PLAYLIST: July 2024

The Get In Her Ears team have put together another mix of eclectic electronic sounds, alternative & shoegaze anthems, punk bangers, indie-folk musings and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Whitelands – ‘Cheer’
This is one of my favourite songs, taken from one of my favourite albums of 2024, from London-based shoegaze band Whitelands. Their debut record, Night-bound Eyes Are Blind To The Day, is a heady rush of atmospheric reverb-heavy guitars, lush gauzy vocals and poetic lyricism, and I’ve been infatuated with it since its release via Sonic Cathedral. Watch the accompanying video for ‘Cheer’ here.
(Kate Crudgington – Features Editor)

Clinic Stars – ‘Only Hinting’
I am hooked on the shimmering guitars and ethereal vocals on this dreamy offering by Detroit-based duo Clinic Stars. ‘Only Hinting’ is the title track from their upcoming debut album, which is set for release on 20th September via Kranky. (KC)

Kynsy – ‘Stereo Games’
Described as “a wild ride through the chaos of love and self-destruction,” Dublin-raised, London-based artist Kynsy delivers another brooding indie anthem here. Released via Nice Swan Records, it’s full of her distinctive vocals and gritty riffs. (KC)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. It captures their dynamic blend of grungy riffs, considered instrumentation, unpredictable beats and direct vocals perfectly. The band will be releasing their second album, Emita Ox, on 13th September, and they’ll be making their London live debut at The Windmill in Brixton on 5th September. Grab a ticket here. (KC)

Loose Articles – ‘Are You A Welder?’
The new single from Manchester faves Loose Articles, ‘Are You A Welder?’ challenges society’s stereotypical gender roles centered on concepts of masculinity and femininity with a raw punk power and playful energy. Having recently supported Foo Fighters on tour, and being busy playing plenty of festivals this summer, have just released their debut album, Scream If You Wanna Go Faster, via Alcopop! Records too.
(Mari Lane – Managing Editor)

pink suits – ‘Are You Gay Yet?’
Taken from their recently released second album Dystopian Hellscape, Margate duo pink suits offer a seething celebration of queerness with ‘Are You Gay Yet?’. Reflecting on numerous interactions that guitarist and vocalist Lennie has had throughout their life when people have questioned or confronted them about their sexuality, it’s an uncompromising reclamation of being confident in who you are. As Lennie says, “People are gay. I am gay. We are gay. You might be gay too… and that is ok.” And pink suits have just shared a wonderfully empowering and joyous new video for the track – check it out here. (ML)

Destroy Boys – ‘Should’ve Been Me’
This raging new single from Sacramento punks Destroy Boys might be less than two minutes long, but it packs a proper punch. The track is taken from the band’s upcoming album, Funeral Soundtrack #4, which is set for release on 9th August via Hopeless Records. (KC)

Soot Sprite – ‘I Went Swimming’
South England-based indie-shoegazers Soot Sprite dropped this tune a back in June via Specialist Subject Records. Full of swirling riffs and urgent vocals, ‘I Went Swimming’ is about proactively ditching a toxic relationship before it drags you down further. (KC)

EFÉ – ‘2000SEVEN’
Irish artist EFÉ is back with this banger of a single. Written when she was 19 but developed over several years, ‘2000SEVEN’ is an homage to 00s rock, but also an ode to recovering from a tough time and finding new friends in the process. (KC)

Lemonade Sin – ‘Keep It Up’
Consisting of members you may recognise from other bands such as BCOS RSNS and Umbrella Heaven, London-via-Devon Lemonade Sin have just released their new album, Deadly Sins. Taken from the album, latest single ‘Keep It Up’ offers a blissful rumination on lust; combining jangly guitar pop with a classic disco groove and lush synth sounds reminiscent of the dreamy soundscapes of Stereolab. (ML)

Los Bitchos – ‘Kiki, You Complete Me’
Based in London, international band Los Bitchos include members from Australia, Uruguay, Sweden and Britain, and are united by a distinct sense of fun. This definitely comes through in their latest, comic-book-inspired new track, ‘Kiki, You Complete Me’. Racing with a swirling energy and colourful rhythms, it’s described by the band as “Batman meets Los Bitchos”. (ML)

The Go! Team – ‘Ladyflash’
Having been a big fan of The Go! Team’s 2004 album, Thunder Lightening Strike, when it came out all of twenty years ago, I then saw them live at Electric Ballroom in 2018, and it was one of the most fun live shows I’ve ever been to – such immense energy and colourful charisma. So, I was very excited to see them again at Deer Shed Festival. I chatted to the band recently about live shows, kids on tour and the challenges of the industry today – have a read here. (ML)

CATBEAR – ‘Rush’
Having previously supported indie legends The Subways and just played Bristol Pride alongside the likes of Ladytron and Human League, synth-pop duo CATBEAR take influence from queer icons like Robyn and Tegan and Sara. New single ‘Rush’ swirls with a colourful, euphoric energy of this track, creating a perfectly danceable summer anthem. (ML)

Julia-Sophie – ‘wishful thinking’
This lush glitch-pop offering from Julia-Sophie is one of many gems on her debut album, forgive too slow. Released via Ba Da Bing Records, the record is a bittersweet reflection on past love, heartbreak and recovery, all tinged with the Anglo-French artist’s distinctive melancholic edge. (KC)

Maria Uzor – ‘What U Need’
The new single from GIHE fave Maria Uzor, ‘What U Need’ showcases all there is to love about the Norwich artist. Propelled by fierce beats as a glitchy electronic soundscape provides the backdrop for Uzor’s soaring vocals, the track pulsates with a deep immersive groove and sparkling playful allure. Reflecting on her recent time away from social media, she says of the track: “(It’s) about how you can lose a sense of who you are if you spend too much on there…” ‘What U Need’ is accompanied by a fun, homemade video in which Uzor has dressed up as characters from some of her previous videos in order to convey a sense of identity being in flux. (ML)

Palindrones – ‘Lemuria’
A dark, hypnotic blend of electronics and glitchy beats, ‘Lemuria’ is the latest single from South London industrial synth-pop duo Palindrones. Taken from their album Chapter One, which they released last year, the single is accompanied by a new music video, which you can watch here. (KC)

Sister Ghost – ‘Dark Matter’
Northern Irish artist Sister Ghost has shared this evocative track, which is lifted from her upcoming debut album, Beyond The Water. Set for release on 31st October via Third Bar Records, ‘Dark Matter’ was inspired by the French film, Portrait of a Lady on Fire. Sister Ghost explains further: “I really felt it echoed some of my own queer experiences. That’s also why there’s some French in the bridge section of the song, which translates to ‘my love, she glows in the fire’.” (KC)

PostLast – ‘Hollywood Ending’
Another dreamy offering from Irish duo PostLast here, released via VETA Records. Formed of Julie Hough (HAVVK) and Stephen McHale (BARQ), PostLast’s brand of off kilter indie-pop always makes for an charming listen. (KC)

Happy Accidents – ‘Infinite Possibilities’
Their first new music since 2018, ‘Infinite Possibilities’ is the new single from South London duo Happy Accidents. Reflecting on how our brains can play tricks on us, and how there could be infinite ways to interpret what is happening to us, it flows with jangly hooks and emotion-rich twinkling harmonies. The single comes ahead of a new album Edit Undo, due for release on 27th September via Alcopop! Records, and – in the meantime – the band are inviting fans into a load of secret new music and stories behind the songs, as well as access to the album a month early. This can all be accessed by pre-ordering the record here. (ML)

Squirrel Flower – ‘Finally Rain’
One of my most listened to artists over the last couple of years, I was lucky enough to catch Squirrel Flower live at The Lexington last week. From the start, she instantly immersed the sold out venue in a soaring splendour as the raw emotion of her crystalline vocals flowed throughout. Treating us to a set spanning all five of her albums, live she was even more spellbinding than I could have imagined; combining a celestial majesty with a gritty musicality, Squirrel Flower and her band succeed in completely captivating me with each truly exquisite offering. Ending the set with a solo rendition of this closing track from her latest album, Tomorrow’s Fire, ‘Finally Rain’ brings the evening to a close with a perfect heartbreaking grace, evoking in me the kind of emotion that is normally only reserved for Bruce Springsteen. (ML)

Seaker – ‘Lately’
North London-based independent musician Seaker self-produced this track in her home studio. She describes it as “a love song of sorts” that is designed to feel like “a comforting word from a friend”. Her tender vocals and earnest lyricism combine with gentle beats and keys to help soothe the pangs of heartbreak. (KC)

Midwife – ‘Rock N Roll Never Forgets’
The latest single from the elusive Midwife is a bittersweet rumination on memory, and a gentle ode to the transcendent power of music. It’s taken from her upcoming album, No Depression in Heaven, which is set for release on 6th September via The Flenser. I’m a big fan of her “heaven metal” sounds and I can’t wait to hear the record in full. (KC)

Gracie Gray – ‘Burden’
Taken from her new released second album, Magnet, this track by LA born, New York based artist Gracie Gray showcases her innately raw, self-soothing qualities as a songwriter. I had a really lovely chat with Gracie for The Line Of Best Fit, in which we spoke about the importance of solitude, the joy of listening to music in your bedroom, and limiting your time on the internet. Read it here. (KC)

⁠Breymer – ‘Darkness’
Minnesota born artist Breymer is set to release their new album in October; a collection exploring their relationship with gender and identity, they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. ‘Darkness’ was written to comfort their wife when she was going through a tough time, and its rich stirring emotion and lilting musicality is a thing of pure beauty. When I Get Through, the upcoming new album from Breymer, is set for release on 18th October via One Little Independent Records. (ML)

Katie Malco ft. Laura Stevenson – ‘Fatal Attraction’
A disarming reflection on connection, loneliness and infatuation, I love this new track from Katie Malco, featuring American songwriter Laura Stevenson. ‘Fatal Attraction’ is inspired by the classic 90s erotic thriller that it’s named after. Katie comments: “Strangely, I realised that Fatal Attraction might be one of the most relatable movies I’ve ever seen. The scariest and most gripping parts are in the intense rage felt at the hands of selfish and careless behaviour and the self-loathing that comes with it. It almost becomes an analogy of society at large, where the men always seem to get away with it, and nobody else does. Boiling bunnies and stalking aside, you could liken Glen Close’s character to the entire non-male population, fighting to be heard and to be equal.” (KC)

Sunflower Thieves – ‘How Was America’
This is the latest single from Leeds alt-pop duo Sunflower Thieves, taken from their upcoming EP, Same Blood, which is set for release on 30th October via Kartel. ‘How Was America’ is a deceptively soft sounding song that’s underscored by the sharp, lingering pain of being ghosted by a friend. (KC)

Jasmine.4.t – ‘Skin On Skin’
Based in Manchester, trans artist Jasmine.4.t is the first signee to Phoebe Bridgers’ new label Saddest Factory Records and has now shared exquisite new single ‘Skin On Skin’. Produced by Bridgers alongside fellow Boygenius members Julian Baker and Lucy Dacus, it’s as beautifully perfect as you’d expect. Reflecting on both the camaraderie and isolation that can be a part of transfeminine life, it flows with a stirring glistening emotion and twinkling hooks. If you, too, fall in love listening to this track, you can catch Jasmine live at The Waiting Room in Stoke Newington on 31st July – nab tickets here. (ML)

Bria Salmena – ‘Bending Over Backwards’
Loving this sultry, upbeat offering from Canadian artist Bria Salmena, released via Sub Pop. Salmena describes this track as “a manic conversation with myself,” with her lush vocals and hazy riffs helping to calm those chaotic thoughts. (KC)

Yaz León – ‘GULLY’
Spanish-Iraqi songwriter Yaz León has just released her new EP, BLEACH, which she produced by herself. It’s a record that documents the songwriters “internal monologue” over the past year, and this track ‘GULLY’ is a tender, slow-building testament to that. (KC)

Lex Amor – ‘A7X’
Having previously played on Later… With Jools Holland and collaborated with the likes of Kojey Radical, North London artist Lex Amor has now worked alongside Luton based rapper BXKS on latest single ‘A7X’. Fusing together genres to create a blissful reflection on everyday life, it oozes a stirring soulful groove. I’m a big fan. (ML)

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PLAYLIST: July 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, grungy guitar riffs, alt-pop gems, avant garde sounds and electronic tunes for your listening pleasure. There’s also a small tribute to Irish musician & activist Sinéad O’Connor/Shuhada’ Sadaqat.

Take some time to scroll through our track choices below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Maria Uzor – ‘Ventolin’
Having just announced the release of her debut solo album in October, GIHE fave Maria Uzor recently shared this enticing taster. Propelled by a driving fierce energy and glitchy hooks, ‘Ventolin’ swirls with the sparkling allure of her sweeping hypnotic vocals. The PR says it “could well be the first ever electro banger aimed at asthmatics” and, asthmatic or not, I’m sure it’ll have you up and dancing to its majestic groove. We’re super excited about Uzor’s debut solo album, Soft Cuts, which is set for release on 13th October via Castles In Space.
(Mari Lane)

Coolgirl – ‘Silverlight’
GIHE fans will recognise Dublin-based artist Lizzie Fitzpatrick aka Coolgirl as the front person of grunge trio Bitch Falcon, but under her new moniker she uses electronics and synths to create vivid, sometimes ambient, sometimes upbeat sounds. After releasing a handful of singles over the past few years, she is now preparing to share a new EP via VETA Records, with this single ‘Silverlight’ being the first hint of what’s to come. It’s a synth-soaked exploration of the intense, transitory nature of infatuation, and a mesmeric blend of whirring synth textures, glitchy beats and a subtle, jagged vocal.
(Kate Crudgington)

Ghost Car (Dream Wife Remix) – ‘Basta’
Featuring remixes from the likes of Shamir, Du Blonde and The Dead Zoo, Ghost Car’s new remix EP of last year’s debut album, Truly Trash, Truly Trashed, sees the band recruit an array of artists to create unique renditions of their tracks. All funds raised will be donated to Mermaids, a charity doing vital work to support trans, non binary and gender diverse youth. Of this latest rendition of ‘Basta’, Dream Wife’s Alice Gough says: “With this remix, it was about taking a guitar band sound and flipping it over to a dirty, dancey, banger. I rebuilt the drums with deep sub beats, while the original vocals carry the mix through. Also, shoutout to Cher with ‘Believe’ for being the first mainstream POP track that used auto-tune. Her legendry vibe is present in this mix.” Buy and download the EP here. (ML)

Fever Ray – ‘What They Call Us’ (Nifra Remix)
I am so excited for this year’s Field Day festival in Victoria Park in East London, and not only is it down the road from me, the line up is on fire! With the likes of Arca, Art School Girlfriend, Anastasia Kristensen, Bibi Seck, Desire, Effy, Jayda G, Kelela, Sudan Archives…the list goes on and on. To add to the delightfulness of it all, Mary Ann Hobbs has curated the 6 Music Stage with an All Queen Special too. I’m particularly pumped to be seeing Fever Ray. The last time I saw them was in a heightened state of serotonin induced heaven, and they were incredible – not only is their music so boundary pushing, their performances are too.
(Tash Walker)

TSHA ft. Ell Murphy – ‘Bloom’
TUNE TUNE TUNE! I can’t wait to see TSHA live at Field Day. I will lose my mind, I guarantee it. 19th August 2023, see you there! (TW)

Thylacine – ‘Versailles’ (Ah! Kosmos Rework)
I’ve been a fan of Istanbul-via-Berlin artist and producer Ah! Kosmos for a few years now, so I was thrilled to see her rework of this track drop into my inbox. French producer Thylacine invited four musicians to remix songs from his 2022 album, 9 Pieces, a collection of tracks that were influenced by the different places he visited. This ‘Versailles’ rework is the result of his collaboration with Ah! Kosmos and it’s a relaxed, summery tune to soundtrack the season ahead. (KC)

Mary Lovett – ‘Drive’
This track from DIY artist Mary Lovett is a homage to 80s pop and the teen angst she felt throughout those years. I love this track, which is truly transporting. (TW)

Circe – ‘My Boy Aphrodite’
I’m such a big fan of London-based dark pop sensation Circe, so I was thrilled to have her as a guest on our Soho Radio show earlier this month. She spoke so openly and passionately about her new EP, Drawing Wings From The Light, and the inspiration behind this track. ‘My Boy Aphrodite’ is a playful exploration of desire and experimentation with gender boundaries, underscored by her seraphic vocals, dazzling electronics and lyrics that ring out with a deeply relatable sense of longing for love and acceptance. The whole EP is a rapturous collection of slickly produced tracks, on which she willingly shares personal epiphanies, unfiltered heartbreaks, precious teenage secrets and cell-shaping theatrical experiences with her listeners. I can’t wait to see her live again at The Windmill in Brixton on 21st September. (KC)

Lauren Auder – ‘The Ripple’
Lifted from her highly anticipated debut album, the infinite spine, which she shared earlier this month, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Auder’s album is a potent, pop-drenched exploration and celebration of discovering your true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus. I can’t get enough of it. (KC)

Jock – ‘Spoilsport’
I love this driving, potent punk anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. I’m looking forward to hearing more from them in the near future. (KC)

Slow Pulp – ‘Doubt’
Chicago-based four-piece Slow Pulp have shared this new anthem, lifted from their upcoming debut album, Yard, which is set for release on 29th September via ANTI-. The track is a hazy, relatable guitar tune that questions our need for validation from other people. Vocalist Emily Massey uses the song to explore these feelings, and how it can often feel safer to stay within a familiar negative space than to question and move forward in a new way. (KC)

congratulations – ‘Zeitgeist’
Lifted from their upcoming EP, Woo Hoo, which is set for release on 8th September via Bella Union, this is the latest banger from Brighton DIY band congratulations. I’ve reviewed one of their singles before on GIHE, but they were recommended to me by grunge trio HotWax when I interviewed them at The Lexington a few months ago. (KC)

Cherym – ‘Taking Up Sports’
Having fallen in love with Cherym over the last couple of years, and being lucky enough to see them live at Paper Dress Vintage as well as in Belfast as part of the Women’s Work Showcase last year, I’ve been very much enjoying the Derry band’s latest single. Coinciding nicely with the start of the FIFA Women’s World Cup, ‘Taking Up Sports’ exudes the band’s buoyant punk-pop energy and honey-sweet vocals with a sunny, uplifting energy. Of the track, vocalist & guitarist Hannah explains: “It’s an ode to the self-proclaimed stragglers who used to get their friends to forge notes for them so they could get out of double P.E, but it’s also a little nod to the WLW community and a reminder of the ridiculous lengths we’ll go to sometimes for the person we think is worth it.” Watch the video for ‘Taking Up Sports’ – in which the band take on Derry FC – here. (ML)

SEPARATR – ‘Directionless’
We featured SEPARATR on our radio show back in 2021, and the band have just put out a new EP, QUEEN ACE. This song is a flagship declaration of their contradictions, a song that started out as a piano ballad, but is now very much a pop punk anthem. (TW)

Queen Cult – ‘Blackhole’
Having blown us away with their immersive blistering energy live when playing for us at the Shacklewell Arms last year, Macclesfield band Queen Cult have now shared fierce new single ‘Black Hole’. Described by front person Maisie as “a song to myself… about the post break up slump. When you feel like the world is swallowing you up and there is nothing to hold onto because you’ve lost all sense of self. ” Oozing a roaring, cathartic rage, it’s an empowering anthem of self-love. (ML)

Scrounge – ‘Corner Cutting Boredom’
The GIHE team are excited that total faves Scrounge have a new single out, and it doesn’t disappoint. ‘Corner Cutting Boredom’ may start off with less of the frenzied energy of previous offerings, but it contains all the gritty allure we’ve come to know and love from the South London duo. Building with a stirring tension, it showcases the resonant raw power of Lucy’s vocals, alongside the thrashing yet articulate intensity of Luke’s beat-making. Of the track, they expand that it signals “the start of a new phase of the band – bringing in more texture, more of the industrial and electronic influences that we’ve always loved… but hopefully retaining the intensity and emotion that makes this a cathartic project to be part of.” ‘Corner Cutting Boredom’ is out now via state51 and is accompanied by a handmade zine featuring Scrounge’s friends from the South London scene, including Liv Wynter, Italia 90 and Amanda Tooke. Find out more and buy here. (ML)

English Teacher – ‘Song About Love’
I’m super excited to be heading to Deer Shed Festival this weekend and, amongst a fantastic looking line-up – including The Big Moon, The Delgados, This Is The Kit, Grove and Panic Shack – I think Leeds band English Teacher are one of the bands I’m most looking forward to seeing. ‘Song About Love’ is a total earworm, a wonderfully infectious ode to “doing the chores, instead of doing someone else.” I’m also pretty obsessed with earlier tracks like ‘R&B’ and ‘Mental Maths’. Have a read of our interview with Deer Shed’s festival director Kate Webster here. (ML)

Bleach Lab – ‘Smile For Me’
Bleach Lab’s single ‘Smile For Me’ is a shimmering, melancholic indie-pop tune inspired by the frustrations and fears around sexual harassment. Taken from the band’s upcoming debut album, Lost In A Rush of Emptiness, which is set for release on 22nd September via Nettwerk, vocalist Jenna explains the context of the single further: “Lyrically, This was one of the most empowering but challenging songs to write on the album. The theme for ‘Smile For Me’ is of my own experience of sexual harassment, as well as experiences I know far too many women suffer themselves. Something I hear so often as a woman in public is being told to ‘cheer up, love’, if I’m not immediately, positively responsive to an unknown person’s advances. It’s completely deflating, infuriating and humiliating. The lyrics are intentionally directed at the culprits and offenders, words I would be too afraid to say in the moment if not for fear of the reaction.” (KC)

Mumble Tide – ‘Kindest’
The accompanying video to this Mumble Tide track is Cute with a capital ‘C’! The Bristol-based duo say this song is about “those shady thoughts you try to lock up inside yourself, about feeling weird and scared and guilty,” and I think vocalist Gina Leonard’s clear, distinctive voice floating over Ryan Rogers’ gentle guitar twangs communicates that beautifully. (KC)

Joanna Sternberg – ‘I’ve Got Me’
I don’t think it’s an exaggeration to say that I have been completely addicted to the new album from New York artist Joanna Sternberg recently. Playing every single instrument you hear on the album, the collection showcases their ability to create rich tapestries of lilting folk-strewn sounds alongside stirring reflective lyrics, all brought together with their raw, impassioned vocals. It really is just exquisite. I’ve Got Me, is out now via Fat Possum. You can read an interview we did with Joanna on our website too. (ML)

shaene – ‘sad’
Taken from her self-produced debut album, time lost / time regained, which is set for release on 1st September, I love this bittersweet offering from Leeds-based songwriter shaene. It’s a dreamy, melancholic rumination on a dark and complicated time. shaene’s upcoming full length record is inspired by her own experiences as a trans woman, her neurodivergency and the depth of emotions that surround these aspects of her life. ‘sad’ touches on these themes and gives listeners a poignant first hint at what’s to come. (KC)

1000 Beasts ft. Zeenie Summers Sà.Rù.Mí – ‘Sun Valley Drive’
Another strong serving from 1000 Beasts, this time a bilingual track that combines both English and Yoruba featuring the vocals of Zeenie Summers SaRuMi an Irish/Norwegian artist. It’s full of sunshine – you can’t help but smile and sway to it! (TW)

Girl Ray – ‘Love Is Enough’
I just can’t get enough of the fizzing, disco-inspired energy and danceable allure of Girl Ray’s latest offerings, and I’m very excited not only for the release of their album, Prestige, on 4th August via Moshi Moshi, but to see them again live that evening at Rough Trade East! I was lucky enough to chat to Poppy, Sophie and Iris about the album, playing Ally Pally, being women in the industry and more. Have a read and pre-order their album here. (ML)

Supersaurus – ‘Electric Dreams’
Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on personal experiences and being part of the LGBTQ+ community, ‘Electric Dreams’ is an instantly catchy, sparkling slice of emo-tinged indie-pop, and I can’t wait to hear more of the glitchy, whirring energy of this band. (ML)

Phosphene – ‘Black Sheep’
This hazy, ethereal single from DIY Portland-based shoegazers Phosphene dropped into my inbox at the start of the month. It’s taken from their upcoming third album, Transmute, which is set for release later this year. ‘Black Sheep’ is also accompanied by a monochrome video which the band produced, edited and directed themselves. Watch it here. (KC)

1017 ALYX 9SM, Ethel Cain – ‘Famous Last Words’ (An Ode to Eaters)
One of my favourite artists Ethel Cain has written a song that’s inspired by the gorgeous film Bones And All, and unsurprisingly, I absolutely love it. A match made in heaven and peak Gloomy Girl territory for me. (KC)

And is Phi – ‘Double Pink’
And is Phi is a multidisciplinary artist from Norway and the Phillipines who now lives in South East London. ‘Double Pink’ is the title track from their debut album, which is set for release via Albert’s Favourites on 22nd September, and I cannot wait to hear it in full. (TW)

Hinako Omori – ‘foundation’
Hinako Omori was a live highlight for me at Brighton’s Great Escape Festival earlier this year, so I was thrilled to hear that she will be releasing new music soon. This track ‘foundation’ is a wonderful blend of her gentle vocals and atmospheric electronic sounds, that she describes as “a letter to ourselves on trusting our intuition and inner guidance to lead us along our unique paths.” Hinako will be sharing a more music later this year via Houndstooth and she’ll be playing live again at London’s ICA on December 2nd. (KC)

Tawiah – ‘Child’
I only came across innovative artist Tawiah a few weeks back when I saw them play Higher Ground Festival at The Roundhouse, alongside The Staves, The Orielles and Aoife Nessa Frances. Accompanied by six choral singers to deliver an immensely moving performance of last year’s Ertha – a concept album, chronicling our journey from birth to death – she delivered an utterly unique blend of alt-soul, gospel and R&B, emanating a sweeping majesty and deep spiritual resonance throughout, captivating the audience with a celestial splendour. (ML)

Oxbow ft. Lingua Ignota – ‘Lovely Murk’
I’m a big fan of Kristin Hayter aka Lingua Ignota, but I’m new to experimental band Oxbow, so listening to ‘Lovely Murk’ was a pleasant surprise. Created over a period of several years and inspired by Niko Wenner’s experience of losing his Mother to Alzheimer’s, it’s an emotive, eclectic composition heightened by Lingua Ignota’s powerful, choir-like vocal. This track is featured on Oxbow’s latest album, Love’s Holiday, which is out now. (KC)

Sinéad O’Connor – ‘Troy’
Tributes to Irish musician Sinéad O’Connor have been permeating our social media feeds over the past few days. What a talent, and what an unapologetically authentic artist. Lots of our followers have recommended watching Kathryn Ferguson’s 2020 documentary about her, Nothing Compares, which offers deeper insight into her activism, her spirituality, and her experiences of fame and fallout with the pop mainstream. Rest In Peace Sinéad. (GIHE team)

 

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PLAYLIST: July 2022

The Get In Her Ears team have put together another eclectic mix of guitar anthems, alternative tunes & electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

NOVA TWINS – ‘Cleopatra’
Nova Twins are the first black women in the Rock & Alt scene to be nominated for the Mercury Music Prize and we couldn’t be happier for them! They have worked so hard and pushed against an industry that has so much racism and sexism embedded in it. Turn up the volume on this track ‘Cleopatra’ taken from their second album Supernova – it’s about to get HEAVY!  (Tash Walker)

Brutus – ‘Liar’
Gritty vocals, powerhouse percussion and charged riffs punctuate this single from Belgian trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, ‘Liar’ is a heavy lament that criticises the lies we tell ourselves in order to keep a false and temporary sense of calm. I can’t wait to see the band live at The Garage in November. (Kate Crudgington)

Real Big Sky – ‘The Same Thing’
Happy debut album release day to Gothenburg-based band Real Big Sky! Their self-titled record is now up on Spotify for you to listen to. It might be too soon to call it, but I think this might be one of my favourite albums of 2022. Cinematic, Shoegazey, melancholy bliss. Listen to it here. (KC)

Ethel Cain – ‘Family Tree (Intro)’
I know I add Ethel Cain to all of our GIHE playlists, but her sultry, cinematic tunes are so good I can’t resist. I can’t wait to see her perform them live at Heaven in December. (KC)

Miya Folick – ‘Nothing To See’
Emotional, raw and beautifully resilient, Miya Folick’s ‘Nothing To See’ is a tender ode to rediscovering yourself in the aftermath of a painful breakup. Taken from her new EP 2007, which is set for release on 9th September via Nettwerk, through her clear vocals, candid lyrics and considered instrumentation, Folick accepts that love makes fools of us all, and gracefully reclaims the time she spent changing herself to suit the needs of an unappreciative lover. (KC)

Forever Honey – ‘Singing To Let England Shake’
A bittersweet guitar tune about the uncertainty of not knowing where you stand with someone you’re close to, I love this single from Brooklyn indie band Forever Honey. Taken from their upcoming EP, Could I Come Here Alone, which is set for release on 30th August, it’s a gentle, hazy lament to the frustrated hours spent wondering what went wrong, and the more hopeful moments that follow those sometimes uncomfortable realisations. (KC)

Breakup Haircut – ‘I’d Say Yes’
Having wowed us live with their scuzzy, joyous punk-pop at our January gig at The Victoria, First Timers Fest alumni Breakup Haircut have just released their debut album, Punk Dancing For Self Defence, a collection of joyously lo-fi pop punk offerings reflecting on themes ranging from social anxiety and break-ups to bi-erasure and existing in a Capitalist society. Whether you need cheering up with some buoyant danceable anthems, or simply want to immerse yourself in the band’s raw emotion and relatable, resonant reflections on life, the album will provide you with all the aural comfort you need right now. (Mari Lane)

Currls – ‘Honey’
The latest single from Brighton based Currls, ‘Honey’ is a colourful ode to female friendship and owning your own unique individuality. I love this track’s empowering energy and unifying, singalong refrains. A truly energising and compelling anthem of self-love that’ll motivate and inspire on first listen. Hello, My Name Is, the upcoming debut album from Currls, is set for release on 11th November. (ML)

Murman – ‘Falling Down’
Propelled by swirling, scuzzy hooks and an anthemic, emotion-filled drive, ‘Falling Down‘ oozes a gritty energy in the vein of rock greats such as Bruce Springsteen and The Killers, with an added unique colourful pizazz and impassioned swooning vocals. If you’re in need of an instantly catchy, joyously jangly slice of Americana-tinged garage-rock, then look no further… ‘Falling Down’ offers a perfectly danceable antidote to all of life’s worries. (ML)

Hanya – ‘Amateur Professional’
I am loving this latest song from friends of the show Brighton dream pop duo Hanya, a marrying up of their raucous onstage energy with their hazy studio sound. They worked with Theo Verney on this one, who has also produced some of my favs Porridge Radio. The track is about “attempting to be a full-time professional in whatever it is you want, even if you feel like a lousy amateur a lot of the time. It’s a fighting song, for when you’re feeling like giving up.” Check out their socials for upcoming tour dates across the UK. (TW)

Alien Chicks – ’27 Stitches’
I’m really loving this new one from South London band Alien Chicks. Combining danceable rhythms with a riotous energy, ’27 Stitches’ blasts into the eardrums with a fierce power. (ML)

M(h)aol – ‘Bored Of Men’
I said on our recent Soho Radio show that this single from Irish post punks M(h)aol should be the new intro song for Love Island, and I stand by it. Vocalist Roisin’s frustration is palpable as she delivers her candid lyrics, underscored by a cacophony of abrasive riffs and thumping beats. I’m looking forward to hearing this live when the band play at The Grace in Islington on 29th August. (KC)

Self Esteem – ‘I Do This All The Time’
I just wanted to pay homage to Sheffield based Self Esteem as I am finally seeing her live this weekend at Deershed Festival and I CANNOT WAIT! Having been pretty addicted to her empowering and poignant album Prioritise Pleasure, and watched her incredible set from Glastonbury on iPlayer, I am massively excited. I also wanted to dedicate this track to my awesome GIHE team mates and leave you with Self Esteem’s inspiring lyrics: “Be very careful out there / Stop trying to have so many friends / Don’t be intimated by all the babies they’ve had / Don’t be embarrassed that all you’ve had is fun. Prioritise Pleasure.” (ML)

Chorusgirl – ‘Don’t Go Back To ’89’
Having announced the much-anticipated (by me in particular!) release of her third album this Autumn, Silvi Wersing – aka Chorusgirl – has now shared her first new single in a few years, and I couldn’t be happier about it. Flowing with a majestic, swirling grace, ‘Don’t Go Back To ’89‘ poignantly reflects on feelings of nostalgia and hopelessness. Propelled by a shimmering splendour and glistening celestial charm, it’s a beautiful slice of jangly dream-pop, sparkling with a glowing summer haze, whilst tinged with stirring undertones of darkness. (ML)

Nikki & The Waves – ‘E.L.C’
Manchester band Nikki & The Waves will be headlining our next gig at The Victoria on 12th August and I can’t wait! With their trademark funk-fuelled groove and vibrant energy, this track – paying ode to ‘exceptionally lovely courduroy’ – showcases all there is to love about the band. Supporting Nikki & The Waves on 12th August will be First Frontier and Panic Pocket – get your tickets on DICE here.  (ML)

TU3SDAY – ‘Evil Eye’
Utilising their experiences as a black, queer, non-binary and disabled musician into their own brand of electronic sounds, Jae Tallawah aka TU3SDAY is committed to breaking boundaries in music. This track ‘Evil Eye’ is a superb example of their altruistic energy. (KC)

Charlotte Adigéry & Bolis Pupul – ‘Cliché’ (Soulwax Remix)
Absolutely love these two, and it was a total pleasure interviewing Charlotte earlier this year about their album Topical Dancer. This week they unveiled this epic remix of Cliché by Soulwax! If you get the chance to watch them live, grab it with both hands – it is a night to remember. (TW)

Lynks – ‘Hey Joe (Relax)’
This single came out in March this year but I’ve been playing this over and over these last couple of months, as a staple on one of my summer playlists called Buzzzzzy. Which I think is a perfect way to describe that song, from an artist who consistently brings us tongue-in-cheek queer bangers for the ‘others’. (TW)

Bonnie Banane – ‘CDA’
‘CDA’ was my Track of the Show on this month’s Get In Her Ears show on Soho Radio, it comes from French alt pop singer Bonnie Banane. I’m going to let the track do the talking. All you need to know from me is that I love it. (TW)

Gemma Cullingford – ‘New Day’
Gemma Cullingford (of GIHE faves Sink Ya Teeth) has now shared a brand new offering ahead of her upcoming album release in September. Reflecting on night terrors that we can all experience even as adults, and the optimism that the morning can bring, ‘New Day’ delivers a blissfully shimmering soundscape evoking a nostalgic energy. A truly euphoric summer anthem. I can’t wait for Gemma to play a joint headline show for us with Alice Hubble at Shackewell Arms on 10th September, with support from Yay Maria. Tickets here. (ML)

Maria Uzor – ‘Winner’ (feat. Emily Winng)
Featuring vocals from Emily Winng, I can’t get enough of this track’s propulsive, immersive beats and frenzied, whirring splendour. An alluring summer anthem for all those who like a bit of electro scuzz with their sunshine. (ML)

AGAAMA – ‘Which Way’
Birmingham-based artist, composer, vocalist and producer AGAAMA blends elements of industrial pop, jazz and rave on this beguiling, fluid track. She studied classical trombone as a teenager, sang in Church on Sundays and spent her Saturday nights raving to UK bass music or in the middle of a mosh pit at a metal gig. These experiences have shaped her eclectic sounds, and I’m looking forward to hearing more from her in the future. (KC)

Hannah Schneider – ‘It’s The Season’
The new single from Danish artist, and one half of duo AyOwA, Hannah Schneider, ‘It’s The Season’ offers a perfectly celestial soundscape, reflecting on the high expectations of summer and the disappointment this can sometimes bring. I just love it’s dreamy, ethereal haze and soothing euphoric grace. if you want more blissful summer tunes, check out the guest Sedated Summer Sounds Playlist that Hannah put together for us on the website now – I’ve had it on repeat over the last couple of weeks, it’s just perfect for this weather! (ML)

Damsel Elysium – ‘Echoes of Lalia’
One for the headphones! Experimental sound composer Damsel Elysium created this track to try and express what it’s like to be a neurodivergent artist existing in a hectic world. ‘Echoes of Lalia’ is made up of voice, double bass, violin, piano and original field recordings taken from Damsel’s day in the city. It might not be to everyone’s taste, but I’m always impressed by artists who manipulate and mutate sounds to reflect their inner thoughts, and that’s exactly what Damsel does here. (KC)

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PLAYLIST: July 2021

The GIHE team have unearthed some more new music gems for you to listen to on our July Playlist! There’s an eclectic mix of alternative tunes, synth-pop bangers and raucous guitar anthems for you to enjoy. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Amy Winehouse – ‘Me & Mr Jones’
“What kind of fuckery is this?” – one of my all time favourite lyrics, courtesy of Amy Winehouse. This month marked ten years since her untimely death and gave us all a chance to reflect on her iconic musical legacy. Charming, intelligent and rib-achingly funny, but simultaneously plagued by addiction, alcoholism and bulimia, Amy Winehouse’s altruistic talent is one that simply can’t be rivalled. RIP Amy. (Kate Crudgington)

Babeheaven – ‘Lovefool’ (The Cardigans Cover)
Babeheaven are a band who do wonders with their covers and this one is no exception. Singer Nancy Andersen’s voice just beautifully falls over the music every time, the perfect accompaniment to this sweltering summer where we just have to slow down. (Tash Walker)

Abra – ‘Roses’
This song has been spinning its way around all of my playlists over the last month. Released back in 2015, I always have space for a return listen for Abra. The way a song sounds six years later is part of the beauty of it, especially the lyrics on this one – “You taste best when you are in full bloom” – turn up your dials for a big slice of distilled electro pop. (TW)

Evil House Party – ‘Head Held High’
I love this captivating synth-pop tune from Copenhagen-based duo Evil House Party. Taken from their debut EP Grand Theft Audio, which is set for release on 24th September via Third Coming Records, the track is a heady, bittersweet reflection on personal uncertainty and laments the struggle of trying to survive in the real world whilst also trying to fulfil your dreams. (KC)

Maria Uzor – ‘Innocence’
The latest solo release of Maria Uzor (also one half of GIHE faves Sink Ya Teeth), ‘Innocence’ offers an other-worldly soundscape propelled by glitchy electronic hooks and drum ‘n’ bass reminiscent beats. Interweaving a whirring ethereal splendour with shades of the likes of Grimes with a unique soul-fused drive, I just can’t get enough of its blissful, euphoric energy and bewitching allure. Innocence And Worldliness, the upcoming EP from Maria Uzor, is set for release on 27th August. (Mari Lane)

John Glacier – ‘Icing’
This song! Coming in at 1.44 a song has never left me desperate for more, obsessed is an understatement. East London’s John Glacier released this as a teaser from the forthcoming 12-track project SHILOH: Lost For Words, due on 30th July. (TW)

Moor Mother ft. lojii – ‘Shekere’
Having released her debut album Fetish Bones back in 2016, musician-poet-artist-workshop facilitator Camae Ayewa – aka Moor Mother – has now announced her upcoming new album, Black Encyclopedia Of The Air. Taken from the album, latest single ‘Shekere’ features Philadelphia rapper lojii and is propelled by a stripped-back, jazz-infused musicality as it oozes a swirling, stirring allure and immersive, soulful drive. As poetically poignant lyricism is set against the captivating flow of the instrumentation, an exquisitely enthralling, and undeniably necessary, battle-cry is created. Black Encyclopedia Of The Air, the upcoming album from Moor Mother, is set for release on 17th September via ANTI-. (ML)

Witch Prophet – ‘Makda’
I have Tash to thank for introducing me to the majestic sounds of Ethio queer hip-hop fusion artist Witch Prophet. ‘Makda’ is a celebration of the Ethiopian Queen of Sheba and the accompanying video for the track is all about showcasing “the power of Black women and mothers.” (KC)

Piroshka – ‘V.O’
Taken from Piroshka’s brand new album, Love Drips and Gathers, ‘V.O’ offers a poignant tribute to 4AD’s late in-house art director and graphic designer Vaughan Oliver. A swirling, ethereal soundscape, sparkling with a captivating, shoegaze-tinged splendour, the track reflects not only on Miki Berenyi’s memories of Vaughan, but also her experience of attending his funeral last year – with many of the lyrics inspired by speeches that she heard on the day. Find out more about Piroshka and their new album in our recent interview with Miki here. (ML)

Praises – ‘A World On Fire’
This shadowy track by Toronto-based Praises is such a hypnotising listen. The new project of Jesse Crowe (formerly one-half of Beliefs), ‘A World On Fire’ “imagines a diaspora and a war, whilst tackling other ideas of mortality, identity and love.” The track is taken from Praises’ upcoming EP, EP4, which is set for release on 5th August via Hand Drawn Dracula. (KC)

Tirzah – ‘Tectonic’
Anyone who knows me/has asked me what I’m listening to over the last couple of years will have given you one answer: TIRZAH. She’s recently announced the release of her new album Colourgrade which I am counting down the days to. This song ‘Tectonic’ is totally hypnotic, starting with a conflicting drone before her vocals arrive, rougher than we’re used to, all adding to the music’s intensity – and don’t even get me started on the lyrics. Needless to say, this track gives me FEELS. (TW)

Täpp – ‘Aquaria’
The latest release from Jazztronica/hip hop/ classical collective Täpp, led by classically trained jazz violinist Rebekah Reid. This track is lifted from their debut album, named after the winner of Season 10 of RuPaul’s Drag Race – ‘Aquaria’ is an anthem created to empower women, transgender/gender non-conforming people and the LGBTQ+ community, encouraging them to step into their light and “shine like the gifts they are to the world.” Can’t argue with that. (TW)

Tiiva – ‘Bones’
Is it even a GIHE playlist if I don’t include a Tiiva track? I’m a big fan of all their releases so far and ‘Bones’ is no exception. The London-based producer has crafted another captivating soundscape full of atmospheric beats, hushed vocals and summery synth sounds. (KC)

Planningtorock – ‘Gay Dreams Come True’
This song gives nothing but pure gay joy, a pleasure to hear it pouring out of any speakers. Planningtorock has to be the most consistent creator of absolute dance tunes right now. I LOVE IT. What vibes, what fun. (TW)

cheeky – ‘SPADES’
cheeky is a classically trained pianist, queer non-binary producer based in Philadelphia. This track ‘SPADES’ is taken from their recent EP The Tower. Constructed of mostly percussive sounds sampled from their piano, cheeky says this song is “about struggling with self love.” Definitely check out their new EP, it’s a bittersweet exploration of their musical influences and includes a bewitching cover of ‘Nightingale’ from Disney’s Cinderella. (KC)

FLOSSING – ‘SWITCH’
FLOSSING is the new project from Heather Elle, formerly of Bodega and The Wants. I love her candid, moody sound on her debut single ‘SWITCH’, which explores her own sexuality and “the deviant nature of men.” I can’t wait to hear her new EP Queen Of The Mall, which is set for release on 10th September. (KC)

Ailsa Tully – ‘Sheets’
Ahead of the release of a new EP next month, Welsh artist Ailsa Tully recently shared poignant single ‘Sheets’. Flowing with a shimmering, stripped back musicality, ‘Sheets’ combines lilting melodies with Tully’s crystalline, honey-sweet vocals. Oozing an immersive, delicate emotion and sparkling grace, there is something uniquely captivating about the juxtaposition of the vocals and the rippling instrumentation; the gentle build up and crescendo evoking images of waves delicately crashing against swathes of sand. Holy Isle, the upcoming EP from Ailsa Tully, is set for release 20th August via Dalliance Recordings. (ML)

CMAT – ‘2 Wrecked 2 Care’
Irish pop sensation CMAT says this song is based around the idea of what “would have happened if Sheryl Crow ever had to work in a TK Maxx” – absolute lols. I love everything CMAT creates and I can’t wait to see her live for the first time at her sold out show at The Troubadour in November. (KC)

Bad Waitress – ‘Strawberry Milkshake’
The latest single from Toronto based Bad Waitress, ‘Strawberry Milkshake’ blasts into the ears with pulsating hooks and thrashing beats, as Kali-Ann Butala’s seething vocals soar with a riotous power. Propelled by a gritty energy and frenzied, empowering drive, it’s a wonderfully sinister – hell-raisingly raucous yet fuzzily catchy – punk-fuelled anthem. Of the track, the band comment: “Strawberry Milkshake’ is saccharine sweet, milky pink terror. On the surface it’s sexy and enticing – but there’s a poisonous sludge bubbling just beneath.” No Taste, the debut album from Bad Waitress, is set for release on 3rd September. (ML)

Pretty Happy – ‘Sudocream’
Centered around the Cork-centric story of a girl who is suffering from alcohol poisoning in the Mercy Hospital whilst her partner sits across the road in the Franciscan Well pub, Pretty Happy’s ‘Sudocream’ kicks and screams with the kind of frustration, panic and anxiety that can’t be soothed by the childhood medicinal staple it’s named after. It’s a frantic, witty, cathartic burst of art punk noise from the Cork trio, lifted from their recent EP Sluggers Bridge, released via Art For Blind Records. (KC)

My Idea – ‘Stay Away Still’
The latest single from New York duo Nate Amos and Lily Konigsberg – aka My Idea – ‘Stay Away Still’ is a perfectly jangly slice of lo-fi, indie-pop. I’m a big fan of this track’s luscious, sunny melodies and the way it juxtaposes a deadpan wit with a dreamy, twinkling energy. ‘Stay Away Still’ has been released with accompanying single ‘That’s My Idea’ ahead of the duo’s debut EP, set for release on 30th July. (ML)

Softcult – ‘Spit It Out’
I’m a big fan of this lush, swirling guitar tune from Canadian duo Softcult. Formed of Ontario-based twins Phoenix and Mercedes Arn Horn, this new single gently encourages listeners to face up to, and reject their unconscious bias. Check out the accompanying video for it here. (KC)

Meggie Brown – ‘Dusty Smells’
The first song to be taken from London-based Meggie Brown’s upcoming new EP, ‘Dusty Smells’ is a nostalgia-inducing anthem for anyone struggling with their identity. With shades of the likes of Aussie fave Courtney Barnett, it juxtaposes Brown’s deadpan-yet-poetic reflections with a sparkling musicality as scuzzy hooks flow with a lilting energy, offering an uplifting glimmer of hope. Of the track, Brown – who has recently come out as transgender – explains: “Coming to terms with one’s gender identity has been both beautiful and challenging during this lockdown. When I wrote and recorded ‘Dusty Smells’ I wanted it to match through sound how non-binary those emotions and realisations were.” HOME, the upcoming EP from Meggie Brown, is set for release later this year. (ML)

th’sheridans – ‘Awesome Summers & Kate’
The latest single from indie-pop duo th’sheridans, ‘Awesome Summers & Kate’ is taken from their upcoming career-spanning compilation. Propelled by scuzzy hooks, jangly drum-machine induced beats and a swirling, danceable energy, it reflects on the tentative anticipation of possibilities as restrictions start to lift. With shades of the stripped-back hype-pop/dance-punk of Le Tigre, it offers a perfect smattering of effervescent euphoria – something that is much needed in these uncertain times. Pieces Of General, the upcoming compilation album from th’sheridans, is set for release on 10th September via Reckless Yes. (ML)

Death Valley Girls – ‘Sanitarium Blues’
A refreshingly honest reflection on mental health struggles, Death Valley Girls’ latest single ‘Sanitarium Blues’ was inspired by vocalist Bonnie Bloomgarden’s stay at a professional institution amidst a serious battle with her own mental health. Propelled by the soaring, gritty power of Bloomgarden’s vocals, it’ll soak you in its fierce, reverb-strewn riffs that rage with a frenzied, angsty drive. Oozing a sludgey, grunge-fuelled fuzz with a swirling psychedelic allure, it’s an instantly bewitching and eerily immersive creation. Street Venom, the re-issued album, is set for release on 30th July via Suicide Squeeze Records. (ML)

Ms White – ‘Fuck Men’
I’m ashamed to say that I hadn’t heard of Ms White until recently, when Belfast artist F.R.U.I.T.Y thankfully introduced me to her by including this track in their recent Five Favourites feature for us. A wonderfully empowering anthem from the Trans artist, the name really speaks for itself: I challenge you to listen to this and not feel motivated and ready to face the world. (ML)

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