PLAYLIST: March 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Cowboy Hunters – ‘Mating Calls’
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems. Latest single ‘Mating Calls’ showcases the band’s scathing dry humour with a ferocious seething energy and frenzied raw power. Summing up its message, the band say: “We’re all animals and it’s all awful but it’s fun to shout about it. Basically a diss track to creeps in smoking areas everywhere.” Cowboy Hunters are currently on tour, catch them at one of our fave venues – New River Studios – on 18th April.
(Mari Lane – Managing Editor)

Slung – ‘Thinking About It’
I’ve been such a big fan of everything that Brigton rockers Slung have released over the past few months, and this new single is no exception. Taken from their debut album, In Ways, which is set for release on 2nd May via Fat Dracula, ‘Thinking About It’ is inspired by vocalist Katie Oldham’s desire to express herself in a way that feels authentic to her. She explains in more detail: “Bringing references to queerness in our songs is important to me, because myself and the majority of my friends identify as queer, despite mostly presenting femme and straight-passing. I don’t feel the need to draw attention to it specifically, and don’t feel it appropriate to represent myself as a ‘queer voice’, but I still want to create a little space in whatever I do to honour it, as it’s an important part of who I am. The theme is also pretty representative of bisexual panic, meeting a girl and realising you’re thinking about it, and wondering if she’s thinking about it too. It’s such a goofy song that hopefully offers some light-hearted relief to some of the heavier vibes of the record.”
(Kate Crudgington – Features Editor)

Witch Fever – ‘Dead To Me!’
I still remember the formidable live performance Manchester rockers Witch Fever delivered when they headlined our GIHE gig at The Finsbury Pub back in 2018 (pics here). The band have lost none of their potency or momentum since then, something which their latest single ‘Dead To Me!’ fiercely proves. This track is inspired by vocalist Amy Walpole’s traumatic experiences growing up in the Charismatic Church, confidently unleashing her anger and defying the heavily gendered social norms of remaining quiet and compliant. (KC)

Cwfen – ‘Wolfsbane’
Glasgow’s Cwfen (pronounced ‘Coven’) are a new discovery for me, but I love the heavy, shadowy sound of this single, lifted from the band’s upcoming debut album, Sorrows, which is set for release on 30th May via New Heavy Sounds. Vocalist & guitarist Agnes Alder explains more about the context of the track: “on the surface, it’s about poison. At its heart, it’s an ode to the untamed female rage that comes when the world tries to carve us into something smaller.” I can’t wait to catch the band playing live at The Black Heart in Camden supporting Faetooth on 17th June. Tickets are available here. (KC)

Blackwater Holylight – ‘Wandering Lost’
LA -based band Blackwater Holylight are new to me (despite having already released three records), but I love the way they blend heavier, doom-laden riffs with drifting, evocative vocals. This track is taken from their upcoming EP, If You Only Knew, which is set for release on 18th April via Suicide Squeeze Records. Vocalist, guitarist & bassist Sunny Faris explains that ‘Wandering Lost’ is about “feeling community in sorrow and remembering that everyone hurts, everyone changes, and that no one knows what’s next.” (KC)

Hot Wife – ‘Queen’
Described as “an anthem about empowering yourself by breaking free from toxic influence,” this is the second single from South London DIY four-piece Hot Wife. Inspired by a “cheating scumbag,” ‘Queen’ rumbles with the unrest of a ’90s grunge anthem, reminding listeners that living well is the best form of revenge. (KC)

Gender Chores – ‘Roy’
Following last single ‘January Blues’, Belfast band Gender Chores have now shared a scathing attack on those who punch down instead of looking up to see who is pulling the strings. Oozing a seething dark energy, the track builds with an impassioned raw emotion and searing sense of urgency. Reflecting on the track, Sam from the band explains: “Right now the world feels like it’s going backwards in so many ways, with bigots and fascists being platformed and marginalised voices silenced. We want to fight back against that however we can, and combat the narrative of hate and fear that got us into this place.” (ML)

NEXT TO NADA – ‘K.F.M’
Another belter of a tune from London-based fuzz-punk four piece NEXT TO NADA here! The band decribeS ‘K.F.M’ as “a scream of frustration at all the pointless, menial tasks we’re forced to waste our time on whilst working.” The track sarcastically tackles why we let “the unfeeling monster of modern employment” take over the best years of our lives, fuelled by the band’s raw and relatable punk energy. (KC)

Bridget. – ‘Hairspray’
Fuelled by her trademark angst-ridden energy, ‘Hairspray’ is the latest single from Essex grunge-rocker Bridget. She’ll be releasing a video to accompany the track on 3rd April, and she’ll be playing her biggest London headline show to date at Signature Brew in Haggerston on 24th April, with support from GIHE faves Lilith AI and Comic Sans. Grab your tickets here. (KC)

Maria Iskariot – ‘Leugenaar’
Translating as ‘Liar’, ‘Leugenaar’ is the seething new single from Dutch punks Maria Iskariot. Propelled by a fierce raw emotion and ferocious energy, its stipped-back hooks and thrashing beats build with a searing sense of urgency as the gritty power of Helena Cazaerck’s rages throughout. The band comment: “Leugenaar is an absolution, a pelvis under the chin of a drooling monster waiting to be freed from a rotten tooth. Anyone expecting further explanation can go to hell.” (ML)

Panic Shack – ‘Gok Wan’
Bursting with all the tongue-in-cheek wit and fierce energy that we’ve come to know and love, Panic Shack’s new single ‘Gok Wan’ offers a sneering reflection on the toxic culture of body ‘improvement’ that dominated the airwaves when they were growing up. A riotous post-punk anthem, showcasing the Cardiff band’s ability to critique the damaging patriarchal society that we live in with a swirling tenacity and danceable hooks. Watch the accompanying video for ‘Gok Wan’ here. (ML)

Grandmas House – ‘Haunt Me’
This new single from Bristol punks Grandmas House is a surprisingly tender offering. Taken from the band’s upcoming EP, Anything For You, set for release on 11th April via Berlin based label Duchess Box Records, ‘Haunt Me’ is a potent reflection on grief and the desire to be followed by a loved one who’s been lost. It’s a melancholy musing, but it feels just as cathartic as their previous raw punk-inspired efforts. (KC)

Scrounge – ‘Buzz/Cut’
“This song is about pleasure, self acceptance and having a good time,” explains Scrounge’s vocalist & guitarist Lucy. ‘Buzz/Cut’ is the South London duo’s most melodic offering to date and it features on their upcoming second album, Almost Like You Could, which is set for release on 18th April via Ba Da Bing! Records. The pair want listeners to experience the same cathartic release they feel when they’re playing live and that’s something that shines through instantly on this latest offering. Grab a ticket to see Scrounge headline The Lexington on 23rd April. (KC)

Dogviolet – ‘Dandelion’
The second single from ones to watch, London based band Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. Oozing a gritty immersive power and rich captivating energy, the track builds with a swirling allure as the refrain “to exist is to resist” repeats throughout with a glistening poignancy; an understated and unifying protest against capitalism. Dogviolet will be playing Cro Cro Land this Sunday, 6th April – just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more, and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Fake Dad – ‘Machinery’
With their recently released new EP, Holly Wholesome and the Slut Machine, LA based band Fake Dad have created a collection of tracks reflecting on the different characters that musical artists, or “rock music posers” often play. Propelled by scuzzy ‘90s-inspired hooks and a gritty impassioned energy, the EP chronicles fictitious characters and their worlds whilst subtly reflecting on the band’s own identities and experiences. (ML)

tall child – ‘Stupid Body’
“I wanted this song to feel like you are inside my head during my lowest of lows,” tall child explains about their latest single ‘Stupid Body’. Inspired by the South East London artist’s own experiences having issues with body image and being dismissed by doctors, this track is tall child’s way of taking ownership of an uncomfortable situation, and they hope it will help listeners through them in future too. (KC)

Tamara & The Dreams – ‘Successful Bisexual’
I couldn’t really not include a track called ‘Successful Bisexual’, an energy I’m forever trying to channel. This new single from Australian artist Tamara & The Dreams glistens with a lilting jangly energy and a catchy uplifting charm, offering a heartfelt ode to self-discovery and embracing who you truly are as you get older. (ML)

Twat Union – ‘Singer Of The Band’
Having recently signed to Alcopop! Records, London ‘theatre punks’ Twat Union have now shared their wonderfully energy-filled new single ‘Singer Of The Band’. A not-so-subtle take down of the sexism they’ve encountered in the music industry and those men we’ve all come across at gigs who undermine and patronise the women in the bands that they come to watch, it’s an angst-driven yet uplifting pop-punk anthem. Having already been featured as ‘Ones To Watch’ in The Guardian, Twat Union are set to release their debut EP, Don’t Look It In The Eye, this Friday 4th April. (ML)

Strange New Places – ‘YATPYFL’
The latest single from Belfast band Strange New Places, ‘YATPYFL’ (you are the person your friends love) offers a gloriously uplifting ode to self-love. Urging the listener to trust their friends’ opinions more than their own self-deprecating feelings of anxiety, it’s a perfect slice of fizzing pop-punk celebrating queerness and neurodivergence with a catchy joyous energy. ‘YATPYFL’ is accompanied by a video featuring Belfast punk scene legend Belfast punk scene legend Dolores Vischer and the band blasting into green-screen outer space. (ML)

Annie Dressner – ‘For The Thrill Of It’
Accompanied by a video filled with loads of awesome women from the music industry, including faves like The Baby Seals and Emma from Mammoth Penguins, the new single from New York via Cambridge artist Annie Dressner shares a poignant message. Flowing with lilting folk-strewn melodies and Dressner’s honey-sweet vocals, ‘For The Thrill Of It’ reflects on the rife misogyny within the music industry, juxtaposing an underlying rage with its twinkling musicality. Speaking about the track, Dressner explains: “The message in the lyrics addresses the pervasive issue of misogyny in the music industry, where inappropriate behaviour too often goes unaddressed or overlooked.The song aims to inspire positive change in attitudes toward women in music and encourage women to feel safe in speaking out.” (ML)

Wife Patrol – ‘We Who Are About To’
Full of harmonious dual vocals and melodic riffs, this is the latest single from Indianapolis alt-rock trio Wife Patrol. The track is taken from the band’s upcoming EP, NOPLACE, which is set for release on 2nd May. They describe their new offering as “the product of three misfits maneuvering the ugliness, the uncertainty, and the joy of modern life together” – something that many listeners will be able to relate to! You can pre-order Wife Patrol’s EP from bandcamp here. (KC)

Um, Jennifer? – ‘Delancey’
I really enjoy the juxtaposition of playful melodies and anxious lyricism on this latest single from New York trans duo Um, Jennifer? ‘Delancey’ is taken from their upcoming album, Um Comma Jennifer Question Mark, which is set for release on 25th April via Final Girl Records. Speaking about the track, band member Elijah Scarpati explains: “’Delancey’ is written from two perspectives at once – your own disappointment with the one you love, and from the fear that they’re disappointed in you too. It’s speaking aloud the anxious spiral that unrequited love creates. Musically, it’s a surprisingly upbeat song. Maybe because it’s funny to be in love and to be scared about it. Or maybe it’s because if we don’t laugh about it all, we’ll cry.” (KC)

Pleaser – ‘Begging Guitars’
The riotous ‘Begging Guitars’ is the title track from Danish punks Pleaser’s new album. Set for release on 23rd May via Part Time Records, the single is an all out cacophony of crashing beats, thundering riffs and cathartic shouts, inspired by the need to “let go” and reject the need to “indulge in perfection” for yourself, or to expect it from others. (KC)

Odelia – ‘Someone I Knew’
This single from 19 year old Baltimore-born, Liverpool-based songwriter and LIPA student Odelia dropped into my inbox earlier this month and I’m so glad that it did. Her passionate vocals drift seamlessly over breezy instrumentation, as she muses about fulfilling her childhood dream of performing music and becoming the person she always wanted to be. ‘Someone I Knew’ is the second single from Odelia’s upcoming EP, I see stars I see stars why do I always see stars, a collaboration with producer notcharles which is set for release later this year. (KC)

Crystal Quartez – ‘Fall Down’
Portland-based musician and installation artist Crystal Quartez recently shared their latest album, Erospace, on which they have shifted into avant-pop territory. Crystal created the record simply because they felt that they needed a safe place exist, finding solace in their new sonic universe. Crystal blends the Caribbean beats of their childhood alongside gothic sound textures and dream pop elements to explore and celebrate the queer experimental scenes that helped them to form their sense of self. (KC)

Arooj Aftab – ‘Raat Ki Rani’ (Khruangbin remix)
Being a big fan of both Arooj Aftab and Khruangbin, I was excited to hear this new remix of ‘Raat Ki Rani’. As Aftab’s soaring rich vocals ripple with an effervescent grace alongside laid back, jazz-inspired beats, a perfectly dreamy soundscape is created. I was lucky enough to catch Arooj Aftab live at Pitchfork Music Festival at The Roundhouse last November – she delivered a truly spellbinding performance, interspersed with some refreshingly witty between-song chat! (ML)

Goddess ft. Ex:Re – ‘Shadows’
Goddess is the brand new collaborative project of drumming powerhouse Fay Milton (Savages). This first single ‘Shadows’ features vocals from Elena Tonra (Ex:Re/Daughter) and contributions from two GIHE faves – piano from Hinako Omori and bass from Ayse Hassan (Savages). Tonra’s delicate vocals and mysterious lyrics float over Milton, Omori and Hassan’s shape-shifting soundscape. I can’t wait to hear Goddess’ debut self-titled album, which is set for release on 30th May via Bella Union. (KC)

NYX – ‘Bright Tongues’
I cannot recommend listening to the NYX Drone Choir’s debut solo album enough. This track, ‘Bright Tongues’, is one of many sublime compositions that showcase the ensemble’s powerful ability to harness the beauty of the collective human voice. I had a lovely chat with NYX founder & director Sian O’Gorman all about the record, her “Tones, Bones and Drones” workshops and her altruistic approach to singing and using your voice to connect with others. Read the full interview here. (KC)

Laura Misch – ‘Alchemy’
I have afromerm to thank for introducing me to the beautiful sounds of South London-born saxophonist, songwriter and electronic producer Laura Misch. Released via One Little Independent Records, ‘Alchemy’ is a poignant reflection on the very human ability to alchemise loss into love, underscored by Laura’s tender vocals, lush saxophone sounds and and the delicate harp plucks of Marysia Osu. (KC)

WOOM – ‘Circe’
I love this tender track from South-London four-piece vocal ensemble WOOM. “‘Circe’ is a song about being lost and finding your way, echoing the Greek myth of Circe who, despite her banishment, remains a complex symbol of resilience and metamorphosis,” the group explain. Their ethereal harmonies and soft, considered instrumentation make for blissful listening. (KC)

SUMAC & Moor Mother ft. Candice Hoyes – ‘Hard Truth’
Taken from SUMAC & Moor Mother’s debut collaborative album, The Film, ‘Hard Truth’ is a captivating sonic extrapolation of displacement, land and nature. These themes permeate the new record, which is set for release on 25th April. SUMAC and Moor Mother will be performing this work live at Roadburn Festival on the 17th & 19th of April too. Grab a ticket here. (KC)

M(h)aol – ‘DM:AM’
I’m such a big fan of post punk trio M(h)aol, so I was thrilled to see that they’re back with this cutting new single. Lifted from their new album, Something Soft, which is set for release on 16th May via Merge Records, ‘DM:AM’ is a response the the inappropriate behaviour of men who DM women online, then become antagonistic or aggressive when they don’t receive what they deem to be the correct response. The band combine abrasive riffs and direct vocals to dismantle the words and actions of these men, leaving no room for sympathy in the process. I can’t wait to hear their new record in full. (KC)

Tremosphere – ‘Along The Way’
I’m a big fan of this evocative, heady track from New York darkwave, pop-drone duo Tremosphere. It’s lifted from their upcoming fourth album, saturated solace, which is set for release on 16th May via Slugg Records and only available on bandcamp. Speaking on the themes that informed the new record, vocalist and songwriter Sylvia explains: “This album is about the exhaustion of the soul, our constant struggle between darkness and light, and how to live a rich sustainable life, we have to try and find balance everyday.” (KC)

 

Tea Eater – ‘Cecelia’
Featuring members of Gustaf and Sharkmuffin, Brooklyn’s Tea Eater create wonky art-punk with a colourful energy. Taken from the band’s brand new album, latest single ‘Cecelia’ is an ode to that woman everyone loves to moan and gossip about – who without “they wouldn’t have anyone to talk about or project their own dark parts and patterns onto” -, a gloriously fuzzy, riot-grrrl tinged singalong punk anthem from definite new favourites. Watch the DIY video for ‘Cecelia here, and make sure you check out the full album, I Don’t Believe In Bad Luck, now. (ML)

Eilis Frawley – ‘Be A Lady’
Congratulations to GIHE favourite Eilis Frawley, who released her debut album, Fall Forward, earlier this month! We’re such big fans of the Australian-born, Berlin-based drummer and vocalist, so it’s wonderful to see her share an eclectic full-length piece of work on which she covers everything from personal stories, to politics, to her internal monologue. She’ll be playing live in the UK throughout May and June, including a London headline show at The Shacklewell Arms in East London on 1st June. Full tour dates & tickets here. (KC)

Perfume Genius – ‘Clean Heart’
Celebrating the release of his brand new album, long-time fave Perfume Genius has shared this beautiful new single. A poignant reflection on the concept of time being able to heal all wounds, ‘Clean Heart’ flows with a glistening sense of hope as an undercurrent of melancholy shimmers under the surface. With its sparkling musicality propelled by stripped back tribal beats, it builds with a stirring anthemic splendour rippling throughout with Mike Hadreas’ trademark raw emotion. Glory, the new album from Perfume Genius, is out now. (ML)

Neev – ‘I Put It In A Frame’
Having just released her exquisite sophomore album, Scottish artist Neev combines intricate lyrical storytelling with a subtle gritty energy to explore themes of tension, contrast and self-discovery. Latest single ‘I Put It In A Frame’ offers a glistening rumination on the connection between female pain and art; an anthemic slice of alt-folk tinged with an evocative vulnerability. How Things Tie In Knots, the new album from Neev, is out now via Trapped Animal Records. (ML)

Rival Queens – ‘Sun Don’t Shine’
Inspired by her favourite Smashing Pumpkins song, ‘Sun Don’t Shine’ is the second single from Sally-Anne Hickman (Maya Lakhani’s guitarist)’s new solo project Rival Queens. Flowing with scuzzy hooks and the raw emotion of Hickman’s vocals, it gently builds with a fizzing energy to a sparkling reflection on our darker days. A heartfelt rock anthem, created completely independently – Sally-Anne played every single instrument you can hear and even programmed the drums on Garage Band! Rival Queens’ debut EP, Crown and Conquer, is set for release on 27th June, and before that we’re looking forward to catching their first ever live show at Cro Cro Land this Sunday, 6th April. Rival Queens are just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more – and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Jane Paknia – ‘Solace’
The latest single from innovative artist Jane Paknia, ‘Solace’ offers a dreamy electronic soundscape, fizzing with a sparkling energy. Inspired by the likes SOPHIE and Caroline Polachek, the track pulsates with glitchy beats alongside the delicate power of Paknia’s rich vocals and shimmering layers of instrumentation. Paknia explains: “I really intended for a crying in the club vibe in this one…to make something so sensitive and also pulsing felt like an accomplishment, an alchemizing of the discomfort I was experiencing.” (ML)

Samira Hills – ‘Romantasy’
The latest single from Shropshire based trans artist Samira Hills, ‘Romantasy’ offers a swirling synth-pop anthem. Combining sparkling melodies with a fierce gritty power, the track reflects on unrealistic romantic ideals with a bold energy. Of the track, Samira explains: “Realising I don’t need a lover to be happy was a euphoric and liberating experience. I want my fans to realise it too. So I wrote this song and unfortunately, we had to kill some Disney princesses in the process.” (ML)

 

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PLAYLIST: April 2024

The Get In Her Ears team have put together another eclectic mix of alternative & shoegaze anthems, unusual electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pruning’
Taken from their upcoming mini album, Sink Or Swim, which is due on the 14th June, ‘Pruning’ is one of my favourite Fräulein tracks to date. It’s a seamless blend of their brooding grunge riffs, bittersweet vocals and bristling beats. The GIHE team are consistently impressed by all that Joni and Karston create, and I especially love the accompanying video to this song, which features Joni dressed as an angel wandering around the streets of London. Watch it here. (Kate Crudgington – Features Editor)

King Hannah – ‘Davey Says’
The latest single from Liverpool duo King Hannah, ‘Davey Says’ flows with a lilting energy as a beautifully fuzzy raw emotion oozes from delicate harmonies. The band poignantly describe the track as “… our attempt at that classic American ‘90s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.” I first fell in love with King Hannah on hearing their stirring debut ‘Creme Brulee’ back in 2019, and it’s been really wonderful to see all their well-deserved success over the last few years, with second album Big Swimmer set for release on 31st May via City Slang. (Mari Lane – Managing Editor)

Human Interest – ‘Shapeshifting’
With more of a reflective tone than the grunge-fuelled groove of previous singles, the new one from Human Interest showcases the East London band’s impressive songwriting range, as they appear unafraid to share a moment of vulnerability. Reflecting on the different sides of us that we may or may not feel comfortable with from day to day, ‘Shapeshifting’ is propelled by an anthemic raw emotion as Cat and Tyler’s vocals interweave with an exquisite grace. Speaking about the track, they say: “I think it’s hard, when you’re queer, to feel like you’re being truly authentic to yourself. There are so many experiences that happen while growing up that make you hide who you really are. When you spend your formative years doing this, I think it becomes so ingrained in you that you end up as an adult not really knowing where your true self begins and the person you felt you had to be ends.” (ML)

Kynsy – ‘Money’
Having been a fan of Dublin’s Kynsy since she released ‘Cold Blue Light’ back in 2020, I’m chuffed to see her back with this excellent new single. Newly signed to Nice Swan Recordings, ‘Money’ is a gritty indie-infused reflection on “the depths of love, nostalgia…and a mixture of conflicting emotions.” (KC)

Maya Lakhani – ‘Walk Alone’
Having had the honour of having rock powerhouse Maya Lakhani play her first ever gig with us back in 2022, we’re incredibly excited to be hosting her first ever headline show on 17th May at Sebright Arms. Joined by queer grungers Comic Sans and exciting new project of Sit Down’s Katie, Slung, it’s going to be a pretty special night. We saw Maya again recently with an incredible set at Cro Cro Land, and recommend not missing out on this one – nab tickets here (they’re cheaper in advance, and wouldn’t it be wonderful for Maya to sell-out her first headline show!). (ML)

Softcult – ‘One Of The Pack’
Lifted from their upcoming EP, Heaven, which is set for release on 24th May, this track from Canadian sibling duo Softcult is a heady, swirling “inclusionary anthem”. Mercedes and Phoenix Arn-Horn want their fans to know that ‘One Of The Pack’ is their way of saying “that POC, trans women, and non-binary people will always be a welcome and crucial part of our grrrl gang” – it’s a heartening and necessary message, set to their trademark heavy riffs and emotive lyrics. (KC)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen are new to me, but I was instantly hooked on ‘Lust’ – an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. The band are preparing to share their second EP, which will be the follow up to their 2023 debut offering, She Only Said. I can’t wait to hear more from them in the near future. (KC)

Lambrini Girls – ‘Body Of Mine’
Continuing to unapologetically speak their minds and stand up for what they believe in, whilst gaining legendary fans like Sleater Kinney and Iggy Pop along the way, Brighton’s Lambrini Girls have now shared another fierce anthem. Touching on a slightly more personal, but no less important, issue than previous releases, ‘Body Of Mine’ reflects on connecting with your gender identity, as it races with the band’s trademark seething sense of urgency. Of the track, they expand: “Gender is a complex experience… It’s tough to feel that nobody really gets you and it’s also truly quite shit when you don’t really know how to understand yourself either.” Another truly necessary offering, marking Phoebe and Lilly out as a truly formidable force that we need now more than ever. (ML)

Queen Cult – ‘Stop Calling’
Having been truly blown away by Macclesfield-based Queen Cult when they played live for us a couple of years back, it’s great to see the band going from strength to strength with each new release. Born out of the frustration of getting unwanted attention and the way in which people feel entitled to cross boundaries, ‘Stop Calling’ exudes the band’s raging energy and angst-fuelled drive, as they continue to share their queer, politically-charged anthems with a sparkling defiance. Catch Queen Cult live in London at Oslo as part of Luck Juice Festival on 18th May – tickets here. (ML)

Julie Christmas – ‘Supernatural’
Seamlessly switching from a bittersweet yearning vocal in verses, to a cord-ripping scream in the chorus; this visceral new offering from Julie Christmas (Made Out of Babies, Battle of Mice) is as melodic as it is metal. ‘Supernatural’ is lifted from her eagerly anticipated second solo album, the excellently titled Ridiculous and Full of Blood, which is set for release on 14th June via Cult Of Luna’s Red Crk label. (KC)

Charley Stone – ‘Better With You’
With a musical CV too long to list, having played with multiple bands over the years and currently a gigging guitarist with the likes of Sleeper and Desperate Journalist, scene queen Charley Stone is now set to release her own debut solo album next month. Ahead of the album’s release, new single ‘Better With You’ depicts a messy couple on an ill-advised trip to a wedding, and the chaotic energy that ensues; showcasing Stone’s ability to perfectly capture snapshots of the anxiety and disorder of everyday life, it’s a perfectly catchy indie anthem. Here Comes The Actual Band, Charley Stone’s debut album, is set for release on 29th May – keep an eye on bandcamp for its pre-sale this coming Friday (3rd May)! (ML)

BCOS RSNS – ‘Turn It Off’
London’s own trans queer post-punk legends BCOS RSNS will be releasing their self-titled debut album on 22nd May; after years being a key face of the city’s DIY scene, hanging out with all the best bands, front woman Abi has now made her dream of being in one of her own a reality. Showcasing all of BCOS RSNS’ unique wonky charm, latest single ‘Turn It Off’ offers a scuzzy reflection on conspiracy theories and the dire consequences of capitalism. Catch BCOS RSNS live at The Cavendish Arms on 25th May celebrating the album’s release. (ML)

Me Rex – ‘Goodbye Forever’
Total faves Me Rex with their poignant new single ‘Goodbye Forever’. Reflecting on themes of loss and separation, it oozes all the swirling emotion and impassioned cathartic energy that I love so much. I’m such a huge fan of this band, and still think about how wonderful it was having them headline a sold out gig for us last year, and feel very grateful to Phoebe for being a fantastic teacher to me and Kate at the First Timers drum workshop a couple of month’s back – it was so inspiring that I just received some drum sticks for my 38th birthday, and plan on doing a lot more hitting things in future! Needless to say, I can’t wait for the band’s new EP, Smilodon, which is out this Wednesday 1st May. (ML)

MOTHERCANYOUHEARME – ‘Come Round’
The new single from London DIY queer duo MOTHERCANYOUHEARME, ‘Come Round’ reflects on confronting suppressed feelings around sexuality, whilst fizzing with a gloriously woozy musicality. Having first been charmed by the jangly scuzz of their 2020 single ‘Knowing You’, I’m super excited to hear more from Rosie and Georgia with the relatable sentiment and sparkling energy of this new release. (ML)

Wife Patrol – ‘Equinox’
This uplifting single from Indianapolis-based alt-rock trio Wife Patrol is a melodic guitar ode to Spring, and a reminder that change is always on the horizon, even when it may not feel like it at the time. (KC)

Bnny – ‘Something Blue’
Having released their new album, One Million Love Songs, earlier this month, Chicago band Bnny have previously received acclaim from the likes of Rolling Stone and New York Times. Taken from the album, ‘Something Blue’ reflects on the struggle of escaping your past, whilst shimmering with a fuzzy lilting energy and the deep gritty resonance of front person Jessica Viscius’ vocals. (ML)

Our Girl – ‘Relief’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album later this year on Bella Union. Ahead of the album, new single ‘Relief’ exudes a heartfelt twinkling emotion as scuzzy hooks and the raw emotive splendour of Soph Nathan’s distinctive vocals create a beautifully moving and deeply resonant ode to the queer community. Of the track, Nathan explains: “This is a love song to queer people having a hard time of it. It takes time to unlearn the things we were taught to believe, and to feel wholly proud in the face of people and expectations that are often working against you. This song is about my experience of moving through that, and celebrating how I feel now.” (ML)

Lazy Day – ‘Bright Yellow’
With fans including the likes of Lauren Laverne and Huw Stephens, London based artist Tilly Scantlebury – aka Lazy Day – has now shared a stirring new single to celebrate signing to Brace Yourself Records. Inspired by their studies into Queer American Art for their PhD, ‘Bright Yellow’ oozes a searing emotion as rich vocals ripple alongside a shimmering musicality. Of the meaning behind the track, Scantlebury explains: “At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.” (ML)

Noga Erez – ‘Vandalist’
GIHE fave Noga Erez is back with ‘Vandalist’, a “musical middle finger” to the hypocrites who have formed incorrect opinions of her, based on false information. The razor-sharp production skills of ROUSSO, Justin Raisen & Erez spotlight her distinctive vocal on the track, as she vents her frustrations with visceral flair. (KC)

Meg Elsier – ‘oldnews’
Lifted from her upcoming debut album, spittake, which is set for release later this year, I love this new track from Nashville-based artist Meg Elsier. Seamlessly blending her clear vocals, potent alt-pop elements and bruising guitar riffs, ‘old news’ is about “the feeling you get when you realize you’ve been telling the same stories over and over to the point that strangers know the punch lines and you’re too scared to risk anything to make new ones.” (KC)

HALIMA – ‘Ways’
Raised between Lagos and London and now based in Brooklyn, HALIMA’s sound is eclectic as the cities she’s resided in. Blending pop, jazz and R&B sensibilities together to create her intoxicating sounds, ‘Ways’ features on her upcoming EP, EXU, which is due on 24th May via Drink Sum Wtr. (KC)

ghost piss – ‘See Ya!!!!!’
A candid, catchy slice of electro-pop from excellently named Portland-based artist ghost piss. This track is lifted from their upcoming album, Dream Girl, which is set for release on 3rd May via Sockhead Records. ‘See Ya!!!!!’ is a potent blend of their bittersweet vocals and playful production, reflecting on their previous unhealthy romantic encounters. (KC)

DEBBY FRIDAY – ‘To The Dancefloor’
Sub Pop signee DEBBY FRIDAY has shared this commanding, genre-blending dance anthem. Accompanied by a SIMS inspired music video, DEBBY’s sultry vocals glide over slick beats and evocative synths on this new offering that will lead you straight to the dancefloor. (KC)

Pride Month Barbie – ‘Effulgent’
This industrial banger from LA-based duo Pride Month Barbie dropped into my inbox and commanded my attention. Formed of solo artists Tyler Holmes and Josephine Shetty, it’s rammed full of chaotic synths and propulsive beats, which the band say are designed to leave you “feeling insecure, horny, and annoyed.” ‘Effulgent’ is lifted the the band’s upcoming debut album, All The Girls In The Room Say ‘Sorry’, which is set for release on 14th June via LA queer/trans label, Get Better Records. (KC)

Venus In Noise – ‘What I Want’
Noise-pop duo Venus In Noise met at a gig in East London in 2019, and formed the band after they went on to see Bikini Kill’s first UK comeback gig a few years later. There’s some strong Le Tigre influences to their buoyant-yet-glitchy sounds, and this single ‘What I Want’ is a perfect example of that. (KC)

Or:la – ‘A Howl’s A Howl’
I love this genre-blending soundscape from Irish producer and DJ Or:la. Inspired by the now-extinct native wolves that used to roam the UK and Ireland, her primal beats and bristling synth textures propel the track forward. ‘A Howl’s A Howl’ is taken from Or:la’s recent EP, Moonlight Crush, out now via fabric’s eponymous label. (KC)

Elsa Hewitt – ‘Legend’
‘Legend’ is the evocative opening track to Chaos Emeralds, the eighth album from electronic artist Elsa Hewitt, which she released earlier this month. The record is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark hypnotic synthetic sounds. The album is equal parts euphoric as it is melancholic, and I have found it to be a soothing tonic for my tired ears recently. (KC)

Seraphina Simone – ‘Blue Eyes’
“‘Blue Eyes’ is about being full-throttle chest-deep in a crush,” explains Seraphina Simone. Much like her recent releases, ‘Better Days’ and ‘Liverpool’, Seraphina has crafted another distinctive alt-pop gem that aches with bittersweet longing. I love it when songwriters transform their BIG feelings into blissful pop sounds, and Seraphina is a real pro at doing just that. (KC)

PostLast – ‘Connect 4’
This is the charming debut single from Irish indie-pop duo PostLast, who are formed of Stephen McHale (BARQ) and GIHE fave Julie Hough (HAVVK). Released via VETA Records, ‘Connect 4’ is a playful extrapolation on the joy that comes from making new friends when you’re an adult, and relishing the early days of this connection. (KC)

La Sécurité – ‘Waiting For Kenny’
Coming over to the UK as part of the annual Québec Spring Showcase, Montreal-based art punks La Sécurité will be performing at The Shacklewell Arms in East London on 8th May. Their off-kilter charm will appeal to fans of The B-52s, E.S.G, Le Tigre and Wet Leg, so grab a (free) ticket if you like the sound of ‘Waiting For Kenny’. (KC)

Das Birthday Girl – ‘Whiskey Sour’
Inspired by the sounds of The Cure and Siouxsie and The Banshees, as well as the immersive synths of John Maus and Gary War, Maltese-born, Berlin-based artist Das Birthday Girl creates emotive electro-pop that’s shrouded in melancholy. This track ‘Whiskey Sour’ is taken from her debut album, Soft and Clear, which she composed and co-produced with a Maltese producer, Jimmy Bartolo. (KC)

Birthday Problem ft. Runah – ‘Daylight’
Another excellent collaboration from Birthday Problem here, featuring guest vocalist Runah. Together, Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly have created another slow-building, evocative soundscape on ‘Daylight’, aided by Runah’s beguiling vocals. Released via VETA Records, the track is accompanied by a set of visuals which explore the “essence of fleeting existence”. Watch it here. (KC)

Kee Avil – ‘Gelatin’
Another visceral, eerie blend of brittle synth textures, aching vocals and erratic beats from Montréal-based experimental artist and producer Kee Avil here. ‘Gelatin’ is taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation. The track is accompanied by a haunting set of visuals which you can watch here. (KC)

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PLAYLIST: March 2024

The Get In Her Ears team have put together another eclectic mix of alt pop tunes, alternative & shoegaze anthems, unusual electronic sounds, and indie & folk musings for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Crying In The Carwash’
The latest single from Brighton duo ARXX, ‘Crying In The Carwash’ is a celebration of when the duo found out they were supporting one of their musical heroes, Muna, and the happy tears that followed. Oozing tonnes of synth-driven anthemic energy and an emotion-strewn uplifting power, it’s impossible to listen to it and not feel all the feels. It may be their poppiest track yet, and that’s no bad thing. We love ARXX so much and so incredibly happy to see them doing so well and living their dreams. They’re off on tour next month supporting American artist Fletcher, and we know that Hanni has recently had a polyp removed from their throat, so we’re wishing them all the best vibes and quick recovery.
(Mari Lane – Co-Founder & Managing Editor)

Tiiva – ‘Tornados’
I love this euphoric anthem from GIHE fave Tiiva. Full of sweeping melodies, jagged synths and soaring vocals, Tiiva explains “‘Tornados’ is about possibility and hope through hedonism and thinking about the different directions you can take. It’s inspired from spiritual ideals of using intuition instead of influence, listening to primal voices and leaning into self trust and belief to keep going when things are difficult or confusing in life.”
(Kate Crudgington – Co-Founder & Features Editor)

Circe – ‘Blue Love’
I am OBSESSED with this song from dark-pop artist and GIHE fave Circe. ‘Blue Love’ is so romantic, so melancholic, so candid, so sultry; it’s a BIG FEELINGS pop anthem. Circe described it as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent new album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. So gloomy, so sultry, I love it. (KC)

Wisp – ‘Enough For You’
I’ve been soaking up the lush shoegaze sounds of 19 year-old San Francisco-based musician Wisp for a little while now. This single is lifted from her upcoming debut EP, Pandora, which is due on 5th April. Inspired by feelings of self-loathing and false perceptions of ones self, ‘Enough For You’ is another mesmerising blend of her hushed vocals, heavy riffs and driving beats. (KC)

Fräulein – ‘Feels Like Flying’ (Day and Night)
Ahead of the release of their debut mini album in June, GIHE faves Fräulein have released a pair of sister singles, the opening and closing tracks of the collection. With the ‘Day’ version of ‘Feels Like Flying’, the duo express all the swirling excitement and fierce emotions that can come with being in love, showcasing their trademark gritty energy and the immense soaring splendour of Joni’s vocals. The ‘Night’ version, on the other hand, offering a more melancholy reflection as twinkling hooks and subdued beats accompany a more delicate side to Joni’s heartfelt lyricism. Fräulein really are one of the most exciting bands on the scene at the moment, and it’s so wonderful to follow their journey as they go from strength to strength; continuing to hone their sound, not afraid to experiment whilst maintaining their distinctive fierce allure, as these two tracks side-by-side perfectly illustrate. Sink Or Swim, the debut mini album from Fräulein, is out on 14th June via Submarine Cat Records. (ML)

Pixie Cut Rhythm Orchestra – ‘Problem Child’
This is the latest sigle from Dublin-based alt-shoegazers Pixie Cut Rhythm Orchestra, released via Anon Records. I’m always so impressed by vocalist & guitarist Sarah Deegan’s observational lyrics and her clear voice, which genuinely took my breath away the first time I heard it live when the band headlined our GIHE gig at The Shacklewell Arms last in October last year. PCRO are currently working on their debut album, which I look forward to hearing in the near future. (KC)

Fresh – ‘Merch Girl’
Ahead of the release of a new EP next month, London indie-pop legends have now shared the title track. Fizzing with all the jangly hooks that we’ve come to know and love from the band, ‘Merch Girl’ reflects on the struggle that women can face to get to where they want to be within the music industry as it builds with a swirling, shimmering energy. Of the track, vocalist Kathryn Woods explains: “It’s a bit tongue-in-cheek, drawing from clichés of the wallflower, the sidekick, but ultimately it’s empowering and a reflection on the ways that we come into our own as women artists.” Merch Girl, the upcoming new EP from Fresh, is out 19th April via Specialist Subject. (ML)

Gouge Away – ‘Spaced Out’
If you want a dose of dynamic, commanding noise led by a knockout lead vocal – look no further than Gouge Away. ‘Spaced Out’ is one of many antagonistic, impressive anthems on their most recent album, Deep Sage, a record which I have been furiously spinning since it was released earlier this month. (KC)

Pageant Mum – ‘All My Life’
An absolute rager from Bolton based teenagers Pageant Mum here! Izzy Ingham’s powerful vocals soar over the band’s frenzied beats and heavy riffs, providing a cathartic rush of angst and a “plea to all of us here together on a divided rock” to unite against apathy. (KC)

The Menstrual Cramps – ‘Class War’
The latest single from some of our favourite punks, Bristol’s The Menstrual Cramps, ‘Class War’ offers a scathing commentary on the current state of British society as seething hooks are blasted out with a raging energy. A fierce, rallying cry, inciting us to join a union and support workers’ rights, it showcases the band’s immense impassioned drive and ferocious spirit. Of the track, front person Emilia comments: “Women’s rights are workers rights. Always support strikers, and never cross a picket line!” Ahead of their set at Manchester Punk Festival this week, this track cements The Menstrual Cramps as one of the most important bands around at the moment; consistently able to create a perfect balance of explosive, cathartic rage, alongside an empowering sense of unity. To celebrate the single’s release, The Menstrual Cramps have collaborated with Courier Brewing Company to bring out their very own pale ale – punk and beer, two of our favourite things! And 50p per pint will be donated to vital charity akt. (ML)

pink suits – ‘Are You Gay Yet?’
Ahead of the release of their new album next month, Margate duo pink suits have shared fierce new single, ‘Are You Gay Yet?’ Reflecting on numerous interactions that Lennie’s had throughout their life when people have questioned or confronted them about their sexuality, it’s a seething celebration of queerness delivered with the raw, fierce energy we’ve come to know and love from the band. Lennie explains: “This song was us wanting to be aggressively confident in being noticeably gay. A reclamation of many moments like this when I wanted to yell, ‘Am I gay yet? Fuck yes!’ To tell everyone that they need to get over this shit already. People are gay. I am gay. We are gay. You might be gay too… and that is ok.” Dystopian Hellscape, the new album from pink suits, is out on 1st April. They’re out on tour at the moment, and will be stopping by at Cro Cro Land at Stanley Arts in Norwood on 13th April – we’ll be there DJing, and can’t wait for the epic line-up of faves including Fraulein, Fightmilk, Dogviolet, Whitelands and lots more. Hopefully see you there! (ML)

BCOS RSNS – ‘(First On At The) Buffalo Bar’
Having always hung out with bands, but only ever fantasised about being in one, London scene queen Abi Brady has now made that dream a reality with new band BCOS RSNS. Ahead of the release of their debut album in May, they’ve now shared the first taste of what to expect. Reflecting on the somewhat depressing reality of the large number of music venues that are closing, and the accompanying existential anxiety, it’s an instant indie earworm. Propelled by uptempo beats, fuzzy hooks jangle throughout as tales of London nightlife are recounted with a wonky charm and subtle wit. BCOS RSNS, the eponymous debut album, is set for release on 22nd May. (ML)

The Baby Seals- ‘ID’d At Aldi’
Another taster from their upcoming new album, the latest single from The Baby Seals reflects on the smug joy that comes with being told that you look younger than you are. Propelled by the their trademark catchy yet gritty energy, and a raging sense of fun, ‘ID’d At Aldi’ once again showcases The Baby Seals’ ability to deliver witty-yet-necessary, gloriously danceable punk anthems. And you should definitely watch the ‘shot on location’, action-packed accompanying video. Chaos, the new album from The Baby Seals, is out on 19th April via Trapped Animal Records, and you can catch Kerry from the band chatting about it on our next show on Soho Radio next Monday 1st April! (ML)

Mammoth Penguins – ‘Everything That I Write’
I’ve had such a soft spot for Cambridgeshire band Mammoth Penguins for years now – their 2019 album, There’s No Fight We Both Can’t Win, is probably one of my most played records, and it was such a joy to have them play for us that year too. Ahead of the release of a new album in May, new single ‘Everything That I Write’ examines the dynamics of trust and intimacy in a long term relationship, whilst flowing with all the lilting scuzzy energy and distinctive raw emotion of Emma Kupa’s vocals that I love so much. Here, the upcoming new album from Mammoth Penguins is set for release on 3rd May via Fika Records. (ML)

Brennan Wedl – ‘Fake Cowboy’
A heartfelt ode to East Nashville’s infamous Honky Tonk, ‘Fake Cowboy’ is the new single from Kill Rock Stars signed artist Brennan Wedl (aka my new favourite singer). Rippling with a glistening raw emotion, it showcases the raw emotion of Wedl’s luscious vocals as Americana-tinged stripped-back strumming builds to a gritty, fuzz-filled anthem, with shades of the legendary Sheryl Crow. I think it’s pretty exquisite and – being quite late to the Brennan Wedl party – I can’t wait to hear more from this awesome artist. You can watch a beautiful live rendition of the track here. (ML)

Grace Petrie – ‘Meanwhile In Texas’
I was lucky enough to catch Grace Petrie live at Islington Assembly Hall earlier this month, and it was a truly wonderful and unifying evening celebrating her fantastic latest album, Build Something Better. The whole album is a really beautiful collection, probably her most politically-charged yet, but delivered with her trademark lilting folk-strewn musicality. This is probably my favourite track; reflecting on the increasing wave of misogynist laws that are putting the lives of women, LGBTQ+ and trans folk in danger, it’s a poignant and necessary listen, inciting us to unite and fight against the forces that seek to oppress us. (ML)

Brides – ‘Eat Dirt’
‘Eat Dirt’ is a swaggering dose of queer Southern Gothic Rock from East London band Brides. Inspired by Gabriel Picolo’s graphic novel, Icarus and the Sun, the track is a gritty reflection on what vocalist Hannie McBride describes as a “love that burns too hot and leaves you in the dust.” It’s a brooding anti-love anthem, full of heavy riffs and permeated by a deep sense of lust and longing. (KC)

Nuha Ruby Ra – ‘Fetish 2 Forget’
We’ve been big fans of East London artist Nuha Ruby Ra for a while now, and I love the glitchy cinematic sound of this new single. Her soaring vocals alongside the the industrial, tension building soundscape ooze shades of something that the legendary Trent Reznor might create, which is always welcome here at GIHE! (ML)

NikNak – ‘You Were Supposed To Be Good’
Leeds-based DJ and producer NikNak blends experimental synths, jazz sounds and jungle beats on this eclectic and infectiously good track, which also features Grifton Forbes-Amos and Cassie Kinoshi. Taken from her upcoming album, Ireti, which is set for release on 21st May via Accidental Records, NikNak will be playing live in April at venues in Plymouth, Manchester, Bristol and Glasgow, all tickets are available online now. (KC)

LUCI – ‘Thunder Calling’
This track from US artist LUCI is taken from her upcoming debut album, They Say They Love You, which is set for release on 19th April via Don’t Sleep. I love LUCI’s clear vocals and eclectic instrumentation here. I tried to catch her live at The Great Escape Festival last year but I missed her show – regretting that now! (KC)

Noé Solange – ‘Rise’
I’m super glad I discovered this track from London-based, Dutch-Indonesian producer Noé Solange in my inbox.’Rise’ is the title track from her recent EP, and it’s a dreamy piece of downtempo electronica, inspired by the processes of nature, healing and self discovery. (KC)

Blonde Maze – ‘Beside You’
Any of our regular followers will be familiar with just how much I love Blonde Maze, and so it should come as no surprise that I’m currently completely addicted to her new single. Another blissful offering, ‘Beside You’ shimmers with hazy electronics and heartfelt vocals, as an immersive twinkling soundscape builds. As with everything else that the New York artist creates, this track just provides a perfect soothing antidote to life’s stresses; a truly euphoric sonic catharsis. (ML)

Hinako Omori – ‘cyanotype memories’ (Joe Goddard Remix)
Loving this Hot Chip remix of ‘cyanotype memories’, originally released by GIHE fave Hinako Omori via Houndstooth Records. Joe Goddard has put a playful spin on Hinako’s more tender, slow-building original piece. Hinako’s most recent album, stillness, softness…, is a real treat for the ears. Soothing, intuitive and graceful electronica – totally worth a listen. (KC)

Elsa Hewitt – ‘Wash The Sea’
Another intricate blend of lo-fi synth loops and vocal improvisations from the wonderful Elsa Hewitt here. ‘Wash The Sea’ is taken from her upcoming eighth album, Chaos Emeralds, which is set for release on 12th April. Chaos Emeralds is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark magnetic electronica. (KC)

AVR – ‘Etude No.2’ (Philip Glass Rework)
This is a beautiful re-working of a Phili Glass piece by the incredibly talented multi-instrumentalist and producer AVR. Released via Philip Glass’ own label Orange Mountain Music, AVR’s atmospheric re-imagining is also accompanied by a video that was shot in collaboration with French fashion house Mugler. Sonically and visually, this is a total delight. Watch the video here. (KC)

Zemlya – ‘Ether’
I was so pleased to find this experimental soundscape from Brussels-based duo Zemlya in my inbox. Taken from their self-titled EP, this track ‘Ether’ is one of three extended pieces on the record that are inspired by the sounds and rhythms of their inner bodies and surroundings. It’s a truly haunting, hypnotising and disarming listen. (KC)

Birthday Problem ft. Róisín Nic Ghearailt – ‘An Maighdean Mhara’
This is the second track from Birthday Problem, a collaborative electronica project from Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly. “As a proud Gaeilgeoir, it’s extremely important to me to show that gaeilge is for gach duine (everyone)”, explains guest lyricist and vocalist Róisín Nic Ghearailt, former member of post-punk band M(h)aol. Written entirely in Irish, Róisín penned the track when she moved back home, and the result is a sultry, brooding soundscape inspired by the tumultuous, alluring nature of the sea. (KC)

Anenome – ‘Fascinate Me’
This is the second single from Dublin post-folk four piece Anenome, lifted from their upcoming EP, Human Remains, which is set for release later this year. I love their dynamic instrumentation; eerie string sounds, brooding bass lines and yearning vocals combine to tantalise and antagonise the senses. (KC)

Kee Avil – ‘Felt’
‘Felt’ is an un-nerving blend of brittle synth textures, aching vocals, twangy strings and erratic beats from Montréal-based experimental artist and producer Kee Avil. Taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation, the way in which she expertly fuses gritty and gentle elements into her music always impresses me. (KC)

Kira McSpice – ‘Evaporate’
Taken from her beautifully titled upcoming album, The Compartmentalization of Decay, this track from Kira McSpice is a haunting reflection on trauma. Her new record is a deeply personal exploration of life after sexual assault, which the artist personifies through the natural processes of the maple tree. Her exquisite voice and dynamic string arrangements make for striking and hypnotic listening. (KC)

Mere Child – ‘Storms’
‘Storms’ is the latest single from independent artist Aimee Herbert aka Mere Child. Her soft vocals and shimmering instrumentation blend harmoniously together on ‘Storms’ to create a gentle, atmospheric rumination on emotional resilience. (KC)

Holly Munro – ‘Dead Ends’
This latest single from Irish songwriter Holly Munro is a thoughtful reflection on the way in which we choose our paths in life. Inspired by seeing her physical footprints in the sand after finishing a meditation, ‘Dead Ends’ is an emotive and considered exploration “questioning the choices you make and reflecting on how they shape your future in ways you can’t always predict or control.” (KC)

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PLAYLIST: March 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, alt-pop tunes and electronic sounds for your listening pleasure. We skipped February’s edition of the Playlist, so March is packed with loads of new music! Take some time to scroll through our track choices below and then press play at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pet’
Is it even a GIHE Playlist if we don’t include a Fraulein track? Since Mari first introduced Joni & Karsten to the GIHE team in 2020, we’ve been fans of everything the grunge duo have released, including this new track ‘Pet’. It was a pleasure to have them in the studio chatting about it on our February Soho Radio show, which you can listen back to here.
(Kate Crudgington)

Hot Wax – ‘Treasure’
Full of buzzing basslines, commanding beats and raucous guitar sounds, this track from Hastings trio HotWax flicks between melodic verses and riff-heavy breakdowns, providing listeners with a welcome rush of blood to the head. The band are gearing up for their own mini UK tour this month, before joining The Pearl Harts as main support in May. (KC)

Brix Smith – ‘Fast Net’
The awesome latest single from rock legend Brix Smith, ‘Fast Net’ is propelled by a fierce energy and gritty punk-fuelled spirit. Racing with pummelling hooks alongside Smith’s soaring honey-sweet vocals and immersive charisma, it offers a raging reflection on facing up to your vulnerabilities. ‘Fast Net’ is taken from Smith’s debut solo album, Valley Of The Dolls, out now. (Mari Lane)

Hannah Jadagu – ‘What You Did’
I love this hazy guitar tune from Texas-based musician Hannah Jadagu, who only recently appeared on my radar. Taken from her upcoming debut album Aperture, which is set for release on 19th May via Sub Pop, Jadagu’s bittersweet vocals and reverb-laden riffs are totally infectious. I can’t wait to hear the record in full. (KC)

Lunch Machine – ‘Pipedream Graveyard’
On ‘Pipedream Graveyard’, Belfast-based alt rockers Lunch Machine blend the angst of 90s grunge and melodic pop sensibilities to push past feelings of apathy. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us. (KC)

Earthlung – ‘Joy¿’
Full of sardonic spoken-word style vocals, cutting lyrics and distorted riffs, this single from Brighton-based band Earthlung is a search for meaning and relief amidst the mind-numbing everyday tasks we undertake in order to keep living our best lives. (KC)

English Teacher – ‘Song About Love’
Out now via Speedy Wunderground, ‘Song About Love’ is the latest single from Leeds band English Teacher. As the sultry smooth vocals of front woman Lily Fontaine flow alongside chiming hooks and steady beats, it offers a wonderfully infectious exploration into the romance that can be found in the mundane; a whirring ode to “doing the chores, instead of doing someone else.” Watch the fantastic, Sims-inspired, video for ‘Song About Love’ here. (ML)

cruush – ‘Stick In The Mud’
“I guess you can say our music has the sweet elements of having a crush on someone, but the screeching of an industrial car crusher…” explains cruush’s vocalist Amber Warren. Say no more, Amber, I love it! This track is taken from the Manchester-based shoegaze band’s upcoming EP Wishful Thinker, which is set for release on 14th April via Heist Or Hit. (KC)

Red Sun Alert – ‘Huge’
Taken from their recent EP Assume Power, this track from Cork-based post-hardcore band Red Sun Alert is an angst-ridden banger. Their new record is full of raging riffs, relentless beats and anthemic vocals, so definitely check it out if you like the sound of this. (KC)

Problem Patterns – ‘Who Do We Not Save?’
The first piece of new music since their visceral 2022 anthem ‘Y.A.W‘ (Yes All Women), I’m a big fan of Belfast-based DIY punks Problem Patterns’ latest single. Released via Alcopop! Records who the band have recently signed to, ‘Who Do We Not Save?’ takes aim at the incompetent Tory government and their continued attempts to privatise the NHS. Giving their listeners a space to release their pent up frustrations, fears and disappointments is a core value of Problem Patterns’ music, and with this track the band have provided another cathartic aural antidote to offset the anxiety of the uncertain times we’re currently living through. (KC)

SPIDER – ‘America’s Next Top Model’
Written in response to the backlash she received and the whitewashing she witnessed on popular online platforms, SPIDER chooses to thrive in the face of adversity on her new track, ‘America’s Next Top Model’. Taking aim at her critics via abrasive riffs and candid lyrics, the London-based, Irish musician & producer has channelled her vitriolic energy into another empowering anthem and accompanying video, which acts as a defiant cry for better black representation in alternative music scenes. (KC)

Momma – ‘Bang Bang’
New York City four-piece Momma are back – with a bang – on their latest single. This track was co-written by band members Etta Friedman and Allegra Weingarten when they both caught Covid-19 last year. Making the most of their time in isolation, the pair got drunk together and ended up writing a fun song about great sex, with ‘Bang Bang’ being the result. All of Momma’s songs are mega catchy and this one is no exception. (KC)

Lilies In My Brain – ‘Blue Sky’
Inspired by everyone from Alkaline Trio, to Angel Olsen and Wet Leg, South London-based four-piece Lilies In My Brain create shimmering indie-pop anthems. This track is taken from their album, 21 = 2a + 7, which the band released back in 2021. They’re currently working on their second album, which they’re planning to release later this year. (KC)

Perlee – ‘Lampshade’
Inspired by everything from the nature of unconditional love to the banality of capitalist society, Berlin-based Irish band Perlee are preparing to release their debut album, Speaking from Other Rooms on 21st April. This track is lifted from the record, and its full of glistening guitars and dreamy vocals. (KC)

Lunar Vacation – ‘Only You’
Following the release of their debut album in 2021, ‘Only You’ is the latest single from Atlanta-based Lunar Vacation. Rippling with beautifully lilting melodies, it shimmers with a stirring emotion and sparkling, cinematic grace, offering an irresistibly effervescent slice of indie-pop with shades of the likes of Alvvays and Best Coast. (ML)

Lusa Morena – ‘Where’s The Spark (If Not In You)’
Having wowed us with the fierce charisma of their live show at The Shacklewell Arms last year, London-based five piece Lusa Morena have recently released a twinkling new single. Reflecting on society’s frequent dismissal of – and stigma around – feelings of depression or mental health struggles, ‘Where’s The Spark’ is a beautifully moving ballad, oozing sweeping, glossy riffs alongside front woman Bárbara’s rich, luscious vocals. (ML)

Aisha Badru – ‘Lazy River’
Flowing with a lilting energy, ‘Lazy River’ reflects on the journey of emotional healing and the time that this can take. Rippling with the shimmering grace of Badru’s vocals and a twinkling folk-strewn musicality, it oozes an exquisite stirring splendour. Learning To Love Again, the upcoming new EP from Aisha Badru, is set for release in June. (ML)

JFDR – ‘Spectator’
I notice something different each time I listen to this beautiful track by Icelandic experimental songwriter JFDR. Her tender voice and concise, gentle lyrics compliment the glimmering synths perfectly. ‘Spectator’ is lifted from her upcoming album Museum, which is set for release on 28th April via Houndstooth Records. Speaking about the track, JFDR explains “‘Spectator’ is an anthem for the codependent, a lullaby for the ones slightly codependent and for those who have never felt it; a mirror into the raw thought process of someone deep in the trenches of it.” (KC)

Midwife & Vyva Melinkolya – ‘NMP’
I never tire of listening to Midwife’s melancholy sounds, and this new collaborative effort with Vyva Melinkolya is no exception. ‘NMP’ is taken from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

LANA DEL RABIES – ‘Prayers of Consequence’
The opening track to her recent album STREGA BEATA – which loosely translates as “Blessed Witch” – I love this gloomy, evocative track from Lana Del Rabies. A creator of corrosive, brooding experimental sounds, the Phoenix-based producer and multimedia artist’s new record is a cathartic medium for her innermost thoughts on the human condition, grief and navigating tragedy. You can listen to the album and read about some of the music that inspired her to write it in our Five Favourites feature here. (KC)

MANDY, INDIANA – ‘Pinking Shears’
A brittle, abrasive blend of beats, noise and bittersweet French vocals, this track from Manchester-based four-piece MANDY, INDIANA seethes with a palpable frustration. The track is taken from their upcoming debut album, i’ve seen a way, which is set for release on 19th May via Fire Talk Records. (KC)

DEBBY FRIDAY – ‘Hot Love’
Taken from her upcoming debut album, GOOD LUCK, which is set for release via Sub Pop on 24th March, ‘Hot Love’ is another industrial-tinged, explosive electronic banger from DEBBY FRIDAY. The Nigerian-born, Toronto-based artist continues to provide the soundtrack for messy nights on the dancefloor, and the impact that the intoxicating and toxic people we meet in the hedonistic process. (KC)

ARXX – ‘God Knows’
The latest single from absolute faves, Brighton’s ARXX, ‘God Knows’ offers a perfectly heartfelt and instantly catchy anthem. Embracing their love of all things pop, it veers away from the more gritty sound of previous offerings whilst maintaining the duo’s distinctive emotion-strewn power. Of the track, they explain: “We really pushed ourselves to step into Dua Lipa’s shoes. We were able to live our Cher dreams and dive into the world of auto tune and swoopy synths.” ARXX’s upcoming debut album, Ride or Die, is out on 31st March – pre-order here. Catch ARXX live on tour over the next couple of months (I can’t wait to catch them at Rough Trade East on my birthday!) (ML)

Gabi Garbutt and Du Blonde – ‘Panic’
A perfect collaboration between Gabi Garbutt and acclaimed artist Du Blonde, ‘Panic’ is propelled by a swirling post-punk energy alongside sugar-sweet pop melodies as the two vocals fuse together with a shimmering charm, creating a truly blissful, instantly infectious, indie-pop anthem. Watch the wonderful DIY video for ‘Panic’ here. (ML)

Tiiva – ‘Teenage Dirtbag’ (Wheatus Cover)
Taking a classic 00s anthem and putting their own euphoric spin on it, London-based producer Tiiva’s cover of Wheatus’ ‘Teenage Dirtbag’ is a celebration of queer love. Full of quirky synths and dreamy vocals, the track reflects Tiiva’s own feelings about coming-of-age as a queer person. “I wanted to cover something that I could sing about and be like, ‘yeah that’s me, that’s how I feel’,” Tiiva explains. “The lyrics feel hyper real, my first crush on a girl, feeling invisible in my queerness and wanting to be accepted, to be cool. I feel like this song is such an anthem but also so fun, celebrating how to just be yourself and enjoy it, that’s what the song means to me, and I wanted to share that.” (KC)

Panic Pocket – ‘Mad Half Hour’
The first taste of their upcoming album of the same name, Panic Pocket’s latest single ‘Mad Half Hour’ offers a joyous ode to Spice Girls legend Geri Haliwell, oozing all the playful tongue-in-cheek energy that we’ve come to know and love from the London duo. An instantly catchy slice of fizzing punk-pop, it will have you singing along on first listen; so, don your thigh high boots, scream ‘Girl Power!’ and relish in the nostalgic bliss of this witty anthem. (ML)

Jen Cloher – ‘Mana Takatāpui’
This poignant single from Australian artist Jen Cloher, ‘Mana Takatāpui’ offers a blissful celebration of the indigenous Polynesian people of Aotearoa, New Zealand, the Māori LGBTQ+ community. Showcasing Jen’s trademark luscious soothing vocals alongside a shimmering musicality, it builds with an uplifting energy to a truly joyous unifying anthem. I Am The River, The River Is Me, the upcoming new album from Jen Cloher, is out now via Milk! Records / Marathon Artists (ML)

Girl Ray – ‘Everybody’s Saying That’
Reflecting on themes of new love and self-doubt, ‘Everybody’s Saying That‘ is the latest single from London trio Girl Ray. Swirling with a disco-inspired energy, oozing the band’s colourful charisma and uplifting charm, I just love its funk-fuelled hooks and sparkling danceable allure – a perfect uplifting anthem, that will elevate your spirits, leaving you ready to hit the dancefloor/roller-disco/bedroom with a revived sense of optimism. (ML)

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