Five Favourites: Why Bonnie

The latest full-band project from Texan artist Blair Howerton, Why Bonnie released their debut Water back in 2018 and have now returned, announcing their upcoming EP Voice Box, set for release next month.

Title track and lead single, ‘Voice Box’, oozes sunny uplifting vibes as shimmering hooks and Howerton’s rich, luscious vocals flow with a soaring emotion; a truly dreamy offering fuzzing with a dazzling, effervescent charm.

We think one of the best ways to get to know an artist is by asking what music inspires them or influences their writing. We caught up with Blair, who has shared her “Five Favourites” – five albums that particularly resonate with them. Check out her choices below, and make sure you watch Why Bonnie’s new video for ‘Voice Box’ at the bottom of this post.

Liz Phair – Exile In Guyville
I first heard this album in college and haven’t found anything to top it since. I‘d grown up with her big pop hits, but this album was a totally different vibe. She blended that classic ’90s angst with heartfelt sweetness so beautifully and all of the melodies are really subtle yet effective. The whole sound felt very familiar but in an exciting way. I’ve listened to the track ‘Explain It To Me’ maybe a thousand times and I never get sick of it. The album is also really long and has a really good variety of sounds, so I recommend it for anyone that’s currently self isolating!

Fleetwood Mac – Rumours
This album will always remind me of my childhood. Out of all of the classic rock albums that I grew up with, this one was the most formative. Stevie Nicks was my idol growing up and we have the same birthday, so I’ve always felt weirdly connected to her. ‘Dreams’ is one of those tracks that will always bring me back to being seven years old on a beach in Galveston, Texas, twirling around with a towel doing my best Stevie impression. Also, that bass line is catchy as hell. 

Dear Nora – Three States: Rarities 1997 – 2007
This was my first introduction to Twee and the genre really resonated with me. This album in particular was sweet and sentimental but still had a fun, kinda sloppy, and whimsical edge to it. It’s poetic but not pretentious, and always puts me in a good mood.

The Breeders – Last Splash
Kim Deal is just a true fucking icon. Last Splash has such a good blend of disjointed scuzzy rock and pop sensibilities, which is something we strive for in our music. It’s the epitome of noise-pop and I believe it paved the way for a whole genre. Obviously we love Pixies as well, but The Breeders really honed in this sound in such a brilliant way.

Pavement – Crooked Rain, Crooked Rain
Picking the best Pavement album is like talking about politics or religion with your family at Thanksgiving. Crooked Rain was my first introduction to Pavement, so that’s kind of the main reason for choosing it. What makes this record so special (and inspiring) is really the way they combine (both from a songwriting and performance standpoint) catchy, earworm-y melodies with absolute chaos. Pavement is such a special band because they’re able to mix seemingly contradictory elements into songs that you find yourself humming on a walk, in the grocery store, or waiting for the train. Tongue-in-cheek lyrics that with a beautiful guitar melody, dissonant guitar noise with heartfelt lyrics, or trying to play jazz as a slacker rock band. They remind me that it’s ok to not take yourself too seriously, and in doing that you can end up making music that’s incredibly catchy, inspiring, and meaningful. They kind of invite the listener to apply whatever kind of meaning they want to the songs, and inspire me to write whatever I’m feeling like playing or singing, knowing that it’s ok if a wrong note or nonsense lyric (or several) find their way onto the record. 

Massive thanks to Blair for sharing her Five Favourites with us! Why Bonnie’s new EP Voice Box is out 10th April via Fat Possum Records. Watch the video for the title track:

Photo Credit: Pooneh Ghana