Introducing Interview: Galileo’s Fan

Set to release their new album next month, Scottish duo Galileo’s Fan have previously received acclaim from the likes of Folk Radio UK and BBC Radio Scotland, and played at festivals such as Edinburgh Fringe and Yes Festival. Delivering cinematic alt-folk soundscapes with twinkling electronics and soaring emotion, they look to set to charm ears a plenty with their upcoming release.

We caught up with Galileo’s Fan to find out more…

Hi Galileo’s Fan, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hi! Thanks for having us. We are brother and sister, Martin and Fi Vass, from the Scottish highlands. We play guitar and piano/keyboards, respectively. We both write the material for Galileo’s Fan, so we each contribute (and lead) 50% of the songs, so it’s an interesting mix! The music is predominantly indie-pop with some electronic themes and textures, but I think our northern roots can be heard throughout as well. 

How did you initially all get together and start creating music?
We used to play Scottish folk music with our other siblings, Mike and Ali, when we were all very young. Then, as we grew up listening to indie, electronic, pop and everything in-between, we began composing ourselves (separately, as adults). Music has been a hugely strong common bond for us and we have always loved sharing our songs with each other. Eventually, as we began to jam more and arrange the songs, we decided to try some recording and we made a demo in a studio on Loch Fyne, with our brother Mike at the desk. We had a lot of fun doing that, so I suppose the idea of Galileo’s Fan was conceived then. 

Your new album I Won’t Be Found is out in September – can you tell us what it’s all about? Are there any themes running throughout the album?
Yes, that’s right. The album is a collection of some of our favourite songs that we’ve written to date. The songs are stories about love, loss, political dismay and life experience, told from both a female and male perspective.

You’ve been compared to the likes of The Frames and The Cranberries, but who would you say are your main musical influences?
Ooh, such a tough question. I think it changes so much over time and we’ve been writing these songs for years! In our younger years we listened to a lot of indie bands like Biffy Clyro and Jimmy Eat World and I think they are still a big influence. Also The Frames, The Cranberries, Sigur Ros. There are lots of bands we have enjoyed more recently too, like CHVRCHES, Dry The River and Kiasmos. Too many to name actually! 

How is your local music scene? Do you go to see lots of live music?
We are based in Nairn (near Inverness) and St Monans (Fife) just now, and we both travel for gigs regularly… Every time I (Fi) see a live gig I vow to try to see more because each one is inspiring in its own way. In the central belt, you’re really spoilt for choice. There’s the Edinburgh fringe festival in August, Glasgow’s Celtic Connections in January and loads in between. I saw Olafur Arnalds (Kiasmos) in Glasgow recently and First Aid Kit in Dundee. Inverness always has plenty on too. There was a new festival run by the Feis in July called ‘Under Canvas’ and we’ve been along to the songwriters’ circle at Magregor’s Bar a few times now. 

And what can fans expect from your live shows?
It depends! We love playing with the full band when we can – it’s always loads of fun and high-energy but we also enjoy a wee acoustic gig. The stripped back, more intimate performances are great in the right setting. We recognise that audiences will have a definite preference so we’re happy to offer both. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Absolutely! Wee bit of nepotism here for you but it is a truly outstanding album… Our brother, Mike Vass, is a well known instrumental composer but he has just released his first ever song album. It’s called Save His Calm and is stunningly clever and beautiful. Well worth a listen. 

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
There is so much good music available just now. The industry is incredible. It’s a steep learning curve, but there are definitely little tricks you pick up along the way. The internet offers a wealth of information for new artists, so you just have to be willing to put in the work and have realistic expectations to begin with. It’s also been really helpful having Mike (Vass) as a sort of mentor. We can always rely on his expertise when we need a bit of guidance. 

Finally, what does the rest of 2018 have in store for Galileo’s Fan?
I’m hoping the rest of 2019 will provide a little respite… Hopefully just some time to decompress and get back into writing a bit more. There is a huge amount of work that goes into releasing an album, so we’ve had the blinkers on for a while. We have such respect for the musicians that are churning them out! It’s been an illuminating process. I’m not sure I’ll ever leave a gig without buying a CD now… 

Huge thanks to Galileo’s Fan for answering our questions! 

I Won’t Be Found, the upcoming album from Galileo’s Fan, is out 16th September via GF Records.

 

Introducing Interview: KTG

Set to release her debut album in September, Irish singer-songwriter Katie Gallagher, aka KTG, combines delicate folk-inspired vocals with sunny, uplifting pop-tinged melodies. Sure to captivate the ears with her feel-good offerings, she stands out as a definite one to watch.

We caught up with Katie to find out more…

Hi KTG , welcome to Get In Her Ears! Can you tell us a bit about yourself?
Thank you so much for having me, I really appreciate the time! My name is Katie Gallagher, but I perform under KTG. I am a 22 year old singer-songwriter from Longford, Ireland. I have been writing since I was very young and always used songwriting as a music therapy of sorts. I have been performing professionally for four years, touring all of Ireland and some dates in the UK. I am also a newly qualified music teacher, so my life literally revolves around music performance and creation. 

How did you initially start creating music?
I was never good at sports – it was actually embarrassing how bad I was, so my family always encouraged me to find another outlet, and from the age of five I played the piano and the guitar from the age of ten. I used to be obsessed with journaling and having diaries but found them really unproductive, but when I started the shift to songwriting I saw that it was a really good way to deal with the experiences I was going through, good and bad. It was also really good for reminding myself of different experiences. For example, every time I play one of my songs ‘Get Your Story Straight’, even though it is about a negative experience, infidelity, I get this rush of self confidence.  

Your new album Searching For Magpies is out in September – can you tell us what it’s all about? Are there any themes running throughout the album?
I am so excited to release Searching For Magpies! The whole album was recorded by David Virgin, Rohan Healy and Al Quiff from Beardfire Studios, the label I am also signed to. The album relates to the old wives’ tale about magpies: one for sorrow, two for joy etc. Each line in the rhyme relates to one song on the album. I wanted to use the magpie theme because I am personally obsessed with magpies, and always try to find a pair of them! But also there are four songs that are linked together in a separate saga in the album: ‘Strawberries’ – the first part of the relationship and the saga, ‘Get Your Story Straight’ – things are going wrong and you need to walk away, ‘Don’t Tell My Mother’ – this song is all about second chances and going back with a naive idea that things will get better, ‘Lost Boy’ – abandon ship and realise you cannot possibly fix the situation. Other themes include love, escapism and anxiety. 


You’ve been compared to the likes of KT Tunstall and Wallis Bird, but who would you say are your main musical influences?
Well, first off it is an honour to be even in the same sentence as these musicians – I hope I live up to this comparison! Being a music teacher I have to be educated in lots of different genres and styles, and I think that has come through in my music. I adore One Republic, they are a huge inspiration of mine. Also Lewis Capaldi, Taylor Swift, Gabrielle Aplin, George Ezra, but also The Black Keys, Paramore, Dolly Parton, Stormzy, Kanye West and Nicki Minaj. My Spotify profile looks like five different people run it when really I try to find influences from all artists! 

How is your local music scene? Do you go to see lots of live music?
The Irish music scene on a whole is booming with opportunity to see gigs, but also be a part of one. The Midlands, where I am from, have a host of festivals, gigs and give so many opportunities to young musicians to perform their music. I love to go to listen to live music, in all capacities; whether it be an intimate gig, or a stadium concert, the live performance is so important to me. It’s all well and good to listen to the music in your car or at a party, but nothing beats the live experience! 

And what can fans expect from your live shows?
They can expect to sing along, jump, dance and leave without any voice! I really live for the high energy gigs and try to make sure that I give an experience that I want to have at a gig. There is nothing better than saying “will you sing with me?” and the crowd respond and scream your lyrics back to you! 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
There are so many I could recommend: Dean Maywood, Grainne Fahy, Maria McCormack, Aidan Laird. There is also Evans Junior who is killing the rap game at the moment! 

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I would say that it is difficult to stand out from the crowd, but the music industry is very welcoming – you just have to be prepared to work hard. No musician can come into this industry and expect the fame and fortune to just fall into your lap. And, as long as the industry will have me, I will be working as hard as I can!

Finally, what does the rest of 2019 have in store for KTG?
I have my next single, ‘Strawberries’, out on the 26th July, and the final summer single ‘Never Go Home’ out on 23rd August. The album is out on the 26th September, and with that I have a nationwide tour, and we are currently trying to have some gigs abroad, but that will all be announced very soon. And, with any luck, this writer’s block of mine will go away and I can get back to write more songs! 

Huge thanks to Katie for answering our questions! 

Searching For Magpies, the upcoming album from KTG, is out 26th September via Beardfire Music.

Introducing Interview: Chloé Caroline

Having written and recorded over seventy five songs in Nashville and Los Angeles over the past year, Californian native Chloé Caroline has now shared a catchy new single. Filled with her flawless, impassioned vocals and biting lyrical commentary, ‘Messy’ showcases Chloé’s “New Southern California Sound” perfectly.

We caught up with Chloé to find out all about it…

Hi Chloé, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hey there, thank you! I’m an LA born and raised singer-songwriter and my music reflects that Southern California sound. I sometimes play live with a band, and most often as a duo with an incredible guitar player who sings harmonies with me.

How did you initially start creating music?
I have been writing by myself since I was eleven. When I moved to Nashville at eighteen for university, I began collaborating with all sorts of writers/producers/musicians of all ages and levels. I spent seven years based there, splitting my time between there and LA, writing hundreds of songs and figuring out what sound was most authentic to me. 

Your single ‘Messy’ is out – can you tell us what it’s all about? Are there any themes running throughout the track?
‘Messy’ is about finding acceptance for the ups and downs in life and is a reminder to celebrate just being alive despite the BS. I wanted to tell two stories, one focusing on the very relatable comparison to social media following this girl Jane who hates her job. The other is following Ricky, a former college star who gets addicted to opiates. Both stories are super conversational and rather blunt because I wanted it to be relatable. They are both fictitious characters, but we all know a Jane and we all know a Ricky of sorts. We might be them. I wanted a song that brought some positive light, but in a way that wasn’t cheesy or preachy – just honest. The track has that combo of organic old school feel and electronic pop that thematically kind of represents not only my roots, but also our warped perception of reality and false perfection. 

 

You’ve been compared to the likes of Taylor Swift and Jewel, but who would you say are your main musical influences?
Those are pretty awesome artists to be compared to! I’d say a huge part of my influence comes from the ’60s and ’70s like Stevie Nicks, Carole King, Prince…etc. But I’m also influenced by artists from the early noughties when I was growing up; power female artists like Nelly Furtado, Avril Lavigne, Alanis Morissette and Michelle Branch were massive inspirations, with those great honest lyrics and pop melodies. 

How is your local music scene? Do you go to see lots of live music?
Between LA and Nashville, there is SO much music it’s ridiculous. I love seeing new artists especially in really intimate venues. I also love seeing artists that are nothing like me, it’s always a great learning experience. 

And what can fans expect from your live shows?
They are really personal, I love talking to crowd and telling the stories behind my songs. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Yes! I’m a huge fan of Andreas Moe, such a chill vibe. 

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
There’s definitely a lot of noise and it’s not easy to break through the mould especially with social media’s algorithms, advertisements, etc. But, if you can find a select group of people that are true fans and cater to them/talk to them/remain authentic, it may be small and slow at first but it’ll be far more long lasting than trying to “buy” people on board. 

Finally, what does the rest of 2019 have in store for you?
Music, music, and more new music. I want to give my fans consistency with my releases, music they can count on on a regular basis and the good news is, the music is ready! I also think it’ll be a lot more global of a year – I hope to travel to create more music and also play shows. 

Huge thanks to Chloé for answering our questions! 

‘Messy’ is out now via AWAL.

Introducing Interview: Kidsmoke

Having played at SXSW earlier this year, as well as receiving support from the likes of The Line Of Best Fit and BBC 6 Music’s Steve Lamacq, welsh band Kidsmoke have now shared infectious new single ‘She Takes You Under’. A dreamy and uplifting slice of shoegaze-tinged indie pop, it marks them out as definite ones to watch.

We caught up with Sophie from the band to find out more…

Hi Kidsmoke, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hey! Sophie here, I play lead guitar and sing backing vocals in Kidsmoke – thanks for having us.

How did you initially all get together and start creating music?
Lance (lead vocals/guitar) and James (bass/vocals) met when they were four at primary school and have been in bands together since they were teenagers. I grew up not too far away from them, so when they were looking for a lead guitarist a few years ago, a mutual friend put me forward. A few months later, the drummer left to take on a new job and I drafted in Ash, who I met at uni and knew would be a perfect fit!

Your new single ’She Takes You Under’ is out very soon – can you tell us what it’s all about?
‘She Takes You Under’ is a dream-pop mini-epic and has been a live favourite of ours for a while now as it’s so much fun to play. It’s definitely influenced by an ’80s aesthetic, which you can hear in the jangly guitars, synths and rhythms. You can hear in it our love for groups like The Cure, Prefab Sprout and Wild Nothing. Lyrically, the song is about dealing with your demons in order to move forward; being at odds with yourself and being aware that issues need addressing, but feeling reluctant to go back down the rabbit hole.

 

You’ve been compared to the likes of Bombay Bicycle Club and Sunflower Bean, but who would you say are your main musical influences?
There are a lot of influences between the four of us. We all have quite varied tastes but are ultimately just completely obsessed with music and are glued to Spotify 99% of the time. I’d say major influences on Kidsmoke would be The Beatles (which is where our love of vocal harmonies comes from), The Smiths, Kate Bush, David Bowie and Wilco. Songwriting is really important to us, hopefully you can hear that in our music, which means that we’re always trying to write something that would be interesting to us if we were listening as an outsider.

How is your local music scene? Do you go to see lots of live music?
We’re quite lucky to be pretty close to Manchester and Liverpool, which tend to be where touring bands go for the bigger venues. We are based in Wrexham, North Wales which is home to FOCUS Wales music festival and conference, which takes place every year in the town. We feel super proud to have FOCUS on our doorstep, they’re doing such great work with putting Welsh music on the map and it just keeps getting bigger and better. We recently joined them and several other Welsh bands to showcase at SXSW, which was an amazing experience!

And what can fans expect from your live shows?
Loads of energy, some questionable dancing (from me…) and the happiest drummer you’ll ever see.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
We’d definitely recommend checking out Denuo, Seazoo, Enni The Little Brother, Baby Brave and if you haven’t already (you probably have) we’re all big fans of Boy Azooga. Personally, I’ve been digging out a load of old Sleater Kinney stuff in anticipation for their new album – can’t wait for that!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
It’s certainly not easy, the industry isn’t in the same place as it was even a few years ago, but we believe in what we do and we have loads of fun doing it. It’s easy to get bogged down and frustrated about progress, but you just have to try and take the positives as they come. For example, we’re just adding the finishing touches to our debut album at the moment, which we’ve done pretty much independently because we figured that if we wanted it to happen then we could make it happen. Also, being part of Kidsmoke has meant that we’ve been to places and met people we never would have otherwise, so it’s worth the hard work for that alone.

Finally, what does the rest of 2019 have in store for Kidsmoke?
We’re playing a special showcase for Big Indie’s Big Nights in London on 12th June, which we’re really excited for as we are releasing ‘She Takes You Under’ in conjunction with them. We’ll be doing a bunch of gigs over the summer and finalising the release details for our debut album. We’re so excited to release the album, it’s been a long road but we’ve had some great support along the way (thanks PRS Foundation, FOCUS Wales and Horizons Cymru) and we can’t wait to share it with everyone!

Massive thanks to Sophie for answering our questions!

‘She Takes You Under’ is out now via Big Indie Records. Catch Kidsmoke live at Two Tribes Brewery on 12th June.

Introducing Interview: Tia Gostelow

Having supported the likes of Frightened Rabbit and The Rubens, Brisbane-based artist Tia Gostelow creates compelling, heartstring-tugging ballads, capable of taking your breath away with her soaring, rich vocals.

Gostelow has just released emotion-strewn new single ‘Blue Velvet’, so we caught up with her to find out more…

Hi Tia, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hey! Thanks for having me. I’m a 19 year old singer-songwriter from Brisbane, Australia and I’m currently touring Europe!

How did you get started creating music?
Well, I’ve been singing and playing guitar since I was seven and I started writing songs when I was about fourteen. I remember seeing Taylor Swift when I was really young and thought that I wanted to be exactly like her!

Your debut album Thick Skin is out now – can you tell us what it’s all about? Are there any themes running throughout the album?
I wrote Thick Skin between the ages of fifteen to eighteen, and for me it was honestly just about what I had experienced in those years. There is a major theme throughout most of the songs being a social issue called ‘Tall Poppy Syndrome’, meaning a tendency to discredit those who have achieved great things in life. I felt like throughout high school I wasn’t supported by my friends in my music career, and it was nailed down to jealousy and bitterness and it really got to me. I felt like I didn’t have any friends, I felt like I wanted to quit music because what’s the point if even my best friends aren’t proud of the things I’m doing? I’m so glad I stuck it out and kept pursuing music, but it was a really tough thing to go through and I think the title ‘Thick Skin’ says it all.

You’ve been compared to the likes of Mallrat and Nina Nesbitt, but who would you say are your main musical influences?
What amazing ladies to be compared to! I’m not sure if I have any particular influences, but I do listen to a lot of Billie Eilish, The Growlers & BROODS at the moment.

How is your local music scene? Do you go to see lots of live music?
The Brisbane music scene is great, everybody is so supportive, and it’s small so if you need something or some advice you’re sure to find it! I see so much live music, when I’m not playing shows or at one, I work at a live music venue, so I’m always around it.

And what can fans expect from your live shows?
A really diverse set and some dancing and sing-a-longs!  

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
I would definitely suggest I Know Leopard, their newest record is insanely good.  

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think that it’s always going to be difficult to get noticed, this industry is hard and there are thousands of people trying to get to the same place, but I think were in an era where there is so many resources and so many people to help you get to where you want to be.

Finally, what does the rest of 2019 have in store for Tia Gostelow
Lots of touring, writing and recording!

Huge thanks to Tia for answering our questions! 

Thick Skin, the debut album from Tia Gostelow, is out now.

Introducing Interview: Pi Ja Ma

If you haven’t yet heard of Pi Ja Ma think dreamy Parisian alt-pop with a heavy helping of humour and sixties sparkle. Having racked up several million of streams from their debut EP, we caught up with Axel and Pauline to talk about their debut album Nice To Meet U, their gig at Rough Trade East and what motivates their records.

Welcome to Get In Her Ears! Can you tell us a bit about how Pi Ja Ma started?
Axel: We met each other on the internet in 2015 – I saw a video on YouTube where Pauline was singing a cover of the velvet underground ‘Femme Fatale’. I tried to contact her via email and then we met. I played her some songs and we talked a lot about our lives and laughed and drank a lot of teas. We immediately connected. Then everything happened very fast; we’ve recorded a few songs that we loved and sent them to a small label called Bleepmachine, we decided to work together for our first EP Radio Girl to see what happened… Reactions were great so we started to play live, then we signed a licence deal with a bigger label (Cinq 7 / Wagram Music) to release the album Nice To Meet U.

As a visual and DIY artist can you tell us about the interaction of your illustrations and art with the music that you have created – do they lean on each other or do you find one takes the lead in the creative process?
Pauline:
Music and illustration make a beautiful couple – they are very different but are both an animal way to express yourself. I couldn’t choose between these two. Drawing was easier for me at first but then I began to sing, and it was also very natural doing that everyday. I like to think about the full project with music, drawings, videos etc…

Nice To Meet U album cover

You debut album Nice To Meet U came out last year to a great reception, with your music being described as “evolving fantasies and nostalgic daydreams, encouraging the listener to step back in time to the 1960s” – how would you describe the record?
Pauline:
It was very easy making this record with Axel. Just after we met, we spent a lot of time talking and making jokes. We were inspired by the same artists like The Beach Boys and Mac Demarco. We had a lot of fun, I hope it will be the same for the second album!
This record talk about simple topics like shitty love stories and feeling weird in your own family. It contains a lot of positive vibes and people tell me that it makes them happy so I feel like we’ve succeeded in what we set out to do!

We loved your tracks ‘Vertigo’ and ‘I Hate U’, which we’ve played on the radio show, and love the videos -can you tell us a bit more about the videos and how they link together?
Pauline:
Every time we finish a song, I have images in my head. I try to explain my story to a director and then we make the video together. I like to add drawings and animations to videos because it’s a part of me I can directly put in the reality of the images.
The story begins, I’m in the skin of a sad man who’s trying to let it go and act crazy in the street. He meets his double, a guy who represents a rock’n roll version of him. At the end of the video he’s back in his normal life, drinking whisky and watching TV, and then the second video begins and I’m in the skin of a vintage pop star who’s gonna go crazy in her way too. Both songs are talking about the same topic, which is difficult break ups and moments when you feel crazy and just want to “tout foutre en l’air”.

Can you tell us a bit more about the evolution of your music from your Radio Girl EP to Nice To Meet U?
Axel:
Well it was the same process for the EP and the album. I was recording songs at home, then I would send them to Pauline, and if she’d like it (which happened most of the time luckily) we started to talk about it and what we would like to talk about. At the beginning, I was writing the lyrics alone translating our discussion into lyrics, but more and more we started to write together. Production-wise we kept the same process that worked on the first EP, which is making most of the things at home, to keep our own sound. Apart from drums, and strings, everything was homemade. That’s what we like, to keep it simple.

Your music covers a variety of topics including gender, youth, isolation and failed love with a gentle intensity mixed together with humour – does that reflect your general outlook on life and response to cultural experiences and societal pressures?
Yes. That’s a pretty good sum up of our philosophy. It’s great feeling that people can understand that, just listening to our music.

You’re currently on tour and have just played both Rough Trade East and the Southbank Centre (two iconic London venues) – how were they?
Axel: Rough trade east was great! People were so kind with us, and the gig was fun. That place is amazing, it’s inspiring. I would love to work in that shop, I’m sure I would get many ideas from all the great music they play most of the time.
Pauline: I’m always very well surprised by the warm welcome English people give us everytime we come to England, it’s a great feeling when people can understand each one of your words, even the jokes between the songs. Even walking down the streets in London feels amazing, because of the open-minded way of life there. I mean, what people wear, the way they are smiling much more than French people, and how they organise more cultural activities in the heart of the city.

You’ve previously played London including The Moth Club in East London how have you found the reception this time?
Moth club was one of our first gigs, and we were quite shy back then, now we improvise much more and feel more confident and it makes the show greater!

What’s the rest of 2019 got in store for Pi Ja Ma?
As we’re touring, we’re thinking a lot about our second record. We get constantly inspired by what we see, who we meet, and what we’re listening to. We already have a few songs and can’t wait to do more.

Finally, as we’re a new music focused site, are there any other new/upcoming bands or artists you’d suggest we check out?
We love Halo Maud who’s a friend of ours, and who helped write a few lyrics on the album. Her music is great and she’s signed to a British label (Heavenly Records). You should check her out. Also, you should check Musique Chienne, Pauline’s latest crush is Creatures, who we saw at Old Blue Last just after our gig at Rough Trade East.

Nice To Meet U is out now.

Tash Walker
@maudeandtrevor

Introducing Interview: Soia

In the run up to her new release, Where Magnolia Grows, we caught up with Viennese Soia to get to know her a bit better.

Welcome to Get In Her Ears! Can you tell us a bit about how you got started as an artist?
Thanks! I started my first band when I was 18 with my ex-boyfriend who got me into hip hop, before I was mainly into 60s and 70s fusion jazz and klezmer. When I met the producer Mez years later we started working on the Soia project. It was all accidental.

Are you currently based in Vienna? How do you find the music scene there – is there much collaboration?
Yes, I have been living in Vienna for almost 20 years now. There are a lot of high quality musicians in Austria, a lot of highly skilled jazz musicians that wonder off to NYC one at a time. I recommend artists like Lylit, Schmieds Puls, Ruff pack, Jahson the Scientist, Esches, Oliclusive and more.

We’re loving your latest single ‘Run With Wolves’, can you tell us a bit more about what inspired this?
The song’s lyrics are about not minding so much what other people think of you and not letting yourself be categorised by others. For the video, we collaborated with the performance artist Mirabella Paidamwoyo Dziruni, as the lyrics reminded me of her unapologetic approach to queer and anti racist activism.

It’s taken from your upcoming album Where Magnolia Grows, out on 29th March – how was the making of the album and how best would you describe it in one sentence?
The album was a lot of work and somewhat challenging for everybody involved. I hope it all pays off with the quality we were aiming to provide. Once everything is finished you can reflect and appreciate it again, but in the process it can be wonderful and painful at the same time.

What can fans expect from your live shows, and more importantly are you planning on coming to the UK anytime soon??
I might come to the UK sooner than expected. Our live show is very intimate, and different every time. I love being on stage with the band! We try to make it a whole new experience so it sounds different than the production.

Finally, as we’re a new music focused site, are there any other new/upcoming bands or artists you’d suggest we check out?
I’m not the hippest up to date music digger, but I love listening to Allysha Joy, Solange, Mac Miller and Georgia Anne Muldrow at the moment. Also always the NYC fam like Black Spade, P.U.D.G.E. or Cavalier. I’m super excited for Kiefer’s new album coming up. The rest of my current music mood is mostly gems like Curtis Mayfield and Donny Hathaway.

Thanks Soia! You can check out more from Soia via Instagram and Soundcloud

 

Photo Credit: Ina Aydogan