Having been steadily carving out her place in the UK indie-folk scene, known for her intricate storytelling and evocative vocals, Scottish songwriter Neev first charmed our ears with her 2023 debut album, Katherine, before going on to cast her captivating spell once more with last year’s sophomore offering, How Things Tie In Knots.
Now, having called London home for a number of years – grateful for the sense of community and creativity it has allowed her – Neev will be relocating up north later in the year, and, as a farewell to her beloved city, she will be playing a special intimate gig next Wednesday 27th May at SJQ in Dalston. Ahead of the gig, we caught up with Neev to reflect on her mixed feelings about London, its supportive DIY music scene, what it’s offered her and the reasons why it’s time to leave. Have a read and nab tickets to next Wednesday’s gig here.
Being a musician in London in my mid-20s shaped me, but now I’m leaving.
Moving to London wasn’t a dream of mine. I didn’t get the hype. I moved there to study a masters and living in the city was a slow burn. It was too big, I got lost a lot, it was expensive. But, when it hit summer, I started to understand what pulled people there, and once I got curious about the live music scene, I started to understand why people stayed.
In 2019, an ill-suited 9-5 job spurred me to pick up my guitar. I started writing songs I didn’t hate and went to open mics every night. Since that decision, I’ve had the privilege of making life-long friends, attending awe-inspiring gigs, making music, playing with my band and darting around the city most days from studios, to venues, to rehearsal rooms. Being a musician in London in my 20s shaped me, but now I’m leaving.
My decision to leave isn’t ground-breaking. It’s all the reasons you’ve heard before: cost, space, access to nature, the things that every Londoner tolerates until they can’t. But I don’t regret a moment spent in the city cutting my teeth in the music scene. It’s the best decision I’ve ever made.
It was through the music scene that I met my incredible band. I met musician and singer-songwriter, Alex Cambridge, at my first gig, playing to a handful of friends. My soon-to-be musical right-hand woman, Frankie Morrow – aka Maz McMillian – was also in the crowd that evening. I’ve had the joy of playing with her and Alex in their bands over the years where I’ve learned so much. I’ve managed to convince the busiest musician in London, Greg Sheffield, to still play with me after all these years, which has been a joy, and I met Alex Reed as a newcomer to London – his brilliant bass playing and friendship have been a steady presence throughout my time in the city.
Something I respect about the scene is how democratized it is, there’s something for everyone. The pub corners that pull crowds, the church halls, the quirky book shops that double as venues. This scene is held up by hard working promoters that care about getting good music heard; the Get in Her Ears team being a brilliant example, as is Bark Noise and the Soundsniffer. I feel very lucky to have seen incredible shows. I’ll never forget seeing Bojockey and Glowworms at the Shacklewell Arms, wedged into a spellbound crowd yelling the words. I’ve seen acoustic sets at the Gladstone Arms from Laura Reznek, Frankie Morrow and Ann Lui Cannon. Shows at the Lexington and The Finsbury have felt so special, where people like Cordelia Gartside and Alex Cambridge have played.
But right now in the capital, rent prices continue to soar, the cost of living is at an all time high, and sustaining a music career gets harder. In the current context, watching the musicians around me make it work to keep creating their art is more of an impressive feat than ever. So, what is it about London? You may be reading this thinking of other amazing creative hubs dotted around the UK and beyond. I think Glasgow, my hometown, is one of them, and it’s a cheaper city to live in. I was recently listening to a conversation between the comics Mike Birbiglia and Nish Kumar, who got onto the topic of living as a creative in London. Nish said:
“London will always continue to throw up interesting people and exciting people… Because if you pack a load of creative people into a space where they don’t really have enough room to manoeuvre without bumping into each other, that’s where the cool shit really happens.”
Mike Burbiglia agrees and replies:
“That’s the point, yeah” but adds “it’s basically impossible to live there. Good luck.”
Which sums up my love for London: it’s absolutely packed to the brim with talent, life and creativity. And everybody makes it work, even if it’s basically impossible to live there.
Huge thanks to Neev for sharing her thoughts on being a musician in London with us – catch her at SJQ next Wednesday. Otherwise, she’ll be in Nottingham on 28th May and up in her hometown of Glasgow on 29th May.
Get In Her Ears 
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