Get In Her Ears Live @ The Finsbury w/ Personal Best, 10.01.20

Following a host of amazing bands playing for us throughout 2019, including Screaming Toenail, Salad, GENN, Chorusgirl, Witching Waves and CLT DRP, we were back at The Finsbury on Friday for our first gig of the year, with another dream of a line-up, for a jam-packed night of the best live music.

Kicking things off is the dreamily delightful ‘heartland rock’ of newly formed Athabaska. Alternating between the impassioned, crystalline vocals of Faith Taylor (Suggested Friends) and the delicate emotion of those of bassist Roxy, they treat us to a heart-warming shimmering folk-strewn musicality and luscious sweeping harmonies.

Next up Nun Habit deliver their fuzzy, infectious garage pop with a unique, quirky energy. With shades of the jangly synth-driven soul of the likes of Young Fathers, whether guitarist Gregory or bassist Kate is leading the vocals, they ooze a vibrant spirit and immersive, sparkling charisma.

One of my ‘Ones To Watch’ for 2020, London trio Hurtling are third band of the night. With their sun-drenched whirring hooks and the swirling subtle power of Jen Macro’s (My Bloody Valentine) distinctive effervescent vocals, they deliver their fuzz-filled noise-pop anthems with a captivating, psychedelic haze.

I’ve been keen to see headliners Personal Best for a while now, and they definitely don’t disappoint. With a joyous punk-rock energy, their “classic rock for tragic lesbians” fills the venue with adoring fans as immense, frenetic riffs are blasted out alongside pure pop harmonies and a sparkling energy. Drawing the night to a memorable close, front person Katie Gatt dedicates their set closer to the queer community. As a sea of buoyant voices joins in with “I wanna kiss you in the street, where everyone can see… ’cause this is what we look like”, the poignancy of the lyrics in these uncertain times is overwhelming, and an empowering sense of unity takes hold as the crowd heaves with bodies dancing and singing in solidarity. A really special end to what’s been a night filled with the most life-affirming vibes.

Massive thanks to the four incredible bands who played for us on Friday, and to all who came down and completely packed out the venue! Be sure to join us next month on 14th February, with Piney Gir, Grawl!x, Captain Handsome and I Am Her.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

Get In Her Ears Live @ The Finsbury w/ Screaming Toenail, 13.12.19

On what was a pretty devastating and terrifying day for most of us, on Friday 13th December – the day it was announced that we have to live under a Tory government for another five years – many of us ventured out, despite feeling emotionally drained by it all, for a night of live music. And what a special night it was; like-minded people coming together to share music, rage and love at a time when we need it the most.

Kicking things off, Foxcunt deliver their immense punk spirit and catchy tunes. Rallying against the patriarchy, ACAB and the home office, their energy-fuelled anti-establishment anthems are just what we need right now.

Next up, Manchester’s Dollie Demi lift our spirits with their sassy, vibrant spirit. As front woman Demi wows us all with her sparkling confidence, incredible classic-rock inspired riffs and driving beats are delivered with a swirling, fun-filled energy.

Third band of the night, Brighton’s LibraLibra, completely blow me away. Delivering their immense dance-punk creations, it’s utterly impossible not to become completely captivated by front woman Beth’s incredible dazzling magnetism as the full-force of her impassioned vocals blasts out alongside tribal beats and whirring hooks. A colossal cacophony that empowers and enlivens.

Headliners Screaming Toenail bring the night to a poignant end. Despite letting us know that they’re feeling emotionally drained by the awful revelations of the day, front person Jacob leads the band in uniting us in love and rage with their resonant, cathartic creations. Whether we’re being encouraged to scream ‘No’ in the face of any racism/homophobia/ableism we encounter, share names of powerful women we love, or simply acknowledge how cute we all are, Screaming Toenail ooze a a frenzied, raw emotion and vibrant spirit. And, with powerful – and all too resounding – offerings such as ‘Swarm’ and ‘Sever’, they soothe some of the day’s pain, filling the venue with a comforting sense of unity, as like-minded people come together to dance and sing in solidarity against the forces seeking to crush our spirit.

Massive thanks and love to the four incredible bands who powered through devastating times to come and play for us on Friday, and made it such a special night. We’ll be back at The Finsbury on 10th January 2020, with headliners Personal Best.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Gazelle Twin & NYX Electronic Drone Choir to perform ‘Deep England’ as part of EFG London Jazz Festival

A unique artist with razor sharp vision and uncompromising creativity; Gazelle Twin (aka Elizabeth Bernholz) has paired up with the NYX electronic drone choir once again to perform ‘Deep England’; a hair-raising transformation of her recent album Pastoral, which exhumes England’s “rotten past” and questions its uncertain future. The performance will take place on 20th November at Southbank Centre, as part of the EFG London Jazz Festival.

The collaboration was first commissioned and performed in December 2018 as part of a collaborative series at London’s Oval Space, but now Bernholz’s operatic voice will be displayed in all its glory alongside the equally as powerful voices of the NYX choir in the prestigious Queen Elizabeth Hall.

Together, Bernholz and NYX use their voices, acoustic glitching, polyphonic overtone and ambient textures to bring Gazelle Twin’s Pastoral vision to life. The unique choir explore and test the limits of organic and synthetic modulation to explore the entire spectrum of collective female voice as an instrument. Their veiled Handmaid’s-Tale-esque silhouettes are a formidable sight on stage, so expect to be blown away by the power and the glory of their live show.

GIHE will be at the show, and we urge you to grab a ticket for it here.

For more information about EFG London Jazz Festival events, click here.

LIVE (Photos): Berries EP Launch, 06.11.19

Celebrating the release of London trio Berries’ new EP, Lies, last Wednesday three of our most favourite bands got together to put on a night of the most exciting live music.

Kicking things off, captors of my heart Chorusgirl treat the crowd to their truly luscious, emotion-strewn dream pop. As Silvi describes set opener ‘In Dreams’ as “a nice song about my hometown”, she revels in “all the familiar faces” in the crowd as the band continue to deliver their effervescent harmonies and impressive driving riffs. From tracks from their first album such as ‘To Be A Defector’ to newer tracks such as the hugely stirring ‘Stuck’, Chorusgirl deliver their shimmering sounds with a heart-rending, cathartic energy.

Next up, The Franklys blast out their energy fuelled rock ‘n’ roll with their immense empowering charisma. From the soaring buoyant power of ‘I’m Not Guilty’, to the swirling grit of ‘Keeper’ and many more riff-tastic anthems in-between, the half Swedish band completely captivate the crowd with their catchily riotous sounds.

And then, the three women of the hour, Berries, take to the stage with their trademark fun-filled energy and sparkling magnetism. Treating the jam-packed venue to dazzling guitar solos, front woman Holly’s distinctive spiky vocals and an all-encompassing life-affirming sense of unity, the trio deliver familiar offerings such as the frenzied force of ‘Discreetly’ and ‘Faults’, amongst songs so new their name is not yet decided – “It’s ‘Trace’, not ‘Once'”, Holly asserts. In between designated swigs of drinks, Berries don’t disappoint, with their admirable raw passion and buzzing charisma, proving them worthy of the highest accolades.

Massive thanks to all three bands for a great night of live music!

Berries’ new EP Lies is out now, via RoseColoured Records/AWAL. Stream now.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Get In Her Ears Live @ The Finsbury w/ Salad, 08.11.19

Following a host of amazing bands playing for us lately, including GENN, Chorusgirl, Witching Waves, CLT DRP and Crumbs, we were back at The Finsbury last night with another dream of a line-up, for a jam-packed night of the best new music.

Kicking things off, and completely packing out the venue instantly, London trio Macadamia Sluts deliver their insightful pop-punk – delving into poignant subjects of toxic relationships and the struggles of being an introvert, with refreshingly confessional lyricism and an impassioned, buoyant energy they uplift and inspire; securing themselves as a definite new favourite band.

Next up, Gold Baby dazzle with their shimmering, heartfelt offerings on the first outing for completed new line up – consisting of Siân, Scott and Sara. The trio deliver dreamy lamentations on life, love and alternative realities, as glistening melodies flow alongside Siân’s utterly spellbinding crystalline vocals that ooze with a raw emotion. Just beautiful.

Penultimate band of the night, all the way from Seattle, Cozy Slippers charm us with their catchy, twinkling slices of indie-pop. Delivering delightfully jangly tales of stolen cars and lost love, they treat us to exquisite harmonies and a gentle romanticism that leaves each and every one of us with a smile on our face and a warmth in our hearts.

And then the secret’s out… our headliners reveal themselves to be reformed ’90 legends Salad. Kicking things off with an energy-fuelled rendition of last year’s single, ‘The Selfishness Of Love’, the band continue to treat us to offerings new and old, predominantly showcasing their latest album The Salad Way, released earlier this year, whilst fitting in classics such as ‘Drink The Elixir’. Oozing a vibrant charisma and sparkling pizazz, despite battling the flu, front woman Marijne leads the way in delivering a set jam-packed full of relentless riffs (courtesy of most recent member Charley Stone) and buoyant melodies, proving that Salad is well and truly back on the menu…

Massive thanks to all four bands for making last night so special, and to everyone who made it out to show support. Catch us next month, on 13th December, with headliners Screaming Toenail!

Words: Mari Lane / @marimindles
Photos: Keira-Anee Photography / @keiraanee