Track Of The Day: Bamboo – ‘Weeping Idols’

Following 2015’s Prince Pansori Priestess and 2017’s The Dragon Flies Away, London/Brighton duo Rachel Horwood (Trash Kit, Halo Halo) and Nick Carlisle (Peepholes, Don’t Argue), aka Bamboo, have now announced a brand new album.

Taken from the album, new single ‘Weeping Idols’ is an uplifting and subtly captivating offering. Propelled by a thunderous sense of urgency, a twinkling soundscape is created as swirling interwoven melodies and chiming hooks provide the backdrop for Rachel’s soaring majestic vocals.

Musically inspired by Jodorowsky’s graphic novel The Incal, ‘Weeping Idols’ uses religious references and criticism of the Catholic church within its lyrics to tackle more personal issues, oozing a poignancy akin to the sweeping ethereal power of Kate Bush.

Filmed and edited by Jack Barraclough, watch the new video for ‘Weeping Idols’ now:

Daughters Of The Sky, the upcoming new album from Bamboo, is out on 14th June via Upset The Rhythm. Pre-order here.

Mari Lane
@marimindles

 

VIDEO PREMIERE: Medicine Boy – ‘Bottom Of The Blue’

Berlin-based duo Medicine Boy have shared new visuals for their single ‘Bottom Of The Blue’ and were delighted to be premiering it here on GIHEs. Formed of André Leo and Lucy Kruger, the pair released their latest album Lower via Fuzz Club at the beginning of October, and are currently touring the UK before moving on to play a host of EU shows.

We caught up with Lucy to talk about her ‘Five Favourites’ – five artists or albums that have influenced her songwriting technique. Check out her responses below, and make sure you watch the brand new video for ‘Bottom Of The Blue’ too!

I have never been someone who has been able to approach music/writing with a particular style or reference in mind. Things sort of fall out of me or they don’t. I like the idea that listening to something obsessively means somehow embodying it. There is a small (or not so small) shift in the way you think/feel/listen that will inevitably come through in the things you create. These are five albums that found me at certain pivotal points in my life – both musically and personally.

1. Joni Mitchell – Blue
I was sixteen the first time I heard Joni Mitchell. Or at least the first time I really listened to her. It was evening and I was lying on my bed and it felt like she was in my room with me. I was overwhelmed by the intimacy, the feeling of companionship. The kind of music that hurts you and holds you. And heals you. This record has scored most of my adult life and so every listen gets a little fuller. It is home and a constant reminder to remain honest.

2. Kate Bush – Hounds of Love
I fell in love with Kate Bush when I was very little. Her music excited me. I found her strange and intriguing. She seemed to be full of magic. As if she was an angel or a fairy or
something. She remains that presence in my life. So wild and full of feeling. She makes me want to dance and weep. She makes me feel braver about experimenting with expression.

3. Nirvana – In Utero
I suppose this was the first time music served a truly cathartic purpose for me. A vessel for deeply uncomfortable fifteen year old feelings. To be able to find and create beauty in the disconcerting and disturbing. This has always stuck with me. Music that allows you to feel seen, in all of your states. Particularly those that you are expected to keep more private.

4. Lark – Razbliuto
Lark is a South African alternative electronic band fronted by Inge Beckmann. I discovered them when I was in University and became a little obsessed. I would have done so had they not been South African but it was extremely meaningful to have something so inspiring so close to home. Their music is dark and driving and full of beauty. Melancholic, glitchy and gothic. I fell in love before seeing them live. And then I saw them live and was completely bewitched. Inge has an incredible presence. There is a force and freedom that is intoxicating. She is a punk and a poet.

5. Gillian Welch – Time (The Revelator)
This is an anchor of mine. There is a weight and a warmth in it that makes me feel safe and open and alive. It is stripped and essential and so very steady. The songs seem to fall out of Gillian and Dave and into each other. The last track is 14 minutes long and I am so grateful for all those seconds.

Medicine Boys UK Tour Dates 2018
23/11 – London (UK) – The Waiting Room
24/11 – Cardiff (UK) – The Moon
25/11 – Bristol (UK) – The Lanes

Order your copy of Lower here.
Follow Medicine Boys on Facebook for more updates.

Kate Crudgington
@KCBobCut

LISTEN: Gazel – ‘Book Of Souls’

A classically trained string player and composer, Gazel has performed in venues such as Hammersmith Apollo, O2 Shepherd’s Bush Empire, O2 Academy Islington, and Borderline. These are impressive feats for the newcomer who independently released her debut EP Bone Key in 2016, after studying at the prestigious Royal Academy of Music.

Gazel’s music encompasses the genres of pop, electronic & modern folk, and her new single ‘Book Of Souls’ is a mystic blend of all three. It’s the title track from her debut album, which she’s working on with a team that includes sound engineer Shuta Shinoda (Ghostpoet, Hot Chip) and Haydn Bendall (Kate Bush, Massive Attack, David Gilmour). The single also forms part of a musical Gazel is writing, inspired by the fictional cast of characters that inhabit our collective unconscious.

To celebrate the release of her new track, Gazel will be playing an intimate gig at Birthdays in Dalston on June 15th, hosted by Piu Entertainment UK (RSVP here). Listen to ‘Book of Souls’ below, and follow Gazel on Facebook for more updates.

Gazel’s debut album Book Of Souls will be released in Autumn 2018. Visit her website for more details.

Kate Crudgington
@KCBobCut

ALBUM: New Haunts – ‘Worlds Left Behind’

A soundtrack for the witching hour: New Haunts‘ debut album Worlds Left Behind is a veiled but intriguing exploration of independence; fusing elements of coldwave, minimal synth, goth, early industrial, and synthpop to create a distinctive, ominous sound.

As the album’s title suggests, New Haunts is caught between the world she inhabits and the world she once knew. She explores this on opening track ‘Ingrained’, through ominous synths and urgent vocal harmonies that rise and fall against a backdrop of slow, scratchy drum sounds. It bleeds in to lead single ‘Reactions’ – a cold but magnetic offering which laments the simultaneous beauty and the horror of having emotional connections.

It’s connections like these that make the tortured howls on following track ‘Left Me Cold’ feel so sharp. They contrast well with her tentative and pained vocals during the verses, as foreboding synths underscore another moment of painful clarity. ‘Hymns’ and following track ‘New Haunts’ both take a gentler electronic turn, with some Kate Bush-style wavering vocals.

‘Waves’ breaks through after this ambient interlude, with darker jagged synths and more of New Haunts fluttering, urgent vocals. It’s this combination that makes ‘Waves’ the standout track on the album. Its dark, glittering defiance of flows in to the subdued ‘Same Medicine’, which progresses in to the penultimate ‘Safe Out Here’ – full of more brooding synths and wavering vocals.

Whispers of insecurity permeate closing track ‘Ice’ – “and I give it my all, as far as I know, as far as I can” – before abrasive synths push through proving a “concrete truth”: New Haunts may be at the beginning of her solo journey, but her debut record shows she is well equipped for more intriguing sonic ventures.

Fans of Zola Jesus and the almighty Kate Bush will approve of her Gothic noise on Worlds Left Behind.

Listen to Worlds Left Behind on Spotify & follow New Haunts on Facebook for more updates.

Purchase the album from bandcamp here.

Photo Credit: Katie Murt

Kate Crudgington
@KCBobCut

LISTEN: Rare Colours – ‘Born In Love’

Love is the driving force behind electronic band Rare Colours‘ musical outpourings, and new single ‘Born In Love’ is gentle proof that they’re here to promote nothing more than a “simple message of kindness”.

The band’s music lies somewhere in an “invented musical universe” between Kate Bush and Fatima Yamaha, “via many strange and eccentric planets”. Speaking of the track, the band have said:“‘Born in Love’ was written to convey a very simple message: enjoy life, be grateful, be good to your fellow travellers and don’t let regret or hate be the defining emotion you experience as you die.”

We’re impressed but their uplifting approach to music. Listen to ‘Born In Love’ below, and follow Rare Colours on Facebook for more updates.

 

Kate Crudgington
@KCBobCut

Track Of The Day: Abi Wade – ‘A Bit Like Love’

Orchestral soundscapes personalise Abi Wade’s new single ‘A Bit Like Love’

The ornate piano and soulful strings that characterise the track are emotional, personable, and human. On the single, Abi sings of lost relationships, her stark, sharp vocal marrying with the flurried piano notes of the chorus. The focal lyric “It doesn’t feel a bit like love to me” weaves in and out of the ethereal strings, sounding closer to a tragic arthouse film soundtrack than a pop song. It’s this, though, that makes the track stand out.

Written almost entirely on the cello, Abi’s musically rousing approach to writing songs is conveyed through her delicate yet powerful layered soundscapes. With vocals likened to Kate Bush, ‘A Bit Like Love’ is stylistically timeless.

The single is the newest release from album Beautifully Astray. The record is a unique exploration of relationships, with its finger directly on the pulse of melancholy yet brilliant music.

 

Beautifully Astray, the upcoming new album from Abi Wade, is out 6 April.

 

Erin Bashford 

Photo Credit: Kenny McCracken