NEW TRACK: Lunch Machine – ‘Pipedream Graveyard’

Making the most of a cynical and uneasy feeling, Belfast-based alt rockers Lunch Machine provide a cathartic exhale on their latest single ‘Pipedream Graveyard’. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us.

Formed in Donegal back in 2017, Lunch Machine’s current lineup consists of Jude Barriscale (vocals and guitar), Pearse Owens (guitar), Robert Mulhern (bass and recording engineer) and Kieran Devlin (drums). Together, they create music that’s inspired by the lyrical wit of Courtney Barnett, the post-psych experimentation of King Gizz and the “good craic” goofiness of Ween. During the pandemic, the band lived together and jammed regularly, writing a new batch of music, performing occasional gigs and recording their upcoming material.

On ‘Pipedream Graveyard’, the four-piece blend the melodic angst of 90s grunge-pop with Barriscale’s bittersweet vocals to push past feelings of apathy. “Our generation and the ones that come after us seem doomed to sequester any dreams of a bright future,” she comments on the track. “It is exhausting knowing your road in life will end up surrounded in climate collapse, crumbling infrastructure, and regressive political ideals. Or, are we already there?” Despite this despair, Lunch Machine have created a hazy guitar tune that provides momentary relief from this reality.

The single is also accompanied by a video, shot by by Leeann Toland, which you can watch below.

Follow Lunch Machine on bandcamp, Spotify, Facebook & Instagram

Kate Crudgington
@KCBobCut

ALBUM: M(h)aol – ‘Attachment Styles’

Since the release of their debut single Laundries back in 2020 – a brooding reflection on the grim realities that “fallen women” faced in Ireland’s cruel Magdalene institutions – intersectional feminists M(h)aol have been building a backdrop of vital and visceral post punk sound. Taking their name from the defiant Irish historical figure Gráinne Mhaol (pronounced “male”), the band have worked hard to create space – both sonically and physically – for issues and communities that have been traditionally overlooked in male dominated music spheres.

M(h)aol carried these urgent intentions into their 2021 EP Gender Studies, a vehement rejection of outdated attitudes concerning gender, identity and equality. Now, with their debut full length record Attachment Styles – set for release via TULLE Collective on 3rd Feb – the band have crafted a searing collection of cathartic cacophonies that provide a potent antidote to toxic patriarchy.

Through scathing lyrics, thudding beats and distorted riffs, the five piece – made up of Róisín Nic Ghearailt, Constance Keane, Jamie Hyland, Zoe Greenway and Sean Nolan – have transformed their ruminations on oppressive social structures into a cutting musical manifesto. Whilst they make space for rage on Attachment Styles, there’s also room for humour and healing too. The record’s title in particular hints towards identifying and accepting our own patterns of behaviour in order to deal with an overwhelming world more effectively.

Written and recorded in a single room across seven days, the ten songs that form Attachment Styles cover everything from violent misogyny and everyday sexism (‘No-One Ever Talks To Us’) to celebrating bisexual visibility (‘Bisexual Anxiety’, ‘Nice Guys’), having sex while menstruating (‘Period Sex’) and a cherished family pet (‘Kim Is A Punk Type Dog’). Whether the band are aggressively dismantling the narratives that perpetuate victim-blaming on opener ‘Asking For It’, defying social monotony on the wry ‘Bored Of Men’, or simply being candid on the breathy, sultry ‘Period Sex’ – they do so with a tenacious spirit.

Vocalist Nic Ghearailt’s considered lyrics are one of the record’s strongest elements. Her clear intonation and impressive blend of faux-calm spoken word and scathing yells command attention for the duration of the album. From eerie piano sounds and haunting strings, to heart-thumping beats and gritty distortion, her bandmates help her instigate the pursuit of peace amidst the cruelty and chaos of the subjects they take aim at. The intense writing and recording process for Attachment Styles – and the fact that the band are all close friends too clearly aided this impressive feat.

As with their previous EP, the songs on M(h)aol’s debut album will hit hardest when experienced live. In order to feel the unifying and defiant force that inspired the record’s conception, make sure you grab a ticket to one of M(h)aol’s upcoming tour dates below.

Follow M(h)aol on SpotifybandcampFacebookTwitter & Instagram

Pre-order your copy of Attachment Styles here

M(h)aol UK Tour Dates 2023
May 19th – Newcastle – Bobiks
May 20th – Glasgow – The Hug and Pint
May 22nd – Leeds – Hyde Park Book Club
May 23rd – Manchester – YES (Pink Room)
May 25th – London – Boston Music Room
May 26th – Brighton – The Hope & Ruin

Photo Credit: Naomi Williams

Kate Crudgington
@KCBobCut

WATCH: Pretty Happy – ‘Conn Boxing’

**Trigger Warning: mention of sexual assault and rape culture**

Reiterating the vital outrage behind their original track ‘Conn Boxing’, today, Cork art punk trio Pretty Happy have shared a new video to accompany their ominous creation. Lifted from their EP, Echo Boy, released via Foggy Notions in 2022, the band have directed and produced the visuals to coincide with Imbolc (Saint Brigid’s Day), to hammer home the disturbing idiosyncrasies of rape culture in Ireland and further afield.

Attacking the fact that a local boxer’s reputation and trophy cabinet are more respected and revered than a local woman’s safety, ‘Conn Boxing’ calls out the deeply ingrained misogyny and double standards in both the sporting and wider social spheres. “They don’t even have a women’s bathroom,” counters vocalist and guitarist Abbey Blake about the boxing gym, between the repeated refrain “Conn Boxing has been producing superb/unbelievable/amazing/elite athletes for years.” Bassist Arann Blake’s simmering bass lines and drummer Andy Killian’s skittish percussion all contribute to the palpable sense of frustration underscoring the track, which gradually edges towards its nerve-shredding conclusion.

The visuals, which were filmed in the famous Linehans sweet shop in Shandon, Cork, also star actor Niamh Santry, who appeared in the band’s previous video for ‘Boots’. The conveyor-belt of sweet production seemingly personifies the production line of predators from the Conn Boxing gym, highlighting how women have to conceal their rage and attempt to move on in the overwhelming aftermath of sexual assault.

Along with the new video, Pretty Happy have also announced a string of UK & Ireland live dates, including tour support with Canadian post-punk band Preoccupations. Full dates can be found below.

Watch the video for ‘Conn Boxing’ here:

Pretty Happy UK Tour Dates 2023
09 February – New Adelphi Club, Hull (supporting Preoccupations)
10 February – Brudnell Social Club, Leeds (supporting Preoccupations)
11 February – Cork Opera House (supporting The Sultans of Ping)
12 February – District, Liverpool (supporting Preoccupations)
16 February – London Scala (supporting Preoccupations)
18 February – Windmill, Brixton

Follow Pretty Happy on bandcampSpotifyInstagramTwitter & Facebook

Photo Credit: Celeste Burdon Photography

Kate Crudgington
@KCBobCut

Track Of The Day: Wise Up – ‘Conjure The Feeling’

Fueled by their desire to make music that’s fun to play and that connects with their listeners, Dublin-based trio Wise Up have shared their debut single ‘Conjure The Feeling’. Full of grungy riffs, snaking bass lines and clear vocals, the track is an infectious offering of alternative noise, encouraging listeners to “embrace it all”, let go and stop sweating the small stuff.

Formed of Aoife from Dublin on drums, Garry from Cork on guitar and vocals, and Courtney from Canada on vocals and bass, Wise Up have been jamming and recording together since March 2022. After performing together at Gary & Courtney’s wedding reception, the trio decided to take Wise Up’s sound out into the “dodgy clubs” of Ireland, impressing their crowds of “drunk lads who who stay out late on a Wednesday night.”

Citing Pixies, Pavement, Yard Act, Chastity Belt, Courtney Barnett and Big Thief as their main musical influences, the band are motivated by the need to cut loose and enjoy the songs they’re performing, rather than agonising over being cool or counting the number of heads in the room. Wise Up are busy working on new recordings at Camelot Studios in Dublin, and will be booking more gigs around the city in the future, so keep your eyes peeled for more info from them soon.

Listen to ‘Conjure The Feeling’ below.

 

Follow Wise Up on Spotify, Twitter, Facebook & Instagram

Photo Credit: @paulmaxwellphotography

Kate Crudgington
@kcbobcut