GIHE: Albums & EPs Of 2021

After sharing our Tracks of 2021 last week, the GIHE team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These records kept us dancing around our bedrooms/living rooms/home offices, miming underneath our face-masks and distracted us momentarily from the uncertain world we’re currently all living in.

So, in alphabetical order, here are our top Albums & EPs of 2021 (with some honorable mentions at the end…)

ALBUMS

Adult Mom – Driver
Consistently my most listened-to artist over the last couple of years, Adult Mom aka Stevie Knipe creates the most beautifully heartfelt music. Although I had thought it would be hard to follow the perfect relatable emotion of their debut Momentary Lapse Of Happily, and 2018’s Soft Spots, this year’s Driver does not disappoint. With the lilting musicality and raw emotive splendour of each track, the album has been in my ears on literally a daily basis since it came out in March; I have sought comfort in the luscious depth of Knipe’s vocals and found myself fully immersed in the album’s twinkling grace. I’m sending extra love to Stevie at the moment, as they were diagnosed with breast cancer earlier this year and are currently having to undergo treatment. I can’t wait to hear more gorgeous music from them when they’re ready. (Mari Lane – Co-Founder)

Blonde Maze – Something Familiar
I’m honestly not sure how I would have got through the last two years without the sound of Blonde Maze in my ears daily. Even before her debut album Something Familiar came out in Autumn, I had been completely addicted to her utterly dreamy creations – ever since she’d been a guest on our radio show about five years ago. To have a full LP filled with her exquisite soundscapes has been just what I’ve needed recently. Bathing the ears in shimmering ripples of dreamy reflection, each luscious track is a perfect cathartic tonic. My album of the year – it’s been the beautifully calming and delicately uplifting soundtrack I’ve so needed. (ML)

Divide & Dissolve – Gas Lit
Released via Invada Records in January, instrumental activists Divide and Dissolve’s second album Gas Lit continues their sonic mission to erode the foundations of colonialism and white supremacy. Produced by Ruban Nielson of Unknown Mortal Orchestra, the record is an aural purging of injustice, fuelled by the diversity of Takiaya Reed’s doom-ridden saxophone sounds and Sylvie Nehill’s phenomenal percussion. It flows with a unique gargantuan grace that unsettles and soothes my cells every time I hear it. I had the pleasure of interviewing Takiaya about the album earlier this year too, which you can read here.
(Kate Crudgington – Co-Founder)

Du Blonde – Homecoming
With Homecoming, Du Blonde gave us the DIY stadium rock record we didn’t know we needed. After becoming disillusioned with the music industry, they wrote, recorded and produced this album of swaggering, empowering anthems for outcasts. A bag of contradictions, it’s both silly and serious, wonderfully weird yet radio friendly. A powerful record, I love the way Homecoming embraces self-destruction and self-love. It has a proper punk energy and inspires you to get shit done on your own terms – after you’ve had a dance, of course.
(Victoria Conway – Contributor)

Fears – Oíche
An intuitive artist who has transformed her darkest moments into graceful electronic soundscapes, Fears aka Constance Keane shared her poignant debut album Oíche (meaning “night” in Irish) in May. Released via her own label TULLE, the Irish-born, London-based musician balances her intense ruminations on trauma alongside delicate synth loops and tentative beats to shine a light on a personal metamorphosis. Much like the coarse fabric she used to create her altruistic dress on the album’s artwork, Fears allows her lived experiences to take up space and permeate this record, which swells with unflinching honesty and elegance. Oíche is a collection of shadowy lullabies that span five years of emotional territory, and the result is a truly immersive and enlightening body of work. (KC)

Fightmilk – Contender
Following 2018’s Not With That Attitude, this year total faves Fightmilk released their second album Contender via Reckless Yes, and it was everything I could have hoped for. With new bassist Healey and a perhaps more ambitious musicality than previous releases, this year’s album marks a maturing in sound for the band, whilst maintaining their trademark anthemic power-pop energy. Filled with the perfect balance of jangling melodies, an endearing, refreshingly honest lyricism and shades of a raw tongue-in-cheek wit, the album covers themes from space travel and capitalism, to love, heartbreak and self-loathing, all the while oozing a raw emotion and the band’s distinctive, quirky charisma. With all the scuzzy musicality and shimmering energy we’ve come to know and love, Contender showcases a band that are continuously refining their sound and, in the process, consistently continuing to win my heart.
(ML)

Gazelle Twin & NYX – Deep England
Inspired by the tracks that formed Gazelle Twin aka Elizabeth Bernholz’s 2018 album Pastoral, Deep England is a dark fable that serves as a warning to listeners not to get swept up in national apathy. Whilst Bernholz’s unique vision of Britain’s past was brought vividly to life on her original record, with the support of the NYX drone choir her vitriol is able to take its fullest, most nerve-shredding form. Together, they present their altruistic vision of Britain in its “post-truth” sphere, embroidering a new tapestry of sound for these jarring and uncertain times. Deep England is a phenomenal artistic accomplishment; a shadowy, graceful collection of sounds that radiate with unease – truly unlike anything you’ve heard before. (KC)

LINGUA IGNOTA – SINNER GET READY
“And all that I’ve learned / is everything burns” laments Lingua Ignota aka Kristin Hayter on ‘Pennsylvania Furnace’, the fourth track on SINNER GET READY – an apt sentiment for a record that blazes with a unique orchestral agony. Released via Sargent House, Hayter’s fourth full length offering is an emotional exorcism inspired by the severe brand of Christianity in rural Pennsylvania where she currently lives. Its strictness permeates her vision to the core, with her sensational vocals remaining the lifeblood of SINNER GET READY. She uses her voice to devastating effect, harrowing up the soul with her effortless ability to switch from a soft, divine cry to a cord-ripping, desperate plea. A stunning record that I’ve returned to many times this year. (KC)

Little Simz – Sometimes I Might Be Introvert
Sometimes I Might Be Introvert is an outstanding album, ambitious and sprawling while maintaining the punchy immediacy of expression synonymous with Little Simz’ earlier work. She confidently glides between styles, from epic Scott Walker-style arrangements to afrobeat grooves, which form mere backdrops to the artist’s lyrical acrobatics. Simz enumerates the anxieties, troubles and triumphs of her life and career throughout the album’s 19 tracks – this album already has an undeniably classic quality. It is a singular expansion of the possibilities of hip-hop, of pop music more generally, and an unrepentantly fantastic album of Baroque ambition and fabulous execution. (Lloyd Bolton – Contributor)

Lunar Vacation – Inside Every Fig Is A Dead Wasp
The latest album from Atlanta-based Lunar Vacation, Inside Every Fig Is A Dead Wasp oozes a shimmering allure throughout. As each track treats the ears to whirring hooks and a sparkling musicality, I just fall more in love with Grace Repasky’s honey-sweet crystalline vocals on each listen. Floating seamlessly with an ethereal splendour, a stirring melancholy ripples on a seemingly serene surface, creating a perfectly dreamy collection. With shades of Alvvays or Best Coast, Lunar Vacation have fast become one of my most favourite bands of 2021. (ML)

New Pagans – The Seed, The Vessel, The Roots and All
An intuitive rumination on the personal and the political, New Pagans’ debut album The Seed, The Vessel, The Roots and All is a gritty, deeply poetic consideration of inequality and social injustice. Released via Big Scary Monsters, the Belfast band’s first full length record dives into the paraphernalia surrounding religion, romance and women’s pain, and resurfaces having transformed these tired archetypes into aural talismans of strength and defiance. I’m such a big fan of everything they’ve released so far and I’m hoping to hear these songs live at some point in 2022. (KC)

Noga Erez – KIDS
The GIHE team collectively adore Tel-Aviv producer & pop renegade Noga Erez’s second album, KIDS. It’s a stylish, swaggering collection of songs that explore personal growth, morality and what it means to disconnect and reconnect with the world around you. Erez has worked closely alongside her collaborative & life partner Ori Rousso to create a razor sharp, intensely catchy record that proves she’s got the musical mileage she sings of. Through her witty lyrics, slick production and commanding beats, she blazes a unique musical trail that pulses with authentic energy, spotlighting her talent as a producer, vocalist, MC and performer. What a star. (KC)

Nova Twins Presents: Voices For The Unheard
Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, Nova Twins aka Amy Love and Georgia South put together this blistering collection of alternative anthems with the help of Dr Martens to showcase this eclectic range of talent. Featuring tracks by Big Joanie, Khx05, Loathe, Oxymorrons & LutSickPuppy, the record is a fun, furious blur of noise from a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the music they wish they had heard growing up. A proper gem of a record that’s introduced me to some brilliant artists this year. (KC)

pink suits – political child
Having completely blown us away with their riotous, seething energy at our first gig at The Shacklewell Arms earlier this month, queer Margate duo pink suits released their debut album political child, in the Spring. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive feminist rebellion to bring about radical change – with each powerful track on the collection, they deliver a seething, all-too-poignant social commentary on the increasingly terrifying state of the UK right now. Throughout political child, pink suits offer a perfect riotous catharsis; an immense formidable force, coated in a rousing cacophony. The duo have provided an utterly necessary soundtrack for these times; a rallying cry to make our voices heard and fight for an upheaval of a neoliberal society. (ML)

Wolf Alice – Blue Weekend
Each time I’ve tried to write about Wolf Alice’s third album, Blue Weekend, I’ve fallen short of the words to describe how profoundly comforting I find it. Emotional, but with a few grunge ragers thrown in there too – plus a lyric that everyone should adopt as a mantra “I am what I am and I’m good at it / and you don’t like me? Well that isn’t fucking relevant” – Ellie Rowsell’s magnificent, elastic vocals and poignant lyrics effortlessly stretch across the record. I listened to Blue Weekend twice a day for over a month, discovering something new every time I let its cinematic sounds wash over me. Pure musical escapism that’s rooted in real fucking feelings. Properly sublime stuff. (KC)

EPs

Ailsa Tully – Holy Isle
Long term favourite of GIHE, Welsh artist Ailsa Tully released her EP in Autumn this year. Offering four exquisite slices of stirring folk-strewn indie, Holy Isle showcases Tully’s ability to reflect on feelings of vulnerability and loss with a gently uplifting, sparkling grace. As the collection flows with a shimmering, stripped-back musicality, the juxtaposition of Tully’s crystalline, honey-sweet vocals and the gentle lilting melodies creates a delicate, captivating majesty. As the beautifully rippling instrumentation glistens with a heartfelt splendour, I can’t help but become utterly immersed in the raw emotion and poignant, resplendent charm of Holy Isle in its entirety. (ML)

Aisha Badru – The Way Back Home
Having previously charmed our ears with the soothing sounds of last year’s ‘Soil’s Daughter’ and 2018’s poignant debut album Pendulum, singer-songwriter Aisha Badru released her EP The Way Back Home earlier this month. Flowing with twinkling, folk-inspired hooks alongside Badru’s rich, soulful vocals, each track oozes an immersive, heartfelt emotion. With a gentle, lilting energy and shimmering grace, a sweeping majestic splendour soars throughout this beautifully stirring collection as it soothes the mind with its gently uplifting allure. (ML)

Bitch Hunt – Shapeshifter
Having formed at First Timers Fest in 2017, London based non-binary band Bitch Hunt have since played live for us and been lovely guests on our show on Soho Radio. This year they released their debut EP Shapeshifter, via Reckless Yes. A shimmering collection of five lo-fi, yet heartfelt, offerings, it reflects on themes ranging from nostalgia and relationships, to gender and identity, delivered with a wonderfully scuzzy musicality and twinkling energy. Treating us to their effervescent, stirring brand of unique punk-pop, Bitch Hunt have crafted a collection that is beautifully poignant, whilst offering a welcome glimmer of optimism and solidarity. (ML)

BLAB – Word of Mouth
Formed of three previously released singles and a brand new track, Southend-based BLAB‘s debut EP is the sound of a songwriter fully embracing their own choices and leaning into the raw power of each moment. Released via Cool Thing Records, BLAB aka Frances Murray combines direct lyrics with infectious guitar riffs to push past personal and political frustrations, providing her listeners with sharply observed judgements on both. (KC)

Deep Tan – Creeping Speedwells
With acclaim from the likes of NME, So Young and BBC 6Music, Hackney-based trio deep tan have been favourites here at GIHE for some time now, and we’ve been very much enjoying their debut EP Creeping Speedwells, which was released this summer. Propelled by glitchy beats and whirring, twinkling hooks, each track captivates the ears with the trio’s compelling seductive allure. Flowing with fuzzed-out shades of ’90s trip-hop, whilst maintaining a unique sparkling edge and gently haunting majesty, the whole collection offers a spellbinding, rousing splendour that’ll immerse you in its dark, psychedelic haze. (ML)

Hilary Woods – Feral Hymns
I saw the title of this EP, listened to 30 seconds of it and downloaded it IMMEDIATELY. Released via Sacred Bones, Feral Hymns by Irish multi-instrumentalist Hilary Woods captures a relatable sense of gloom across five instrumentals that she worked on with collaborator Lasse Marhaug. Woods describes her ambiguous sounds as “A collection of hymns set at dusk…Unspoken bonds, primal pain, cyclical patterns, unsent love letters.” I find her melancholy, fleshy sounds intensely moving and I can’t wait to hear the new full length record she’s currently working on. (KC)

Jenny Moore’s Mystic Business – He Earns Enough
Featuring members of Trash Kit, F*Choir and Bamboo, Jenny Moore’s Mystic Business are a six-piece choral punk ensemble who released their debut EP in October. A poignant collection covering themes such as the struggles of living in a patriarchal, capitalist society and the fears women and gender minority people face when walking home alone, He Earns Enough showcases the soaring, harmonious power of voices coming together in unity. With each track propelled by an anthemic, mystical energy, the collection offers a simple, yet stirring, message, oozing a sweeping, celestial splendour that’ll bewitch the listener instantly with its eerily enchanting allure. (ML)

M(h)aol – Gender Studies
I was blown away by the power of Irish post punks M(h)aol when I saw them perform their debut EP live at The Shacklewell Arms in November. The brooding, shadowy sounds on Gender Studies vehemently reject outdated attitudes and social constraints concerning gender, identity and equality. It’s a vital, much needed antidote to toxic patriarchal standards, providing listeners with a cathartic exhale of fury and freedom. (KC)

TOKKY HORROR – I Found The Answers And Now I Want More
GIHE writer Jay Mitra penned a great review of dance-punk trio TOKKY HORROR’s debut EP earlier this year, branding it “a cyber goth masterpiece that hits you as hard as MDMA” – and they’re not wrong. Packed full of manic electronics and pounding beats, I Found The Answers And Now I Want More is a whirlwind of EDM energy that’s impossible to sit still to. (KC)

Honourable Mentions

Alex Loveless – Phone Keys & Wallet (EP)
Arlo Parks – Collapsed In Sunbeams
BISHI –Let My Country Awake
CHERYM – Hey Tori (EP)
Elodie Gervaise – Syzergy (EP)
Elsa Hewitt – LUPA
Grace Petrie – Connectivity
Halsey –If I Can’t Have Love, I Want Power
Maria Uzor – Innocence and Worldliness (EP)
Me Rex – Megabear
Naoko Sakata – Dancing Spirits
Nun Habit – Hedge Fun (EP)
Okay Kaya – The Incompatible
Penelope Trappes – Penelope Three
SPELLLING – The Turning Wheel
Tirzah – Colourgrade
YAY MARIA – OYEZ
WILLOW – Lately I Feel Everything

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PLAYLIST: October 2021

The GIHE team have unearthed more new music gems for you to listen to on our October Playlist! There’s an eclectic mix of indie anthems, gritty guitar tunes, alt-pop tracks & immersive electronic sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Boy Harsher – ‘Tower’
It’s almost Halloween (aka Goth Christmas) so this shadowy electronic tune is a great way to kick off our October Playlist. Boy Harsher are fully leaning in to their cinematic tendencies on ‘Tower’ which is taken from their upcoming album The Runner. Set for release on 21st January, the record will be a “musical counterpart” to an accompanying short film written, produced & directed by the talented duo. (Kate Crudgington)

Brimheim – ‘poison fizzing on a tongue’
The recent single from Danish alt-pop artist Brimheim, ‘poison fizzing on a tongue’ oozes a glitchy, ethereal splendour. With its soaring, other-wordly allure, it reminds me of the dark majesty of Massive Attack, which is no bad thing! Brimheim releases her debut album Can’t Help Myself Into A Different Shape in January next year. (Mari Lane)

deep tan – ‘Tamu’s Yiffing Refuge’
Following the recent release of their stirring, and utterly unique EP creeping speedwells, East London trio deep tan return with a special one-off single, taken from the label Speedy Wunderground’s new compilation. As strangely kinky as the name would suggest, ‘tamu’s yiffing refuge’ is an explicit tale of furry hedonism. Maintaining all the immersive, seductive allure that we’ve come to know and love from the band, this latest offering oozes an added dark, psychedelic haze and frenzied post-punk drive reminiscent of the likes of legends The Slits. A truly mystical, compelling soundscape that’ll peculiarly entice you into its swirling, fur-filled cacophony. (ML)

New Pagans – ‘Find Fault With Me’
I am thrilled that Belfast’s New Pagans are BACK with this brilliant new single after the release of their debut album, The Seed, The Vessel, The Roots And All earlier this year. Vocalist Lyndsey McDougall says this track is about “checking in with each other and recognising when someone around you needs support.” (KC)

Death Valley Girls – ‘It’s All Really Kind Of Amazing’
A stand alone single from LA dystopian punk band Death Valley Girls, ‘It’s All Really Kind Of Amazing‘ offers a swift glimpse of positivity. As the raw, impassioned splendour of Bonnie Bloomgarden’s vocals soar throughout, it seems to be slightly less doom-laden in tone than previous offerings, but is no less stirring. Oozing a shimmering, trippy allure and swirling, vibrant energy reminiscent of The Kinks’ ‘Sunny Afternoon’, ‘it immerses the listener in its glistening euphoric haze, reminding us to relish those rare moments of beauty that can keep us going through challenging times. A mystically captivating retreat for the ears and mind. (ML)

Laura Lee & The Jettes – ‘Craigslist Boy’
I have drummer Eilis Frawley to thank for introducing me to this BANGER from German-based band Laura Lee & The Jettes. Eilis provides the beats for this playful anthem about vocalist Laura Lee’s experience of being pursued romantically by random men on the German version of eBay. Its relatability will make you laugh and eye roll in equal measure. Check out the accompanying video here. (KC)

Wet Leg – ‘Wet Dream’
Like everyone else with ears, I am OBSESSED with Isle of Wight duo Wet Leg. I caught them at their debut London show at Omeara last week and it was a JOY to listen to their infectious indie anthems. They also walked on stage to ‘Concerning Hobbits’ from The Lord Of The Rings soundtrack, which is an iconic move in itself. (KC)

Queen Cult – ‘Show & Tell’
The latest single from Cheshire band Queen Cult, ‘Show & Tell’ builds with a gritty, swirling energy to an empowered call to arms. I just can’t get enough of its relentless, searing force. (ML)

Nghtfall – ‘Evil Eye’
Following the heartfelt release of ‘I’ll Be Fine’ earlier this year, Toronto based non-binary artist Bradley Milosevic-Hill aka Nghtfall has recently shared ‘Evil Eye’. A sweeping slice of catchy anthemic pop, it oozes swirling feelings of anticipation and desire, creating a twinkling, emotion-strewn ballad. (ML)

girlhouse – ‘boundary issues’
I love this latest track from indie artist girlhouse, taken from her recent EP which is aptly titled, the second EP, quite simply lovely stuff. (Tash Walker)

HAVVK – ‘Halfway Out’
Taken from total faves HAVVK’s epic new album Levelling, stirring single ‘Halfway Out’ oozes an ethereal splendour as the haunting, celestial power of Julie’s vocals immerses the listener instantly. The whole album intertwines this captivating, twinkling majesty with a grunge-tinged grit throughout, and I can’t stop listening to it. I had the pleasure of chatting to front person Julie about the album and more last week – have a read of the interview here. (ML)

Sprints – ‘Modern Job’
I first heard Dublin’s Sprints on The Irish Jam radio show and I’m super grateful to them for the introduction. ‘Modern Job’, which is also the title track on the band’s upcoming EP (due on 11th March) is a scathing “critique of modern existence” and “an exploration of growing up queer” according to vocalist Karla Chubb. I can’t wait to hear the record in full. (KC)

Nova Twins – ‘Antagonist’
GIHE faves Nova Twins have shared this MASSIVE anthem about believing in yourself, full of their trademark lethal riffs and powerhouse vocals. (KC)

Tiger Mimic – ‘Silence Of The Night’
Propelled by an eerie energy, ‘Silence Of The Night’ reflects on the grim reality that women have to navigate on a daily basis. As the rich, sleek vocals of front woman Jess soar with a soulful power, it builds with a stirring tension to an impassioned statement of intent. A poignant call for justice and accountability at a time when we so desperately need it. You can catch the band live at The Victoria in Dalston on 9th December. (ML)

Sister Lucy – ‘Big Kid’
The second single from her upcoming EP Big Girl Pants, Sister Lucy aka Abi Sinclair’s single ‘Big Kid’ is a lush, grunge-tinged reflection on growth and womanhood. She’ll be playing a gig at The Shacklewell Arms on the 10th November to celebrate the EP’s release. (KC)

Elodie Gervaise – ‘Free Babe’
I am so into this song! All its mixed beats, intricate synths and electronics, it’s such a visually evocative track, you can just imagine the light show watching this being performed live. French-Australian artist, Elodie Gervaise’s new EP, Syzygy – which just feels oh so good to say – is out now. (TW)

Errunhrd – ‘Ruminate (Meditate)’
Niagra Falls based artist Errunhrd has penned this buoyant new track which shifts away from her previously more melancholic sounds. ‘Ruminate (Meditate)’ is taken from her debut album You Can Be You, I Can Be Me, which is set for release on 19th November. (KC)

Blonde Maze – ‘One House’
The latest single from New York artist Blonde Maze, ‘One House’ revolves around the comfort of finding a home in someone, especially after a long time of feeling misplaced. Oozing a blissful, soulful splendour, it flows with an utterly dreamy allure as Amanda’s soothing vocals ripple alongside twinkling electro hooks. Lately, as I’ve been going through a bit of a tough time, I’ve had this pretty much on a loop, and its sweeping euphoric energy helps to calm my mind instantly. Thank you Blonde Maze for another perfectly cathartic creation. And I’m SO excited that Blonde Maze’s debut album Something Familiar is set for release next week, 3rd November – haven’t looked forward to an album this much for a long time! (ML)

Mai – ‘Control’
An evocative electronic gem that urges listeners to surrender to the inevitability of change, I love Essex-based musician & vocalist Mai’s has debut single ‘Control’. Released via Cool Thing Records, the track is a collaboration between Mai aka Rosie Gulliver of Petty Phase, and songwriter and producer Liam Watkins from A Cause In Distress. (KC)

BISHI ft. Nikesh Shukla – ‘Language Is an Ocean’
Multi-instrumentalist and GIHE fave BISHI released her third album Let My Country Awake earlier this month, which this single is taken from. The record explores dual identities and urges listeners to lean into compassion and empathy in a chaotic and disconnected world. (KC)

Desire Marea – ‘You Think I’m Horny’ (Planningtorock’s ‘Planningtobehorny’ Version)
Tash & I are still on a high after seeing Planningtorock at Scala earlier this month, so when their remix of Desire Marea’s track ‘You Think I’m Horny’ dropped into my inbox I knew it was going straight on to our playlist! A great collaboration from two fantastic, unique artists. (KC)

AZADI.mp3 – ‘NAZAR’
I’ve been listening to the We Are Lady Parts playlist on Spotify recently and the algorithms led me to AZADI.mp3 – aka Juliette Motamed who plays drummer Ayesha in the hit Channel 4 show. She has a great set of electronic tunes that I’ve been listening to ever since. (KC)

Atna – ‘Smile’
“Why why why why why” …give me bizarre warped repetitive vocals from German avant-pop duo Atna ANY DAY. (TW)

Little Simz – ‘Speed’
Little Simz has done it again, latest album Sometimes I Might Be Introvert (in my case it’s always) is a total, immense masterpiece. ‘Speed’ is my favourite track on the album, in the same vein as previous faves ‘Boss’ and ‘Offence’, it’s propelled by a gritty, driving energy and Simz’s spot on lyricism, with a touch of orchestral grandeur. The perfect motivational anthem I’ve needed lately to get me through the day. (ML)

Kay Young ft. JNR WILLIAMS – ‘I’ve Got You’
‘I’ve Got You’ by London based artist, rapper and producer Kay Young featuring JNR Williams is such a feel good song! It’s taken from her EP This Here Feels Good, released via Play It Again Sam. (TW)

Duval Timothy ft. Lil Silva & Melanie Faye – ‘Fall Again’
I am totally obsessed and in love with this song. Rhythmic piano to start, before it slowly layers and builds with hazy, gentle vocals sweeping over the top. Such a dreamy sonic soundscape that feels so good in my ears. (TW)

Anna Vincent – ‘Naxos’
Having previously charmed us fronting indie-pop outfit Heavy Heart, and as a touring member of Happyness, after two decades making music London based Anna Vincent has now launched her first solo venture. With her debut album, Under The Glass (out today on Max Bloom of Yuck’s new label Ultimate Blends), she has recently been charming our ears with a number of shimmering singles, like the beautifully heartfelt ‘Naxos’. Exuding a spellbinding majestic grace alongside the stirring heartfelt emotion of Anna’s exquisite sparkling vocals, each track offers a truly blissful, captivating soundscape. (ML)

CMAT -‘No More Virgos’
Born from her desire to “marry her love of 80’s Italo disco with her hatred of Virgos,” Irish pop sensation CMAT’s playful new tune is a wry nod to her compulsive romantic decisions. “My mental health is banking on my chastity / and you’re bad for me” she jests over buoyant melodies, gently resisting the urge to circle back and repeat the same pattern of behaviour in her previous relationships. I’m so excited to hear CMAT’s debut album, If My Wife New I’d Be Dead, which is set for release via AWAL Recordings on 25th February 2022 (KC)

 

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PLAYLIST: April 2021

The GIHE team have unearthed some more new music gems for you to listen to on our April Playlist! There’s an eclectic mix of indie anthems, alt-pop gems, electronic soundscapes and gritty guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Noga Erez – ‘Fire Kites’
GIHE favourite and pop renegade Noga Erez’s new record KIDS has barely left my turntable since it was released in March. The record is bursting with her trademark charisma and energy, epitomised by this track ‘Fire Kites’. Keep and eye on our GIHE socials for an exciting announcement involving Noga very soon…
(Kate Crudgington)

Miss Eaves – ‘3 Jobs’
This banger from Brooklyn-based rapper Miss Eaves features on Loud Women’s third compilation album, which is bursting with anthems from DIY bands from both sides of the Atlantic. The record also features tracks from ARXX, GÉNN, LibraLibra, Vulpynes, Bugeye, Jelly Cleaver, Breakup Haircut and Pleasure Venom. Grab your copy from bandcamp now. (KC)

Little Simz – ‘Introvert’
The latest single from innovative artist Little Simz, ‘Introvert’ may just be her most powerful offering yet. A poignant reflection on the last year and an empowering rallying cry to break free from societal limitations, the track is propelled by an immense sense of grandeur and cinematic instrumentation. A heartbreakingly impassioned anthem, touching on themes of governmental corruption, poverty and race, it’s a truly magnificent and necessary listen. “I’m a Black woman and I’m a proud one / We walk in blind faith not knowing the outcome / But as long as we unified then we’ve already won.” (Mari Lane)

Sans Soucis – ‘I’m On’
An uplifting blend of lush vocals, warm synth textures and smooth beats, songwriter & producer Sans Soucis’ single ‘I’m On’ is a genre-bending reflection on her own experiences of recovering from an extended period of depression and the joy she experienced when she was able to re-connect with herself again. (KC)

Ruti – ‘Daylight’
Essex-based songwriter Ruti may only be 21 years old, but she has a distinctive, soulful voice that shines with a majestic, mature glory on ‘Daylight’. This track is taken from her recent EP, All At Once. (KC)

People Club – ‘Damn’
This smooth new offering from Berlin-based five-piece People Club is an exploration of the behaviours surrounding addiction to internet pornography. “We wanted to examine how porn addicts can actually be super high-functioning and never get ‘found out’, yet actually can suffer seriously as a result of their habit,” the band explain about the track. ‘Damn’ features on People Club’s new EP Take Me Home, which is set for release on 7th May. (KC)

Nun Habit – ‘Righteous Jerk’
Having wowed us with their sparkling charisma playing for us at The Finsbury back in 2020, the London-based queer five-piece Nun Habit have now announced their debut album, set for release in August. Taken from their recent double a-side release, ‘Righteous Jerk’ oozes an eerie mysticism before building with thrashing beats and scuzzy, reverb-strewn riffs, alongside Kate’s sweeping soulful vocals. ‘Righteous Jerk’ is out now alongside double a-side ‘Slip n Slide’. hedge fun, the upcoming album from Nun Habit, will be released in August, with an accompanying celebratory launch party on 16th August at The Victoria in Dalston. (ML)

Maya Lakhani – ‘Walk Alone’
Inspired by the current conversations that are happening around women’s safety, the culture of victim-blaming and pure desire to walk alone as a women, British-Indian artist Maya Lakhani’s latest single is propelled by a gritty, emotion-strewn power. Flowing with the soaring, raw splendour of her vocals alongside a majestic, otherworldly musicality, it oozes a captivating sense of grandeur and poignant sentiment. (ML)

Softcult – ‘Take It Off’
I’ve been listening to Softcult aka twin sisters Phoenix and Mercedes Arn Horn’s debut EP Year Of The Rat so much recently. It’s a bittersweet collection of lush, grunge-infused songs that culminate their thoughts on sexism, misogyny and objectification, and ‘Take It Off’ aches with with their subdued anger. Lyrically, it’s directed at catcallers, but it doubles up as a care-free dismissal of ridiculous trophy wife standards too. (KC)

Bitch Hunt – ‘Eau Claire’
The latest single from London based non-binary band Bitch Hunt, ‘Eau Claire’ offers the first taste of the band’s upcoming debut EP. An ode to a Wisconsin town where singer Sian used to live, with its stripped back jangling hooks and raw, heartfelt vocals, it builds in momentum to an effervescent slice of perfect punk-pop. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. (ML)

Wallice – ‘Hey Michael’
It was love at first listen when I heard this single from LA-based Wallice. I love her candid lyrics on this playful lament about having your ear chewed off by a mediocre man at a party. Watch the accompanying video for the track here. (KC)

Fightmilk – ‘Overbite’
The recent single from total faves Fightmilk, ‘Overbite’ is taken from their upcoming new album. Oozing a track’s subtle romanticism and tongue-in-cheek wit, the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment alongside an infectious, shimmering energy. The perfect, alternative fuzzy love-song. Contender, the new album from Fightmilk, is set for release on 14th May via Reckless Yes. (ML)

PACKS – ‘New TV’
This brooding offering from Toronto-based PACKS is a hazy ode to “other people’s garbage.” I love the sound of Madeline Link’s vocals and the grungy, hazy guitars on this track. The band will be releasing their debut LP Take The Cake on 21st May via Royal Mountain Records/Fire Talk. (KC)

Tirzah – ‘Send Me’
The latest single from Tirzah, the first we’ve heard from her in two years and boy am I glad she’s back. Teaming up again with previous collaborators Coby Sey and Mica Levi, Tirzah delivers us another beautiful song with futuristic subtlety. The amount of emotion and longing that’s conveyed in her music blows me away every time, leaving me with all the feels. Fingers crossed the release of ‘Send Me’ is only the beginning of more music to come from Tirzah. (Tash Walker)

Deap Vally – ‘Give Me A Sign’
Us GIHE girls are super excited to hear Deap Vally’s new EP American Cockroach, which this new track ‘Give Me A Sign’ is lifted from. Set for release on 18th June via Cooking Vinyl, the LA-based duo have collaborated with Jennie Vee (Eagles of Death Metal) and the brilliant Ayse Hassan (Savages/ESYA) for this record, which the duo describe as “songs for the underdog, the outlaw, the defeated, for the days when you feel like no one understands you or you can’t do anything right.” (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist and it’s been bouncing around my head for weeks. (KC)

Shygirl – ‘Tasty’
One thing that is getting me through my weeks at the moment is listening to music that makes me just want to dance. Especially this track from the incredible Shygirl. Pull up those hoods and get moving. (TW)

Mykki Blanco – ‘Free Ride’
Firm fave Mykki Blanco released ‘Free Ride’ alongside the news that they’d signed to Transgressive Records at the beginning of this year. Speaking about the track, Mykki explains “Some of the most intimate moments and conversations I have ever shared were with my mother on long drives in the Southern countryside when I was a teenager. The music that soundtracked these memories on our daily journeys was the stuff of my mother’s generation. I would find myself daydreaming, reflecting and envisioning the kind of life I would like to create for myself.” With all its feel-good vibes, this song has been buzzing around my head constantly since I first heard it – I LOVE IT. (TW)

DEELA ft. T6lu – ‘FIT’
A fun, provocative cut from British-Nigerian rappers DEELA and T6lu, ‘FIT’ is all about being able to say what you want, when you want. Their slick lyrical delivery and dense beats reflect the pair’s direct approach to making empowering, unapologetic anthems. (KC)

Alex Loveless – ‘Through 2 U’
This is a slow-burning offering full of hazy beats and brooding vocals from Hackney-based DIY electronic artist Alex Loveless. Released via Loveless’ own label Dirty Mind (named after their own club night inspired by the Prince record) ‘Through 2 U’ is an intoxicating combination of smouldering alt-pop hooks and melancholy-tinged lyrics. (KC)

Pallas Athene – ‘Gimme Gimme’
Toronto-based artist Pallas Athene contributed this ambient track to Object Ten, a compilation album that features original pieces of experimental, electronic music by new and established artists. Put together by London drone-pop band The Leaf Library, the album is a real breath of fresh air for anyone looking for a departure from their usual listening habits. (KC)

Tokky Horror – ‘Godliness’
London-Manchester-Liverpool trio Tokky Horror have taken things down a notch on their latest offering ‘Godliness’, which is taken from their debut EP I Found The Answers And Now I Want More, set for release on 21st May via Alcopop! Records. “I think we show our more expansive side on ‘Godliness’,” Zee Davine explains. “Where our first two singles were the ‘flag-in-ground’ moment when we wanted to assert our presence with intensity, ‘Godliness’ is us letting our guard down a bit for something more genuine.” (KC)

GHLOW – ‘Not Fit For This’
A visceral blend of distorted guitars, energetic beats and commanding vocals, this single from Russian-Swedish heavy duo GHLOW is taken from their debut album Slash and Burn, recently released via PNK SLM Recordings. I love their intense rhythms and jagged riffs and recommend listening to the full album if you like what you hear. (KC)

A Place To Bury Strangers – ‘End Of The Night’
With a change in lineup and a new EP titled Hologram on the way, Brooklyn’s A Place To Bury Strangers have unleashed this caustic new tune that buzzes with unrest. Founding member Oliver Ackermann has been joined by John Fedowitz (bass) and Sandra Fedowitz (drums) for this record, which is released on 16th July. (KC)

SPITBOY – ‘In Your Face’ (Remastered)
Don Giovanni Records have announced that they’re releasing trailblazing San Francisco based 90s feminist hardcore band SPITBOY’s discography on 25th June. Titled Body Of Work (1990-1995), 100% of the profits from the record will be going to the National Women’s Law Center. This is the first time SPITBOY have appeared on my radar and I’m loving their grungy, riot grrrl sound. (KC)

The Bug Club – ‘Checkmate’
Set to release their debut EP this Friday, Welsh trio The Bug Club’s ‘Checkmate’ showcases their uniquely uplifting, frenetic brand of garage rock perfectly. Propelled by a vibrant, driving energy, it oozes a playful sense of euphoria as gloriously scuzzy hooks race alongside blissful harmonies. Launching Moondream One, the upcoming debut EP from The Bug Club, is out 30th April via Bingo Records. Read our interview with Tilly from the band here. (ML)

Queens & Kings – ‘Going Through Hell’
Propelled by a fuzzed-out visceral energy and gentle blues-rock twang, ‘Going Through Hell’ reflects on Toronto duo Queens & Kings’ 10+ year relationship and the struggles they have gone through both personally and as a band. As Alissa’s gritty swooning vocals flow with a stirring, soulful drive alongside scuzzy hooks, it’s a powerful Americana-tinged slice of garage-rock brimming full of anthemic emotion. (ML)

GracieSouz – ‘Brian Cox’
Having just released her stirring debut EP Better In Space, GracieSouz creates sweeping, ethereal soundscapes. Paying ode to the famed scientist with Gracie’s soaring, crystalline vocals and a cinematic splendour, it oozes a bewitching, majestic grace. A shimmering slice of brooding electro-pop. Better In Space, the new EP from GracieSouz, is out now. (ML)

MELÓ – ‘Castle’
Taken from her upcoming EP Youthless, Canadian-Hungarian artist MELÓ’s latest single ‘Castle’ reflects on themes of mental illness. Evoking images of escapism, it oozes a sweeping, ethereal soundscape propelled by the soaring power of the soulful vocals. Flowing with a shimmering majesty, it’s a captivating slice of dreamy alt-pop. (ML)

Gillie – ‘Retirement Paradise’
The title track from her recent EP, Welsh songwriter Gillie tentatively explores what it means to slow down and reflect on what you truly need on ‘Retirement Paradise’. “I think this is the track that defines me as who I am today,” she explains. “I’m now aware that the people whom I previously thought lived slow and boring lives, have become the people I take note from. I often joke that I could go into retirement right this moment and live quite happily, and so that’s how this track developed.” (KC)

Be Charlotte – ‘We Are Burning’
Taken from her debut EP Dreaming With The Lights Off, Be Charlotte’s ‘We Are Burning’ soars with a twinkling emotion and lilting, folk-tinged melodies. Propelled by Charlotte’s distinctive luscious Scottish vocals, it’s a sparkling pop anthem, calling us to action at a time when hope may seem to be lost. (ML)

All cats are beautiful – ‘(u know) u mean a long minute to me’
The first single to be taken from their upcoming EP, all cats are beautiful (acab)’s ‘(u know) u mean a long minute to me’ is a truly stirring slice of twinkling lo-fi indie pop. A shimmering, swirling soundscape, it wraps itself around the ears and heartstrings with beautiful harmonies and woozy beats. A wonderfully soothing offering oozing an emotive sparkling splendour. the things we made, the upcoming new EP from all cats are beautiful, is set for release on 6th August via Moshi Moshi. (ML)

Thigh High – ‘Because The Night’ (London 2021)
I first heard Thigh High’s cover/performance of ‘Because The Night’ as part of Patti Smith’s celebrations around the inauguration of President Biden. The track is now available for you to download and it’s just beautiful. I had the pleasure of interviewing Thigh High last year and I recommend you check out the rest of their catalogue – a band truly dedicated to celebrating and centering queer joy in their music! (TW)

 

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GIHE Turns Three: The Music Getting Us Through 2020

Though we’d already been hosting our own radio show and gig nights at The Finsbury for some time before, last week marked three years since we started this little website; a sanctuary dedicated to promoting and supporting women and non binary people in new music. A place for us to spread the word about the bands and artists so deserving of your ears; a place to indulge ourselves in writing about just how truly necessary their art is to our wellbeing. And how prevalent this has been over the last few months. For the government to pass off musicians as a surplus profession that doesn’t deserve any funding in these hard times seems utterly ludicrous; their work is a total lifeline for us, something we need in order to survive, now more than ever. 

So, to celebrate our birthday, we pay tribute to the bands and artists who we’ve sought refuge in throughout these trying times. Some old favourites who may have cropped up on the website/at our gigs/on our radio show more than once over the last three years; and some new discoveries who we have happened upon and fallen in love with whilst in the depths of lockdown… 

Read about our choices below, and make sure you have a listen to our special Birthday playlist! 

Mari Lane:

Whilst the last seven months haven’t been easy – in addition to the general anxieties I’m sure everyone has been feeling, continuing my day job of supporting students with mental health difficulties has certainly taken its toll on my own wellbeing – the situation has also given me a chance to reflect on the things I treasure most. Not only am I extremely lucky to live with a loving partner (our very own GIHE art director, Paul) and still have a job I feel passionately about, but being part of Get In Her Ears and the feeling of unity and togetherness (despite being physically apart) I feel with co-founders Tash and Kate is something I’m grateful for every day. That, and the abundance of incredible new music I’m being constantly sent, plus the many memories I have of incredible gigs at The Finsbury, is definitely something that has got me through recently. So, a huge thank you to all the bands and artists who have been a part of the Get In Her Ears journey, and have been continuing to create wonderful offerings of catharsis this year.

Little Simz – Grey Area
Whenever I need an uplift, a shot of motivation – which has been quite frequently lately – I listen to Little Simz’ Grey Area. The perfect soundtrack to the current anxieties and injustices rife in society, it gives me a little bit of hope. It makes me feel like there’s power in being a woman; it leaves me feeling momentarily inspired and indestructible – as she asserts in album track ‘Offence’, “I’m a boss in a fucking dress”.

Eilis Frawley – ‘Stats’
Having been left utterly spellbound by classically trained drummer and percussionist Eilis Frawley’s set for us at Notting Hill Arts Club last year, her recent singles have been perfectly affecting and resonant right now. ‘Stats’, for example, highlights the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. 

Screaming Toenail – Growth 
Screaming Toenail headlined one of the last gigs we hosted in December last year – the night after the fateful election result; a night when a sense of impending doom lingered, but who could have foreseen just how horrific things would get. With us all feeling emotionally drained, the band managed to bring a comforting sense of unity and cathartic joy to the venue, as like-minded people came together to dance and sing in solidarity. And their recent album Growth is truly a soundtrack to our times; a necessary listen right now. Starkly reminding us that on returning to ‘normality’, we need to create a new normal. One in which voices like Screaming Toenail’s can be amplified to the max; one in which we prioritise creating safe, queer, intersectional communities and spaces for people to share their art together. One in which we are all continually fighting for change and feel able to grow bigger and louder in the face of challenges.

Diet Cig – Do You Wonder About Me?
Having been pretty obsessed with their 2017 album Swear I’m Good At This since it came out, the return of Alex Luciano and Noah Bowman – aka Diet Cig – to my ears could not have been more welcome. Their latest album Do You Wonder About Me? is filled with Luciano’s luscious honey-sweet vocals, infectious jangly melodies and all the twinkling energy I need now more than ever. A shimmering collection; perfectly uplifting isolation listening. 

Fightmilk – ‘If You Had A Sister’
They’ve headlined for us at The Finsbury not once, but twice, over the last four years and Fightmilk remain one of my complete favourites. Latest release ‘If You Had A Sister’ may be more sombre in tone than previous releases, but loses none of the band’s trademark catchy, emo-tinged indie-pop goodness. A band that are continuously refining their sound and, in the process, consistently continuing to win my heart – a much needed combination right now. 

Emma Kupa – It Will Come Easier
Having been a big fan of Mammoth Penguins for some time now, especially since they delivered a total dream of a set for us at The Finsbury last year, front person Emma Kupa releasing her debut solo album It Will Come Easier has been a definite high point of the last few months.  It’s impossible not to become utterly immersed in each song’s subtle passion and heartfelt lyrical storytelling; listening to Kupa’s stirring indie-pop calms my mind on each listen. 

Amaroun – ‘Rise’
Having released a stream of singles each month for the first half of this year, Jay Brown aka Amaroun’s stirring creations have succeeded in blissing me out whilst giving pause for reflection through some trying times. Flowing with shimmering hooks and glitchy beats alongside Brown’s rich, emotion-strewn vocals, each track has focused on the theme of being a queer woman: each a poignant, effervescent reflection on love, life and rising up against oppression. Jay has also hosted two of of Instagram Live Takeovers recently – talking about the meaning behind her songs and promoting her new book of poetry, Black, Queer and No Idea. 

LibraLibra – ‘Listerine’
From the riotous colossal cacophony of the all-too-poignant ‘Panic Buy’, to the spellbinding melancholic grandeur of most recent single ‘Listerine’, total faves LibraLibra have provided a powerful and eclectic lockdown soundtrack. With each track, whatever the mood, they offer a perfect, impassioned catharsis. And LibraLibra completely blew us away at one of my most favourite gigs that we’ve hosted over the last four years, when they played for us live last December… I miss organising gigs so much – such a huge void in my life – and I cannot wait for when it is safe to witness the raging charisma of LibraLibra live once more. 

Blonde Maze – ‘Not All Flowers Bloom’
Having been a huge fan of New York artist and previous guest on our radio show Blonde Maze for a long while now, I’ve been super grateful for her latest releases ‘Not All Flowers Bloom’ and ‘To The Moon’ over the last few months. Complete with chiming beats and twinkling hooks, they’re further testimony to the truly euphoric electro-pop soundscapes she’s capable of creating. I could listen to her exquisite offerings on a loop forever – I just find her music so completely calming and blissfully cathartic. Essential listening for these anxiety-inducing times. 

HNNY – Sunday
I came across HNNY through one of my Spotify ‘Daily Mix’ playlists – something I have frequently been relying on in my indecisive, distracted state throughout lockdown. I’d never heard HNNY before, but one listen of Sunday and I was completely hooked. I still don’t really know anything about the artist, but have found myself listening to their back catalogue on repeat – their utterly luscious, other-worldy dreamscapes the perfect working from home accompaniment.

Additional shout outs to: Bikini Kill – we all know how much they mean to me, so treated myself to their special 20th Anniversary edition EP last Bandcamp day; Bandcamp – for supporting artists so consistently and waiving their fees once a month since the start of lockdown; and Bugeye – they’ve hosted an epic weekly podcast ‘Rock, Pop, Rambles‘, providing uplifting chat and tunes, and even had yours truly on as a guest back in May. 

Kate Crudgington:

When I received a text from the government on the 9th of April telling me to shield and not to leave the house for 12 weeks, I thought I’d have a pretty easy lockdown. Little did I know that staying inside for 24 hours a day, only interacting with people via Zoom would be quite detrimental to my mood, I’d become slightly agoraphobic, and I’d have to do a course of CBT over the phone because I was obsessing about things that had happened to me a year ago. Still, I think my lockdown experience was easier than most, and it was certainly made easier by the constant flow of good music that kept my GIHE inbox full.

Lido Pimienta – Miss Colombia
When I Skyped Lido Pimienta back in April and asked her what she was up to during lockdown, she replied: “Staying indoors, but being fabulous,” as she gestured to her colourful make-up and red hair accessories that matched her dress. Her joyful perspective, and her passion for her upcoming album Miss Colombia transcended the screen. “My biggest pride is having put Afro-Colombian music – that we recorded in Colombia with traditional roots – right in the mix of electronic and orchestral music.” she explained, and what an achievement that is. (you can read the full interview here.)

Lady Gaga – Chromatica
I was one of millions of Gaga fans who spent Chromatica release day prancing around their bedrooms, dramatically miming the lyrics to ‘Stupid Love’ into the mirror. The album is full of sweeping instrumentals and wall-to-wall dance BANGERS. ‘Rain On Me’ may have been written pre-pandemic, but a song about uncontrollably bawling your eyes out slotted perfectly into my psyche during my lockdown blues, so I was able to ride out my coronacoaster of emotions in true Gaga style. Listening to this album and talking about it with friends really cheered me up, and soothed the sting of missing out on seeing her live again (for the third time…)

Jessica Winter – Sad Music
Sad Music, the debut EP from Brixton-based Queen of sad bangers Jessica Winter was such a tonic for my ears during April and May. It’s full of edgy, electro-pop bangers designed to provide relief during life’s more hectic moments. She was also one of the first guests we interviewed via Zoom for our GIHE radio show when it returned after 16 weeks off air, which was an even bigger mood booster for me! (you can listen back to that here.)

Noga Erez – ‘NO News ON TV’
“I don’t wanna look at my phone anymore,” muses Noga Erez at the beginning of this track, and I felt that with every fibre of my being during summertime. I get so fatigued staring at screens all day, and while it’s important not to disconnect from social media and world events entirely, it is important to put this song on and give yourself a 3 minute dance break from it all at least four times a day. Noga Erez is yet to release something we don’t all collectively love here at GIHE, and I’m just so glad she’s keeping up the momentum and releasing incredible singles, and beautifully shot videos like this one.

Beckie Margaret – ‘God’
If you’d like to read 200+ words about how emotional Beckie Margaret’s music makes me, click here. I think she has a flawless voice and her lyrics bruise me in the best kind of way. She releases through Cool Thing Records, whose roster I cannot recommend enough. They’re a proper DIY collective run by people who absolutely love the music they’re making and promoting, and it’s always a good day when an email about one of their artists appears at the top of my GIHE inbox.

Slightly off topic for GIHE – but I also listened to Rage Against The Machine’s The Battle Of Los Angeles, and Run The Jewels new album regularly throughout lockdown. I also got a bit obsessed with series 3 of an amazing podcast called ‘Slow Burn’ which is in depth discussion about the lives and deaths of Tupac & Biggie Smalls.

Tash Walker:

2020 has been a year unlike any other. Everyone’s lives have been impacted in one way or another, in varying degrees and complications, and I am at the privileged end of that spectrum. But it wasn’t until several months into the lockdown that things started to hit for me, maybe because all my energy went into keeping the LGBT+ helpline I run going, maybe because I filled every hour I had with zooms, or maybe because I, like so many others was in shock. One thing I missed the most was doing our weekly radio shows, going to our monthly Get In Her Ears gig nights and just live music in general. Which is why I delved into my memories and looked to all the fantastic artists that we have had the opportunity to interview, play on our radio show or see at one of our gigs – thank you to all of you! Get In Her Ears is for you. 

Scrounge – ‘Etch’ 
I included this particular song on an earlier playlist this year in the midst of lockdown after having a rather dramatic moment running in torrential rain with it, thrashing my frustration out in air drums. On a more serious note, this band and their music got me through one of my lowest moments during this lockdown. The infectious drums, catchy chorus and memories of seeing them live dragged me out of my cloud and reminded me of the importance of music in dealing with life’s challenges. Thank you Scrounge – I owe you.

Julia-Sophie – ‘Breathe’
I discovered Julia-Sophie’s music at the beginning of 2020 and with the release of her EP Y? in the midst of the pandemic, I cannot be more thankful. The record draws you in from the outset, with this lead track ‘Breathe’ enveloping you with its sound as the pulsating title lyric repeats, leaving it reverberating around your head after only the second listen. It’s been a staple on speakers throughout this year and still is. Being given the opportunity to go back to Hoxton Radio studios and restart our Get In Her Ears radio show couldn’t have come at a better time, not only because it is a highlight of my week picking and choosing the music to spin for you all but also because we get to stay connected with amazing artists such as Julia-Sophie. You can check out our Julia-Sophie radio interview here and also Julia-Sophie’s Five Favourites giving you an insight into what is getting into her ears. 

Balraj Singh Samrai, Pandit G Gavsborg, Farah Amad Khan, Shanique Marie, Tunde Adekoya, Vikaash – ‘I Should Have Hugged You Tighter When We Last Met (Oh What A Joy)’
This piece was made in June of this year with help from Opera North’s artist development programme, Resonance: The Lockdown Edition. Combining  music and spoken word to document life  during the COVID-19 pandemic and its impact on  communities of colour, Samrai initially produced an instrumental which tabla player Vikaahsh Sankadecha added South Asian percussion rhythms to. Equiknoxx member Gavsborg then penned a poem for the track, and Farah Ahmad Khan added her own spoken word contribution. The accompanying video is so powerful and was made by the Rainbow Collective, go check it out and raise the profile of this track. This is documentary art at its best. 

Seraphina Simone – ‘Hollywood $$$’
One of the things that I will always be thankful for are the artists and the music that continued to be released throughout 2020 against a backdrop of chaos, and Seraphina was one of those artists. ‘Hollywood’ was one of those songs shining the spotlight on the glitzy, gritty, ghastly Hollywood. Now with the slow reopeninig of the world we got to talk to Seraphina about life, music and LA on our radio show, which you can listen back to here. Big love to Seraphina and go check her out now if you haven’t already! 

Skunk Anansie – ‘Weak’
I couldn’t contribute to this feature without mentioning a definite highlight for me in 2020 and that was interviewing Skin! I had an amazing chat with Skin and Lucy O’Brien to talk about the fresh off the shelves memoir “It Takes Blood and Guts” which they have co-written together. If you want to hear a little snippet of some wise words that Skin said when it comes to dealing with all the racism, sexism, homophobia and general inequality that so often reverberates around the world (especially now) then listen back to our 01.10.20 Radio Show. The interview is available for you to cast your eyes over here in all its fangirl glory (I couldn’t help myself). 

GIRLHOOD – ‘The Love I Need’
London duo Girlhood returned with their banging single ‘The Love I Need’ earlier this. year. The first taster from their debut album which is set for release this October. I have played this track and all their subsequent releases consistently on repeat since, samples mixed with Tessa’s lyrics, nods to 90s neo-soul and songs that just fill you with so much joy – exactly what we all need right now. You can listen back to our radio interview on GET IN HER EARS W/ GIRLHOOD 08.10.20 here.

Playlist: Pride 2020
My last choice is a bit of a cheat but this is one thing that has definitely helped me get through this year, get through all the negativity that has been thrown at the LGBTQIA+ communities, specifically transgender and gender non-conforming folks. Music brings us together, it challenges and it changes, but most importantly it helps us to survive. 

To copy Kate and give a shout out to a podcast I would strongly recommend Ecstacy: The Battle of Rave series which is all about the history of Acid House in the UK, it’s really great and probably the closest thing to an actual rave right now.

Thanks to all who’ve supported us over the last three years. Listen to our special birthday playlist below!

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