PLAYLIST: November 2021

The GIHE team have unearthed more new music gems for you to listen to on our November Playlist! There’s an eclectic mix of indie anthems, gritty guitar tunes, alt-pop tracks & immersive electronic sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Headliners of our gig at The Shacklewell Arms this Friday 3rd December, Northern Irish punks Problem Patterns are total faves with the GIHE, and the immense ‘Terfs Out’ is a sentiment we fully endorse. As the song says, “LGB is nothing if not for the T / So show up with some real solidarity.” I cannot wait to host the band’s first ever London gig and witness their impassioned, frenzied energy live, along with support from pink suits and GUTTS. Get your tickets on DICE now. (Mari Lane)

Agender – ‘No Nostalgia’
The latest release from LA post-punk band Agender. This is the title track from their upcoming album which is set for release in February next year, and it has just the right serving of dysmorphic desire to get your heart beating faster. Enjoy. (Tash Walker)

Momma – ‘Medicine’
A melodic reflection on the intoxicating power of new romance, this single from New York City four-piece Momma is so, so good! Released via Polyvinyl Record Co. & Lucky Number, the track is an aural headrush centered around the passionate emotions that come with an all-consuming crush, full of hazy vocals and infectious guitar riffs. (Kate Crudgington)

VERO – ‘Beg!’
A seething guitar anthem fueled by the anger that’s left behind by a flawed relationship, ‘Beg!’ is the debut single from Stockholm-based trio VERO. Released via PNKSLM and one half of an upcoming 7″ single that’s set for release on 14th January, the track is saturated with brooding bass lines, swirling riffs and stinging vocals. I LOVE it and can’t wait to hear more from the trio next year. (KC)

The Golden Age of TV – ‘What I’ve Been Through’
Leeds art-rockers The Golden Age of TV have shared this loud and vitally important track which, as vocalist Bea Fletcher explains, is “a statement, of sorts, from the perspective of someone who’s experienced sexual violence.” Permeated by raging riffs and Fletcher’s powerful vocals, the track simply asks “for nothing more than to be heard and believed.” (KC)

Sister Ghost – ‘Buried Alive’ 
Derry based duo Shannon Delores O’Neill and Maeve Mulholland – aka Sister Ghost – have just released their brilliantly titled new EP Stay Spooky. Taken from the EP, latest single ‘Buried Alive’ oozes their distinctive swirling, gritty power as soaring impassioned vocals and catchy hooks rage with a seething energy. A perfect slice of sparkling rock ‘n’ roll, exuding a much-needed empowering raucous spirit. Read our recent interview with Shannon here. (ML)

Proper. – ‘Red, White & Blue’
I’m new to Brooklyn punks Proper. but I’m a big fan of this track, which is the first taste of the sound of the band’s upcoming album set for release in 2022. Vocalist & guitarist Erik Garlington explains the context of ‘Red, White, & Blue’ further: “A lot of millennials in my life share the sentiment that being American feels like being in an abusive relationship that you can’t find the courage to leave. I knew I wanted to focus on looking at what makes this country what it is, and how hopeless I feel to stop it.” (KC)

Dutch Mustard – ‘What The People Want’
“‘What The People Want’ is about playing the system, a realisation that you can do anything, give the people what they want, and still stay truthful” explains Dutch Mustard, aka Sarah-Jayne Riedel, about her latest single. Full of lush vocals and rolling rhythms, the track is an infectious slice of alt-rock, lifted from her upcoming EP which is set for release early next year. (KC)

JASMYN – ‘Find The Light’
JASMYN – aka Jasmyn Burke former frontwoman of Weaves – has signed to ANTI- and embarked on her new solo project and released this brilliant single. “This song was loosely written during the Fall of 2020,” she explains. “The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. It feels like we’re living in this sort of in-between space, where life is altering. I wanted to explore finding comfort and hopefulness through uncomfortable change.” JASMYN achieves this via her relatable lyrics, distinctive riffs and charged beats. (KC)

LibraLibra – ‘Candy Mountain’ (ML)
The latest single from total heroes LibraLibra, ‘Candy Mountain’ showcases their knack for creating immense, swirling soundscapes, propelled by the magnificent, angst-driven power and gritty splendour of front woman Beth Cannon’s impassioned vocals. Another wonderfully genre-defying cacophony from the band. Kate and I were lucky enough to catch LibraLibra live at their single launch the other week – they really are one of the most exciting bands to see; fizzing with a captivating charisma and riotous energy. (ML)

The Klittens – ‘Canned Air’
The first single to be taken from Amsterdam’s The Klittens’ debut EP, ‘Canned Air‘ captures the band’s self-described air of “happy songs and sad sentiments” perfectly. Propelled by shimmering hooks and a raw, scuzzy energy, it builds with a fizzing whirr to an impassioned climax, before winding back down with luscious vocal harmonies, oozing a gentle, stirring emotion. I can’t wait to hear more from this Dutch band; new ones to watch for sure! (ML)

Brimheim – ‘Hey Amanda’
I can’t get enough of this track from Danish musician Brimheim. Taken from her upcoming and excellently titled album, can’t hate myself into a different shape, which is set for release on 28th January, ‘Hey Amanda’ is a celebration of platonic love and an ode her best friend, brimming with nostalgic lyrics, warm guitar sounds and tender vocals. There’s a very cool accompanying video that features members of Baby In Vain too. (KC)

Kills Birds – ‘Married’
It’s been a long time since I’ve been able to mention The Great Escape, but LA punks Kills Birds were recently announced as one of the First Fifty artists who will be performing at the Brighton-based festival in 2022! I’m hoping to be back by the seaside screaming about how much I love new music then. (KC)

O Hell – ‘Down’
After years spent touring and recording music in alternative bands around the UK, Projector’s Lucy Sheehan is venturing into fresh sonic territory under their new moniker O Hell. Influenced by a love of eclectic, brooding soundscapes and aspirations for pure self-autonomy, their debut single ‘Down’ is an “exercise in refusing compromise” brimming with Sheehan’s distinctive vocals and jagged electronics. (KC)

Circe – ‘Mess With Your Head’
I’m a moth to a flame when it comes to Circe’s sultry pop creations. Co-produced by Emre Turkmen (formerly Years & Years), this new track is a crushed-heart-banger, a dazzling blend of distinctive vocals, Kate Bush inspired beats and jagged electronics. There’s even a Shakespeare inspired lyric worked into it too – “You gave me your heart / and I gave you a pound of flesh.” (KC)

Dyan Valdes – ‘Fade Away’ (ML)
Having been involved in the music industry for twenty years, Berlin-based Cuban-American artist Dyan Valdés has played in esteemed bands such as The Blood Arm and Die Sterne, and has now released her first solo material. Taken from her upcoming debut solo album, ‘Fade Away’ offers an immersive shimmering soundscape; propelled by layers of synth and driving beats alongside Valdés’ luscious vocals, it’s a poignant, twinkling message of hope at a time when things can feel hopeless. Read our recent interview with Dyan here. (ML)

Flowerkid – ‘I Met The Devil At 4 Years Old’
This track is taken from Sydney-based Flowerkid’s much-anticipated debut EP, Everyone Has A Breaking Point. The EP covers many personal issues and topics from gender dysphoria, mental health and misogyny – seeking true self-expression beyond ever-restricting heteronormative constraints. Cannot argue with that. It’s also a tuneee. (TW)

BISHI – ‘Let My Country Awake’ (The Anchoress Remix)
Multi-instrumentalist, producer and GIHE fave BISHI has shared a collection of remixes for the title track of her recent album Let My Country Awake, and this version by The Anchoress is my favourite. Check out Samantha Togni and Hannah Holland’s remixes of the track too. (KC)

Shamir – ‘Cisgender’
I’m just totally addicted to this song right now. I’ve been a fan of Shamir for years and really admire how they’re constantly developing their sound and not shying away from being their true self. I just think this single ‘Cisgender’ is a beautiful and moving reflection on their non binary identity. I don’t think anything I say about this track will do Shamir justice, so I’ll leave you with the lyrics: “I’m not cisgender / I’m not binary trans / I don’t wanna be a girl / I don’t wanna be a man / I’m just existing on this god forsaken land.” Solidarity and love to you Shamir, always. (ML)

Baauer, Tirzah – ‘Way From Me’
I love Tirzah, there is no denying it. I got to see her perform at the Oval Space a couple of weeks ago, fully immersing myself in their wonderful, mesmerising sounds as part of Pitchfork Festival. She didn’t play this track on the night but it’s a recent collab I’ve come across and I’m vibing it. (TW)

fanclubwallet – ‘That I Won’t Do’
Ottawa-based artist fanclubwallet aka Hannah Judge has shared this wonderful alt-pop tune about recovering and re-emerging back into the world again, a relatable sentiment in these unusual times. “When I wrote this song, I was recovering from a year long illness and re-entering into the socializing world (like so many others post pandemic),” Hannah explains. “The song is about dealing with a new relationship/friendship where you aren’t sure whether the person is good for you or not, and you’re not feeling like yourself. It’s about trying to break bad habits while not wanting to break them at all.” (KC)

Prima Queen – ‘Chew Your Cheeks’
Released via Nice Swan Recordings and produced by The Big Moon, this fab single from London-based duo Prima Queen – aka best friends Louise Macphail and Kristin McFadden – explores the swirl of emotions that come when you have an unhealthy infatuation with someone unobtainable. The pair explore their ailing fascination via soft vocals and sultry guitar twangs, giving the track its buoyant, relatable charm. (KC)

Why Bonnie – ‘Galveston’
The latest single from the Texas quintet, ‘Galveston’ is a much-needed slice of sunshine for these chilly, dark days. Oozing a heartfelt twinkling grace and warming, shimmering emotion, it offers a wistful, nostalgic reflection – harking back to memories of childhood visits to the island city of Galveston. Flowing with lilting melodies alongside the soothing allure of Blair Howerton’s vocals, it’s an irresistibly uplifting slice of sparkling indie-pop. (ML)

Aisha Badru – ‘Rooted’
The latest single from Aisha Badru, ‘Rooted’ offers a comforting, dreamy warmth. Flowing with a shimmering grace, a sweeping majestic splendour ripples throughout this beautifully stirring ballad as its poignant lyricism swirls throughout. A simply exquisite, evocative creation that’ll soothe the ears with its resplendent, uplifting allure. The Way Back Home, the upcoming EP from Aisha Badru, is set for release on 3rd December. (ML)

Jackie Ward – ‘Chlorine’
West London-based non-binary artist Jackie Ward makes music inspired by an eclectic range of influences, including Car Seat Headrest to Frank Ocean to Xiu Xiu. This track ‘Chlorine’ is full of their soft vocals and dreamy guitar sounds, exploring their own identity and experience of coming out. Jackie is due to release their debut album later this year. (KC)

KIN – ‘The Runaways’
Consisting of Grace, Adam and Ritu, GIHE faves KIN have previously played live for us and continue to charm our ears with their glistening alt-pop. Reflecting on the mixed feelings of leaving a settled life and starting afresh somewhere new, ‘The Runaways’ showcases the distinctive celestial allure of Grace’s vocals alongside chiming hooks and a shimmering energy. ‘The Runaways’ is accompanied by a really beautiful self-directed video which you can watch here. (ML)

MIRI – ‘Trends’
East London artist and friend of GIHE MIRI has previously charmed our ears with poignant offerings such as ‘Electric Vibes’ and has now shared a powerful new single. A reflection on coming together and uniting in the face of adversity, using our imagination and creativity to fight political corruption, ‘Trends’ is propelled by MIRI’s distinctive soulful vocals that flow with a raw, gritty energy and catchy, empowering spirit. Prior to its release on mainstream platforms, ‘Trends’ was shared exclusively on the pay-as-you-go platform Sonstream. MIRI has been outspoken in her support for the “fair play” platform, which offers independent artists an ethical alternative to the miniscule royalties as little as £0.007 or £0.0028 per stream offered by platforms like Tidal and Spotify. (ML)

Belot – ‘Harmless Fun’
This track is bursting full of pop-bopping beats and maybe even a cowbell… what more could you want to get your toes tapping in those chilly winter evenings? (TW)

 

Track Of The Day: KIN – ‘The Runaways’

Having previously charmed our ears with the sounds of ‘L.O.V.E’ and ‘Sharing Light’, and with over 310,000k streams of their songs on Spotify, London trio Grace, Ritu and Adam – aka KIN – have now shared another ambient new single.

Oozing a glistening, emotion-strewn splendour, ‘The Runaways‘ reflects on the mixed feelings of leaving a settled life and started afresh somewhere new. As the distinctive celestial allure of Grace’s vocals flows alongside chiming hooks and a shimmering energy, it’ll gently tug at the heartstrings with its poignant lyricism and a heartfelt ethereal majesty. Taking the listener on a mystical adventure, it’ll immerse you in a sparkling sense of romanticism, creating a stirring ode to finding a sense of belonging – a feeling of being home, not necessarily in a place, but in a person who you feel a deep connection with; a sentiment depicted beautifully in the accompanying self-directed video. With an exquisite emotive charm and captivating musicality with shades of The XX, ‘The Runaways’ is a perfect slice of blissful alt-pop that’ll cast you under its sparkling spell on first listen.

Produced by Josh Tyrell (Lana Del Rey, Mark Ronson), ‘The Runaways’ is out now via 3tone Music.

Mari Lane
@marimindles

Video Premiere: GracieSouz – ‘Before, An Apparition’

Following the sweeping sounds of ‘Brian Cox’, and having been charming our ears for sometime as front woman of GIHE faves KIN, Grace Strickland de Souza – aka GracieSouz – has been establishing her reputation over the last few months, with over 200k streams on Spotify, and has now shared a poignant new single.

Propelled by a soaring, haunting majesty, ‘Before, An Apparition’ explores themes of memory, transient moments and perseverance with a glistening, emotion-strewn splendour. As pulsating beats build with an industrial, glitchy energy to a frenzied, cinematic climax, the stirring celestial grace of the vocals create a truly captivating shimmering allure. An exquisite slice of electro-driven brooding alt-pop, this latest offering showcases GracieSouz as an innovative artist on the rise.

‘Before, An Apparition’ is accompanied by a beautifully handcrafted new video offering a stirring visual highlighting the poignancy of the track’s lyrical content and the sweeping majesty of its unique soundscape. Watch the video, for the first time, here:

‘Before, An Apparition’ is out tomorrow 5th March, ahead of the release of GracieSouz’s upcoming EP Better In Space – pre-order here. The track is produced and with additional music by experimental electronic producer Alexander Comana (Miedo Total, Casi Wyn) and mixed and mastered by Nicholas Alexander (Battles, Dead Slow Hoot).

Mari Lane
@marimindles

GIHE: Personal Highlights Of 2020

2020 has been a year unlike any other and we’ll be glad to see the back of it, but before we wave goodbye, the GIHE team would like to share some of their personal highlights. Thanks to everyone who has been following, reading or listening to GIHE this year. It really does mean the world to us and we couldn’t do this without you.

Shared Highlights

Seeing the GIHE name appear in a PHYSICAL BOOK was a landmark moment for the team this year. Music journalist Lucy O’Brien mentioned us in her 25th anniversary edition of She Bop, a fantastic book that explores the role of female artists and how they’ve helped to shape the music industry. You can buy your copy here.

Fellow GIHE Co-Founder Tash Walker was super busy recording & producing series 2 of The Log Books throughout 2020, a podcast which explores the history of the LGBTQ community via the phone archives of LGBT+ charity Switchboard. Tash is a co-chair at Switchboard and she is dedicated to celebrating and supporting the LGBTQ community through her work with them, and through her work with GIHE. She is one of the most resilient, informed and hilarious people we know and it’s a privilege to work alongside her and call her a friend. The Log Books are a truly necessary listen for all.

Now for some personal highlights…

Kate Crudgington (Features Editor)

GIHE usually takes up a big part of my life, but it was a lifeline for me during March of this year when the government text me (lol) telling me to shield for 12 weeks. Thanks to the magic of the internet, I was able to talk to the people who were making the music that was distracting me from the panic-inducing headlines, reminding me what a huge privilege it is to have access to this amazing platform.

As our followers already know, Lockdown 1.0 instantly put a stop to our weekly GIHE new music shows on Hoxton Radio. We had 16 weeks off air, so when it was “safe” for me to go back in to the studio in July I was buzzing with excitement (which you can hear in my voice if you listen back to the show here.)

Like most platforms during the pandemic, we embraced technology and started interviewing artists over Zoom instead of inviting them in to the studio for the usual chat and live session. We managed to get time with Jessica Winter, BISHI, Lucy O’Brien, Tessa from Girlhood, Julia-Sophie, Lizzie from Bitch Falcon, Grave Goods, Problem Patterns, ZAND, Hannah from PELA, Seraphina-Simone & Penelope Trappes. It was so lovely to see Tash in person in the studio most weeks, and while we both missed seeing Mari a great deal, her weekly track contributions to the show still made it feel like a GIHE team effort.

At the beginning of the year, I was invited by Niall Jackson, one of the hosts of Riverside Radio’s The Irish Jam, to be a contributor to their New Music Sunday section. Co-hosted by Kealan, Mel and Rob, The Irish Jam is a London based radio show that celebrates and promotes music from Irish artists. The crossover of favourite bands between GIHE & the Jam is huge and something I’ve enjoyed chatting to the team about both on and off air. They’ve introduced me to the likes of CMAT, fears, Denise Chaila, Silverbacks and Celaviedmai, whilst I’ve shared tracks by Kynsy, Party Fears and CAMI with them. Listening to their show on a Sunday evening continues to be a wonderful distraction from life.

Who could’ve predicted that bandcamp would become the musical hero of 2020? When the streaming platform announced that on the first Friday of every month they’d be waiving their fees so that 100% of profits would be going directly to artists, my newsfeeds were awash with new music recommendations. Moving home to Essex from London in March meant I actually had some expendable income to buy new records, so I was furiously typing bespoke recommendation threads on Twitter every time the date rolled around. bandcamps’ generosity meant you were able to genuinely support your friends (and the artists you secretly wish you were friends with) during a truly depressing year for music.

Normally, we’d be picking our live music highlights too, but for obvious reasons, we’ve hardly been to any gigs this year. Mari had to cancel half of the gigs GIHE she had booked pre-pandemic and it’s fucking depressing to not know when it will be (properly) safe for her to book more. That’s why I feel incredibly fortunate to have wedged in one last GIHE gig before Lockdown 1.0. GIHE worked together with Sofar Sounds to put together a special International Women’s Day gig at their Hackney HQ in March, with Beckie Margaret, Amahla and Indian Queens on the bill. It was so exciting (and nerve-racking) to host the evening with fellow GIHE pal Tash too. Even if I’d had a year full of gigs, this one still would’ve made my highlights list.

One last gloat – I published some of my all-time favourite features on our website this year. My Zoom interviews with the wonderful A.A Williams, the hilarious CMAT and the ultra talented Lido Pimienta are well worth a read.

Mari Lane (Managing Editor)

It goes without saying, most of the highlights I’d normally mention at this time of year were not able to go ahead in the void of 2020. They would normally consist of the monthly gigs that I host at The Finsbury, whereas this year I was only able to put on two before Covid hit. And, in addition to having to cancel at least seven of our regular gigs, we were pretty heartbroken to cancel what would have been our very first festival, due to take place in July. However, I did manage to fit in a couple of memorable live experiences before being confined to being permanently pyjama clad; my only weekly highlight being our regular beer delivery from Croydon’s Art & Craft bar.

The first gig I hosted this year felt particularly special. Personal Best headlined a night filled with all the best vibes. Drawing the night to a memorable close, front person Katie Gatt dedicated their set closer to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see / ’cause this is what we look like,” the poignancy of the lyrics was overwhelming and an empowering sense of unity took hold. The night also included the shimmering folk-strewn offerings of Athabaska, the quirky energy and sparkling charisma of Nun Habit and the sun-drenched swirling anthems of Hurtling. There is nothing quite like that joyous sense of togetherness that comes from hosting gigs filled with like-minded wonderful people.

I was also lucky enough to fit in seeing one of my all time favourite bands with a few of my all time favourite people. The last time that Tash, Kate, Paul and I were all together pre-Covid was for Sleater Kinney at Brixton Academy – a pretty special night. Not only did I get to see the legendary Carrie Brownstein deliver her distinctive gritty, scuzz-filled riffs alongside Corin Tucker’s unmistakable swooning vocals in the flesh, conjuring up massive feelings of awe and nostalgia, but they were supported by one of our favourite current bands. The second time we’d seen Big Joanie on the Brixton Academy stage (the first being opening for Bikini Kill last year!), they showcased just how deserving they are of their rising success; with their unique, raw, post-punk soundscapes and poignant lyricism, they delivered an absolutely incredible set. A truly memorable night.

My last ‘outing’ before lockdown was to the BBC 6Music festival for International Women’s Day at The Roundhouse. An epic line-up consisting of some incredible women and non-binary folk that I’m incredibly grateful I got to witness before everything fell apart. In addition to the immense poignant power of Jehnny Beth, the utterly beguiling splendour of Nadine Shah (who I fell in love with there and then), and the completely mind-blowing presence of hero Kim Gordon, Kae Tempest delivered a fiercely moving, truly breath-taking headline set.

And then gigs were gone. To be replaced by online streamed “events” which I think have had mixed reviews over the last few months – they’re of course no replacement for the “real thing” and it’s hard to feel motivated to “attend” things when you’ve been on the sofa in your pjs for weeks. However, I have managed to organise a few GIHE Instagram ‘Takeovers’, featuring some of our favourite bands and artists. From ARXX’s drum and guitar lessons, LibraLibra’s quirky tele-sales style feature and Tiger Mimic’s interviews with others on the scene, to inspiring chats with Amaroun, Eckoes, Foundlings and Husk, beaut “live” sessions from Gold Baby, Scrounge and KIN, and King Hannah’s EP run through, I feel grateful that so many creatives have wanted to be involved.

It’s a strange time, no doubt, but one which is made that much better by a sense of togetherness within the community. One positive from all this really has been the mutual support and genuine care that I’ve seen musicians and those within the industry show for each other.

John McGovern (Contributor)

On the one hand, there’s been almost no gigs, no festivals, much fewer physical releases and closed record shops. On the other, BBC 6Music’s response helped me stay indoors and make the most of my furlough life. Lauren Laverne‘s show was extended to cover the late morning, running to nearly double the length of most of the other shows on the station and basically saw her appointed as chief mood-lifter for the BBC’s flagship alternative music station. Amongst the days of uncertainty, where even leaving the house offered the risk of serious illness, with no guarantee of a job at the end of the summer, having Lauren there to soundtrack breakfast/brunch made a world of difference. It produced a kind of odd stasis: the background radiation of a pandemic, but an excellent range of music, usually featuring a smattering of classics, new music and obscure gems. The only disappointment was when the schedule reverted back to usual come the end of lockdown. Hopefully, that same semblance of normality will be back for us all, soon.

Thanks to everyone who took the time to read our highlights!

You can read about our GIHE Albums of 2020 here and our GIHE Tracks Of 2020 here.

Keep an eye out for our Ones To Watch in 2021 feature next week!