Introducing Interview: LIINES

Having supported Desperate Journalist and Nelson Can on tour last year, Manchester trio (and GIHE faves) LIINES have fast been gaining attention from the likes of John Kennedy, The Quietus and BBC Introducing, as well as earning the title of ‘Ones To Watch 2018’ from yours truly.

Now, having cemented our love of them by blowing us away with their riotous, impassioned energy at The Finsbury a couple of months back, the trio are set to release their debut album next month, and have just shared another immense blast of post-punk perfection with new single ‘Cold’.

We caught up with Leila O’Sullivan and Zoe McVeigh from the band to find out more…

Hi LIINES, welcome to Get In Her Ears! Can you tell us a bit about yourselves and what you do?
Zoe: Hello! We are LIINES from Manchester. I’m Zoe and I sing and play guitar, and also in the band are Tamsin who plays bass and Leila who plays drums.

How did you all initially get together and start creating music?
Zoe: LIINES was formed in 2014. We were originally a band called (hooker) and decided to change our name when our sound and style of music was going from something a bit more grungy to a more sparse, post-punk sound. Our original bassist, Steph sadly had to leave last year which was really sad as we’ve played together for so many years. But we invited Tamsin to join – thankfully she said yes – and she’s been a great addition to the band and to our live shows!

Your new album Stop – Start is out next month, can you tell us a bit about it? Are there any themes running throughout it?
Leila: That’s right! It’s our debut album and one we’ve been working on for a few years. We’ve been playing some of the songs since the start of LIINES and it’s taken time to save up and record the album. To finally get it ready for release and see it out there on 4th May will be a very proud moment for us. Finishing the album was also something we were able to do before Steph left, so it’s got a lot of meaning for us and we’re really proud of the final product.
Zoe: In terms of themes, the theme lyrically is about relationships and loss. I find this the easiest thing to talk about as it’s something I feel I can articulate well and sing about passionately as I’ve experienced it – as many of us have. We also chose this particular set of songs to represent us in our first album as they have a strong musical theme running through of being sparse yet still powerful. We always think a lot about creating an atmosphere and how we structure our songs to give an impact. We’re really excited to hear people’s reaction to Stop-Start.

You’ve been compared to the likes of Sleater Kinney and Savages, but who would you say are your main musical influences?
Zoe: These are amazing comparisons – Sleater-Kinney especially. I think other influences are bands like The Pixies, Nirvana and Joy Division – bands who aren’t afraid of creating space in their music and a having vulnerability in the lyrics. I don’t think we can hide from the songs and they’re quite exposing and that’s what I hope creates our intense live shows and how much you feel from us performing them. There’s no acting. It’s all real.

You’ve previously wowed us with the immense seething force of your live show at The Finsbury, but would you say there’s been a particular gig you’ve played that stands out as a highlight for you?
Leila: It’s hard to pinpoint specific gigs as there’s always something memorable from any gig we do. Some of our most special gigs have been festivals in Europe – we’ve played to packed crowds who turn up because they trust the promoters. We’ve played a few packed rooms to people who don’t know who the hell we are but have welcomed us and get into the music from the first notes. One night in particular we played the night of a film festival in Linz to 400 people – not numbers we are used to playing to! – and near the end of a brilliant gigs ever Zoe raised her beer, said “Prost!” and the whole room screamed “Prost!” back – it was electric!
Zoe: We’ve already had some amazing gigs this year – absolutely including our headline gig for Get In Her Ears – but selling out the Manchester date of our tour last month was an amazing feeling and made for a pretty special night.

How is your local music scene? Do you go to see much live music?
Leila: Manchester has an amazing music scene – we are spoilt by some incredible small to massive venues all putting on music most nights of the week. Though it’s also devastating to see some legendary venues lost to developers, which I know is happening all over the place. It’s also the variety of stuff going on that impresses me. We try to go to as many gigs as we can – from new music to coming through to touring bands and I can’t see that changing any time soon!

As we’re a new music focused site, are there any other new upcoming bands/artists who you’d recommend we check out?
Zoe: One of the best things we love about gigging is who we get to play with! In the last 6 month we’ve supported two amazing bands – Nelson Can and Desperate Journalist. We also played with Sink Ya Teeth at Loud Women Fest last year, who were brilliant (and we play with them again next month!). And then I saw Kin play recently and she blew me away. Specific songs I’d recommend are: Nelson Can – Break Down Your Walls , Kin – Killed Off My Unicorn So I Can Pay Off The LoanDesperate Journalist – HollowSink Ya Teeth – If You See Me

And how do you feel the industry is for new bands at the moment – would you say it’s difficult to get noticed?
Leila: There are so many bands, and new ones I hear about every single day, it blows your mind and makes you wonder how any band can make it today. We were playing as LIINES for a while and struggling to get any attention or make any impact, even though we were playing some pretty decent gigs. So, we took a step back and made some plans about how we were going to approach the following 12-18 months and that was when we started to get noticed by a few blogs, websites and even radio. It wasn’t anything too difficult, but it was the basis for the last few years and it’s really put us in a good place as we release our album. So, definitely, it’s crowded and sometimes feels like it’s hard to get noticed, but get your music out there and do it in a way that makes it hard not to be noticed. I think it’s hard being ignored, and we’ve been disappointed when we’ve not heard back from some places or DJs, but you need to carry on – writing, gigging and releasing – and enjoy making music!

Finally, what does the rest of 2018 have in store for LIINES?
Leila: We have some pretty special gigs coming up in the next few weeks – we’re playing The Membranes all-dayer at The Ritz in Manchester, alongside Sink Ya Teeth which will be the biggest venue we’ve played in! Then we have some festival appearances and more gigs to be announced to promote our album. We’re hoping to make it back to Europe for a tour in autumn too, as we’ve done quite a few gigs over there and have been waiting until our album was out to go back. We’ve already started to write and play some new songs, and we’re going to keep on at that for the rest of the year as we don’t want to wait another few years before our next album!

Thanks so much for answering our questions!
Leila: Thanks so much for having us and to Mari and all the GIHE team for supporting LIINES over the last few years and for all you do to champion women in music!

Stop – Start, the debut album from LIINES, is out 4th May via Reckless Yes Records. Catch LIINES live at the following dates:

5th May The Ritz, Manchester (The Membranes & Friends festival)
25th May Dot to Dot Festival, Manchester
18th August Some Weird Sin Festival, London
14th September Head for the Hills Festival, Ramsbottom
+ more TBA

Introducing Interview: Aisha Badru

New York artist Aisha Badru has been charming our ears for the last few months with the sweeping emotion of her unique folk-tinged electronica. Previous single ‘Bridges’ blew us away with its heartbreaking beauty, whilst latest track ‘Fossil Fuels’ is another captivating offering.

With her debut album out this week, we caught up with Aisha to find out more…

Hi Aisha, welcome to Get In Her Ears! Can you tell us a little about yourself?
I’m a singer-songwriter from Yonkers, New York, but deep down I’m really just a poet masquerading as a musician.

How did you initially get into creating music?
I was in college and depressed because, like many of my peers, I wasn’t doing something that truly gave my life purpose and meaning. During my third year of school I decided to withdraw from my classes, buy a guitar, and teach myself how to play as a way to express what I had been keeping inside. I’ve been creating music ever since.

We’re loving your new single ‘Fossil Fuels’ – what’s the meaning behind the track?
‘Fossil Fuels’ is a personal recount of a one-sided relationship, but it’s also symbolic of how we treat the earth in a unsustainable way. If you observe closely, reciprocation is a natural law of the universe. When you don’t give back, whatever you are taking from eventually becomes depleted.

Who would you say are your main musical influences?
There is no one specific that I can say has influenced by style, but I have definitely been influenced the most by folk music, particularly folk music from the UK.

Your debut album Pendulum is out next week, which is super exciting! Can you tell us a bit about what went into making it? And are there any themes running throughout it?
I worked with a producer that I’ve never met in person. His name is Chris Hutchison and he lives in the UK. I would send him a very stripped demo of my song and he would send back a fully produced masterpiece. As for the lyrical content, Pendulum explores the swing between the light and dark aspects of life. This swing is an inevitable and under-appreciated part of existence. Eastern philosophical themes can be found in songs like ‘Splintered’ and ‘Dreamer’.

How do you feel the music industry is for new artists at the moment? Would you say it’s difficult to get noticed?
It’s an exciting time for new artists because the internet has become a platform where you can do everything yourself and you can target and engage your fans directly without a middleman. With that being said, there is also a dense saturation of music online, so you really have to try to set yourself apart in order to be noticed. It can be difficult, but I believe there is a market for everyone, you just have to be persistent and creative enough to find ways to tap into it.

As we’re a new music focused site, are there any other new/upcoming artists at the moment that you’d recommend we check out?
Check out ‘Legends‘ by Lannds. You won’t be disappointed.

Finally, what does the rest of 2018 have in store for you?
I’m looking forward to traveling more. I want to create short documentary films to remind people that we’re all connected, even though it’s easy to disconnect from the issues that exist all over the world. In addition to that, I’m writing again and working on a new EP!!

Huge thanks to Aisha for answering our questions! 

Pendulum, the debut album from Aisha Badru, is out 27th April.

 

Photo Credit: Neda Bridgeman

Introducing Interview: Domino Kirke

Born into a family of creatives, Domino Kirke was a student of piano and vocal performance at New York’s prestigious LaGuardia High School of Music & Performing Arts and signed her first record deal as a teenager – collaborating with Grammy-winning producer and artist Mark Ronson (Adele, Bruno Mars, Amy Winehouse). Having toured the world with everyone from Gang of Four to Lily Allen with her band DOMINO, she’s now received praise from the likes of TIME, Billboard and Nylon for her debut solo album Beyond Waves

We caught up with Domino to find out more…

Hi Domino, welcome to Get In Her Ears! Can you tell us a bit about yourself and what you do?
I’m Domino Kirke, a singer-songwriter, and I just released my first solo LP! I’m also a doula and birth educator. I run a Doula Collective called Carriage House Birth in Brooklyn, New York.

How did you initially get into creating music?
I’ve always played music. I sang in choirs and I started taking piano lessons from the age of six. I started writing music when I was about eleven, and we always had recording studios in my home growing up because my dad is a musician. I then went to performing arts high school in New York.

Your new album Beyond Waves is out this summer, can you tell us a bit about it? Are there any ongoing themes running throughout it?
It’s really like one long diary entry. Each song is a snap shot of a different family member.

Your songs have a very distinctive, and captivating, bohemian folk style, but who would you consider to be your main musical influences?
I really love Sybille Baier, Lhasa De Sela, Joan As Police Woman, Townes Van Zandt and Luke Temple (co writer of my record) – they’re all big influences.

How is your local music scene? Do you go to see much live music?
It’s booming! I’ve lived in Williamsburg for fifteen years. I live a block away from all the best venues, so get out when I can.

And what can fans expect from your live shows?
I’ve heard from people that my live set is very “meditative” so, that’s nice!

As we’re a new music focused site, are there any upcoming bands/artists who you’d recommend we check out?
Oh! Bedouine.

And how do you feel the industry is for new artists at the moment? Coming from a musical family, would you say it’s more difficult to get noticed and make a name for yourself now than it used to be?
It’s a whole new world. I’m still getting used to it!

Finally, what does the rest of 2018 have in store for Domino Kirke?
I’m touring in the fall, and I’m playing shows in New York and Los Angeles this summer!

Huge thanks to Domino for answering our questions! 

Introducing Interview: NINA

A classically trained vocalist, London-based German alt-pop artist NINA first gained success with 2014’s single ‘My Mistake’, and has now released her debut album Sleepwalking. 

Big fans of her pulsating, innovative synthwave sounds, we caught up with NINA to find out more…

Hi NINA, welcome to Get In Her Ears! Can you tell us a bit about yourself and what you do?
I’m a singer-songwriter, originally from Berlin, who loves everything ’80s. My music reflects that, but has a modern twist too.

How did you initially get into creating music?
I’ve been singing ever since I can remember, but it wasn’t really until I was 18 that I was asked to go on tour with a famous German singer at the time, when I realized I wanted to make it my profession.

Your new album Sleepwalking is out now, can you tell us a bit about it? Are there any themes running throughout it?
Sleepwalking is a very personal album, as I mostly sing about my experiences in life: being bullied in school, having my heart broken, the struggle my mum had to go through by being a single mum. But I also sing about positive narratives like the first time you fall in love. It definitely reflects a journey.

 

You’ve been compared to the likes of Ladyhawke and Chromatics, but who would you say are your main musical influences?
I’m influenced by a lot of different bands like Depeche Mode, The Doors, Queen, Roxette, Eurythmics.

How is your local music scene? Do you go to see much live music?
Yes, I try to go to as many concerts as possible. I think it’s important to learn from one another and I find it very inspiring watching other acts perform. I’ve recently watched Carpenter Brut, who were awesome and they really put on a fantastic show. The Synthwave scene in London is rapidly growing, which is great.

And what can fans expect from your live shows?
Lots of energy, glowing drum sticks, synths and dynamics.

As we’re a new music focused site, are there any other new upcoming bands/artists who you’d recommend we check out?
Check out Oscillian, he’s a fantastic Synthwave composer from Sweden who worked with me on my album. And New Arcades are a great British band to check out too.

And how do you feel the industry is for new artists at the moment – would you say it’s difficult to get noticed?
I think it’s easy to get your music heard by thousands of people through social media, but it’s not easy to make a living from it. So, you really have to be 100% in it, and so does your team.

Finally, what does the rest of 2018 have in store for NINA?
More live shows around the globe and we’re already working on my second album!

Huge thanks to NINA for answering our questions!

Sleepwalking, the new album from NINA, is out now.