Five Favourites: Ci Majr

Having just released her debut EP Side Effects, upcoming Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems. A specially curated five track project, the EP sparkles with a heartfelt sense of hope alongside a scintillating energy and twinkling hooks.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ci Majr to ask about her “Five Favourites” – five albums that have shaped her as a musician. Check out her choices below and scroll down to watch the recent video for ‘Guillotine’ at the end of the feature.

Daft Punk – Discovery
Discovery was such an important album in my evolution as a music lover and also as a future singer/songwriter/producer. This was one of six CDs in my dad’s car that I’d get to choose from on my morning rides to middle school. There was something incredibly infectious about this album from the beginning. At the root of it, it just felt so new and fresh. I hadn’t heard anything so purely “electronic”. Usually, I’d be able to pick out a multitude of instruments but with Daft Punk it was like a symphony of synths and my young brain was just infatuated. Plus, even reflecting now, the songwriting is so simple in a way but also so catchy, and now as a songwriter myself I can really appreciate how much harder it is to make a simple song that gets your point across. ‘Something About Us’ is a perfect example of that. A lot of repetition, very simple vocabulary, and it’s just so moving and catchy. It is something I aspire towards.


Yanni – Yanni Live At The Acropolis
Yanni is a Greek-American instrumental composer. I actually know this “album” as a live concert DVD (yay DVDs are old school now lol) that my parents had. I grew up playing classical music, so (as a kid) I only saw instrumental/orchestral music as being quite boring and old-fashioned. Yanni, on the other hand, was conducting an orchestra, while playing the bongos, piano and more, and the music was just so lively and contemporary. It was like listening to the soundtrack of a movie but the music is so good you don’t even need or want to see the movie. You can just imagine your own storylines. It was so filled with emotion and passion, and his charisma is just so palpable. I remember going through a phase where I was creating/producing incredibly intricate instrumental arrangements because of my obsession with this performance. Additionally, I loved this album/performance so much that when I was a gymnast as a child I made one of the songs ‘Nostalgia’ my floor routine music.


Christine and the Queens – La Vita Nuova
If you know anything about me, you should know that I’m a bit obsessed with Christine and the Queens. She’s like the queer pop queen I’ve needed for so long. This latest EP La Vita Nuova absolutely blew my mind and what makes it even better is the visual that goes along with it. I watch the visual for it at least monthly and it’s just as good each time. Christine is an artist across the board: musically, visually, her abilities as a dancer. She’s an icon aesthetically and in practice. She’s such an inspiration to me that when she used different configurations of colourful rhinestones on her face in the visual album, it was the inspiration for my use of colourful rhinestones in my music video for Guillotine.


Justin Timberlake – The 20/20 Experience
So even before this album, I was a huge fan of Justin Timberlake, but what makes this album special for me is that it really feels like such an incredibly cohesive and intentional body of work. First off, each of the songs are between 4.5-8 minutes, which is unheard of for a pop album. So many of the songs start with the “radio edit” and then have an outro of sorts, and I was just so easily hooked to each of these songs despite the length. It was similar to hearing Discovery where I felt like the “style” that was captured in this album just felt so new and fresh that I was addicted to this album. I think what I loved most about this album is that it felt to me that Justin and everyone else involved weren’t trying to sound like anyone, it was just like whatever he created, whatever came out, he just went with it and that’s how I’d like to conduct myself as a creative. Not using others as guidelines but just trusting the art that emerges authentically.


Kanye – Life Of Pablo
What I love most about this album is that I wasn’t super into Kanye before this album (like I knew his popular stuff but probably never listened to an album from front to back). Kanye is a rapper but this album is so much more than a rap/hip hop album. It’s similar to The 20/20 Experience where you can just tell that there were just no creative guide-rails and the authenticity becomes the star of the show. It’s just a work of art.

Massive thanks to Ci Majr for sharing her Five Favourites!

Side Effects, the debut EP from Ci Majr, is out now. Watch the recent video for ‘Guillotine’ here:

GIHE: International Women’s Day 2021

Happy International Women’s Day! A day to highlight and bring awareness to the issues facing women around the globe, as well as a time to celebrate the women we love too. This year’s theme is #ChooseToChallenge – and here at Get In Her Ears we take that to mean that in order to create a more equal world, we must be constantly challenging accepted ‘norms’; constantly seeking to change and improve society in any way we can. In the words of the inspirational Angela Davis: “I am no longer accepting the things I cannot change. I am changing the things I cannot accept.

At Get In Her Ears this International Women’s Day, we’re celebrating both women and non-binary folk who have inspired and motivated us throughout this particularly challenging year. We want to make clear that we are inclusive of ALL women. Inclusivity is at the core of what we do: it’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there, and celebrate those gender nonconforming people fighting for acceptance. 

Have a read about the consistently inspiring women and non-binary people who have been keeping us going this year, and listen to the accompanying playlist – including tunes by, or linked to, the people featured. And feel free to get in touch with us on socials about the women who have inspired you this year!

Kathleen Hanna
I couldn’t really put together an International Women’s Day feature without including Kathleen Hanna. Being a constant inspiration always, throughout the last year I’ve needed to find strength in her empowering charisma and motivating force more than ever, and treated myself to the 20th anniversary re-issue of the Bikini Kill EP on one of the amazing bandcamp days last year. As well as inspiring me with the riotous power of music, over the last couple of years Kathleen has also set up ‘Tees 4 Togo’ – a business that sells t-shirts designed by and depicting different artists, with 100% of the money raised going to Peace Sisters, a non-profit started by Tina Kampor. Peace Sisters’ mission is to provide equal education for girls in Tina’s hometown, Dapaong, Togo. Each shirt sold is $40, which is how much it costs to send a girl to school in Togo for one year. The sweatshop-free tees are collaborations between the artists and the performers who inspired them.
(Mari Lane)

Big Joanie
Is it even a GIHE feature if we don’t include Big Joanie? Authors, activists, musicians and all round punk icons, these grrrls are a constant source of inspiration to the GIHE team. From organising Decolonise Fest, continuously speaking out against racism and sexism in the alternative music scenes, to creating the perfect soundtrack to rage and rejoice to, Big Joanie are an unstoppable force for change. Their work on and off stage is remarkable. Vocalist & guitarist Stephanie Phillips is releasing her new book Why Solange Matters later this year, drummer Chardine Taylor Stone will be releasing her book Sold Out: How Black Feminism Lost it’s Soul in 2022, and bassist Estella Adeyeri is busy recording podcasts and working with the Girls Rock London team.
(Kate Crudgington)

Lucy O’Brien (author of She Bop)
Getting to interview and virtually meet Lucy O’Brien twice this year was such a pleasure. 2020 saw the release of her book She Bop in celebration of the 25th anniversary of the original publication, a book that shows how much Lucy has documented, highlighted and pushed for better representation of women, transgender and non-binary people in music through her writing. Most recently she has co-written Skin’s Memoir It Takes Blood and Guts, which was also released in 2020 (read our interview with Lucy and Skin here). Lucy O’Brien – an inspiring woman, with an inspiring career who, lucky for us, shows no sign of slowing down.
(Tash Walker)

I will never get over seeing the Get In Her Ears name in PRINT and that’s all thanks to author & music journalist Lucy O’Brien. She included us in a new chapter in the 25th anniversary edition of her book She Bop last year and I’ve been making my way through it since then. Tash interviewed Lucy for one of our radio shows and I was so impressed by her knowledge, articulation and kindness when it comes to reporting and acknowledging the often forgotten history of women and non-binary people’s contribution to popular music. Definitely pick up a copy if you’re able to. (KC)

Kae Tempest
Coming out as non-binary last year, Kae Tempest not only completely blew me away at the last gig I went to (exactly a year ago at BBC 6Music’s International Women’s Day celebration at The Roundhouse), but their recently released book On Connection has been a wonderfully insightful, and strangely comforting, read in these worrying times. Reflecting on the connection between people and the unifying feelings that art can create, they discuss how connection should be a collaborative, communal feeling. Sharing deeply personal experiences and discussing times that they’ve felt particularly disconnected, it’s such a relatable and moving piece of writing. It is also the only book I’ve managed to read properly this whole year; I’ve really struggled with just the things that they discuss throughout – with feeling focused and connected – and so to be able to read something that is both poignant but also short and simply put together, has been just what my mind has needed. (ML)

Peaches
Last year, I interviewed the trailblazing Peaches for a Nine Songs feature on The Line Of Best Fit. She spoke about her favourite music and I spent most of the time nodding enthusiastically at her reasons for loving The Runaways, Missy Elliott and Roberta Flack. One thing that’s got me through the last year – and every other year, really – is talking to people who are not just passionate about the music they make, but the music they love by other artists too. The unfiltered admiration you can have for a band or musician is so pure and so important, and it’s definitely something I have grown to cherish over the years. (KC)

Beth Cannon (LibraLibra)
International Women’s Day happens to fall in Endometriosis Awareness Month (a condition where tissue similar to the lining of the womb starts to grow in other places, causing many painful symptoms and often affecting people’s lives significantly). And, as someone who has struggled with the symptoms for a number of years, I’m always inspired by talking to other people who have gone through similar experiences. This year, I discovered that Beth from one of our favourite bands, LibraLibra, has suffered with incredibly severe Endometriosis – to such an extent that, at the beginning of this month, she has had to have a very significant and invasive operation. However, throughout all the pain, treatments, stress and life-changing decisions that she has been under this year, she has continued to fight – to be an incredible force of nature, through both the immense power of her musical creations, and her openness and effervescent strength of spirit through her inspiring and motivating social media posts. (ML)

Planningtorock
I remember being in the Hoxton Radio studio in 2018, listening to Tash talk so passionately about how Planningtorock’s fourth album Powerhouse was resonating with them. Tash’s joy was infectious and I found myself listening to the record and hearing this incredible artist dive deep into their own gender identity with such playfulness and charm. Tash & I saw Planningtorock live at Queen Elizabeth Hall at Southbank Centre in 2019 and it was marvellous. We even ran onto the stage with loads of other fans at one point, looking around in disbelief and loving every minute of it. (KC)

SOPHIE
With full acknowledgment that SOPHIE’s identity was rooted in being SOPHIE, by naming SOPHIE in this piece I am not placing any identity on SOPHIE understanding that SOPHIE asked to be identified as SOPHIE. Someone who pushed the boundaries of music, of sound, of electronica, of what it means to be queer – a person who changed music for the better, by not living and reflecting in a nostalgia but pushing, reaching for a future. A future that SOPHIE saw through SOPHIE’s lens and through SOPHIE’s music; we got a glimpse of it too and for that we should be forever grateful. (TW)

FKA Twigs
I’ve been a fan of FKA Twigs since first been utterly captivated by the innovative sweeping sounds of ‘Two Weeks’ from 2014’s LP1, but I never knew that much about her. That is until I listened to her speaking with Louis Theroux on his Grounded podcast earlier this year. Not only was hearing her speak about her latest album Magdalene and how she found its inspiration in strong women – namely Mary Magdalene and her little known strength and achievements – particularly poignant, but hearing her speak openly about her experiences of abuse was immensely moving. Her honesty and openness about what she went through with Shia LaBeouf has been incredibly inspiring and a source of strength for many who are going through similar experiences. Public figures such as FKA Twigs being vocal about the issue of abuse is essential in enabling others to feel able to do this, and I feel a huge amount of admiration and gratitude to her for telling her story; opening up this vital conversation and giving a voice to survivors who so often remain unheard. (ML) 

Divide and Dissolve
Fuelled by Takiaya Reed’s doom-ridden saxophone notes and Sylvie Nehill’s phenomenal percussion, instrumental activists Divide and Dissolve have a sound that flows with a unique gargantuan grace. Designed to erode the foundations of colonialism and liberate the land for indigenous communities, their recent album Gas Lit smoulders with a righteous fury. Not only are they immensely talented musicians, they are also incredibly kind. Each time I’ve reviewed their music for our website, they’ve been quick to message via the GIHE socials to say a sweet and sincere thank you. (KC)

Sarah Lay (co-founder of Reckless Yes)
For a few years now, the label Reckless Yes has been a source of some of our most favourite artists – currently home to the likes of LIINES, Breakup Haircut, Bugeye, The Other Ones, The Crystal Furs and more – and co-founder Sarah continues to inspire us with her hard work and consistent dedication. Working ethically with all the artists on the label, making sure they are paid and treated fairly, Reckless Yes is supported by a membership that fans can sign up to and receive benefits, and is continually working on how it can be a force for social good: not only benefitting the artists on the roster, but holding environmental values as a fundamental part of their work. A one of a kind label run by a super wonder woman, who deserves to be celebrated for the consistently exceptional work she does and the invaluable help she gives upcoming artists. (ML)

Amateur Pop Inc.
A small record label based in Leicester working exclusively with artists of marginalised identities, Mari & I are huge fans of the musical output of Amateur Pop Inc. Run by Emily & Alex, it’s been a joy to interact with them and the artists they support. I recommend listening to Gordian Stimm and Boarder, and Mari would recommend listening to Kermes too! (KC)

Babywoman Records
We had Babywoman Records founder Charlotte Carpenter as a guest on our GIHE radio show a few years ago, and it’s been wonderful to see her create her own label and platform to help other women release their music. To celebrate International Women’s Day this year, Babywoman Records are launching a special four episode podcast series celebrating women in roles across the music industry. Each day between 8th-11th March, they’ll have a guest discussing their work. Speakers include Producer Steph Marziono, Warner Brothers’ A&R rep Holly Manners, musician Eliza Shaddad and Managing Director of Palm Bay Music Kimberley Anne. Visit the Babywoman Records website for more info here. (KC)

Amaroun
A long term favourite at Get In Her Ears, Amaroun consistently delivers a stirring power juxtaposed with an impassioned energy in each of her creations, and – throughout 2020 – she released a a number of poignant and empowering reflections on being a queer woman today. As well as captivating us with her tunes, over the last year Amaroun has also shared some of her insightful inspirations and thoughts on the industry with us in two of our Instagram Live sessions, and continues to be a massive inspiration in all she does. This year, in addition to working on her debut album, Amaroun has been running Black Queer Joy – a series of queer led sessions harnessing the power of community to call upon our ancestors as we heal, reclaim and find self-acceptance. The next session is this Wednesday, 10th March – details here. You can support Amaroun and her innovative journey at her Patreon page. (ML)

Arlo Parks
Arlo Parks has already achieved so much, especially over the last year, where we saw her release her debut album, Collapsed In Sunbeams, and her songs becoming the go-to hum on everyone’s lips. But what has resonated with me above all else is the depth of her lyrics – her mastery of language that she uses to delicately tell these stories with such feeling, as the music envelopes around you. So beautiful and often so sad. (TW)

Stereo Sanctity PR
Kate & Frankie who run Stereo Sanctity PR are absolute diamonds. Not only are their press releases informative, well-written and superbly formatted, the artists they represent are some of my personal favourites too, so it’s always a good day when I see an SS email at the top of my GIHE inbox. They’re assertive without being pushy and genuinely take the time to get to know your music taste so they can tailor their pitches to you. They represent an immense amount of talent, including Noga Erez, Hilary Woods, Penelope Trappes, Debby Friday, Desire, Anna B Savage, Spellling, Jenny Hval, Lotic, Katie Gately, Skating Polly, Zola Jesus and more. (KC)

Bimini Bon Boulash
I’m sure I don’t need to go into detail about who Bimini Bon Boulash is, but I have been falling more and more in love with them (and Tayce, but that’s another story…) throughout the latest season of Ru Paul’s Drag Race UK. As someone who has watched all the previous seasons of the competition, I have found this latest UK series to be a real breath of fresh air, largely thanks to Bimini. Openly discussing their non-binary identity and how this has affected their life, as well as supporting other contestants with discussing theirs and their struggles with society’s imposed gender norms, Bimini has given a voice to many and has apparently inspired a number of young viewers of the show to come out to their parents. Innovative not only in what they stand for, but in their incredible talent on stage, and their exquisite, unique style, Bimini has opened many people’s eyes as to what drag is, and what it can be: “I consider the concept of gender as a spectrum and I float somewhere in the middle… With drag, I don’t see what I do as female impersonation or illusion, more an expression of my identity and how I feel on the inside...” (ML)

Melanie Simpson (The Irish Jam)
I’ve been contributing to The Irish Jam’s New Music Sunday section for just over a year now. Based in London but celebrating music by Irish artists, the crossover of favourite bands between the GIHE team & The Irish Jam team is huge. I’ve enjoyed chatting to hosts Kealan, Niall, Rob and Mel on and off air for a while now, but Mel in particular is always quick to join me in fan-girling over Kynsy, CMAT and Celaviedmai. From drunkenly telling her about my admiration for Taylor Swift at The Jam’s 2018 St. Patrick’s Day gig when we first met, to buying tickets to CMAT’s debut London gig this November, Mel & I are well on our way to becoming true music gal pals. (KC)

Julia Woollams and Angela Martin (founders of The Croydonist/Bugeye)
Having been ‘locked down’ for pretty much a year now, I’ve come to value my home and its surrounding area in a new light. Being limited to the local area, it has been wonderful to discover new places for my daily walk, and it is has been thanks to The Croydonist that I have discovered a number of hidden Croydon gems; I had never known about Selsdon Woods or South Norwood Lake, for example, until seeing them featured on Croydonist’s Instagram, and they are both beautiful spots, unlikely rural escapes close to home. So, thank you to Croydonist founders Julia and Angela for keeping my love of Croydon going throughout the pandemic! Angela also contributed the most essential and uplifting of soundtracks for 2020 with her band Bugeye’s vibrant, energy-fuelled album Ready Steady Bang. (ML)

Girls Rock London
I wish Girls Rock London had existed when I was a teenager. They do incredible work to support girls, trans and non binary youth who have an interest in making music, but who may not have the funds or confidence to take that interest further. Through mentoring schemes, workshops and band camps, they provide an incredible level of support whilst offering attendees an opportunity to make friends and enjoy learning a completely new skill set. Find out more about their work here. (KC)

Mary Anne Hobbs
Having to work from home for the most part of a year has had its benefits. One of which has been being able to listen to BBC 6Music during the quieter moments of the day, especially my favourite show – Mary Anne Hobbs. Playing such a diverse range of music, from obscure electro to raging metal, she exudes such a passion and enthusiasm about all the tunes she showcases that is both refreshing and uplifting to hear. Hearing someone with such a genuine love of new music and sincere dedication to promoting upcoming artists is wonderfully inspiring, and I think more people in the industry could do with being a bit more like her! So, thank you Mary Anne, for being such a positive force – a consistently elevating accompaniment to my days – at a time when I need it more than ever. Also, what’s not to love about a show that has an ‘All Queens Mix’ at the start of every week?! (ML)

You Know Who You Are…
This last year has been a challenge for everyone, of varying degrees, but what comes out of difficulties endured collectively is a strength in connection. The end of 2020 was one of the most challenging times for me, but I have never felt more loved and supported in my life. So, to all the women and non-binary people who have been there for me over this last year, from family and friends, to all those in between, as someone who has struggled to love themselves for so long, you have all shown me the way, thank you. That includes my two GIHE babes – Kate and Mari, I love you two dearly. (TW)

Mari & Tash (GIHE babes)
Typing through the tears as I think about how much I have learned from you both, and how much I’ve laughed with you both over the last five and a half years. Here’s to many more weekends of gigs, chats about our favourite music and fancy beers with names I can’t pronounce properly. I’ll love you both forever. (KC)

Cindy Crudgington (My biggest fan)
Hi Mum! Probably wouldn’t have made it this far without your eternal love, patience and support. Thanks for always listening to our radio shows, reading my reviews & interviews (you’re welcome for the Noga Erez intro) and for listening to me rant on about how many emails I have to get through every weekend. I love you. (KC)

Holly and Sarah Crudgington (My younger sisters)
Hi Twinny Pigs! Thanks for holding my hand as I get over emotional at Wolf Alice gigs, raging with me in the mosh at the Ho99o9 shows and for always taking the +1 spot on the guest list for bands that I’ve bored you to death about for years. Here’s to many more conversations about how banging the soundtracks to the first two Twilight films are. Love you both. (KC)

GIHE Super Women, Tash & Kate
I couldn’t talk about the women who’ve helped me survive the year without including these two. Not only are they the best friends I could ask for, but they really do inspire me every day. They have both overcome the many challenges this year has brought with a grace and strength that I continue to admire, and both have an unwavering commitment to what they are passionate about. Tash’s work supporting LGBTQ+ people as co-chair of Switchboard and now sharing the community’s stories with the insightful and informative The Log Books podcast is absolutely incredible, and has taught me so much. Kate’s dedication to sharing new music through her amazing writing, and managing to remain so brilliantly organised, is admirable, and being able to regularly rant and rage with her about the world is something I’m forever grateful for. Tash and Kate, you’re a dream team and I cannot wait to see you at a Get In Her Ears gig one day soon, and hatch some exciting ventures for the future!

There are so many more women – both who I know and love personally, who have supported me through this year, and more well-known (Michaela Coel, Adriene Mishler, Phoebe Bridgers, Nadine Shah, Reni Eddo-Lodge) – who I could write about here, but there are only so many hours in the day… For now, I will leave you to celebrate the amazing women in your life!
(ML)

Massive thanks to ALL the wonderful women and non binary people in our lives – we see you, and we love you!

Listen to our accompanying IWD playlist here:

Five Favourites: Tyler Holmes

I’ve only recently become acquainted with innovative artist Tyler Holmes, but I have fast fallen in love with their poignant, affecting and utterly unique sweeping electronic soundscapes. Holmes (They/Them) is a singer-songwriter, visual and performance artist who uses music as a therapeutic device. Coming from a turbulent and traumatic ‘cult-like’ early life, they have spent a lifetime crafting their own Black, Queer narrative by pushing the limits of their imagination, Holmes envisions themselves as the imaginary child of Björk and Tricky, using a surrealist lens on a wide variety of genres, often blending diaristic narratives with dark, dream-like whimsy. Autobiographical and absurd, their writing is alluring and uncomfortable. Both brutal and beautiful, bringing the audience into a shared space of healing and catharsis. They perform with a constantly changing electro-acoustic arrangement, always finding new ways to showcase an intimate horror.

Ahead of the release of their upcoming new album ‘Nightmare In Paradise’ via Ratskin Records next month, we spoke to Tyler about the five albums that mean the most to them. Check out their choices below, and watch their latest video for single ‘Nothing’ at the end of this article. You can also listen to their recent rendition of SOPHIE’s ‘BIPP’ over on bandcamp now.

Mariah Carey – Butterfly
Butterfly was a departure for Mariah. A record that embraced Hip Hop and Mariah as a sexual and sorrowful entity, which I have always related to. I have always been obsessed with Mariah and I’ve been singing her songs for as long as I can remember. This was the first album that I would listen to all the way through, over and over and over. There is a real variety to the record and I can now see this as the first in a series of emotional breakdown albums (this one even has a song called ‘Breakdown’ which is unbelievably beautiful and rich and has the amazing Bone Thugs N Harmony guesting). The through-line through this quite varied record is sadness, longing and identity struggle; all running themes in my life and music as well. My favourite track is ‘Outside’ – about being a weirdo, just singing the melody makes me cry.

The Knife – Silent Shout: An Audiovisual Experience – Live In Gothenburg
Reinvention is something that always turns me on. This album was the electronic equivalent to dying your hair black and doing acoustic renditions of your record. The Knife was this mysterious band back in the early internet days and Gothenburg showcased them reborn in a syrupy goth trance inducing void that was even more mysterious than they had been. It was as if they had this colourful image and they thought “let’s give them even less information and appear in a black abyss as ghostly floating lights…” The songs are darker, gothic, stark and beautiful. Dance music made for crying and being a freak to maybe more so than dancing. I love a singer who can be different characters and Karin plays a whole cast on this record and a cast of ghouls, sea monsters, aliens and demons. She is so otherworldly, possessed and perfect. My favourite track is ‘Kino’, which I covered a long time ago. They took an old track and brought it back through the Pet Cemetery. The mourning in that song will haunt me forever.

Tricky – Pre Millenium Tension
A theme of coming back darker, and more vulnerable emerges. While Tricky’s first record was murky and muddy,Pre Millennium is obsidian. A dark smoke filled room. I love how Tricky always has two singers of varying genders singing the same lyrics at the same time creating one genderless or many gendered being. The opening song ‘Vent’ talking about someone hiding their lover’s medicine to watch them suffer and need them speaks volumes about the album in front of the listener. Very much about codependency, dark urges, self destruction. The gnarling, repeating loops grind nightmares into your head like noogies. The reimagining of ‘Bad Dreams’ by Chill Rob G gives the song a chilling, fever dream realness that is necessary and sadly timeless.

Astrud Gilberto & Walter Wanderley –  A Certain Smile, A Certain Sadness
I listened to this album on repeat while writing my new record. It’s vintage goth. Astrud Gilberto, best known for the timeless hit ‘The Girl From Ipanema’, is practically motionless. Her stoic and serious performance even over more dance oriented tracks like ‘Nega do Cabelo Duro’ really sets the tone without beating the listener over the head. There is a bittersweet breeze blowing through every song on an album that has some rather peppy tempos and almost chipper organ lines. The theme of the album is dark, not quite hopeless but almost. The opener ‘A Certain Smile’ sets the tone that, like love, peace of mind and temperament are cyclical. “That certain smile to haunt your heart again.” OUCH. ‘Smile’ is followed by ‘A Certain Sadness’ (JOKES!!!) that lays the cards on the table and directly discusses unrequited love, longing and depression. To me it is so interesting and inspiring to hear these jazz chords that have over time become associated with elevator music here set to such depressive and moody themes. Even the fast songs contain some really ‘ugly’ chords and organ solos that hint at a jazzy, almost punk antagonism that alongside the subject matter and vocal delivery make me really see Bossa Nova as a precursor to New Wave music (Bossa Nova means ‘New Trend’ or ‘New Wave’ after all.) ‘Tristeza’ and ‘So Nice’ are absolutely brilliant, tongue in cheek songs that in a heavy-lidded tone hint at a sunny life in a bitchy way that seem to me as sarcastic as they are dreamy.

Björk – Post
Choosing a Björk album to discuss is really difficult but this is probably the singular record that has influenced me the most. Eleven songs that are all different genres and on different planets. This record has such anger, such venom, such sadness and such spacious, calm, quietness. It is truly a rollercoaster masterpiece. It calls to mind Goldie Hawn’s famous line (from First Wives Club) about emotions “I’m an actress! I have all of them!” That’s what Björk showcases here; every emotion, texture, and sound in her body at the time and it is resplendent. ‘I Miss You’ is one of the best and most original takes on the standard longing pop song, with horn freak-outs, screaming, and a panic attack about “cuddles” for a bridge. The song sounds like a cartoon zoo where the animals train the humans just like the surrealist nightmare of a music video that is as amazing as the song. The album features one of my favourite songs ever; ‘Enjoy’, where mother weaves a bizarre love triangle over a beat made by one of her boyfriends at the time and one of my biggest inspirations: Tricky. The intimate tabloid lyrics are leaked over a beat that sounds like a jungle full of haunted wildlife that know your secrets and want to punish you with electrical torture. It’s one of the most titillating experiences you can have as a listener. An album that is full of so much motion and noise ends with the purely ambient ‘Headphones’. It’s built on barely there electronic bass notes and Miss Björk whispering about falling asleep to a transformative tape! I had this on cassette as a kid and it was a meta experience, this is one goal I have definitely taken from Mother. Her goal was to give others the same transcendental experience that music gave her, passing on the gift. Post is one of her greatest gifts.

Massive thanks to Tyler for sharing such beautiful words about their favourite albums!

Nightmare In Paradise, the upcoming album from Tyler Holmes, is set for release 26th March via Ratskin Records. Pre-order here. And watch the poignant video for ‘Nothing’ below:

Track Of The Day: Kermes – ‘Peeling Off The Rind’

Their first release since 2018’s album We Choose Pretty Names, Leicester queercore outfit Kermes has now shared a brand new double A-side to offer some much needed musical comfort in these trying times.

Propelled by scuzzy, swirling hooks and a shimmering, angst-driven energy, ‘Peeling Off The Rind’ reflects on feelings of unity and togetherness, and their importance in resistance. With front person Emily’s raw, seething vocals driving the track’s poignant, impassioned power, it’s a much needed slice of uplifting catharsis, with musical shades of the likes of ’90s emo-indie like My Vitriol. A totally necessary, inspiring, listen to start 2021, at a time when we must use our collective rage to come together to overcome the confines of capitalist society.

Having been due to play for us at The Finsbury in August last year, Kermes are fast becoming one of our most favourite bands, and we dream of the day when we can finally witness their live set, and dance together in a sweaty safe space, in joyous solidarity.

 

‘Peeling Off The Rind’ is out now, along with equally powerful double A-side track ‘Terms’, released exclusively on bandcamp as a digital release and limited edition cassette via Amateur Pop Incorporated.

Mari Lane
@marimindles