PLAYLIST: May 2025

We know our May playlist is a little delayed…(we were at The Great Escape Festival hosting our showcase on The Beach Soundwaves Stage!) but it’s still stacked full of new music from some of our favourite female, LGBTQ+ and non-binary artists.

We’ve put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronic sounds and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you’re able to.

 

Jasmine.4.t – ‘Elephant’
I’ve made no secret of my love of Jasmine.4.t over the last year or so, and it was so wonderful to see her live for the second time, playing an exquisite set to a sold out Lexington last week. Following the success of her debut album, You Are The Morning, a jam-packed UK tour and a tour supporting Lucy Dacus across the US, the Manchester-based artist has now shared a special acoustic EP to raise money for AKT, a charity supporting young LGBTQIA+ people through housing emergencies.

Having been homeless and sleeping on the floors and sofas of queer friends herself when she wrote her album, it’s an organisation close to her heart: “The people who supported me during that time became my family and the muses for my album. This is such a beautiful full circle moment for me, to be in the privileged position of being able to pay that debt forward. Thank you all so much for your support. I love you.”

The EP features beautifully stripped back versions of three songs from her album, showcasing the heartfelt raw emotion and vulnerability that went into writing them: “We were originally gonna use the actual demos that got me signed by Phoebe, but my voice has changed a lot since then and I wanted to redo them, but in exactly the same way: with two vocal tracks and two guitar tracks, recorded in my bedroom on tape. You Are The Morning is an album about queer love and hope and solidarity, and so I wanted to share these tracks in that spirit.” Listen to the EP and donate on bandcamp now.
(Mari Lane – Managing Editor)

Ghostwoman – ‘Alive’
Set to release their new album in September, Belgium/Canada based duo Evan Uschenko and Ille van Dessel aka Ghostwoman have shared this anthemic new single. Propelled by Uschenko’s fuzzy hooks which he played on a 12 string guitar, along with van Dessel’s fierce caustic beats, it offers an impassioned ode to continuing to find joy in the art of creation in spite of the dark times we’re living in. Welcome To The Civilized World, the upcoming album from Ghostwoman, is set for release on 5th September via Full Time Hobby. (ML)

Slung – ‘Limassol’
Congratulations to Brighton rockers Slung on the release of their excellent debut album, In Ways. Released via Fat Dracula, the record showcases the band’s instinctive ability to blend raging riffs, powerhouse percussion and compelling vocals into songs about inequality, generational trauma and ruminations on what could have been. This track ‘Limassol’ is a shining example of the latter, inspired by fading memories of lost love. Check out the accompanying video here. (Kate Crudgington – Features Editor)

Anna Younger – ‘Girl Guts’
This is the latest single from Scottish independent musician Anna Younger and it simmers with relatable angst. Her grungy guitars and potent vocals combine to create a foreboding soundscape, as she uses the lyrical metaphor of fruit “to explore the challenges, transitions and pain of the female existence.” (KC)

M(h)aol – ‘I Miss My Dog’
I’ve been following Irish post-punks M(h)aol since they released their powerful single ‘Laundries’ back in 2020. Their lineup has changed and their sound has developed significantly since then, which has culminated in the trio’s excellent new album, Something Soft. ‘I Miss My Dog’ is lifted from the record, released via Merge Records & TULLE. It’s an ode to drummer & vocalist Constance Keane’s late canine companion Poppy, who passed away in July 2024. (KC)

Problem Patterns ft. Matt Korvette (Pissed Jeans) – ‘Sad Old Woman’
Everyone here at GIHE loves Belfast DIY punks Problem Patterns, so it’s no surprise that we’re including their latest anthem on our playlist! Featuring vocals from Pissed Jeans’ vocalist Matt Korvette, ‘Sad Old Woman’ is the band’s riotous new effort that tackles ageist & sexist stereotypes and encourages listeners to dismiss these damaging anti-ageing narratives. The track is accompanied by a music video too, which you can watch here. We can’t wait to have Problem Patterns headline for us again at our GIHE 10th Birthday All-Dayer gig at The Cavendish Arms on Saturday 27th September. There are only a few tickets left – grab yours here! (KC)

Fortitude Valley – ‘Sunshine State’
Set to release their new album this summer, Fortitude Valley have been big faves of mine since their 2021 debut, and they continue to charm my ears with their glistening new single. Complete with jangly guitars and heartfelt sugar-sweet vocals, ‘Sunshine State’ offers a sparkling reflection on the mixed feelings of front person Laura Kovic’s about leaving her home country of Australia – interweaving a nostalgic sentimentality with a driving punk-pop energy. Of the track, she explains: “I was so keen to get away! From such a beautiful place! So the song is like: I’m going back to the Sunshine State to find my younger, more melodramatic self and catch-up with her.” Part Of The Problem, Baby, the upcoming new album from Fortitude Valley, is out 1st August via Specialist Subject Records. (ML)

Rival Queens – ‘Right Now’
Following her riotous, grunge-infused debut ‘Not Your Enemy’ and the more heartfelt ‘Sun Don’t Shine’, esteemed session guitarist and songwriter Sally-Anne Hickman aka Rival Queens has now shared a sparkling new single. Reflecting on feelings of burnout and workplace apathy, ‘Right Now’ oozes shades of the sparkling indie-pop of bands such as Best Coast as its swirling musicality and shimmering singalong refrains offer an insight into Sally-Anne’s ability to create heartfelt instant earworms of any genre. (ML)

Junk Whale – ‘Grief Song’
Over the last couple of weeks since the new self-released EP from Junk Whale came out, I’ve been pretty much listening to it non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!). The band expand: “Lyrically, this might be our darkest release yet, written under the cloud of lockdown malaise and personal setbacks. But musically, it’s probably our most upbeat and energetic.” (ML)

Strange New Places – ‘Sleep For Dinner’
The third in a series of singles released ahead of their new album, ‘Sleep For Dinner’ is the latest offering from Belfast’s Strange New Places. Juxtaposing reflections on feelings of fatigue and depression with an uptempo scuzzy energy, and the band’s trademark fiercely impassioned emotion, they’re keen for us to keep in mind that – despite its resonant subject matter, “…the track is also funny and a bop.” Another instant fave from this queer, neurodiverse band of “right on radicals with low self-esteem.” (ML)

Maya Lakhani – ‘Fall For Me’
Someone who’s wowed us with her energy-fuelled live shows on more than one occasion, and with acclaim from the likes of Radio 1’s Jodie Bryant and BBC Introducing Melita Dennett, rising star Maya Lakhani is a firm fave here at GIHE. Inspired by ‘00s teen movie prom scenes, latest single ‘Fall For Me’ flows with a soaring shimmering emotion, as jangling hooks provide the backdrop for Lakhani’s rich vocals, creating a heartfelt alt-rock anthem. (ML)

ettie – ‘The Song I Scream In The Shower’
The new single from queer pop-punk artist ettie, ‘The Song I Scream In The Shower’ offers a perfect nostalgia-tinged ‘revenge-bop’. Propelled by a fierce fun-filled energy and catchy angst-driven refrains, it reflects on the “age-old coping mechanism of getting all your feelings out in the shower.” I can’t wait to hear more catchy anthems from ettie! (ML)

Catbear – ‘Who Cares?’
Having been part of the dreamiest of weekends with us last month, supporting Roller Derby at two consecutive sold out shows in London and Brighton, Brighton-based duo CATBEAR have now shared a catchy new single. Propelled by an uplifting fizzing energy and fierce driving beats, a raw emotion shines through the lush vocals, offering a glistening slice of empowering electro-pop; a shimmering ode to the draining emotions that come with social anxiety (a sentiment I can very much relate to!). Of the track, singer/guitarist Zoe explains: “The song sounds upbeat, but underneath it’s me trying to stay grounded – reminding myself it’s okay to show up, be a bit awkward, and not care so much what anyone thinks.” ‘Who Cares’ will feature on Catbear’s upcoming second album, due for release later this year. (ML)

Beauty Sleep – ‘Radical Happiness’
Recently signed to Alcopop! Records with the announcement of the upcoming release of their second album, Derry faves Beauty Sleep have now shared a colourful new single to celebrate. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. Of the inspiration behind the track, the duo explain: “Our mental health was so low and we were such people pleasers to a fault that prioritising our emotions and desires felt radical. So we embarked on figuring out how to find Radical Happiness by living it—we did all the things we thought we weren’t good enough for, things we thought we would do ‘when we were successful,’ or ‘when we had more money,’ or when the perfect conditions were just so…” The Whole Damn Cake, the upcoming second album from Beauty Sleep, is set for release in October this year. (ML)

ZAND – ‘TOES!’
I’ve been following the well deserved rise of “sewerstar” ZAND since we interviewed them on our GIHE radio show back in 2020 (listen back here) – so I was chuffed to see this gritty single ‘TOES!’ in my inbox. It’s their first piece of new music since November 2024, equally as inspired by Eminem as it is Nine Inch Nails. ZAND is currently working on their debut album, which I can’t wait to hear in full. (KC)

Twin Rains – ‘The Evil That You Know (Let It Go)’
Toronto dream-pop duo Twin Rains released one of my favourite tracks of 2023 (‘You’re The Only One’) so I was thrilled to see an email from the band (buried in my GIHE inbox) sharing new music with me! Described as “My Bloody Valentine meets Oasis in the dystopian present” this new track ‘The Evil That You Know (Let It Go)’ is full of their trademark intoxicating riffs, dreamy vocals and driving beats. (KC)

Errunhrd – ‘Don’t Drink Chemicals’
Canadian songwriter and producer Shirin Ghoujalou aka Errunhrd has shifted from dream-pop to dark electronica on her latest album, Everything I’ve Ever Known, and I am here for it! This change in musical direction was inspired by a need to explore parts of her psyche that she had previously ignored, experimenting with MIDI string orchestration, vocoders, granular synthesis and syncopated melodies to help her carve a path towards self-love and acceptance. (KC)

Venus In Noise – ‘In The Sun’
A jagged ray of sonic sunshine from London-based duo Venus In Noise here! This new single is full of the pair’s trademark dark electronics and infectious rhythms, which they’ve been sharing with crowds through their live performances – including a show at East London’s Sebright Arms – earlier this month. (KC)

Elaine Mai ft. Faye O’Rourke – ‘AIM’
Irish electronic artist Elaine Mai is gearing up to release her second album, For Us, on 19th September. This collaborative track ‘AIM’ – featuring Soda Blonde vocalist Faye O’Rourke – is an exciting taste of what we can expect from the talented producer. Inspired by “generational trauma and its lingering effects,” O’Rourke’s heartfelt vocals soar above Mai’s potent dance beats and shape-shifting electronics, showcasing her instinct for crafting melodic and surprisingly emotive dance anthems. (KC)

Nastazia Bazil – ‘Call Me Habibi’
Having released her debut album this week, Lebanese artist Nastazia Bazil never believed that she would be able be able to play music that other people would want to hear, but since forming a band at First Timers Fest a few years back she has been proved wrong; a familiar face on the London DIY live circuit, she has been frequently charming audiences across the city with their unique, immersive sounds. Taken from the album, ‘Call Me Habibi’ offers a truly stirring anthem, reflecting on feelings of being torn – knowing that she can’t move back to Lebanon due to political unrest, but feeling homesick and missing simple things such as her mum’s cooking. From Beirut To Anywhere, the debut album from Nastazia Bazil, is out now. Listen/download on bandcamp. (ML)

Lōwli – ‘Ground Above You’
“‘Ground Above You’ explores feeling lost in your sense of self, while struggling to find purpose and understanding in an often unsettling and disjointed world,” explains Irish composer and songwriter Lōwli about her latest single. A beguiling blend of lilting keys, disarming vocals and ethereal string sounds, the track beautifully showcases Lōwli’s ability to transport listeners to another realm – making her one of my favourite new music discoveries this year. (KC)

Maria Somerville – ‘Spring’
Lifted from her captivating new album, Luster, this lush track by Irish musician Maria Somerville is a tonic for tired ears. Released via 4AD, Somerville’s latest full length was written and recorded in Connemara in the artist’s home county of Galway. Energised by the fondness and familiarity of her surroundings, she created twelve tracks that shimmer with sensitivity and a serene sense of self-confidence, with this single ‘Spring’ being a perfect example of both. (KC)

The New Eves – ‘Rivers Run Red’
Team GIHE caught Brighton four-piece The New Eves live for the first time at The Great Escape Festival in May, and we were captivated by their incendiary blend of classical instrumentation and punk spirit. This track features on their debut album, The New Eve Is Rising, set for release on 1st August via Transgressive Records. ‘Rivers Run Red’ is an amalgamation of the band’s beginnings – from guitarist/violinist Violet pouring blood on to herself during early performances, to drummer, flutist & vocalist Ella’s heartfelt teenage poetry – showcasing the power and originality of the ensemble’s musical vision. We’ll definitely be at their London show at Hoxton Hall on 7th October. (KC)

Nadah El Shazly – ‘Laini Tani’
Egyptian, Montreal-based producer, vocalist, composer and actor Nadah El Shazly has released her highly anticipated second album, showcasing her immersive, genre-defying sounds and ability to fuse traditional Arabic influences with a more avant-garde improvisational instrumentation. Title track ‘Laini Tani’ offers a mesmerising insight into the sounds El Shazly is able to create; flowing with a delicate, twinkling musicality, it builds with a subtle soaring power and glitchy energy into a truly spellbinding ballad. Laini Tani, the new album from Nadah El Shazly, is out now via One Little Independent Records. (ML)

Lightheaded – ‘The View From Your Room’
Formed back in 2017, New Jersey’s Lightheaded are set to release their second album later this month, and to celebrate, they’ve shared this shimmering new single. ‘The View From Your Room’ ripples with a cinematic musicality and lilting energy, as gorgeous sunny vibes emanate with shades of the likes of indie-pop faves Camera Obscura or Best Coast.
Thinking, Dreaming, Scheming, the upcoming new album from Lightheaded, is out on 27th June via Skep Wax. (ML)

Ailsa Tully – ‘Self Soothing’
The first single taken from her upcoming debut album, ‘Self Soothing’ offers a welcome return from Welsh artist and GIHE fave Ailsa Tully. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly with a stirring raw emotion throughout. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

Rats-Tails – ‘Public Domain’
Having blown us away with their unique eclectic sounds and immersive energy playing for us last year at The Shacklewell Arms, South East London faves Rats-Tails have now released their first single of 2025. Flowing with a lilting folk-strewn musicality and mystical allure, ‘Public Domain’ reflects on feelings of burn-out, the intrusive thoughts that accompany it and the tension between art and commodification. As front-person Courtney McMahon’s ethereal vocals shimmer throughout, a dreamily psychedelic soundscape is created, cementing Rats-Tails as an innovative band impossible to pigeon hole into any one genre. (ML)

Kate Nash – ‘Germ’
Amidst all the terrifying regression of policies and ridiculous attempts by those in power to curtail the rights of trans folk, being an ally is more important than ever before. So, it’s been great to hear Kate Nash use her platform to spread the word and speak out against so-called feminists who are set on excluding trans women from public spaces and inciting fear and hatred with new single ‘GERM’. With its direct lyricism taking aim at these ‘Exclusionary Regressive Misogynists’, Nash explains: “I am left uneasy as I see behaviours we would otherwise or previously label as intolerance or bullying become normalised & even celebrated by the media & in society. Dismantling systems of oppression lies at the very core of feminism. If you are transphobic, therefore, you are not a feminist. Welcome to your rebrand, GERM.” Just to clarify, as Nash states in the song, “I’ve never felt threatened by a trans person” and will continue to stand by my trans siblings today and every day. Watch the full lyric video here. (ML)

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PLAYLIST: February 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Scrounge – ‘UTG’
We love South London duo Scrounge for their politically-charged anthems and their latest single ‘UTG’ is no exception. Despite being softer in sound, it’s just as hard-hitting when it comes to the personal nature of the lyrics, penned by vocalist and guitarist Lucy. She explains further: “As a queer person, it feels as though you never stop coming out; you’re always protective of that tiny bit of yourself that makes you ‘different’. This song is a reminder to look after and respect your queer and trans mates who are often not given the dignity and respect they deserve.” We back that all the way here at GIHE. Scrounge will be releasing their second album, Almost Like You Could, on 18th April via Ba Da Bing! Records. (Kate Crudgington – Features Editor)

Sacred Paws – ‘Turn Me Down’
The latest single from long-term faves Sacred Paws, ‘Turn Me Down’ reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. And, after a five year hiatus, Ray and Eidlih have now announced the release of a new album, Jump Into Life, which is due out on 28th March – and I’m very excited about it!
(Mari Lane – Managing Editor)

Dose – ‘Parallelogram’
I was thrilled when this track from Dublin four piece Dose dropped into my inbox earlier this month. The dream-pop band features ex-Bitch Falcon guitarist & vocalist/Coolgirl producer Lizzie who I’m a big fan of, as well as Merpire who I saw perform live supporting Ailbhe Reddy at East London’s Moth Club a few years ago. Dose have been playing local shows in Ireland over the past 12 months and they’ll be releasing their debut EP later this year too. ‘Parallelogram’ is the second offering from this exciting new band and I’m looking forward to hearing more from them. (KC)

Maria Somerville – ‘Garden’
A beautiful, atmospheric offering from from Galway-based NTS Radio host Maria Somerville here. ‘Garden’ is lifted from her upcoming album, Luster, which is set for release on 25th April via 4AD. Her soft vocals and lilting electronics melt into each other, providing escapism and respite for overwhelmed ears. (KC)

Anika – ‘Hearsay’
I love this shadowy new track from British-born, Berlin-based musician Anika. It’s taken from her new album, Abyss, which is set for release on 4th April via Sacred Bones (one of my favourite labels). The LP is a form of sonic rebellion for Anika, inspired by the 90s grunge scene as much as it is about the unpredictable nature of the world we currently live in. (KC)

Bonnie Trash – ‘Hellmouth’
Ontario gothic rockers Bonnie Trash release their brand new album Mourning You today (28th Feb) via Hand Drawn Dracula! Originally formed by twins Emmalia & Sarafina Bortolon-Vettor, Bonnie Trash’s sound and aesthetic has evolved into a fully fleshed band with an angst-ridden energy and edgy aesthetic to match. This track ‘Hellmouth’ is the perfect example of both. Check out the accompanying video for it here. (KC)

Daffo – ‘Absence Makes The Heart Grow’
The songwriting project of Brooklyn-based, Philly-raised Gabi Gamberg, Daffo is a new fave for sure. New single ‘Absence Makes The Heart Grow’ offers a wonderfully scuzzy slice of indie-pop, searing with a raw emotion alongside its fizzing hooks. Of the meaning behind the track, Gamberg explains: “I wrote the song at the end of a relationship, and in my pain, I felt as though the cliche about distance making the heart grow fonder was a sham… It made everything harder, the waves of emotion that accompanied reuniting and separating were too intense to navigate.” Definitely one to watch for 2025, you can catch Daffo live at The George Tavern on 13th May. (ML)

Raue – ‘Escape’
Californian duo Raue (pronounced Roo-AY) are inspired by the sounds of Softcult, Wolf Alice, Fleshwater and Billie Eillish. I love their blend of swirling riffs and soft vocals on this track ‘Escape’, which features on their debut EP, too scared to explain, set for release on 9th May. (KC)

Gloin – ‘Horse Fighting’
Toronto-based post punks Gloin are totally new to me, but I love their latest single ‘Horse Fighting’. It’s taken from their excellently titled upcoming second album, All of your anger is actually shame (and I bet that makes you angry), which is set for release via Mothland on 28th March. (KC)

Grandmas House – ‘From The Gods’
Following on from their raucous love song ‘Slaughterhouse’, this new single from Bristol punks Grandmas House is visceral break-up anthem. It’s lifted from the band’s upcoming EP, Anything For You, which is set for release on 11th April via Duchess Box Records. Check out the accompanying video for the track here. (KC)

Punchlove – ‘(sublimate)’
I’m hooked on Brooklyn band Punchlove’s latest single ‘(sublimate)’. Combining shoegaze riffs with twitchy electronics, the track has an industrial edge that becomes more prevalent after repeated listens. ‘(sublimate)’ is inspired by band member Jillian Olesen’s perception-altering experiences after a self-imposed lengthy period of digital and physical isolation, exploring feelings of “entrapment and suffocation within a reality that is inextricably bound by the powerful grip of the digital world.” (KC)

Calva Louise – ‘WTF’
The ferocious new single from Calva Louise, ‘WTF’ showcases front woman Jess’ fierce vocal with an immense power. She explains that the single is “about that feeling of powerlessness that occurs when we are in situations beyond our control.” Calva Louise will be supporting Bloodywood on their European tour, and you can catch them at Kentish Town Forum on 27th March – and I strongly recommend catching them live, as you can imagine it’s a pretty colossal experience. (ML)

BACKXWASH – ‘Wake Up’
I love the the raw power behind this shape-shifting track from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her upcoming album, Only Dust Remains, which she will be releasing via her own label Ugly Hag on 28th March. This new record has been described as “leaving the ashes of BACKXWASH’S critically acclaimed trilogy of albums behind and taking a bold new direction” in sound. BACKXWASH will also be returning to the UK to play Supersonic Festival in Birmingham later this year. (KC)

Alien Chicks – ‘Donkeyhead’
Brixton trio Alien Chicks are back with this belter of a new single. Taken from their second EP, Forbidden Fruit, which is set for release on 9th May via Hideous Mink Records, it’s another raucous offering from the post-punk band, spotlighting their ability to write tongue-in-cheek anthems that fizz with frenetic energy. (KC)

Rebuilt Boys – ‘Shotgun Divorce’
This is the third single from Peterborough-based queer/trans electronic noise-rock two-piece Rebuilt Boys. Full of jagged riffs, post-punk inspired electronics and pounding beats, it’s a raw and righteous anthem of defiance. (KC)

Laura Jane Grace – ‘Your God (God’s D*ck)’
A stark reflection on religious devotion and the ever increasing limits to free speech that the far right are imposing, this raging new single from Against Me alumni Laura Jane Grace oozes all the fierce energy and tongue-in-cheek wit that I’ve come to know and love from her solo work. (ML)

Rival Queens – ‘Not Your Enemy’
You may know her as the guitarist for artist-on-the-rise Maya Lakhani, but now Sally-Anne Hickman has launched her own solo project, Rival Queens. Born out of a songwriting course by Phillipa Cookman (The Singing Guitarist) that Hickman attended, Rival Queens draws inspiration from the ‘90s grunge movement and epic guitar-driven rock, and this debut single showcases Hickman’s musical prowess as its catchy refrain “I am not your enemy” hammers home its message with a raging sense of urgency. Crown and Conquer, the debut album from Rival Queens, is set for release on 27th June. (ML)

SPELLLING – ‘Alibi’
This is such a gear change in sound from San Francisco-based artist SPELLLING and I love it! Featuring Turnstile’s Pat McCrory on guitar, ‘Alibi’ is a cathartic dose of pop punk, featured on her upcoming album Portrait Of My Heart, set for release on 28th March via Sacred Bones. (KC)

Monday’s Child – ‘Problem Girl’
This hazy new single from Belfast-based alt-rock band Monday’s Child is a reflection on insecurity and the contradictory nature of our inner voices. ‘Problem Girl’ will feature on the band’s debut EP, which is due to be released in May of this year. (KC)

Brain Leak – ‘Trying’
Brain Leak are a bit of a supergroup of sorts – the project of Tara-Gabriella Engelhardt from the band Adjustments, the band also features Sid from The Orielles, Jess from Peaness and Giulia from Working Men’s Club. Combining a glistening raw emotion with a fizzing gritty energy, debut single ‘Trying‘ is propelled by the delicate celestial power of Engelhardt’s vocals, offering a beautifully resonant reflection on attachment and the challenging emotional experiences that can accompany it. A new favourite for sure, I strongly suggest keeping an eye out for more from Brain Leak – they’ve already sold out Yes! in Manchester. To find out more, read our interview with Tara here. (ML)

Ezra Furman – ‘Grand Mal’
The latest single from innovative artist Ezra Furman, ‘Grand Mal’ is first taster of her upcoming 10th album, Goodbye Small Head, I really love its swirling cinematic layers which ripple alongside Furman’s trademark raw emotion. Describing the album, she says: “Is it dark? Yeah! Is it also wonder-struck, laced with psychedelic beauty, triumphant in its wounded way? Yeah again. And by the end of it, the whole thing flames out in a burst of good old-fashioned rock and roll.” It sounds perfect, and I can’t wait for its release on 16th May. (ML)

Freak Slug – ‘Liquorice’
After being completely obsessed with their single ‘Spells’ last year, I’m very excited to hear that Manchester’s Freak Slug will be releasing the extended version of their debut album, I Blow Out Big Candles (But With A Cherry On Top), on 7th March, following the original release last November. This latest single only features on the expanded edition and offers jangly hooks, quirky energy and sugar sweet vocals in abundance. Catch Freak Slug live on their UK tour in May, including a headline show at Moth Club on the 22nd. (ML)

Housewife – ‘Work Song’
This single from queer Canadian artist Housewife is an infectious glitchy anthem that fizzes with relatable angst. It’s taken from her upcoming EP, Girl Of The Hour, which is set for release on 7th March via Submarine Cat Records. The EP is a buoyant reflection on identity, love and gender, all underscored by Housewife’s playful alt-pop sounds. (KC)

Supersaurus – ‘Fool For You’
We’ve been big fans of “non-binary fronted indie-pop girl band” Supersaurus since being introduced to their queer sad-pop bangers back in 2023, and new single ‘Fool For You’ offers another nostalgic heartfelt anthem. Of the track, the band explain: “If life was a 90s romcom, it would be the soundtrack. Every main character deserves their own epic soundtrack and ‘Fool For You’ serves as the perfect anthem for anyone who has ever been a fool for love and surrendered to its enchanting allure.” (ML)

Blonde Maze – ‘Never Dream’
I’ve made no secret of my love of New York artist Blonde Maze over the last decade of Get In Her Ears, and so it always bring me a lot of joy when she shares a new song. ‘Never Dream’ is her third collaboration with innovative electro artist Attom and oozes all the dreamy blissful vibes and soothing heartfelt charm that I’ve come to expect from her gorgeous creations. The single comes ahead of the release of her sophomore album, Second Sight, on 23rd May – and to say I’m excited about a brand new collection of her gloriously cathartic offerings is an understatement. (ML)

Shura ft. Cassandra Jenkins – ‘Richardson’
This is the second single from British songwriter Shura’s upcoming album, I Got Too Sad For My Friends, set for release on the 30th May. Featuring New York vocalist Cassandra Jenkins, ‘Richardson’ is a song about “walking, thinking, and trying to find comfort somewhere” guided by Shura’s soft voice and gentle beats. (KC)

Deerhoof – ‘Sparrow Sparrow’
One of the new ‘double B-sides’ from innovative dance-rock collective Deerhoof, ‘Sparrow Sparrow’ showcases their quirky fizzing energy and shimmering charm perfectly. The track is released alongside ‘Overrated Species Anyhow’, and the band are donating all proceeds to The Trevor Project – a non-profit suicide prevention organisation for the LGBTQ+ community. (ML)

Selma French – ‘Little Sisters and Friends’
The latest single from Norwegian artist Selma French, ‘Little Sisters and Friends’ offers a comforting ode to the younger people in our lives, and reflects on the need to care for and support them in their life’s journey. Flowing with lilting folk-strewn melodies and the rich sparkling grace of French’s vocals, it’s a gorgeous first taste of her upcoming second album, No Sign Of Rotten Leaves, which is set for release on 25th April. (ML)

Penelope Trappes – ‘A Requiem’
This is a beautiful sonic rumination from Brighton-based Australian producer and multi-instrumentalist Penelope Trappes. ‘A Requiem’ is the title track from her upcoming album, which is set for release on 4th April via One Little Independent. I’ve found each of Trappes’ singles and accompanying videos for this project to be really thought-provoking and evocative, and despite the album’s melancholy context, I feel like she has expressed something truly pure and beautiful about the shape-shifting nature of grief on this latest effort. Watch the accompanying visual, filmed by Agnes Haus, here. (KC)

Maud The Moth – ‘Exuviae’
Another exquisitely eccentric offering from Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH here. ‘Exuviae’ is lifted from her upcoming album, The Distaff, which is set for release on 21st February. The LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore, myth and poetry” which the artist explores in her own idiosyncratic manner. (KC)

Divide & Dissolve – ‘Provenance’
Multi-instrumentalist Takiaya Reed is back with her heavy instrumental project Divide and Dissolve and this gargantuan new single ‘Provenance’. Full of her trademark eerie saxophone sounds, crushing riffs and bruising beats, the single is the first offering from Divide and Dissolve’s new album, Insatiable, which is set for release on 18th April via Bella Union. Reed will also be returning to Supersonic Festival in Birmingham this year – which I am very excited about! Watch the accompanying video for ‘Provenance’ here. (KC)

Venamoris – ‘Truth’
Eclectic American duo Venamoris – formed of Dave and Paula Lombardo – have moved into darker sonic territory on their new album, To Cross Or To Burn, released today (28th Feb). Full of cinematic electronics and impassioned vocals, this track ‘Truth’ is lifted from the record, which focuses around soul searching and the need for acceptance. (KC)

 

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PLAYLIST: November 2024

The Get In Her Ears team have put together another mix of alternative, grunge & shoegaze anthems, eclectic electronic soundscapes, alt-pop tunes and indie-folk musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Kills Birds – ‘Behind’
Mari & I saw LA band Kills Birds live at Hackney’s Moth Club back in 2022, and I remember front person Nina Ljeti being a colossal force on stage. It’s great to see that the band are back with ‘Behind’, a seething new anthem and their first new music since their second album, Married (2021). Check out the accompanying video for the track here.
(Kate Crudgington – Features Editor)

Girl Tones – ‘Fade Away’
A proper stomper of a track from sister duo Girl Tones here! ‘Fade Away’ is their debut offering, produced by Brad Shultz of Cage The Elephant and released via his label Parallel Vision. The pair blend visceral riffs, propulsive beats and defiant vocals together to create this irresistible cacophony of noise. Watch the accompanying video here. (KC)

Sacred Paws – ‘Another Day’
After a five year hiatus, we’re super excited that London/Glasgow duo Sacred Paws have returned to our ears. We love everything that Ray Aggs does and were honoured to have them headline one of our gigs earlier this year, and now the revival of this project with Eilidh Rogers comes as a very welcome surprise. Reflecting on the theme of remaining positive in the face of heartbreak, new single ‘Another Day’ flows with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, whilst introducing a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait!
(Mari Lane – Managing Editor)

Alien Chicks – ‘Babe’
I’ve been following Brixton trio Alien Chicks since Mari booked them for a GIHE gig back in 2022. Since then, their dynamic, blistering anthems have seen them support Mercury Prize winners English Teacher on their UK tour, and they’ve released their debut EP, Indulging The Mobs. ‘Babe’ is another antagonistic offering from the trio that playfully explores the idea that “we’re all masochists, politically and socially.” (KC)

Jæd – ‘Sight Gas Went Uh’
Another unique offering from London-based Irish-Puerto Rican musician Jæd here, taken from her debut album, I Loved The Gauntlet And There Was No Other Way. Set for release tomorrow (29th Nov) via cult Irish label The Delphi Label, the record is a visceral, eclectic cacophony of sounds inspired by the uncertainty and hardship that Jæd has lived through. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra and we were all blown away by her stage presence, dynamic vocal range and guitar playing. ‘Sight Gas Went Uh’ is the perfect example of all three. Watch the accompanying live performance video here. (KC)

Eilis Frawley – ‘Fall Forward’
Having recently headlined for us at New River Studios as part of Kara Delik, Berlin-based musician Eilis Frawley has now announced the release of a new solo album in March next year. Ahead of the album’s release, she has shared title track ‘Fall Forward’. Interweaving whirring layers of sound, it combines glitchy electronics with Frawley’s distinctive poignant lyric storytelling and propulsive drum beats. Building with a searing sense of urgency to a glistening cacophony, it showcases Frawley’s ability to create innovative kaleidoscopes of sound. Fall Forward, the upcoming album, will be released on 7th March, and is co-produced by Frawley and Kat Frankie. Eilis Frawley will also be over in the UK for some live dates with her band next May – keep your eyes peeled! (ML)

M(h)aol – ‘Snare’
“‘Snare’ is about countless conversations I’ve had since my first drum lesson on my ninth birthday about how bizarre it is that I play that instrument, or how I should be doing it differently,” explains M(h)aol’s lead vocalist and drummer Constance Keane. “The idea of society gendering an inanimate object like a drum kit, when it’s something that brings me so much joy and release, has always frustrated me hugely, and I thought it was time to sing about it.” I’ve been a big fan of Irish post-punks M(h)aol since they released their debut single ‘Laundries’ back in 2020, and despite recent lineup changes, it’s great to see that the band have lost none of their momentum. ‘Snare’ is another potent anthem about autonomy and empowerment, delivered with the band’s trademark visceral grit. (KC)

Glixen – ‘Lick The Star’
I’ve loved everything that Phoenix shoegazers Glixen have released this year. Taken from their upcoming EP, Quiet Pleasures, which is set for release on 21st February 2025, their latest single ‘Lick The Star’ smoulders with longing, building from it’s gentle atmospheric intro into a potent wall of sound. (KC)

Brutus – ‘Paradise’
Belgian heavy trio Brutus are back with this majestic new track ‘Paradise’. Originally written for the Streamz Original drama series Putain, it’s full of the band’s trademark heavy riffs and drummer Stefanie Mannaerts’ impressive vocals. (KC)

Disarme – ‘Change’
I love this bittersweet debut single from Franco-Malagasy artist Disarme. Driven by a palpable but sublime sense of melancholy, ‘Change’ is inspired by the loneliness and disillusionment that can come from living in fast-paced, expensive city environments. Through her gentle vocals and evocative guitar riffs, Disarme attempts to soothe these pangs of anxiety. (KC)

Claire Pitt Wigmore – ‘Cerebellum’
Creating swirling slices of psychedelia, Margate musician Claire Pitt Wigmore and her band have recently shared new a EP. With lyrics reflecting on Claire’s experience of cancer and the treatment that follow, it fuses together elements of psych, shoegaze and jazz, it offers a stirring exploration of facing this immensely challenging experience at such a young age. Title track ‘Cerebellum’ fizzes with whirring hooks alongside Claire’s emotion-strewn vocals; an immersive introduction to what this new Kent band are capable of creating. (ML)

Janita – ‘Real Deal’
Inspired by two of her favorite films – The 400 Blows and Butch Cassidy and The Sundance Kid – this pop rock track from Finland-born artist Janita celebrates the joy of rebellion. It’s taken from her upcoming album, Mad Equation, which is set for release in May 2025. (KC)

Gay Skeleton Club – ‘W3t L3g’
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, and this track about the the infamous band that everyone seems to love to hate really is a total bop. It’s taken from the band’s new 7 track demos EP, and showcases the band’s raging, fun-filled spirit. I cannot wait to have them play for us again soon. (ML)

Roller Derby – ‘Emily’s Dance’
Hamburg dream-pop duo Roller Derby recently announced the exciting news that they will be releasing their debut album in February next year and have now shared the fourth single to be taken from it. Reflecting on the juxtaposed feelings of powerlessness and fascination in the face of the universe, ‘Emily’s Dance’ interweaves atmospheric dream-pop with shades of ‘80s synth-pop, creating a swirling, mystical soundscape. This new single is accompanied by beautifully animated video, perfectly encapsulating the essence of the track – have a watch here. When The Night Comes, the debut album from Roller Derby, is set for release on 28th February, and the band will be over in the UK for a little run of dates in May – nab tickets here. (ML)

Joni – ‘Avalanches’
Having toured with the likes of Laura Viers and Aqualung and written for many of the biggest names in pop, London-based American artist Joni has now shared her brand new single. Oozing a glistening emotion, ‘Avalanches’ offers a poignant reflection on the duality of love and heartbreak, as it flows with lilting melodies and heartfelt- sugar-sweet vocals. (ML)

All Cats Are Beautiful – ‘livin a life on splitscreen’
In 2021 London based duo All Cats Are Beautiful released their gorgeous mini album, The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally feel ready to share new music with EP, Just Kids; a heart achingly beautiful reflection on love and loss. The opening track from the collection, ‘living a life on splitscreen’ oozes a swirling emotion-rich splendour. As delicate electronic hooks and a twinkling rippling energy provide the backdrop for the vulnerability and raw emotion of its nostalgic reflective lyricism, it offers glistening shades of hope as it reflects on a roadtrip across LA that Ky took with their partner a year before the tragedy occurred. The rest of the EP delves into stark reflections on the pain that comes with losing someone you love intensely; as the band so perfectly put it: “grief is just love with no place to go”. Thank you to Ky and Elena for sharing such a beautifully cathartic and honest collection with us. (ML)

Dirt Flirt – ‘Dramatic’
The solo project of London-based multi-instrumentalist Kit Eaton-Kent, Dirt Flirt reflects on queer identity, playfully combining introspective lyrics with glitchy beats and a playful energy. Exploring the complexities of being your own worst enemy, new single ‘Dramatic’ showcases her rich emotive vocals with a swirling empowering energy, creating an instantly catchy slice of alt-pop. (ML)

Cults – ‘Onions’
New York duo Cults have just rounded up their EU & UK tour, in celebration of their most recent album, To The Ghosts. This track ‘Onions’ features on the record, fizzing with its playful synths and Madeline Follin’s honeyed vocals. (KC)

paun – ‘counterintelligence’
‘counterintelligence’ is the latest single from Berlin-based, non-binary electronic artist paun. They lean into “grimey, futuristic and IDM-inspired” territory here, with their elastic synths and twitchy beats. paun is currently working on a new EP, which will be released in the near future, so keep your eyes peeled for that. (KC)

Birthday Problem ft. Molly O’Mahony – ‘The Language Of War’
Another eclectic creation from Irish collaborative electronica project Birthday Problem here. Formed of Matt Harris and Rocky O’Reilly, ‘The Language Of War’ is their seventh single, featuring songwriter Molly O’Mahony. Her vocals float over sci-fi synth textures and twitchy beats, creating a commanding soundscape inspired by the paradoxical nature of war. (KC)

afromerm – ‘reciprocity’
This track from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more. (KC)

Elsa Hewitt – ‘White Mirror’
Another exquisite electronic soundscape from GIHE fave Elsa Hewitt, lifted from her upcoming album, Dominant Heartstrings. Elsa also released an album called Chaos Emeralds earlier this year, which is one of my favourite records of 2024. (KC)

Kathryn Mohr – ‘Driven’
The music of Oakland-based artist Kathryn Mohr is new to my ears, but I was instantly captivated by her otherworldly sound. This track ‘Driven’ is taken from her upcoming album, Waiting Room, which is set for release on 24th January 2025 via The Flenser. Mohr wrote and recorded the LP over the course of a month, within the walls of a disused fish factory in Iceland and surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Penelope Trappes – ‘Sleep’
Newly signed to One Little Independent Records, I love this gloomy rumination from Brighton-based, Australian-born artist Penelope Trappes. Taken from her upcoming album, A Requiem, which is set for release on 4th April 2025, ‘Sleep’ is a reflection on the sublime power of nightmares and night terrors, with her haunting voice guiding listeners through her heavy atmospheric instrumentation. When I bumped into Penelope at Supersonic Festival in September earlier this year, she told me that she would be releasing this track and that the marvellous Maxine Peake and Kate Dickie would be starring in the accompanying video, directed by the excellent Agnes Haus. Watch it here. (KC)

MAUD THE MOTH – ‘Siphonophores’
Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH has shared this new single, alongside the announcement of her new album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore and Greek myth and poetry. ‘Siphonophores’ offers listeners a haunting insight into what they can expect from the record, filled with eerie keys, dramatic volume shifts and diaphanous vocals. Watch the captivating music video for it here. (KC)

Sharon Van Etten – ‘Afterlife’
Marking a new era with her band, long term favourite Sharon Van Etten has now announced the release of a new album, accompanying the news with an exquisite new single; an exciting taster of her new sound. Soaring with Van Etten’s distinctive rich, sumptuous vocals, ‘Afterlife’ builds with a celestial splendour to a soaring heartfelt anthem, tinged with shades of ‘80s Bruce Springsteen, whilst maintaining her own unique glistening raw emotion and innovative musicality. Sharon Van Etten & The Attachment Theory, The first album to be written and recorded in total collaboration with her band, is due out on 7th February via Jagjaguwar. (ML)

Julien Baker & Calvin Lauber ft. Soak, Quinn Christopherson – ‘Get Me Away From Here, I’m Dying’
After a few years of Julien Baker being one of my most listened-to artists, constantly seeking catharsis in the exquisite raw emotion and resonant reflections of her offerings, it was such a joy to finally see her live at one her five dates at Earth last week. And with beautiful support from Katie Malco and Soak, it really was an evening of (very emotional) dreams. I was there alone, in amongst a lot of teenagers and their parents, my heart gently shattering and tears falling down my silly 38 year old face throughout. For more eloquent words about the gig, a full review will be coming up on the website in the next couple of days. (ML)

Horsegirl – ‘2468’
With their second album due out in February next year, Chicago best-friend trio Horsegirl have now shared new single ‘2468’. Propelled by a jangly, playful energy, it showcases the band’s ability to interweave off-kilter sounds and influences into a perfectly scuzzy, musically rich taster of what’s to come on the upcoming LP. Phonetics, the new album from Horsegirl, is produced by Cate Le Bon and is set for release on 14th February next year. (ML)

Naima Adams – ‘Stay’
Described as “dub-fused percussive soul collision,” ‘Stay’ is the second single from South London-based artist Naima Adams. Her honeyed vocals and eclectic instrumentation fuse seamlessly together as she explores the difficulties of finding connection in everyday existence in the city. (KC)

Sunflower Thieves – ‘Same Blood’
This is the title track from Leeds alt-folk duo Sunflower Thieves latest EP, which is inspired by the strength of female friendship. Across five songs, the duo capture the shifts and nuances of long-term connections, shared experiences and growing pains, all underscored by their soft acoustic guitars and gentle vocals. (KC)

Aisha Badru – ‘In The Making’
Set to release her new album tomorrow (Nov 29th), Nigerian-American artist Aisha Badru offers beautifully stirring reflections on our life’s journey towards healing with a blissful charm and delicate effervescent grace. We recently caught up with Aisha about the album and her inspirations behind it, keep your eyes peeled for the interview over the next few days! The Sun Still Rises, the upcoming new album from Aisha Badru is set for release via Nettwerk. (ML)

May Payne – ‘Something Else’
Having received acclaim from Chris Hawkins on BBC 6 Music, and set to perform at the Royal Albert Hall tonight (28th Nov), young queer artist May Payne has been gradually garnering a large fan base since the age of 15 when they first started creating music while growing up in rural Dorset. With a delicate folk-strewn musicality, ‘Something Else’ showcases the rich sparkling grace of Payne’s exquisite emotion-rich vocals. It’s taken from recent EP release, High Demand. (ML)

Lauren Manning – ‘Melatonin’
For the past four years, South African born, London-based songwriter Lauren Manning has been working on her debut album. Set for release on 7th December, Four Walls blends all of her eclectic musical stylings together – indie, soul and jazz – and showcases her impressive vocal range. This single ‘Melatonin’ is lifted from the record, on which Lauren meanders through the restless thoughts that keep her awake at night. Lauren will be playing a headline gig in Peckham on 7th December to celebrate the release of Four Walls. Tickets and event details here. (KC)

Rattle – ‘Your Move’
Immense drumming duo Rattle first came to my attention when I saw them supporting The Julie Ruin at Koko in 2016, but since then they have released two albums and shared stages with other legends like Animal Collective and Thurston Moore. A spellbinding insight into rhythm and metre, new single ‘Your Move’ will immerse you in its mystical allure and tribal energy on first listen of each of its epic 15 minutes. Of the track, the band reflect: “The words Your Move might be about moving in an embodied way or freedom/movement/expression, but they are also an emboldening call to action…” (ML)

Bouche – ‘The King’
consistently centring queer, femme and other under-represented artists and DJs – Bouche has now shared a soulful new single. “The last song I’ll ever write about being disappointed or hurt by a man”, ‘The King’ offers an intimate reflection on relationships with a stripped-back jazz-tinged musicality and their soaring power of their pristine vocals. ‘The King’ is accompanied by a beautiful video, made in collaboration with Deniz Kavalali and incorporating elements of drag – Bouche makes their own drag beards out of their own hair! – an empowering ode to queer catharsis. (ML)

Emily Burns – ‘Die Happy’
This is the title track from British singer-songwriter Emily Burns’ debut album. Across twelve tracks, her confessional songwriting blossoms into an emotional catharsis for the artist, with ‘Die Happy’ showcasing her ability to create affecting indie pop anthems. (KC)

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PLAYLIST: October 2024

The Get In Her Ears team have put together another mix of alt-pop tunes, indie-folk musings, alternative, grunge & shoegaze sounds, punk bangers, eclectic electronic soundscapes and some Halloween themed Gloomy Grrrl tracks for your listening pleasure. Take some time to scroll through our selections below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

PostLast – ‘Halloween’
‘Halloween’ is an apt track to kick off our October playlist with, courtesy of Irish duo PostLast. Lifted from the band’s debut EP, Pull Me Into The Open Sea, released via Veta Records, Julie Hough and Stephen McHale tap into their “childlike sense of wonder” on this track. Through their unfiltered brand of dream-pop, PostLast offer listeners a space to enjoy feeling nostalgic, joyful and melancholic all at the same time.
(Kate Crudgington – Features Editor)

TTSSFU – ‘Studio 54’
I love the dark, cinematic allure of this track from Manchester artist Tasmin Nicole Stephens aka TTSSFU, who has just signed to Partisan Records. ‘Studio 54’ is the final track on her latest EP, Me, Jed and Andy, and it’s inspired by the tumultuous relationship between Andy Warhol and his partner Jed Johnson. I’m so glad this dropped into my GIHE inbox – a new personal favourite for sure. I love the accompanying video too, which you can watch here. (KC)

Skutterfly – ‘Changing Room’
Having won us over playing live for us at The Cavendish Arms last month, First Timers alumni Skutterfly have now shared their debut single. The first song they ever recorded together, ‘Changing Room’ fizzes with a sparkling energy as jangly hooks and ‘90s reminiscent grunge-tinged allure. They’re definitely ones to watch and we can’t wait to hear more!
(Mari Lane – Managing Editor)

HotWax – ‘She’s Got A Problem’
GIHE faves HotWax have announced their debut album with the release of this blistering new single. ‘She’s Got A Problem’ will feature on their LP, Hot Shock, which is set for release on 7th March 2025 via Marathon Artists. Produced by Catherine Marks (boygenius, Wolf Alice), the band put together an all-female team to record the album, which includes input from Steph Marziano (Picture Parlour, Cassandra Jenkins) and Warpaint drummer Stella Mozgawa. We can’t wait to hear their riotous debut record, which you can pre-order here. (KC)

Jæd – ‘Bakkos’
Another knockout single from London based Irish-Puerto Rican musician Jæd. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra at The Shacklewell Arms, and we were all blown away by her stage presence and dynamic vocals and guitar playing. Jæd will be releasing her debut album, I Loved The Gauntlet And There Was No Other Way, on 29th Nov via cult Irish label The Delphi Label. This track, ‘Bakkos’, features on the record and it’s a visceral imaginary tale of indulgence and self-judgement, set within the setting of a chaotic Bacchanalian court. (KC)

Clutter – ‘Jesus’
Recently signed to PNKSLM Recordings, Stockholm quartet Clutter have a sound that’s as cacophonous as their namesake. This track ‘Jesus’ is a noisy blend of their gritty riffs, swirling dual vocals and driving beats. The band will be releasing ‘Jesus’ along with their debut single ‘Holy Brother’ on a limited edition 7″ vinyl on 7th November, which you can pre-order here. (KC)

High. – ‘Catcher’
This latest single from New Jersey shoegazers High. is a glistening rumination on grief, which holds deep personal resonance for the band. It’s the second offering from their upcoming EP, Come Back Down, which is set for release on 24th January 2025 via New York indie label Kanine Records. I love their blend of effervescent vocals, heavy reverb and poetic lyricism. The track is accompanied by a music video, directed by bassist Bridget Bakie and starring drummer Jack Miller, which you can watch here. (KC)

Comic Sans – ‘Mr President’
Having completely blown us away with their immense energy and charisma playing live for us at New River Studios last week, London’s queer emo-punk ones to watch Comic Sans have now shared a raging new single. Propelled by a racing energy and angst-driven power, ‘Mr President’ showcases all there is to love about this exciting new band; a soaring punk anthem delivered with a fierce sense of urgency. Of the track, the band explain: “Mr President is an amalgamation of lyrics derived from grief, and an expression of frustration at the world, blended with band improvisation to create a song that expresses our individuality.” We highly recommend you catch Comic Sans live at the single launch for ‘Mr President’ on 28th October at The Windmill in Brixton – tickets here. (ML)

The Menstrual Cramps – ‘Class War’
A fierce rebuttal against trickle-down economics and the hold that the ruling classes have over society, ‘Class War’ is the latest single from GIHE faves, Bristol’s The Menstrual Cramps. Oozing their trademark seething energy alongside frenzied punk hooks and an immense empowering drive, it offers an rousing call to action to fight back; to join a union and hold those in power to account. Of the track, front person Emilia comments: “Workers rights are being taken away from us at an alarming rate, and the best way to combat this is with collective bargaining and activism…” Watch the new video for ‘Class War’ here. (ML)

Fightmilk – ‘Yearning and Pining’
Another one taken from the upcoming album from absolute faves Fightmilk, ‘Yearning and Pining’ offers a ridiculously catchy tongue-in-cheek love song. Exquisitely fusing together twinkling hooks and anthemic gritty energy with a lilting country twang, the track races with the angsty anticipation of a mega crush. Of the track, front person Lily comments: “(It’s) a two-minute country-punk biscuit about having the cosmic horn for someone. Being so lusty that you give yourself an asthma attack…” And there’s a gloriously DIY accompanying video that was filmed entirely on a doorbell cam. No Souvenirs, the upcoming new album from Fightmilk, is out 15th November via Alcopop! Records. Catch them live to celebrate – details here. (ML)

Daffodildos – ‘What’s Ur Excuse’
Having recently released their debut EP via Not Saints – a pioneering label committed to supporting artists in recovery from addiction – Brighton trans-punk trio Daffodildos have spent the year making a name for themselves, touring the country, delivering important social messages with their trademark playful attitude. Taken from the EP, ‘What’s UR Excuse’ is fuelled by fierce scuzzy hooks, offering a catchy punk anthem raging against the cruelty that society inflicts on animals, and capitalism’s reliance on the suffering of innocent animals for profit. Not My Cup Of Tea, the debut EP from Daffodildos, is out now. (ML)

Man/Woman/Chainsaw – ‘The Boss’
Lifted from their upcoming EP, Eazy Peazy, which is set for release on 7th November via Fat Possum Records, this track from London based art punks Man/Woman/Chainsaw is a grinding, unpredictable exploration of power dynamics. The band have fused electric violin, synths and guitars together to form their heaviest track yet. I remember Brixton trio Alien Chicks recommending Man/Woman/Chainsaw to us when they were guests on our Soho Radio show last year, and after hearing ‘The Boss’, I can see why! (KC)

Lobby – ‘folding out’
Featuring members from Goat Girl and leather.head, South London slowcore trio Lobby have shared a brand new single. Following last year’s ‘in the wall’, ‘folding out’ flows with a twinkling energy as honey-sweet vocals ripple over fuzzy musical layers and a stripped back raw emotion. Of the track, the band explain: ““It’s about the desire to watch the layers someone has built up, unfold, to reveal the core of who they are, and the unquestioning support needed for that process to occur.” (ML)

Queen Of Nothing – ‘How Does It Feel’
I’m so glad this debut single from independent artist Abi Crisp aka Queen Of Nothing dropped into my GIHE inbox. ‘How Does It Feel’ is taken from her soon-to-be-released EP, The Pull, which she recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie). I love her atmospheric guitar tones and her brooding vocals, which shift in volume throughout the track. (KC)

Labyrinthine Oceans – ‘Pinch’
A dark reflection on self autonomy and escaping societal expectations, ‘Pinch’ is the latest single from London/Newcastle dream rock band Labyrinthine Oceans. It’s taken from their upcoming second EP, home, which is set for release in the near future. The band blend grinding riffs, crashing percussion and melancholic vocals in attempt to confront the uncomfortable truths that underline vocalist Julia O’Neill’s lyrics, which give the track its heavy lullaby quality. (KC)

sweet93 – ‘what’s true?’
I love this dreamy offering from New York artist sweet93, fronted by elusive vocalist Chloe. I’m new to her blissed out brand of ambient shoegaze, but after hearing ‘what’s true?’ I’ll definitely be diving into her debut album, All The Same All OK, which she released back in 2021. (KC)

Mi.el – ‘Hers To Own’
The latest single from dream-pop duo Mi.el, ‘Hers To Own’ explores themes of change, personal growth and self-love, offering a sparkling empowering energy. Interweaving a tapestry of different sonic textures, providing the backdrop to rich syrupy vocals, it glistens with an understated uplifting grace. (ML)

Friedberg – ‘Hardcore Workout Queen’
Described by Friedberg’s founding member Anna as an anthem for “the Champion of the slobs”, ‘Hardcore Workout Queen’ is the title track from the band’s upcoming album, which is set for release on 8th November. Juxtaposing upbeat indie-pop rhythms with lyrics about being unmotivated to excel at physical exercise, the track is a playful, relatable reflection on living the lifestyle that suits you – whether that means you’re smashing it in the gym or relaxing with snacks on the sofa. (KC)

God’s Mom – ‘Maddalena’
A new collaboration between Canadian artist Bria Salmena (FRIGS, Orville Peck) and producer/film-maker A.Matthews, God’s Mom create innovative soundscapes combining vocal traditions rooted in Salmena’s Italian heritage with glitchy electro-driven dancefloor beats. Celebrating the power and beauty of the community that the duo found in Toronto and Rome’s club scene, ‘Maddalena’ offers a cinematic cacophony that resonates with a driving energising allure. As It Was Given, the new album from God’s Mom, is out now – exclusively available on Nina. (ML)

foxgluvv – ‘i need to understand but i don’t’
Brighton based DIY pop artist foxgluvv has returned with this brand new single, their first since 2023. Inspired by their journey of self-discovery and the complexities of gender identity, foxgluvv explains that ‘i need to understand but i don’t’ is “more than just a song” to them, it’s their way of supporting their LGBTQIA+ listeners and reminding them not to panic if they haven’t got everything figured out just yet. It’s full of foxgluvv’s hyper-pop beats and catchy lyricism, making it an anxious-yet-euphoric anthem. (KC)

Susi Pagel – ‘Anything Like U’
Self-described as Belfast’s ‘pink pop princess’, Northern Irish artist Susi Pagel is set to release her debut EP very soon, which she worked on with local legend and GIHE fave Rocky O’Reilly. Taken from the EP, ‘Anything Like U’ reflects on the feelings of relief that come from realising you’ve made a lucky escape from a toxic person, and I just love its glistening punk-pop energy. Susi Pagel’s debut EP, can you hear me now?, is set for release next month. (ML)

Moniah – ‘Sweet Escape’
This track from emerging London-based indie pop artist Moniah is all about letting go of what’s holding you back and living in the moment. Through her emotive vocals and lilting alt-pop melodies, she offers her listeners a brief moment of respite from the grind of everyday life. (KC)

Catbear – ‘Carry On’
The latest single from Brighton/London queer duo Catbear, ‘Carry On’ offers a soaring immersive soundscape. Combining elements of ‘80s-inspired synth pop with a gritty post-punk edge, it explores themes of overcoming adversity and pushing through life’s challenges with a captivating ethereal splendour. (ML)

Aisha Badru – ‘Side Of The Moon’
Set to release a new album next month, Nigerian-American artist Aisha Badru has now shared a beautiful new single. Sparkling with a delicate effervescent grace, ‘Side Of The Moon’ reflects on our life’s journey towards healing with a blissful charm. The Sun Still Rises, the upcoming new album from Aisha Badru, is set for release on 29th November via Nettwerk. (ML)

Breymer – ‘When I Get Through’
Set to release their new album, When I Get Through, later this month, Minnesota born artist Sarah Walk aka Breymer creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality as it reflects on a personal journey of self-discovery with a stark honesty, it’s a truly exquisite collection. Breymer is in the UK next month, playing dates in London and Brighton – details here. (ML)

Sunflower Thieves – ‘So Far So Good’
A poignant, relatable tune from Leeds based duo Sunflower Thieves here. Taken from their upcoming EP, Same Blood, set for release on 30th October 30th, ‘So Far So Good’ is a tender exploration on the very human need for connection and the often overwhelming feeling of our own insignificance in the grand scheme of things. Sunflower Thieves deliver these ruminations gently through their considered lyrics and soft acoustic guitar sounds. (KC)

Katie Malco ft. SOAK – ‘Babette’
Another disarming tune from Katie Malco, this time featuring Northern Irish songwriter SOAK. The pair toured the US together in 2023, which SOAK comically recalls as a time they navigated their way through North America with little more than their “drivers’ licences and delusion.” ‘Babette’ is inspired by Malco’s sense of being too much, or not enough, and how this inner conflict transpires into relationships and social situations. The track’s call-and-response style reflects how communication can break down between two people over time, with Malco and SOAK’s emotive vocals hitting a relatable nerve throughout. (KC)

jasmine.4.t – ‘Elephant’
The first UK signee to Phoebe Bridgers’ label Saddest Factory Records, Manchester based musician jasmine.4.t has announced her debut album, You Are The Morning, set for release on 17th January 2025, by sharing this track ‘Elephant’. Inspired by her memories of her first love after she came out as a trans woman, ‘Elephant’ is a moving reflection on how it feels to be friends with someone when you both know you want more. Produced by Julien Baker, Phoebe Bridgers and Lucy Dacus, jasmine’s sensitive lyricism, acoustic and electric instrumentation – plus the wonderful voices of the Trans Chorus of Los Angeles at the close of the track – all combine to create a passionate, buoyant exploration on the complexities and joy of finding your first queer love. (KC)

Miya Folick – ‘Alaska’
Following on from her previous single ‘La Da Da’, LA-based songwriter has shared another beautifully vulnerable offering here. ‘Alaska’ is inspired by her fear of potentially losing her relationship, but she pacifies this pain with the realisation that she would cope if that sadly became a reality. Her raw lyricism, emotive vocals and gentle instrumentation soothe these difficult thought processes, making ‘Alaska’ a tender and cathartic offering. (KC)

Heff VanSaint – ‘Weavers Fields’
Originally from Aberdeen, London based artist Heff VanSaint has just released her new EP Best Days Gone. Of the release, she explains: “It’s not as hopeless as the title suggests. I guess it’s a metaphor for where I am in my life. It starts off very misty eyed and full of longing for what’s gone and then through reflection regains a kind of optimism that is dogged in its hopefulness.” A lovely sentiment, and it is a really beautiful collection of tracks – and I think perhaps I have a particular soft spot for this one as it definitely has shades of The Boss, which is always a good thing in my books. (ML)

Waxahatchee – ‘Much Ado About Nothing’
The latest single from Katie Crutchfield – aka Waxhatchee – ‘Much Ado About Nothing’ flows with the lilting Americana twang and stirring raw emotion that I love so much. The first taste of new music from Crutchfield since her much-acclaimed album Tigers Blood earlier this year, it’s another exquisite offering from one of my absolute favourites. (ML)

Clara Mann – ‘Stadiums’
Having supported the likes of Bill Ryder-Jones and Bat For Lashes, London-based artist Clara Mann has now shared a beautiful new single. Reflecting on the both the beauty and difficulties of loving someone whose passion lies in being creative, ‘Stadiums’ offers a beautifully folk-strewn ballad, flowing with a delicate musicality and the sparkling subtle allure of Mann’s vocals. (ML)

Natalie Fée – ‘Daughter Of Nature’
‘Daughter Of Nature’ is the debut single from Bristol based environmental activist, author and musician Natalie Fée. It’s the eponymous track from her upcoming debut album, which is set for release in 2025. Natalie has expanded her preexisting love of nature through her indie-folk musings, and hopes that this will be a new form of connection to the environment for her listeners too. (KC)

Mark Trecka, Midwife – ‘Witch’s Hat’
Add this plaintive collaboration between Parisian sound artist Mark Trecka and Colorado multi-instrumentalist Midwife to your Halloween playlist NOW! It’s a haunting blend of the pair’s other-worldly vocals, moody electronics and twitchy percussion, which Trecka hopes will resonate with those who are “dreaming and celebrating the other side in this thinning veil season.” I love it. (KC)

Joh Chase ft. Brittany Ann Tranbaugh and Natalie Carol – ‘Gossamer Thread’
The debut collaborative single from LA based songwriter Joh Chase, Brittany Ann Tranbaugh and Valley Queen’s Natalie Carol, ‘Gossamer Thread’ offers a stirring slice of Americana reflecting on themes of interconnectedness, fragility and resilience. Shimmering with a catchy, lilting musicality, a heartfelt raw emotion ripples throughout, demanding multiple listens. ‘Gossamer Thread’ is out now via legendary label Kill Rock Stars. (ML)

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