guest on our radio show Blonde Maze for a long while now, it was wonderful to hear her new releases this year. Reflecting on the realisation that even though something is beautiful, it may not last forever, ‘Not All Flowers Bloom’ is a truly euphoric slice of electro-pop. A perfect example of Blonde Maze’s knack for creating exquisite soundscapes. I could listen to everything she creates on a loop forever; it’s just so completely calming and blissfully cathartic.
(ML)

CATBEAR – ‘Girl Crush’
A dreamy electro-pop rumination about wanting a friendship to develop into something more romantic, London-based queer duo CATBEAR’s single ‘Girl Crush’ was written during Lockdown 1.0. Recorded and produced in Zoe  Konez’s home studio in Brixton, the single is a completely DIY affair, with Sarah Smith laying down her vocals in her spare room wardrobe. The pair playfully ponder the “could-have-beens and what ifs” when it comes to thinking about that certain someone. Their charming pop creations were a welcome distraction for those caught up in a crush during unusual times.
(KC)

Ellis – ‘Fall Apart’
Released in early January, Canada’s alt-indie angel Ellis released this swirling single. Dawning at a time of blissful ignorance during a quiet moment before the storm to come, Ellis couldn’t have anticipated the level of comfort ‘Fall Apart’ would bring to her listeners in 2020. With dreamy, personal moments illustrated so softly, Ellis’ peaceful scenes of whispers under sheets served as a euphoric escape that also acknowledged hardship through self-awareness. Both humility and hesitation are felt through Ellis’ symbolism of what it means to accidentally fall apart. Her delicate depictions and flustered lyrics are realities felt by so many. Hushed vocals and warm guitar tones embody the closeness and tenderness that ‘Fall Apart’ illuminates. A nostalgic essence is met with a small amount of weariness that captivates the complexity and fear of being unconditionally seen by another, even on our worst days. In an uncertain time it has served as a utopian narrative of relatability and release. Ellis’ ‘Fall Apart’ is a therapeutic moment that exists in a cloudy sky, gloomy, but kissed by the sun.
(Jill Goyeau: Contributor)

Talking Violet – ‘Indigo’
Canadian band Talking Violet’s first single in two years,  ‘Indigo’ offers an ethereal dreamscape oozing a shimmering haze and immersive shoegaze-tinged hooks. Flowing with the Cocteau Twins-esque vocals of front woman Jill Goyeau, and swooping other-worldly melodies, it’s an utter sonic delight. A truly immersive listen that’ll leave you longing for more. (Jill also happens to be an excellent writer for us at GIHE!)
(ML)

ARXX – ‘Call Me Crazy’
Following the release of last year’s EP Wrong Girl Honey, and 2018’s debut Daughters Of Daughters, total faves ARXX this year returned to our ears with ‘Call Me Crazy’. Whilst it may be a bit of a change in tone for the Brighton duo, it loses none of the emotion-strewn power we’ve come to know and love. Showcasing Hanni and Clara’s more reflective side, it offers a heartfelt offering reflecting on mental health struggles, at a time when this topic is more resonant than ever before. Whilst dealing with an affecting subject, however, ARXX manage to create a truly uplifting and instantly catchy empowering anthem.
(ML)

Emma Kupa – ‘Nawlins’
Already a big fan of her band Mammoth Penguins, I’m no less in love with Emma Kupa’s solo material. Taken from this year’s beautiful album It Will Come Easier, ‘Nawlins’ flows with lilting, folk-strewn melodies and Kupa’s distinctive raw vocals. Filled with a heartfelt lyrical storytelling and euphoric uptempo musicality, it builds with glistening hooks to a stirring slice of perfect indie-pop. It Will Come Easier is out now via Fika Recordings.
(ML)

Captain Handsome – ‘Halloween’
Taken from Captain Handsome’s debut EP I Am Not An Animal, ‘Halloween’ flows with silky-smooth vocals and a twinkling, stripped-back musicality. With its delicate lo-fi scuzz and tongue-in-cheek relatable lyricism (“It was halloween, I was 24, I had a bad time on the bathroom floor”), it’s a sensitive, yet not sentimental, effervescent offering. Captain Handsome is the solo project of Lily from Fightmilk, and her EP I Am Not An Animal was released in January via Reckless Yes.
(ML)

Finish Flag – ‘Garden’
Having first fallen in love with Finish Flag when they played for us live at The Finsbury last summer, this year their album Swimming Pools has provided a lot of comfort. Taken from the album, ‘Garden’ flows with twinkling hooks and luscious harmonies, creating a dreamy slice of lo-fi indie-pop. Another band who I’ve sought soothing catharsis in throughout 2020, I bought Finish Flag’s beautiful pink vinyl on bandcamp day a couple of months ago, and I recommend you do the same.
(ML)

Gold Baby – ‘Versaille’
Having been following Gold Baby for some time now, last year front woman Siân Alex joined forces with Sara Kleppe and Scott Hislop to form the band as we know them today. And it’s been wonderful to see them go from strength to strength. Recent single ‘Versailles’ showcases all there is to love about them. With shimmering guitars and swooning melodies flowing alongside Siân’s luscious, crystalline vocals, it oozes a stirring heartfelt emotion. A beautifully rich slice of melancholy dream-pop.
(ML)

LibraLibra – Listerine
Brighton-based LibraLibra have been firm favourites of GIHE for a couple of years, never ceasing to impress. And this year they released their phenomenal debut EP Hail Mary. Taken from the EP, ‘Listerine’ is a step away from the usual high energy riotous cacophonies of previous releases. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, it builds to a magnificent, immense anthem of self-realisation.
Hail Mary is available on bandcamp now.
(ML)

Beckie Margaret – ‘God’
Essex-based songwriter Beckie Margaret has a flawless voice and a talent for writing beautifully bruising lyrics, something that her single ‘God’ showcases perfectly. I’m not ashamed to say I shed a tear when I first listened to this track, which is a cinematic reflection on unreciprocated love. Margaret releases through Cool Thing Records, who are a collective of people who absolutely love the music they’re making and promoting. It’s always a good day when an email about one of their artists appears at the top of my GIHE inbox.
(KC)

Massive thanks to all the artists and bands creating wonderful tunes this year! Keep an eye out for our Ones To Watch for next year, and listen to our Tracks Of 2020 playlist now:

PLAYLIST: Transgender Awareness Week 2020

At Get In Her Ears, we stand every day with our transgender and gender non-conforming siblings. We support trans artists because they create some of our favourite music and because trans rights are human rights and until trans lives matter, no lives matter.

Transgender Awareness Week kicks off today (13th Nov) until the 19th November, ending with Transgender Day of Remembrance on the 20th November, so we’re highlighting some of the incredible transgender artists who regularly land on our turntables and blast out of our speakers. Listen to our playlist at the end of this post and keep an eye on our Twitter, Facebook & Instagram accounts this week, as we’ll be posting about some of our favourite transgender artists over the next 7 days.

If you need support during Transgender Awareness Week, or at anytime in the future, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

 

Mykki Blanco (feat. Princess Nokia) – ‘Wish You Would’
This is a song from an artist who I feel needs no introduction, a queer transgender pioneer who is doing amazing things for LGBTQ+ rights, as well as being open about their positive HIV status. Mykki Blanco is an incredible artist and I love their music. (Tash Walker)

Arca – ‘KLK’
Arca is a trailblazing trans artist who has been pushing boundaries in the electronica scene for years now. I love her music, especially right now where I cannot quite scratch that live gig rave itch. Turn this up loud, close your eyes and dance dance dance, you’ll feel free. (TW)

Mavi Phoenix – ‘Boys Toys’
Mavi Phoenix is someone that we interviewed a couple of years back now, but who spoke so eloquently about equality and the importance of queer music in the world. Phoenix has found a home in their new sound and also in the pronoun “he”. This track is taken from their debut album of the same name, which was released earlier this year. This is all about Phoenix being reborn, which is what happens in the accompanying music video to this track. ‘Boys Toys’ is as important as an exploration for Phoenix’s gender identity as it is for his artistic work. And on top of all that, it’s an absolute tune. Enjoy. (TW)

Grawl!x – ‘Epicene’
Having headlined the last gig we held at The Finsbury before the world changed forever, Grawl!x creates euphoric cinematic soundscapes filled with twinkling electronic hooks and spellbinding harmonies. Characterised by Maria’s distinctive impassioned vocals and a poignant stirring emotion, each offering from the Derby-based artist is utterly captivating. (Mari Lane)

Tokky Horror – ‘Simulate Me’
Dance-punk trio Tokky Horror are the perfect soundtrack for a lockdown 2.0 bedroom rave. ‘Stimulate Me’ is just one of the many TUNES this band have and I’m excited to hear more from them in 2021. (Kate Crudgington)

LOTIC – ‘Burn A Print’
Berlin-based artist & producer LOTIC’s mission is to “live life to the fullest by not giving a fuck about what anybody thinks”, something she clearly and defiantly communicates on this track. With a name that means to “to inhabit rapidly moving water”, Lotic’s chaotic yet fluid soundscapes truly embody her passionate, fighting spirit. (KC)

PET Wife – ‘B.L.O.O.D.O.R.A.N.G.E.’
I Love what I’ve heard from PET wife so far! I came across them only a couple of weeks ago. PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single is accompanied by a music video that they describe as an homage to the vampire lesbian exploitation films of the 1970s, with an all-trans/gender non-conforming crew and queer cast. (TW)

Gordian Stimm – ‘Miscellaneous Body Parts’
There’s an enjoyable violence underscoring Gordian Stimm’s vision; a gleeful, sometimes painful dissecting of the self and the social cues that either help to construct or dismantle it. Their debut album Your Body In On Itself (released by Amateur Pop Incorporated) is a bold, surreal listen from a bold, surreal artist and one I highly recommend. (KC)

Anohni – ‘Why Did You Separate Me From The Earth?’
Anohni is a necessary and powerful voice that we need now more than ever. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Kermes – ‘Yr Beast’
Self proclaimed “anxious rock for the gay agenda”, Leicester band Kermes address issues such as gender dysphoria, sexism and dysfunctional relationships, with their infectious emotion-strewn punk-pop oozing a raw, angst-driven energy and scuzzy shimmering power. Kermes feature on fantastic new compilation compiled by their label Amateur Pop Incorporated, including other favourites Gordian Stimm and Boarder. All We Want Is Everything is available now on bandcamp. (ML)

Bitch Hunt – ‘Spaceman’
London based all queer/non-binary band Bitch Hunt formed at First Timers Fest, and create catchy, scuzzy punk-pop. With a subtle tongue-in-cheek wit and the gritty deadpan vocals of front person Sian, ‘Spaceman’ is a spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives. Check out the gorgeous split EP from Bitch Hunt and other faves adults, available on bandcamp now. (ML)

The Crystal Furs – ‘Too Kind To Be Cruel’
Oregon-based The Crystal Furs create sunny, queer indie-pop that’s set to uplift on each listen. As shimmering guitar and organ melodies flow alongside honey-sweet vocal harmonies, it’s just perfectly catchy, twinkling jangle-pop at its finest. Beautiful and True, the latest album from The Crystal Furs, is out now, with many tracks addressing queer rights and transgender identity. (ML)

T-Bitch – ‘Tranarchy’
Southend-based glam punks T-Bitch give just the right amount of fucks on ‘Tranarchy’, but most importantly – they’re here to be heard and have fun. (KC)

Claire Foxx & The Antisocial Justice Worriers – ‘(I Don’t Want Your) Germs’
Scottish punk singer & songwriter Claire Foxx released this track in September and it’s a riotous, tongue-in-cheek take-down of all things Covid-19 (with some fab sax solos in there too.) (KC)

 

Husk – ‘Below The Neck’
“I would never change being trans. I would never change being a trans musician. The industry should support us. Book us. Play us. Listen to us. We have so much to offer.” A poignant sentiment from Trans, non-binary artist Husk, who combines ’80s synth-pop nostalgia with fresh leftfield pop to create their signature sound. (ML)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Jackie Shane – ‘Comin’ Down’
I can’t resist adding soul singer Jackie Shane to our playlists. Her wonderfully smooth vocals, sophisticated style and bravery and defiance in the face of transphobia in the early 60s make her a true GIHE icon. (KC)