WATCH: The Baby Seals – ‘Yawn Porn’

Following the release of their debut album, Chaos, earlier this year, and ahead of their headline gig with us at The Cavendish Arms on 12th September, Cambridgeshire feminist punks The Baby Seals have shared a homemade video for album track ‘Yawn Porn‘. Showcasing the band’s ability to bring a cathartic sense of fun to poignant subject matter, the track races with a driving energy and gritty raw emotion, offering a fierce take down of the continuing sexism and derogatory imagery that consumes the world’s porn industry. Of the track, front woman Kerry explains:

“Porn has been something I’ve been concerned about for a few years now, especially as I have friends with young children who could have access to it soon. And it always seems to end in the same way, with the same theme of women being minimalised, and always in a submissive role. ‘Yawn Porn’ is about the fact that I’d like the industry to shake it up a bit, and to celebrate women enjoying sex. I think we are failing our young people by allowing the industry to continue in a way that is derogatory towards women, and feel that we should be guiding young people to have healthy sexual relationships.”

The video for ‘Yawn Porn’ was filmed by the band in Brighton, and features some punk friends that they made on the beach that day, dancing and singing along to the track. Kerry adds, “I like that all our videos are very DIY, because I want people who might not necessarily be confident enough to pick up a guitar or be in a band to watch them and to know that anyone can do it as long as you’re having a good time!”

Watch the brand new video for ‘Yawn Porn’ here:


Don’t miss the chance to catch The Baby Seals live at The Cavendish Arms, next Thursday 12th September. Support comes from indie legend Charley Stone and exciting new band Skutterfly. Tickets are cheaper in advance, and it really helps us and the bands if you’re able to nab yours sooner rather than later – so, pick one up on Dice now!

Chaos, the debut album from The Baby Seals, is out now via Trapped Animal / Green Island / Big Romantic.

Mari Lane
@marimindles

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LIVE (Photos): Grace Petrie – Islington Assembly Hall, 14.03.24

Having last seen Grace Petrie live at local venue Stanley Arts back in 2021, and spoken to her earlier that year, it was great to get the opportunity to see her again – this time with a full live band at Islington Assembly Hall, and oozing even more understated, yet strident, empowering charm than ever before. A truly wonderful and unifying evening, celebrating the release of her new album, Build Something Better (and in anticipation of its exciting top 30 chart position the following day), it was a real pleasure to experience her poignant, politically-charged anthems amongst a filled venue of like-minded individuals. With her lilting folk-strewn musicality elevated and energised with the addition of Robin Gatt on lead guitar, Francesca Knowles on drums, Jasmine Kennedy on bass and Amy Thatcher on accordion, as well as her constant comrade Ben Moss on fiddle, it felt like a particularly special evening; whilst not holding back with addressing issues of urgency with a fierce spirit, Petrie was able to create an atmosphere of joyous warmth and solidarity. Resonant, necessary messages delivered with an infectious energy, inciting us to unite and fight against the forces that seek to oppress us. 

As well as being lucky enough to immerse ourselves in Grace’s live set, we were able to have a quick chat about the new album and tour, see our photos from the night, and snippets from the interview below.

“Build Something Better is probably my most political record for a long while. It was inspired by the general sense of dissatisfaction in modern day Britain, especially the nationalistic undertones that the government are utilising to try and distract from the many ways that people are increasingly unhappy and dissatisfied with living standards here. And that just kind of inspired a lot of angry, political songs.”

“Writing the album, I was very inspired by different folk-rock albums, like Bruce Springsteen’s Wrecking Ball, The Decemberists, and an Australian band called The Maes that I’ve been listening to a lot recently.”

“I’ve been having an amazing time touring it, this is my first time playing with this line-up, and it’s just been absolutely amazing. I couldn’t ask for a better band to lift these songs to an amazing new live level that I’ve never been able to access before. I’ve just been having a really great time!”

GIHE alumni Gabi Garbutt also delivered a really beautiful set as support, before Molly Naylor treated us to her witty and relatable poetry.

Build Something Better, the new album from Grace Petrie, is out now via The Robot Needs Home Collective. And Grace will be heading out to Australia this week for a couple of live dates, before heading back there in May for the Guilty Feminist tour. More info here.

Photo Credit: Paul Dawes / @GRNDglass

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PREMIERE: Problem Patterns – ‘Pity Bra’

GIHE favourites Problem Patterns will be sharing their debut album, Blouse Club, in less than 24 hours! To help celebrate the release, the Belfast-based Riot Grrrls have taken the pragmatic and very punk approach of sharing seven unreleased album tracks, each with individual DIY music videos, in advance of the album’s official release via Alcopop! Records tomorrow.

GIHE are honoured to be exclusively hosting the video for the delightfully named ‘Pity Bra‘, which features on the new record. Not defined by traditional band structures, Problem Patterns routinely switch up instruments and mic duties for their riotous songs, which always makes for a refreshing take on the subject they’re singing about. On ‘Pity Bra’, Alanah Smith takes the lead and tells the story of a very important night back in 2020, that strengthened the friendships and the creative foundations of Problem Patterns.

“This song is a true story and it explains itself,” explains Alanah about the track. “We went to Dublin to play a show for A Litany Of Failures, and the next day we all had a band trip to go see Sleater-Kinney. It was such a wonderful weekend, we ran into so many friends at that show. It was just a few weeks after that when we went into lockdown. That was the last trip we all had outside of Belfast for a really long time.

It is such a joyful memory for all of us. It was just this really lovely time where we went out for dinner with friends, played a show, saw one of our favourite bands – not a care in the world or any idea of what was about to come. I still remember the moment I was standing in that crowd and saw Ciara sneaking by me with the biggest grin on her face. Moments later Corin Tucker was holding our band shirt on stage. We absolutely do not advocate for throwing things at musicians, but in this case it gave us something funny to sing about later.

The song is sort of like an interlude on the album, the end of side A. It’s definitely the most gentle track and it’s very nostalgic for us. I thought the only possible video for it would be a montage of our time together so far. It’s a lot of spliced clips of things from our personal phones, as well as some behind the scenes moments filming live sessions, touring, music videos. There’s a few familiar faces in there. It’s all very sweet and sentimental.”

Fresh from supporting Dream Wife on their Irish tour dates and recently tipped as Ones To Watch by The Guardian, Problem Patterns also performed live on BBC 6Music and supported electro-punk icons Le Tigre on their Manchester and Glasgow tour dates earlier this year, as well as playing a standout set at Brighton’s Great Escape festival in May.

It’s been a joy to witness the Alana, Ciara, Bev and Beth’s hard work pay off over recent years, and we can’t wait to host the band live in London for the second time at their SOLD OUT headline show at the Sebright Arms in Hackney on Friday 17th November, supported by Fightmilk and Dogviolet (join the wait-list on DICE).

We wholeheartedly congratulate Problem Patterns on the release of their knockout debut album. Pre-order your copy of Blouse Club here. The band have shared the remaining 6 videos on other respected music publications, so make sure you keep your eyes peeled for those too!

Watch the DIY video for ‘Pity Bra’ below.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Carrie Davenport

Kate Crudgington
@KCBobCut

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LISTEN: Problem Patterns – ‘Lesbo 3000’ / ‘Poverty Tourist’

GIHE favourites Problem Patterns have returned with a double dose of delightful, disruptive noise on their AA single release ‘Lesbo 3000’ / ‘Poverty Tourist’. Taken from their upcoming debut album, Blouse Club, which is due on 27th October via Alcopop! Records, the Belfast-based Riot Grrrls tackle homophobia and working class appropriation on their anthemic new tracks. We can’t wait to hear both of them live when the band headline for us at the Sebright Arms in Hackney on 17th November (tickets are cheaper in advance and available from DICE).

Not defined by traditional band structures, Problem Patterns routinely switch up instruments and mic duties for their riotous songs, which always makes for a refreshing take on the subject they’re singing about. Following on from previous single ‘Letter of Resignation’, which saw guitarist Beverley Boal step forward on vocals, on ‘Lesbo 3000’ drummer Bethany Crooks takes the lead as she calls out the prejudices around homophobic language and reclaims it for herself and the LGBTQ+ community.

“‘Lesbo 3000’ was written partly out of frustration and also to reclaim and have ownership over my sexuality,” explains Bethany. “The frustration is that lesbianism is consistently invalidated, we’re told that we just haven’t ‘met the right man’ yet or that some random man in a bar has a magic appendage in his trousers that will completely negate your attraction to women. The reality is that homophobic attacks are becoming more and more consistent with right wing social media emboldening bigots, while ‘lesbian’ remains one of the top search topics on all porn websites. (Mostly) men think that lesbians exist for their sexual gratification, but if they see two women holding hands they go absolutely berserk.”

“I also thought it was important to reclaim the slur ‘dyke’,” she continues. “I’ve been called a dyke multiple times by homophobes who want to hurt me, but if I can reclaim that word it completely takes the power out of it. Yes I am a dyke. And that feels really powerful to say.” With the aid of some truly stunning local drag artists in the accompanying video for ‘Lesbo 3000’, Bethany and the grrrls gleefully dismantle these damaging prejudices and riotously reclaim the language that doesn’t belong on the tongues of ignorant bigots.

“We really wanted it to feel joyful and silly even though the song has quite a serious subject matter,” Bethany comments on the visuals, which were directed by long-time collaborator Brendan Seamus. “We decorated the set like a big gay party! We toyed for months with the idea of paying homage to ‘Addicted To Love’ and ‘Man I Feel Like A Woman’, and thought that involving local drag artists would be a perfect tonic to the constant depressing news cycles surrounding LGBTQ+ attacks and discrimination we see nowadays. Carl Hartt, Hester Ectomy, Xxxpresso Martini and FRUITY were the backing band and they all absolutely killed it. We are so grateful that they even wanted to participate in the video, and they really served 80s hair metal/bimbo/sexy punk realness.”

Problem Patterns are driven by a strong DIY ethos and as a working class band, they feel it’s important to call out the appropriation of this culture in the music industry and further afield. Their second AA-side track ‘Poverty Tourist’ does just that. Fuelled by the riotous dual vocals of Alanah Smith and Ciara King, as well as King’s potent bass line, the track is a Beastie Boys-style blast of pure punk catharsis that came about during the band’s final writing session before they recorded their album.

“We’re a working class band and there are experiences that are very unique to us which we have bonded over,” Alanah explains about the track. “It’s incredibly frustrating to see those struggles co-opted by folks who have never had to worry about money. The kind of people who will dig around charity shops to ‘curate’ bits for their Etsy store where they will sell these items at 10x the price. Charity shops exist to serve the community and there are people that depend on them because there are no other options. It’s the rich kids moving into impoverished areas to make themselves sound more interesting, driving up the rent and gentrifying the area.”

“This sort of romanticisation of the poor is very prevalent in the music scene, especially in bands (and industry types) who align a working class background with being perceived as more authentic. People dress up and change their accent for personal gain only, but as Jarvis Cocker once said, ‘If you called your dad he could stop this all’ – and of course, he also said, ‘Everybody hates a tourist.’ It’s cosplay, it’s gross, and it’s always obvious when someone is doing this.”

Fresh from performing live on BBC 6Music, supporting electro-punk icons Le Tigre on their Manchester and Glasgow tour dates and playing a knockout set at Brighton’s Great Escape festival earlier this year, it’s been a joy to witness Problem Patterns’ hard work pay off. Listen to ‘Poverty Tourist’ below and pre-order your copy of their debut album, Blouse Club, here.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Carrie Davenport

Kate Crudgington
@KCBobCut

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