Get In Her Ears Live @ The Finsbury w/ CLT DRP, 14.06.19

Following a host of amazing bands playing for us lately, including Crumbs, Mammoth Penguins, ARXX, Wolf Girl and Fightmilk, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music from awesome womxn.

Kicking off the night is the sparkling, ‘mummycore’ riotpop of I, Doris. Treating us to an equal balance of tongue-in-cheek lyricism and groove-filled hooks, their catchy offerings ooze an infectious joy.

Next up, Lemondaze captivate with their soaring, shoegaze sounds. A relatively new band, their scuzzy dream-like haze is utterly immersive, as their deliver each hypnotic offering with a swirling, impassioned energy, marking them out as truly impressive; definite ones to watch worthy of every success.

Penultimate band of the night, Cryptic Street, blast into our ears and eyes with their ferocious energy and magnetising charisma. As front woman Leona bounds across the stage like a feisty whirlwind, the band deliver impressive riffs, enrapturing the crowd with their buoyant spirit (and even getting one super fan up on stage with them to join in the fun). Getting crowd-pleasing down to a fine art, Cryptic Street are a true force to be reckoned with.

Headliners, Brighton’s CLT DRP, succeed in completely blowing my mind. Delivering their immense, thrashing beats, fuzz-filled whirring hooks and soaring, gritty vocals with an empowered energy, each incredible raging cacophony leaves me utterly speechless. With stand-out lyrics such as “Read my mouth, you don’t own me”, CLT DRP’s breathtaking power lies not only in their unique electro-punk sound, but in the poignant, pertinent message they convey.

HUGE thanks to the four amazing bands who made Friday night so special! We really appreciate you coming to play for us. Don’t miss our next night at The Finsbury on 12th July with incredible headliners Witching Waves! RSVP here.

Photos: Em Burfitt / @fenderqueer
Words: Mari Lane / @marimindles

LIVE (Photos): Camden Rocks, 02.06.19

Last weekend saw the return of North London’s celebration of all things rawk, Camden Rocks; an annual festival held at various venues across Camden, featuring an array of bands new and old.

Our photographer Jon Mo was lucky enough to head over on Sunday to catch some of our favourites…

Treating The Hawley Arms to their sweeping, dreamy sounds were Indian Queens.

Pals of GIHE and all round awesome people, Tiger Mimic, delivered a special acoustic set for Kick Out The Jams at Rock ‘n’ Roll Rescue.

Riotous duo The Pearl Harts blasted out their seething desert rock at The Monarch.

Having previously wowed us live at The Five Bells, HAWXX delivered their frenzied rock anthems at The Fiddler’s Elbow.

Friends of GIHE, immense rockers The Muffin Heads, blasted out their tremendous raging force at The Dublin Castle.

The Dublin Castle also played host to GIHE faves Bugeye and their unique, sparkling disco-punk power.

Photo Credit: Jon Mo / @jonmophoto

 

PLAYLIST: May 2019

Another month, another playlist to share with you all! May has been as fruitful as ever when it comes to new music, so we’re excited to share our top picks with you all. Take some time to scroll through our words and make sure you hit play on the Spotify link at the bottom of the page…

Dream Nails – ‘Vagina Police’
Our fave feminist punks Dream Nails released their EP Vagina Police last year, with all the profits donated to Abortion Support Network who are an organisation dedicated to supporting women & girl’s reproductive rights in the UK. With the news this month that the US state of Alabama has voted to outlaw abortion entirely – a law that offers no exception for rape or incest victims – it feels more important than ever to shout back. Here are some ways you may be able to help women affected by the new legislation(Kate Crudgington)

Montauk Hotel – ‘White Billboards’
A luscious soundscape with a poignant context; Montauk Hotel released this single via Reckless Records. The Dublin-based band say their new track is a “reflection on the power of advertising in our society and how models and [industry] standards influence our choices, happiness, and feelings of adequacy”. (KC)

Julia Shapiro – ‘A Couple Highs’
“When the rest of my life felt out of control, I felt like this was my chance to be in control of everything” explains Julia Shapiro about her upcoming debut solo album Perfect Version, which is set for release on June 14th via Hardly Art. Having taken a step back from life as Chastity Belt’s vocalist & guitarist after a difficult year, Shapiro has returned with this second single from her new record and it’s a breezy, soothing drop of aural medicine. (KC)

Trash Kit – ‘Horizon’
Having wowed us at one of our first nights at The Finbsury, Trash Kit have now shared the brand new title track from their upcoming album. Inspired by how people interpret the planet, ‘Horizon’ oozes a shimmering effervescent joy and swirling sparkling energy. Interweaving twinkling hooks, jangly beats and funk-fused bass lines, its cascading sun-filled vibes build to a wonderfully life-affirming climax and rejuvenating euphoric haze.
Horizon, the upcoming new album from Trash Kit, is out 5th July via Upset The Rhythm. (Mari Lane)

Show Boy – ‘Video’
Having built a reputation over the last few years across London for his dazzling, energy-filled live shows, artist and producer Show Boy has now shared a brand new single. Taken from his upcoming Surreal EP, ‘Video’ is propelled by throbbing beats and a whirring danceable energy. An instantly catchy, sparkling alt-pop gem that demands multiple listens. (ML)

Pongo – ‘Chora’
‘Chora’ the latest single from Caroline International signing Pongo (who is an Angolan-Portuguese electronic artist) means “cry” in Portuguese. The track is taken from her debut EP Baia which documents her turbulent experiences when she fled Angola in the country’s violent civil war. Through blending Portuguese lyrics and musical references to the Angolan genre of Kuduro, which assimilates soca and samba alongside western touchstones like techno & dancehall  – it’s an absolute tune! (Tash Walker)

Lizzo (feat. Missy Elliott) – ‘Tempo’
It wouldn’t be a GIHE playlist without the inclusion of total queen, Lizzo. I cannot stop listening (and dancing!) to her critically acclaimed new album, Cuz I Love You, and this track sees a total dream of a collaboration with the utter legend that is Missy Elliott. Another hugely empowering, body positive anthem, with each listen of ‘Tempo’ I just get more and more excited about finally seeing Lizzo live later this month at Kentish Town Forum (maybe Missy will make a guest appearance….)(ML)

Pinky Pinky – ‘Do Me Dirty (Charlie)’
The new single from LA trio Pinky Pinky, ‘Do Me Dirty (Charlie)’ is an infectiously uplifting slice of garage rock. With shades of the likes of Hinds, it oozes sunny hooks and honey-sweet vocals, creating the perfect, sparkling summer-love anthem. Pinky Pinky are over in the UK next week, and I cannot wait to witness their scuzzy energy live at The Sebright Arms on 22nd May. Full info on dates here. (ML)

CLT DRP – ‘Speak To My’
The breathtakingly immense latest single from Brighton’s CLT DRP, ‘Speak To My’ is the ultimate track to put two fingers up to the patriarchy, and a perfect accompaniment to what’s happening in the world today. Blasting out a unique cacophony of intense electro-punk, ‘Speak To My’ addresses rejecting the male gaze and womxm owning their sexuality; a wonderfully riotous anthem highlighting CLT DRP as the future of feminist punk. And we cannot wait for them to headline our next night at The Finsbury on 14th June! (ML)

Ghum – ‘Get Up’
Having wowed us on numerous occasions with their immersive live performances, GIHE faves GHUM have now shared a new track from their upcoming EP. ‘Get Up’ is a hauntingly anthemic offering, perfectly showcasing GHUM’s goth-tinged, sparkling majesty and bewitching charisma. The Coldest Fire, the upcoming EP from GHUM, is out 28th June via Everything Sucks Music. Catch GHUM live at the launch party on 13th July at The Shacklewell Arms. (ML)

Bamboo Smoke – ‘Stretchmarks’
The latest single from South Londoners Bamboo Smoke who played a fantastic set for us at our first ever Notting Hill Arts Club gig. The band describe ‘Stretchmarks’ as their most vulnerable song to date. (TW)

Izzy Bizu – ‘Lights On’
Taken from the newly released EP Glita, this is the latest single from Izzy Bizu “about throwing caution to the wind and going with what you feel rather than what you think.” Free spirits listen up! (TW)

Wolf Alice – ‘Moaning Lisa Smile’
It’s my birthday on 25th May and if you’re a Wolf Alice nerd like I am, you’ll notice that’s the date on the poster of the dance competition Ellie Rowsell enters in the music video for this track. 29 years old and I’m still angst-ridden af and ready to dance to this song as soon as I hear the opening riff. HB2ME. (KC)

Get In Her Ears Live @ The Finsbury w/ Crumbs, 10.05.19

Following a host of amazing bands playing for us lately, including Mammoth Penguins, ARXX, Wolf Girl, Sit Down and Fightmilk, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music from awesome womxn.

Kicking things off is Birmingham born, London-based artist Rookes. Oozing a sparkling, magnetising charisma, she takes full command of the stage, delivering her electro-infused anthemic pop, as the subtle power of her shimmering vocals flows into our ears.

Next up, London duo Sophie Peacock and Natalie Healey – aka Panic Pocket – treat our ears to their twinkling indie-pop. Interspersing each uplifting ditty with charming cat-filled tales, it’s impossible not to be instantly cheered whilst singing along to their infectious, synth-filled melodies and refreshing, tongue-in-cheek wit.

Having not seen third band of the night live before, I was not prepared for just how intoxicatingly powerful Charismatic Megafauna‘s performance would be. Delivering their unique, percussion-filled electro-punk, all-the-while swapping instruments, they blast out empowering, patriarchy-smashing anthems, covering topics from sexual abuse, to diet foods and female ejaculation. Completely breathtaking.

Headliners Crumbs continue to wow the packed-out venue with their fiery post-punk. With funk-fused basslines, scuzzy hooks and impassioned vocals, they ooze a gritty, buoyant power which has the whole crowd buzzing and bouncing with enthused energy.

Massive thanks to the four bands and artists who played for us on Friday; you were all absolutely incredible. It was such a great night filled with amazing live music and the best of vibes! And make sure you don’t miss our next night at The Finsbury on 14th June with headliners CLT DRP.

 

Mari Lane
@marimindles

LIVE: The Coathangers @ Arts Club Loft, Liverpool, 30.04.19

Why aren’t The Coathangers better known? It’s a question that occurs whilst writing this review. Perhaps, with their self-titled debut coming along in 2006, they emerged at a time when bands were pretty uniformly all-male and ironically pro-choice band names were unheard of. Whatever the case, it’s led them here, to a smallish loft venue in Liverpool on a Tuesday, calling in support from two of the city’s emerging punk acts.

Piss Kitti take to the stage by degrees, with guitarist Dominic, bassist Quinn and drummer Daniel already onstage and set up before lead singer Esme followss. The group are joyously unrefined and uncoordinated, whilst the set is shallow fried DIY punk – all power chords and burps down the mic, shrieks and thuds. But there’s social commentary too: “We always get told off for doing this one because it’s about the lad bands round here that are absolute melts”, Esme announces before the band crash into ‘Bore’.  It’s ironic, and perhaps deliberate, that it has the best chorus of the set.

After Salt the Snail tell us “We’ve got absolutely nothing to say”, we wait for what seems an age for The Coathangers to appear. When they do, they creep on in darkness – so dark, in fact, that the gold lamé hooded dresses worn by all three of them are quite startling when the lights come up. It’s an eerie opening too, with jungle sounds and the bassless lilt of ‘Lithium’ and its tale of medication, sung sweetly by singer/guitarist Julia.

In some ways, it belies the rest of the show, most of which flits between Julia’s vocals and the gritty Wanda Jackson pipes belonging to drummer Stephanie. The set is largely taken from new album The Devil You Know, with several album track highlights that reflect the band’s duality: ‘5 Farms’, a straight up garage slammer that meanders into swing; ‘Stranger Danger’, equal parts creepy and bluesy; ‘Hey Buddy’, a maraca-backed cool AF 70s rocker.

But The Coathangers are more in-sync than in-opposition: bassist Meredith takes lead vocals on ‘Memories’, and towards the end of the set, the band have all swapped roles, with each taking a turn on lead vocals and drums. At one point, the band finish a song and collapse into laughter. It’s an insight into Coathanger World, and helps explain the trio’s willingness to go on making music, for over ten years and across six albums. “We’ve been on tour for five months!”, offers Stephanie, by way of explanation.

There’s a smattering of older tracks for the diehards in the room – the titular track from previous LP Nosebleed Weekend, its lead single and the band’s signature tune ‘Make It Right’, and ‘Shut Up’ from 2014’s Suck My Shirt – before the band close with fan favourite ‘Squeeki Tiki’, featuring Julia playing the song’s hook on a dog’s squeaky chew toy, before they strut off, those dresses flashing gold. There’s no encore, after a set with very little bantering with the crowd and no endless tune-ups. Just 45 minutes of pop-rock, garage and Runaways-style punk performed with a minimum of fuss. It’s worth its wait.

John McGovern
@etinsuburbiaego

LIVE (Photos): Cro Cro Land, 06.04.19 (Part 2)

Last weekend saw the launch of Croydon’s brand new festival, Cro Cro Land. Organised by Croydon residents Angela Martin and Julia Woollams, the festival aimed to promote gender equality in both its line-up and staff, whilst championing a number of local bands and artists, and working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

And what a festival it was! Paying host to SO MANY incredible bands, it was not only a day filled with all the best live music, but also a completely unmatched sense of community spirit and united joy at being part of the DIY scene. As well as all the superb bands playing on the day, we bumped into so many other bands and artists there to support their peers, as well as other key members from the community, such as Caffy from The Zine UK and staff from Croydon’s best pub, The Oval Tavern. It was like a huge family gathering, filled with all the most life-affirming vibes and, of course, the best live music.

Check out Part 1 of our review of the day here. And here’s some more fantastic photos from Jon Mo and Jamie MacMillan, who were there to capture all the action…

Following Bugeye’s impressive set, we stick around at the main Town Square stage to catch the festival’s ‘secret’ headliner – Liverpool’s She Drew The Gun. Kicking off with the politically-driven power of ‘Resister’, they treat us to an immense and utterly immersive set filled with a sincere, empowering energy.

Photo Credit: Jamie MacMillian

Photo Credit: Jamie MacMillan

Continuing the incredible performances at the Town Square stage, South Yorkshire’s Bang Bang Romeo blast into our eyes and ears with a magnificent energy. As front woman Stars completely blows my mind with her incredible compelling charisma and the soaring soulful power of her vocals, they deliver a truly breathtaking and instantly memorable set, taking full control of the huge crowd.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Rather nervous about some of my favourite bands clashing (it’s just such a perfect line-up!), I manage to fit in at least some of all the ones I’m desperate to see over the next hour – flitting between the Concrete Playground and Town Square…

From Bang Bang Romeo, I catch a good chunk of the luscious, punk-infused indie-pop of Fightmilk. With their wonderfully raucous energy, they never fail to uplift, as I find myself singing along to each of their dreamily catchy offerings – including personal highlight ‘Dream Phone’ (and yes, sadly I am old enough to remember the game!).

Photo Credit: Jon Mo

Photo Credit: Jamie MacMillan

Dashing back to the Town Square in time to catch South London duo Nova Twins, they once again succeed in completely taking my breath away with their ferocious power and biting energy. Having been following Georgia and Amy for some time now, it’s no surprise to see them achieving the success they have been (supporting Wolf Alice and Prophets Of Rage, praise from the likes of Iggy Pop, playing festivals across the world…); their truly immense, seething offerings are like nothing else I’ve heard before, and the vibrant, mighty force of their live show remains completely unmatched.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Back at the Concrete Playground, total faves Chorusgirl do not disappoint. Another band I’ve been following for the last few years, it really is wonderful to see them develop their sound, with their incredible dedication to their craft paying off with the release of last year’s truly epic second album Shimmer and Spin. A set filled with a joyous energy and front woman Silvi’s endearing modest charm, I just can’t get enough of their scuzzy, sparkling garage-rock, and may even have shed a tear upon hearing personal favourite ‘Stuck’ live for the first time; a poignant offering from the new album, that tugs at the heartstrings in all the right ways.

Photo Credit: Jamie MacMillan

Photo Credit: Jamie MacMillan

I manage to get back to the Town Square just in time to catch The Lovely Eggs. Despite a significant amp explosion moments before they’re due to start, the Lancaster duo deliver their immense punk-infused sonic fusions to perfection. With the brash, inspiring charisma and no-frills-yet-empowering presence of Holly Ross, they blast out a swirling, psychedelic cacophony and uplifting lo-fi fuzz. And, with their blunt realism and scathing retorts to all the dickheads in the world accompanying their riotous frenzied energy, they remain one of the most relevant bands around (and one of the most exciting to see live).

Photo Credit: Jamie MacMillan

Photo Credit: Jon Mo

Closing the incredible day, Blood Red Shoes deliver a headline set filled with raucous anthems new and old. Oozing their trademark whirring riffs, thrashing beats and the immense, energy-fuelled interplay between Laura Mary and Steven, they fill the room with a mass of buoyant bodies, singing along to each electrifying offering.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

HUGE thanks to Angela and Julia for organising one of the best days ever; and here’s to Cro Cro Land 2020!

Photos:
Jon Mo / @jonmophoto
Jamie MacMillan / @jamiemacphotos

Words:
Mari Lane / @marimindles

 

Get In Her Ears Live @ The Finsbury w/ Mammoth Penguins, 12.04.19

Following a host of amazing bands playing for us lately, including ARXX, Wolf Girl, Sit Down, Fightmilk and Peach Club, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music from awesome womxn.

Kicking things off is the completely dreamy, shoegaze-inspired soundscapes of Winter Gardens. Alongside high-octane riffs and propulsive beats, the soaring vocals of Ananda create an utterly captivating start to the night.

Next up, Oxford’s Death Of The Maiden blow us away with their immense, sweeping power. Combining Tamara’s smooth, beguiling vocals, poignant narratives and a twinkling grace, they deliver a truly immersive set, leaving us honoured to have hosted their first ever London gig.

Penultimate band of the night, DUCK, return with their unique, fun-filled groove to play for us for a second time. And what a pleasure it is to host the trio again; with their wonderfully wonky noise-pop, they treat us to a whirring array of synth-filled sonic delights, getting the whole crowd dancing along to their unique, colourful offerings.

Having been a big fan of Mammoth Penguins for a long while now, it’s a real privilege to have them headline for us. And they don’t disappoint. Delivering truly dreamy indie-pop offerings old and new, I find myself singing along to every single song. As the raw, distinctive vocals of Emma Kupa flow alongside shimmering melodies and jangly, energised beats, I’m left with butterflies in my stomach at the fuzzy, scuzzy loveliness of everything this band create.

Huge thanks to the four amazing bands who made Friday night so special, to sound engineer Joe and to everyone who made it out to pack out The Finsbury! Hope to see you next time, on 12th May, when we’ll have Leeds band Crumbs headlining for us, along with Charismatic Megafauna, Panic Pocket and Rookes.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto