Record Store Day 2019: GIHE Picks

It’s the most wonderful time of the year… That’s right, Record Store Day. The excitement, the unity of eager queuers, the smell of that shiny vinyl as you release it from its sleeve, the empty pockets at the end of the day… But most of all, the music. A day dedicated to celebrating our favourite music, and those wonderful shop-owners who provide us with so much of it.

Ahead of the big day this Saturday (13th April), we thought we’d share some of the special releases that we’re most looking forward to this year. From the riotous power of classics by legends no longer with us, to our favourite soundtracks, and brand new releases from current bands making waves, here’s some of the records we’re hoping to get our hands on…

Mari Lane:

Elastica – BBC Sessions
I think Justine Frischmann and co. first came to my attention when I saw ‘Waking Up’ on an episode of TOTP, with none other than Damon Albarn appearing on keys/posing; and that was it – I was instantly in awe of the immense sense of cool that oozed from the three guitar-wielding women on stage. Failing my attempts to get hold of their 1995 eponymous debut on special release (plus an exclusive fanzine) in 2017, this year I have my heart set on Elastica’s BBC Sessions, released for the first time ever on vinyl. Whilst Strange Fruit released the Radio One sessions on CD back in 2001, this is the first artist curated release of the band’s sessions –  combining tracks recorded for John Peel, Steve Lamacq and Mark Radcliffe.

White Vinyl plus poster. Info here

Courtney Barnett – ‘Everybody Here Hates You’/’Small Talk’
Last year, I managed to get hold of Barnett’s special Record Store Day Release, ‘City Looks Pretty’/’Sunday Roast’, and this year I’m equally as determined to bag her new single ‘Everybody Here Hates You’, along with B-side ‘Small Talk’, on exclusive 12”. Courtney Barnett is probably my favourite, and most relatable, lyricist in the world. She has a unique ability to tackle everyday life with a spot-on wit and raw honesty, perfectly showcased in this wonderfully blues-infused latest offering.

12″ Vinyl via Marathon Artists. Info here.

Bang Bang Romeo – ‘Cemetery’/’Creep’
Taken from their Shame On You EP, ‘Cemetery’ is one of South Yorkshire group Bang Bang Romeo’s less raucous offerings, and is in itself an ode to record stores and finding your place within a music scene, with the lyrics capturing that excitement of going into a record store: “‘Finally found a place where I feel a part of something more ….in your arms where I found The Smiths & The Flaming Lips”. I’ve been aware of the awesomeness of Bang Bang Romeo for a while now, but it was only last Saturday at local festival Cro Cro Land that I was able to witness the incredible, rip-roaring power of Stars and co. live; my mind was completely blown and will never be the same again.

7″ Vinyl via Five Seven Music. Info here

X Ray Spex – I Am A Cliché
As any regular followers of our site, listeners to our radio show, or attendees of our gigs will be aware; we’re pretty massive fans of X Ray Spex and all that iconic front woman Poly Styrene did for music. We even kicked off our first ever radio show on Hoxton Radio over four years ago with the legendary ‘Oh Bondage, Up Yours’. So, being able to own this brand new compilation, featuring exclusive studio versions of tracks and live recordings, all on dayglo coloured vinyl, would be pretty much a dream come true! There are, however, only 500 copies being released… So, failing getting my hands on this record (or in addition to!), I will definitely be delving into Zoë Howe and Celeste Bell’s new book about Poly Styrene – Dayglo: The Poly Styrene Story. Featuring creative work from her archives, it includes material ranging from the flyers and early design drafts for X-Ray Spex, to her later visual art and lyrics

2 x LP – Dayglo Vinyl, gatefold sleeve with art card. Info here

Kate Crudgington:

The Crow OST
Despite being 26 years old, The Crow’s official soundtrack still feels and sounds as contemporary as many of its modern-day counterparts. Look at the talent featured on it: The Cure, Nine Inch Nails, Rage Against The Machine, Medicine, The Jesus and Mary Chain – if that’s not incentive to make you don your white face paint and black lipstick and rock out like Eric Draven on a rooftop, I don’t know what is. The soundtrack will be released via Rhino on 2 LPs, white & black with 3 sides of audio and the fourth with an “etching”. I will do whatever I can to get my hands on it!

2 LP – White & Black; 3 sides audio, 4th side etching. Info here

Soccer Mommy – For Young Hearts
I only arrived at the Soccer Mommy party last year when she released her debut studio album Clean, and I’ve had single ‘Your Dog’ in my head ever since. Her career was on the rise way before that though, with her bandcamp EP For Young Hearts being the release that first caught her all this much deserved attention. 

LP via Fat Possum Records with lyrics sleeve and fold-out poster. Info here

John McGovern:

Lost In Translation OST 
Two Scarlett Johansson movies from the early noughties; two wildly different soundtracks. If you’re old enough to remember the late ’90s, before Hollywood indies really boomed, then you probably also remember what it felt like when movies this fresh and sounding this cool suddenly appeared – and with female stars at their centre. Lost in Translation is all early 21st century indie hipster cool – Phoenix, Squarepusher, Peaches.

Violet Colour Vinyl. Info here.

Ghost World OST
Ghost World is more sprawling, reflecting its central characters’ adolescence: blues classics, Bollywood rock. Both also feature nods to some of celluloid’s less pleasant sounds: Bill Murray’s take on Roxy Music’s ‘More Than This’ in a Tokyo karaoke bar; the suburban stylings of Ghost World’s ‘Graduation Rap’ scene. This being Record Store Day though, perhaps what marks it out most is its Enid Coleslaw ’77 punk style’ blue vinyl.

LP via Shanachie Entertainment. Info here.

Honeyblood – ‘The Third Degree’/’She’s a Nightmare’
The second single from Stina Tweedale’s duo-turned-solo-turned-group Honeyblood’s third album, In Plain Sight. Aside from the song’s deceptively simple pop-rock sound, the cover’s tarot card design is particularly appealing if, like me, you’re into the cartomantic fortune-telling aesthetic. Chrysa Koukoura illustrations littered the band’s self-titled debut with moths and butterflies and it’s great to see her return here.

12″ Vinyl via Marathon Artists. Info here.

Iggy Pop – ‘The Villagers’/’Pain & Suffering’
One of the curios of garage rock hero Iggy Pop’s career, 1982’s Zombie Birdhouse incorporates spoken-word poetry, afro-beat and synthesisers all over the place – with ‘The Villagers’ being a perfect example. Despite its production from Blondie’s Chris Stein, the album met with middling reviews but now seems extremely foresighted given latter-day indie/post-punk’s magpie nature and willingness to go abrasive. Added bonus: the cover is a perfect example of Iggy’s ’80s awkward cool.

7″ Single, Coloured Vinyl. Info here.

Ken Wynne:

Bad Religion – ‘My Sanity’/’Chaos From Within’
Founded almost four decades ago in 1980, L.A. punk rock band Bad Religion are preparing to release their seventeenth studio album next month – the socio-political Age of Unreason. With ‘My Sanity’/’Chaos From Within’ the band question the sanity of a world so divided that each side regard the other as out of their fucking mind! Previously released to various streaming services, I have been listening to both songs on repeat in anticipation of the new album, and this limited RSD 7″ from Epitaph. There is no denying that Bad Religion are pissed off with the current political situation in the United States, and who could blame them? If the rest of the album is anything as thought-provoking as ‘My Sanity’/’Chaos From Within’, Age of Unreason could become an important album for social justice.

7″ Limited Edition Print. Info here.

The Lillingtons – Death By Television
Originally released in 1999 by Panic Button Records – an imprint of Lookout! Records – Death By Television was the second studio album from Wyoming pop punkers, The Lillingtons. Emblazoned with artwork lifted from Roger Corman’s 1963 science fiction/horror flick X: The Man with the X-Ray Eyes, Death By Television is the result of The Lillingtons incorporating influences from various B-movies of the 1950s and 60s into their Ramones-styled approach to punk rock. If you are as obsessed with sci-fi/horror popcorn pulp as I am, Death By Television doesn’t disappoint. Considered an important record in pop punk, the RSD release – limited to 666 copies worldwide (obviously) – is B-movie bliss and I can’t wait to get my hands on it this Saturday.

LP Picture Disc via Red Scare Industries. Info here.

Shit Girlfriend – ‘Dress Like Cher’/’Socks On The Beach’
Having recently discovered Shit Girlfriend after stumbling upon the music video for ‘Mummy’s Boy’ – and recognising Laura-Mary Carter from alt-rock band, Blood Red Shoes – I’m ecstatic to see that the DIY London glam-punk duo have reemerged with ‘Dress Like Cher’/’Socks On The Beach’ on 7″ splatter vinyl. Previously releasing ‘Mummy’s Boy’​/’​I Don’t Wanna Die’ via PNKSLM on RSD 2017, Laura-Mary Carter and Natalie Chahal return with more scuzzy, distorted pop hooks and no shortage of punk rock attitude.

7″ via Punk Slime.

We’d also like to take this opportunity to give a big thank you to some of our favourite record shops: Bridport Music (sorry to miss the cake this year!), Sister Ray, Reckless Records, Rough Trade and Defend Vinyl.

And, if you can’t wait ’til Saturday, have a listen to our special RSD 19 playlist here:

 

@marimindles
@kcbobcut

@etinsuburbiaego
@Ken_Wynne

WATCH: Death Valley Girls – ‘Disaster (Is What We’re After)’

Fans of Iggy Pop are going to approve of Death Valley Girls‘ new video for their latest single, ‘Disaster (Is What We’re After)’. The Los Angeles “doom boogie/dystopian punk/occult glam rockers” have shared the visuals featuring the icon, alongside the news they’ll be releasing their third studio album, Darkness Rains, on October 5th via Suicide Squeeze.

The ‘Disaster (Is What We’re After)’ video, directed by Kansas Bowling and shot on 16mm film, is a recreation of the famous Andy Warhol Eating a Hamburger short film, but starring Iggy Pop, eating a burger, listening to Death Valley Girls (which he proudly proclaims at the end).

“We’re strong believers in opti-mysticism and connecting with people through rock n’ roll” Death Valley Girls say of their collaboration with Iggy. “Having Iggy dig our music was more than amazing for us. When Kansas told us she had a dream about recreating the ‘Andy Warhol Eating a Hamburger’ short film but with Iggy starring for our music video, we were cautiously excited about the possibility. Next thing we know we’re in Miami with Iggy himself, and a rock n’ roll dream became reality!”

Death Valley Girls consists of vocalist & multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel, as well as a plethora of like-minded compatriots who can fit their lives around the band’s relentless touring schedule (and in the back of the van). On their third album Darkness Rains, they’re joined by bassist Alana Amram, drummer Laura Harris, and guests like Shannon Lay, The Kid (Laura Kelsey), members of The Make Up, The Shivas, and Moaning.

On their latest single, thundering bass lines and riotous guitar riffs combine to beckon disaster in classic rock style. It reflects the band’s ethos perfectly: “Embrace the darkness and don’t fear the Reaper”. Watch the video for ‘Disaster (Is What We’re After)’ below and follow Death Valley Girls on Facebook for more updates.

Pre-order your copy of Death Valley Girls’ Darkness Rains here.
(The first vinyl pressing is limited to 1,500 copies. Both the cassette and vinyl include digital downloads.)

Photo credit: Michael Haight

Kate Crudgington
@KCBobCut

LIVE: ‘Friends’ Of QOTSA @ Finsbury Park, 30.06.18

Anyone who knows me will know of my love of Queens Of The Stone Age, and if you know me I’ll be sure to tell you about how immense it was to see them headline Finsbury Park on Saturday evening. I could go on forever about how it was the best set I’ve ever seen them play in my many, many years of fangirling… A perfect, career-spanning set that included all my favourites (especially excited to hear plenty from 2000’s Rated R). I could also tell you about how I’m still pretty blown away to have seen the legendary Iggy Pop blasting out all the classics in an incredible energy-fuelled frenzy.

But, for now, I want to talk about some of the other bands that joined Josh & co. on Saturday. The event advertised itself of having a line up of 50% female artists (which is what all festivals should be doing, in my opinion…), but personally, my day was at least 80% governed by incredible women in music.

After battling my way through brusque security and parting ways with my Chanel perfume, I make it to the second stage in time to catch Belako – aka my new favourite band. Delivering their gritty slices of post-punk, they treat us to one of the most impressive, most engrossing, sets I’ve witnessed for a long time. Oozing immense scuzzy riffs alongside their raw, swirling energy and gnarly passion, this is a band surely on the rise. And, introducing set highlight ‘Over The Edge’ as being “against gender violence”, one after our own hearts. I’m now thoroughly addicted to their latest release Render Me Numb, Trivial Violence – an album I cannot recommend strongly enough.

I stay at the second stage for long-time GIHE faves Skinny Girl Diet. It’s wonderful to see them building their reputation and playing such a big event; since first seeing them at The Shacklewell Arms a few years ago, they’ve been wowing listeners across the country. And it’s easy to see why. Oozing their seething, Riot Grrrl-inspired energy and rousing, grunge-fuelled sound, they deliver their fantastically raging offerings to a buoyant sea of fans (some even conquering the heat to energetically dance along), whilst taking the time to thank the crowd for being “angels”. A sparkling, impassioned set from one of the most exciting bands around, and one we need now more than ever.

I finally make my way to the main stage to catch blues-rock duo Deap Vally. Less of an intimate experience than the second stage, or indeed when I was right at the front for last year’s gig at Islington Assembly Hall, they still maintain all the empowering passion and glorious, gritty aggression that I’ve come to love about them. Delivering tracks from both albums, as well latest singles ‘Bring It On’ and ‘Let Go’, their raging feminist anthems prove every bit the immense spectacle to behold as I remember; their vibrant, glitter-filled energy spanning the distance between me and the stage, and filling the scorching air with joy.

Returning to the intimacy of the second stage, I’m greeted by the truly infectious charisma and sunny charm of Madrid’s Hinds. Kicking things off with ‘The Club’, as always the band exude their joyous, jangly scuzz as they reassure us that “… we’re all, all of us here, friends with Queens Of The Stone Age!” With each moment spent with this band, the sheer sense of glee heightens, such is the sunny spirit of Carlotta, Ana, Ade and Amber. Propelled by an unrelenting, uplifting energy, a vibrant cover of Kevin Ayers’ ‘Caribbean Moon’ sees the crowd dance along in buoyant bliss to the band’s ‘choreography’ on stage. With a set including “classics” such as ‘Bamboo’ and ‘Chilli Town’, Hinds once again leave me grinning from cheek to cheek, their euphoric offerings the perfect accompaniment to the summer sun.

After a short interlude, Brody Dalle appears. And, as if that wasn’t enough, she’s accompanied by two more of the most awesome women in rock – Ayse and Fay from Savages. Immediately exuding her immense sense of cool, opening with the riotous force of ‘Rat Race’, she doesn’t seem to have lost any of the seething, angst-driven power that we’ve all come to know and love. As she blasts out her raw, husky vocals, a pretty surreal sense of excitement comes over me; being in the presence of such a personal hero. Despite not playing any old Distillers tracks, it’s a short, sweet and hugely empowering set (just six songs, all from 2014’s Diploid Love) that leaves me as much in awe of her as I was when first seeking refuge in her gritty strength as an emotion-filled teen. And I’m clearly not the only one overcome by Brody Dalle; it’s incredibly refreshing to see her continuing to be an influence, as a young girl in front of me sits upon an adult’s shoulders, rocking out to every single impassioned growl.

Queues for beer and perfume-banishment issues aside, Queens Of The Stone Age and Friends was a wonderful day of some of the best music by some of the coolest people. The best kind of day, filled back to back with incredible music spanning genre and gender, all accompanied by dazzling sunshine.

Mari Lane
@marimindles

Photo Credit: Sam McMahon

 

PREVIEW: QOTSA & Friends @ Finsbury Park, 30.06.18

Anyone who knows me will know of my love of Queens Of The Stone Age. Anyone who knows me will also know of my love of championing women in music. So, although I am EXTREMELY excited about seeing QOTSA and the legendary Iggy Pop next Saturday, 30th June, in Finsbury Park, I’m also particularly looking forward to the rest of the incredible line up, which is 50% female…

Brody Dalle:
I have been wanting to see Brody Dalle since I was a 16 year old listening to The Distillers’ Sing Sing Death House for the first time, and being completely blown away by her seething, riotous power. Catch me at the front re-living my teenage angst.

Deap Vally: 
Blues-rock duo Deap Vally are the band I turn to whenever I need some motivation. Their empowering passion and glorious, gritty aggression when delivering their raging feminist anthems is really an immense spectacle to behold.

Hinds: 
Having seen the Spanish band Hinds three times before, I can assure you they will not disappoint live. Their infectious, sunny charisma never fails to put a smile on my face, and their immense, buoyant energy creates a sweeping sense of raucous euphoria whenever they perform.

Black Honey:
Fronted by Izzy B Phillips, Brighton’s Black Honey have been building quite a reputation over the last few days, receiving acclaim from the likes of The Guardian and NME for their lush, swooning vocals and catchy, jangly melodies.

Belako: 
Second Spanish band of the line up, Belako are known for delivering catchy slices of post-punk and their recent album Render Me Numb, Trivial Violence is a gritty collection of raw, swirling offerings.

Skinny Girl Diet:
Long time favourites of GIHE, it’s wonderful to see Skinny Girl Diet building their reputation and playing such big stages. I first saw them at The Shacklewell Arms a few years ago, and they blew me away with their seething, Riot Grrrl-inspired energy and rousing, grunge-fuelled sound.

Catch all these bands for QOTSA & Friends in Finsbury Park next Saturday 30th June. More info and ticket links here.

Mari Lane
@marimindles

Get In Her Ears w/ The Menstrual Cramps

Mari & Kate were in the studio this week playing a fresh batch of new music from the likes of LIINES, Dott, LIERS, Seraphina, Amaroun, Witch Fever & Partner.

They were joined by Riot Grrrls The Menstrual Cramps who talked about their upcoming second album, and what inspired them to start making their music.

Listen back to the show here:

LIVE: PINS – The Garage, London 08.11.17

“Iggy Pop couldn’t make it tonight, so you’ll have to make do with me instead” joked PINS‘ bassist Anna at the band’s headline London show last night. She was introducing ‘Aggrophobe’, the collaborative track which catapulted PINS in to public consciousness earlier this year. Needless to say, she aced Iggy’s spoken word parts, and along with band-mates Faith, Lois, Sophie & Kyoko; proved that PINS are a band with an uncompromising, sparkling talent.

Fresh off the back of supporting The Breeders on their European tour, the girls were glammed up and ready to give the crowds plenty of their thunderous post-punk sounds. Opening their set with the hypnotising ‘Trouble’, the crowd were swaying in time to the snaking bass lines and devious guitar, before they were treated to several new tracks that boasted stomping percussion, and plenty of PINS’ trademark commanding lyrics. 2012 single ‘LUVU4LYF’ sounded as sharp and vital as their new offerings, as did iconic Wild Nights track ‘Young Girls’ which the band closed their set with.

The glorious ‘Bad Thing’ – the title track of their most recent EP – bled perfectly in to latest single ‘Serve The Rich’, which is laced with rallying cries and bold bass lines. Vocalist Faith delivered her lyrics with effortless confidence and charisma, and became the human catalyst for dancing when she moved from stage to barrier to interact with fans. ‘Girls Like Us’ gave her the perfect opportunity to do this, and members of support band Madonnatron didn’t hesitate to scale the barriers and join her for a dance on stage.

PINS’ gigs are always polished, fist-pumpingly good affairs that prove these Manchester post-punks are the coolest girls in town, with a sound that’s equal parts ferocious and fun. Make sure you get involved next time.

Follow PINS on Facebook for more updates.

Photo Credit: Andrew Benge

Kate Crudgington
@KCBobCut

Track Of The Day: Suzie Stapleton – ‘Yesterday’s Town’

If “delay-laden guitar riffs and dusty vocals” are your thing, then Suzie Stapleton‘s new track ‘Yesterday’s Town’ is going to tick all of your listening boxes. Born in Australia, Stapleton relocated to London in 2015 and has kept a busy recording schedule on various projects between tours and opening for acts such as Mick Harvey, Mark Lanegan and Boss Hog.

Earlier this year, Stapleton appeared on Lydia Lunch & Cypress Grove’s unlikely covers album Under The Covers (Rustblade Records) lending her voice to several of the tracks. This project was spawned via Stapleton’s collaborations with Cypress Grove on The Jeffrey Lee Pierce Sessions Project (feat. Iggy Pop, Nick Cave, Debbie Harry, Thurston Moore).

To celebrate the release of her new single, Suzie has made ‘Yesterday’s Town’ available as a free download for her fans, which can be accessed via www.suziestapleton.com. She will also be playing a London launch show on November 8th at The Old Blue Last, with more dates live dates to be announced shortly. Until then, you should listen to ‘Yesterday’s Town’ below and follow Suzie on Facebook for more updates.

Photo Credit: Steve Gullick

Kate Crudgington
@KCBobCut