Track Of The Day: Scrounge – ‘This Summer’s Been Lethal’

Having continued to impress us over the last few years with both their breathtaking live energy and the unique, genre-bending sound of their recordings, South London duo Lucy and Luke – aka Scrounge – have now announced the release of their upcoming debut album, and we couldn’t be more excited. Having received acclaim from the likes of Radio X’s John Kennedy and BBC 6Music’s Steve LaMacq, they have recently shared the first taster from the album.

Flowing with a twang of rippling hooks alongside Lucy’s gritty, raw vocals, ‘This Summer’s Been Lethal‘ builds with a bewitching tension and potent beats, creating a stark, fizzing soundscape. Oozing the duo’s trademark deep stirring allure and dark, compelling energy, an added uptempo edge propels the track, inciting a small glimmer of hope in these uncertain times. A swirling, immersive wall of sound, here Scrounge have showcased how they are consistently honing their sound; adding innovative layers to create resonant, cathartic anthems for the present day.

Of the track, the band explain:

“‘This Summer’s Been Lethal’ is a retrospective track rooted in uncertainty, desperation and disappointment despite all the excitement of summer… Recorded on the hottest day of the year, we wanted to make something dismal yet danceable. With its pulsing drum patterns and ringing guitars, this track reminds the listener to persevere through the pessimism.”

Scrounge are heading to SXSW this month, and we could not be happier for them!

Mari Lane
@marimindles

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Track Of The Day: Prima Queen – ‘Invisible Hand’

A melancholy, but cathartic indie tune that gently explores the raw and un-nerving nature of depression, London-based band Prima Queen have shared their latest single ‘Invisible Hand’. Released via Nice Swan Recordings and produced by The Big Moon, best friends Louise Macphail and Kristin McFadden tenderly muse about the metaphorical hands that feel as if they’re dragging you down during periods of poor mental health via their swirling guitar sounds, candid lyrics and soft vocals.

Following on from their previous single ‘Chew My Cheeks‘, also produced by The Big Moon, on ‘Invisible Hand’ Prima Queen articulate a difficult but relatable emotional state with grace and humility. “The song was written at a time when I was struggling with my mental health,” the band explain. “It’s about the experience of blaming yourself for your lows and the exhaustion that comes with trying everything in your power to feel better. Depression is never your fault or your choice – it’s this outside force that isn’t you”

Moving through the motions with impressive elegance and composure, despite the sensitive nature of the track’s lyrics, Prima Queen have crafted a comforting tune that’s both poignant and easy on the ears. They allow listener’s a moment to acknowledge the difficulties of living with depression, without draining their energy or clawing at their mental health, like the ‘Invisible Hands’ the duo sing of throughout the track.

You can catch Prima Queen live supporting Wet Leg and Dream Wife on a handful of their upcoming UK tour dates, and at The Great Escape Festival in Brighton in May.

Listen to ‘Invisible Hand’ below.

Follow Prima Queen on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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Five Favourites: Barrie

Set to release her upcoming second album later this month, New York artist Barrie Lindsay – aka Barrie – has been charming our ears with her shimmering sounds for some time now. Ahead of the album’s release, she has now shared ‘Jenny‘ – a poignant reflection on falling in love with her wife. Flowing with twinkling melodies as her delicate crystalline vocals emanate a stirring emotion, it’s a beautifully uplifting offering, celebrating the comfort of finding home in another person.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of her new album, we caught up with Barrie to ask about her “Five Favourites” – five ‘perfect pop songs’ that she loves and have inspired her sound. Check them out below, and listen to ‘Jenny’ at the end of this article!

The La’s – ‘There She Goes’
I first heard this in the Lindsay Lohan Parent Trap movie, and I come back to it constantly. It’s such a Motown song with the beat, melody, harmonies and loud, live-sounding production – it makes no sense that it came out in 1988. And it perfectly rides the line of happy and melancholy. It seems so simple but the structure and progressions are really hard to pin down. It’s particularly special to me because my dad and I used to play this song on guitar together — it’s really fun on a 12-string.


Robyn – ‘Call Your Girlfriend’
Robyn is a master of minimal maximalism, like SOPHIE. And she’s so committed to the character of Robyn, it’s really inspiring. The Robyn songs that click for me are the ones that have her special mix of drive and melancholy. She gets the perfect balance of hopeful and desperate. I’ve tried many times to write a Robyn song, and I’ll probably keep trying to for a long time. I love running to this song, and it blows my mind that a song is capable of making you physically stronger.


Alvvays – ‘Dreams Tonite’
Beyond the great songwriting (the anticipated chord change in the chorus!), there’s a lyric in this that I think about a lot when I’m songwriting: “On the turnpike, one of Eisenhower’s.” It feels like they are breaking a rule or something – lyrics in popular music don’t reference mundane parts of history like Eisenhower building the turnpikes; it’s a throwaway line that packs so much. The line makes me rethink the inevitability of the way society operates, how everything in our society was designed by some person- it sends me on an entire other existential thread. And particularly at a point where you’re songwriting and can’t or don’t want to delve into yourself for lyrics, why not poke at the things in the world around us that we take for granted as part of everyday life? And ultimately, they all shed light on human behaviour and therefore lead to human connection, like you hope for in a song.

Billy Preston – ‘Nothing From Nothing’
This song feels like pure joy. Great musicianship, great melodies. It’s playful, and after years of listening to it, I still get the same amount of joy from it; it reminds me of dancing in the kitchen as a kid with my family. He was an incredible pianist, and what a great rag-timey piano sound. I joined my school’s gospel choir in college, and got exposed to contemporary gospel music like Kirk Franklin, Fred Hammond, Kurt Carr, and Hezekiah Walker. This song has a lot of the same driving and uplifting qualities as contemporary gospel, which makes sense since Billy Preston came up playing in church. A lot of what I like about this song is the same as what I like about gospel music. So much flair and musicianship from the instrumentalists. They’re so tight.

Britney Spears – ‘How I Roll‘
I first heard this song in 2012 and I was blown away. So many great textures, so chaotic, and also somehow so pure. Underneath the micro beats and totally synthetic, unnatural sounds, it’s just a hand-clapping game song. I like that they threw everything at the song, like a no-bad-ideas session, and then honed every single detail. Everything feels deliberate; it’s experimental but in the name of joy rather than self-indulgence or pretension. How cool that Britney Spears went for this?!


Massive thanks to Barrie for sharing her Five Favourites with us! Barbara, her upcoming new album, is set for release on 25th March via Winspear. Listen to latest single ‘Jenny’ below.

Photo Credit: Alexa Viscius

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Track Of The Day: Aderyn – ‘Yearning’

Following their energetic pop anthem ‘Scotty’, Welsh artist Aderyn newly adds ‘Yearning‘ to their fresh catalogue with melancholic spirit. Showcasing the project’s diversity early on, the track takes an introspective leap – diving past their pop-hit into a romantic indie-acoustic ballad. 

With a loose feel that leaves ample space to breathe and immerse yourself in the emotion, ‘Yearning’ is an endearingly intimate offering. Slow, minimal drums and cello lay a blanket as Aderyn’s acoustic guitar plays earnestly at the front of the mix. With such rawness, we feel that she is playing the song right in front of us – on her childhood bed where she wrote it. Sprinkled across the track, electric guitar leads romanticise the tone of ‘Yearning’ as Aderyn sings from the heart. There is certainly no shortage of vulnerability here as she sweetly pines for her crush without hesitation. “You’re pretty and it hurts right now”, she confesses as the track spins with a swirling emotional freedom. 

Of the track, Aderyn explains:

“...It is a song that encapsulates the feeling of pining for someone. That exquisite, aching pain. It was the first time I’d felt that way about a girl, and this is without a doubt the most vulnerable I’ve ever been in a song. All those feelings were so new, so raw”

‘Yearning’ is stirring in its simplicity, encapsulating the reality of the experience of wishing for someone with perhaps no resolution, nor closure. It’s sharply realistic, yet warming – a comfort song for romantics.

‘Yearning’ is out now. You can listen/download via bandcamp, along with an exclusive b-side demo track, ‘That Summer’.

Jill Goyeau
@jillybxxn

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