PLAYLIST: July 2020

Our July playlist is filled with some dream-pop gems, alternative electronic sounds and the usual dose of indie & rock guitar tunes. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Bitch Falcon – ‘Gaslight’
Dublin trio Bitch Falcon are probably going to block me if I keep tagging them on social media talking about how much I love this latest single. ‘Gaslight’ is a stirring reflection on the way we perceive other people’s truths, full of seething bass lines, savage guitar licks, crashing percussion and Fitzpatrick’s powerful yet melodic vocals. (Kate Crudgington)

LibraLibra – ‘Lonely Girl’
Following their immense last single ‘Juicy Lucy’, GIHE faves LibraLibra have now shared the next single taken from their upcoming new EP. Propelled by a gritty, swirling energy ‘Lonely Girl’ combines a whirring ‘80s-infused electro groove with the band’s trademark thunderous beats and frenzied hooks, as front woman Beth Cannon’s vocals soar with a magnetising power. With a tongue-in-cheek wit and seething, riotous drive, it’s another genre-defying anthem from the Brighton band. Hail Mary, the upcoming debut EP from LibraLibra, is set for release on 14th August. (Mari Lane)

The C33s – ‘Harpurhey Hostility’
The latest single from Manchester trio The C33s, ‘Harpurhey Hostility’ is a reflection on an area of the band’s hometown named “the worst place in England” by Manchester Evening News back in 2007. Propelled by a frenzied punk-infused drive, the track is filled with gritty surf-rock riffs and the raw impassioned power of drummer Judy Jones’ vocals, as it builds to with an instantly infectious raucous energy. (ML)

Wife Patrol – ‘Let’s Hang Out’
Set to release their debut album Too Prickly For This World on 4th September, Indiana-based Wife Patrol explore everything from power structures, toxic culture, friendship and bad weather in their music. ‘Let’s Hang Out’ is their debut single, and it’s filled with punchy beats and catchy riffs. (KC)

Abbie Ozard – TV Kween
“Hopefully this song will make people feel a little less alone when they’re feeling super insecure” says Manchester-based songwriter Abbie Ozard. ‘TV Kween’ is full of dream-pop tinged guitars and feel-good vibes, despite the track being based around feelings of insecurity. (KC)

Highnoon – ‘Lens’
Philadelphia indie-rock outfit Highnoon – fronted by Kennedy Freeman – create dream-pop, alt-rock inspired sounds. The band will be releasing their 2019 record Semi Sweet on cassette for the first time on 31st July via Oof Records, and 10% of all tape purchases will go towards Vamos Juntos — a community-led, Latinx immigrant organization in South Philadelphia fighting for human rights as workers, parents, youth, and immigrants. You can pre-order the tape here. (KC)

All Things Blue – ‘Dicking Around’
The latest single from L.A’s All Things Blue, ‘Dicking Around’ offers a swirling, dreamy soundscape, oozing a twinkling sense of calm. Soaked in immersive layers of psychedelic hooks and whirring electronics, providing the backdrop for India Coombs’ luscious majestic vocals, it’s the perfect accompaniment for a socially distanced sunbathe on a summer’s day. Get Bit, the debut album from All Things Blue, is out 23rd October. (ML)

Show Boy – ‘Turn It On’
Inspired by the spark of excitement that comes with meeting a new friend or starting a new relationship, ‘Turn It On’ is propelled by a jangly groove and vibrant sunny energy. With shimmering keys and Jovis’ distinctive impassioned vocals, this latest offering showcases his knack for creating perfectly catchy slices of colourful pop. Following his debut release last year, and with acclaim from the likes of Tom Robinson, ‘Turn It On’ is taken from Show Boy’s upcoming EP, Ishtar Lion. (ML)

Gymnast – ‘Ghost’
Based between Manchester and Rotherdam, Cathy Wilcock and Chris Lyon – aka Gymnast – create super dreamy slices of dark electro pop. With glitchy synth hooks and and a soaring majestic energy, ‘Ghost’ reflects on feelings of transition and the concept of liminality. I just can’t get enough of its swirling, captivating splendour. ‘Ghost’ is taken from Gymnast’s latest album Experiments In The Revival Of Organisms, which is out now. (ML)

Notelle – ‘Bugs’ 
Nashville-based “nightmare-pop” artist Notelle has shared her latest single ‘Bugs’, and I love its industrial-tinged production and her wispy vocals. Notelle wrote this song after a break-up when she felt like part of her ex was still invading her body in some way. She will be donating all proceeds from streaming revenues from the first two months of the single to support the Black Live Matters x Police Defund Movement. (KC)

Amaroun – ‘Scarlet’
Following the poignant power of last single ‘Rise’, GIHE fave Amaroun has now shared the latest in a string of singles that she’s releasing each month of 2020. With each single so far touching on a different theme surrounding life as a queer woman, ‘Scarlet’ is a love song, reflecting on Jay’s “obsession” with red-heads and the story of how her and her partner met. With a sunny, danceable groove and glistening energy, ‘Scarlet’ is an instantly uplifting slice of alt-pop. Amaroun will be ‘taking over’ our Instagram next Wednesday 29th July at 7pm – make sure you tune in! (ML)

grouptherapy – ‘Raise It Up!’
LA-based grouptherapy’s latest single is so, so catchy! Vocalist Jadagrace explains: “’Raise It Up!’ is a not so subtle reminder to know your worth and require your coin! We’re leaving undervaluing yourself in the last decade. You’re that bitch and you deserve more.” We back that statement 100%. (KC)

Tokky Horror – ‘Girlracer’
The new project from ex-Queen Zee vocalist Zee Davine, Tokky Horror’s debut single is a wild blend of drum & bass beats, dance music rhythms and punk-infused energy. Of the track, the band explain: “Girlracer’s unashamed appreciation of fast cars and loud music is a tongue-in-cheek to every boy who thinks they’re better than us.” (KC)

REWS – ‘Today We’re Warriors’
A defiant guitar tune designed to empower and motivate listeners into action, REWS latest single mixes heavy riffs and catchy melodies to help spark the fires of personal revolution. Lifted from the band’s upcoming second album Warriors, which is set for release on 7th August via Marshall Records, the track is accompanied by two music videos, an official video that shows front-woman Shauna running through the wilderness, and a fan video directed by GIHE photographer Jon Mo. The fan video also features one of the GIHE grrrls (spoiler: it’s me/Kate). You can watch both here. (KC)

Gender Chores – ‘Territory’
A reflection on the predatory nature of men in the music industry, ‘Territory’ is the latest single from Belfast’s Gender Chores. Driven by jangly punk-infused energy, and with a seething rage coated in sugar-sweet vocals (“Fuck you and your second chance!”), it’s one of four immense anthems taken from The Fight Is Not Over, a collaborative record with songs from Problem Patterns, Strange New Places and Sister Ghost. In addition to Gender Chores, it’s an impassioned collection of live songs from each of the bands, encapsulating an empowering and uplifting energy, addressing the need to continue pushing for more inclusive and diverse spaces. The Fight Is Not Over was recorded by Rocky O’Reilly and is raising money for The 343, an Artist-Focused, Feminist-led, Queer Arts Space in East Belfast. Read our interview with the four bands and find out more about the project here. (ML)

Cat SFX -‘Doom Generation’
Buzzing bass lines and direct lyrics dominate Cat SFX’s debut single. Of the track, Cat explains: “‘Doom Generation’ is a commentary on my personal experiences of mental health issues, big pharmaceutical companies and their ‘cures’, the massive pressure that’s put on my generation by social media and a reality TV culture that dislocates us from our feelings.” (KC)

Ganser – ‘Emergency Equipment & Exits’
Chicago-based Ganser are set to release their new album, Just Look at That Sky, via Felte Records on 31st July and this single features on the record. Alicia from the band explains: “The song and video are both about feeling estranged from reality and choosing nothing over too much – the floor drops out, and you only have yourself to deal with.” Watch the accompanying video here. (KC)

Mieko Shimizu – ‘Lazy Light’
The latest single from Japanese, London-based artist Mieko Shimizu, ‘Lazy Light’ flows with luscious chilled vibes and the distinctive honey sweet vocals of Shimizu. As an other-worldly effervescent soundscape is created, it oozes a comforting warm glow, reminiscent of something that could be found on the Twin Peaks soundtrack. The perfect accompaniment for hazy summer days. I Bloom, the latest album from Mieko Shimizu, is out now. (ML)

PLAYLIST: June 2020

At Get In Her Ears, we’re still sharing all the new music we can to help distract you from the day-to-day reality of lockdown life. Our June playlist is filled with some pop gems, alternative electronic sounds, and a healthy dose of indie guitar tunes too. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Foxgluvv – ‘Don’t Text Back’
“Whether you’re waiting for a response to a text-argument, flirty messages or receiving news, we can all relate to that feeling in the pit of our stomachs when we’re not quite sure how somebody is going to reply” explains Foxgluvv about her latest single. She’s transformed that feeling in to another funky, bittersweet “hungover pop” tune. The single is also accompanied by a colourful video directed, filmed and edited by Foxgluvv during self-isolation. (Kate Crudgington)

Chinwe – ‘Sin’
East London’s Chinwe’s latest single showcases her rich vocals over gently rolling beat, that leave you mesmerised and wanting more. Speaking on the track, Chinwe states: “Sin is about how one mistake can lead to everything falling apart in a relationship. You both want it to work and would do anything for each another, but no matter how hard you try you still can’t make it right.” (Tash Walker)

Amaroun – ‘Rise’
The fifth in a string of new singles that Amaroun is releasing each month this year, ‘Rise’ flows with shimmering hooks and glitchy beats alongside her rich, emotion-strewn vocals. Continuing the theme of being a queer woman, which has run throughout each of the tracks she’s released this year, it oozes a stirring, effervescent power, juxtaposed with a gritty energy; a truly poignant reflection on rising up against oppression. (Mari Lane)

feeo – ‘Yeti’
“’Yeti’ is an exploration of the multiplicity of the human ‘self’ and its relationship with our concepts of ‘other'”, explains Oxford producer and songwriter feeo. Reared on a combination of Jazz, Folk, Reggae, and the 2002 Ibiza soundtrack, feeo blends elements of each to create her captviating sounds. (KC)

Fears – ‘two_’
A poignant meditation on some of her darkest hours; experimental pop artist Constance Keane – aka Fears – has transformed her struggles with self harm into a gently cathartic offering, specially commissioned for the Northern Ireland Mental Health Arts Festival. Fears’ determination and honesty in the face of adversity makes listening to ‘two_’ all the more poignant and necessary. If you’ve been affected by any of the issues explored in the song, please reach out to Mind or other mental health charities. (KC)

Jessica Winter – ‘Chasing Nightmares’
We’ve featured a Jessica Winter track on our last two monthly playlists, and I’m not going to apologise for the repetition. I’ve been playing her debut EP Sad Music on repeat since she released it in May, and this track is definitely one of my favourites. (KC)

A. A. Williams – ‘Melt’
I missed A. A. Williams performance at Southbank Centre just before we went in to lockdown, but I’ve been atoning for it by religiously listening to ‘Melt’ ever since. I was lucky enough to have a Skype chat with her about her upcoming album Forever Blue (soon to be published on GIHE) and her long-haired dachshund Geezer (who you should all immediately follow on Instagram.) (KC)

Bugeye – ‘Blue Fire’
Following their last uplifting single, ‘When The Lights Go Out’, GIHE faves Bugeye have now shared another offering from their upcoming debut album. Raging with Angela Martin’s gritty, sultry vocals and whirring electro hooks, ‘Blue Fire’ is perhaps more disco and less punk than previous releases, but maintains all the colourful pizzazz and magnificent vibrant energy that we’ve come to know and love from the band. A perfect uptempo blast of life that we all need right now. When The Lights Go Out, the debut album from Bugeye is out 10th July via Reckless Yes. (ML)

Madame So – ‘Generation Y’
Bathing in a discordant sea of scuzzy riffs, ‘Generation Y’ builds the tension with a raging sense of urgency. As her Madame So’ vocals ooze a gritty power with a blazing raw emotion, she reflects on how millenials’ youth culture is perceived by older generations, and how this cycle of judgement is snowballing into generations to come. With shades of the frenzied cacophonies of Kim Gordon’s solo material, it’s a soaring slice of immense punk-pop; an impassioned and compelling listen. (ML)

Janelle Monae & Wondaland Records – ‘Hell You Talmbout’
With lyrics consisting of the names of black Americans who have been killed by the police/state, this deeply poignant offering from Janelle Monae with the Wondaland Records collective really needs no introduction. (ML)

Emma Kupa – ‘Nothing At All’
Taken from Emma Kupa’s upcoming debut solo album, lead single ‘Nothing At All’ flows with her distinctive luscious vocals, oozing a subtle gritty raw emotion, alongside twinkling folk-strewn melodies. Filled with a reflective, heartfelt lyrical storytelling, it’s impossible not to become utterly immersed in the song’s subtle passion that shines through amongst its effervescent uptempo musicality. As it builds with shimmering harmonies, the beauty of multiple voices coming together, uniting, creates a truly heartwarming slice of stirring indie-pop. (ML)

Happy Accidents – ‘Grow’
Taken from Happy Accidents’ brand new album Sprawling, ‘Grow’ is lead by Phoebe Cross’ honey-sweet vocals alongside Rich Mandell’s swirling jangling melodies and a heartfelt, gentle emotion. Building with luscious harmonies and the reflective, relatable honesty of the lyricism, it’s perhaps a more mellow, but equally more-ish, offering than some of the band’s uptempo previous releases. (ML)

Seraphina Simone – ‘Cherry’
I don’t think I’ve heard a track of Seraphina Simone’s that I’ve not loved. This is her latest single, dismantling the American dream with her mesmerising vocals and subtle lyrics. Of the track Seraphina says: “‘Cherry’ is the voice in our heads telling us we don’t have enough, telling us to want more, buy more, be richer, be thinner, be prettier, be better than everyone else. It’s that sarky bitch who’s really mean to you and you hate her, but you also kind of want to be her best friend because she’s perfect and you’re a mess. It’s the voice fueled by consumer culture and jealousy and insecurity and myths like the American Dream. It seems harmless enough even though it fucks up the planet and makes us miserable no matter how much we have. Maybe in a weird way, Covid-19 will make us realise we don’t need so much shit to be happy.” (TW)

PELA – ‘South Of’
Electronica always has a solid place on any playlist I contribute to, and South London duo PELA’s latest single is my addition to this one. Reminiscent of early LAMB records, this track with it’s textured beats and piano keys is a new favourite of mine. All the revenue from Bandcamp sales for ‘South Of’ will be split between the Black Lives Matter UK fund and the Justice for Breonna Taylor fund. (TW)

Cafe Spice – ‘She Loves and Leaves’
Manchester based Café Spice return with their first single of 2020 ‘She Loves and Leaves’ via Snide Records. Having crafted a reputation among the country’s key folk tastemakers, the trio hailing from England, Scotland and Ireland now push the boat out into the mellow waters of indie-pop. Starting with a beautifully harmonised acapella introduction, ‘She Loves and Leaves’ is as a gentle as it is heartbreaking. (TW)

GIRLHOOD – ‘The Love I Need’
London duo Girlhood return with banging new single ‘The Love I Need’, out via Team Talk Records. The first taster from their debut album, the first song to be written and the last to be finished, the result is a gospel and blues-tinged explosion of cut and paste joy which Tessa describes as being about how “we’re rooted in our need to communicate, understand and be understood.” I have played this track consistently on repeat since first hearing it, samples mixed with Tessa’s lyrics, nods to 90s neo-soul and a song that just fills you with so much joy – exactly what we all need right now. (TW)

Nijuu – ‘Blue’
Korean DIY dream-pop artist Nijuu has released ‘Blue’ the opener to her upcoming debut EP nijuu in the sea, out independently on June 25th via State51 Conspiracy. This track has all the sounds of a deep sea dream; reverb heavy vocals, electric pianos and sparse drums make for quite the musical bath. Looking forward to hearing more of this water themed ethereal dream pop. (TW)

Nayana Iz – ‘TNT’
‘TNT’ is the latest single from Nayana Iz whose track ‘How We Do’ hit the ground with a force in 2019. Self-proclaimed born in London but made in India, Nayana Iz’s music and spirit is described as an amalgamation of those two cultures. As soon as she could start creating her own music, Nayana knew she wanted to mix the spirit of Indian language and dance (she is currently learning Hindi as well as classical Indian dance) in with the different music she had been raised on, and empower young girls (particularly from her native land) to find their own authentic voice and too express themselves. I am becoming nothing short of obsessed with this artist and cannot wait for the release of her debut EP Smoke + Fly, due on June 26th. (TW)

Sit Down – ‘Told U So’
Taken from their new EP Nice OneSit Down’s ‘Told U So’ is a perfect example of the Brighton duo’s ability to create magnificent other worlds through their unique and imaginative lyrical prowess. Based around the idea of an opening night at an ornate ballroom, the story of ‘Told U So’ is told from the perspectives of two women, who lure in rich predatory men and proceed to lock them in, trapping them in a show of revenge. As Katie Oldham’s swirling gritty vocals are accompanied by a driving, scuzz-filled energy, a magnificent raging cacophony is created. Read about the meaning behind each track on Nice One, from Katie herself, here. (ML)

Coolgirl – ‘Gaussian Blur’
Coolgirl is the solo project of Bitch Falcon’s guitarist & vocalist Lizzie Fitzpatrick. Self-described as “music and weird shit” she’s experimenting with electronics, and ‘Gaussian Blur’ is an instrumental that twists and turns in ultra cool style. (KC)

 

PLAYLIST: May 2020

At Get In Her Ears, we’re still sharing all the new music we can in order to distract you from the day-to-day reality of lockdown life. Our May playlist is filled with some electronic stunners, a couple of grunge-infused ragers, and the occasional tentative jazzy tune. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Jessica Winter – ‘Sad Music’ 
This latest single from Jessica Winter hits your ears with its full force of pop beats, electronica and snappy synths. At a time like this, I’m loving the unifying lyrics and pulsing vibes of this track, which tells you upfront to lean into the expression music gives you, as Winter explains: “This song was born out of a particularly bad day and how music was a saviour at that time”. Jessica Winters’ debut EP will be released on 22nd May. (Tash Walker)

Beckie Margaret – ‘God’
Released via Cool Thing Records, Beckie Margaret’s latest single is a truly beautiful reflection on what it feels like to be caught in the grasp of a love that’s not reciprocated. I reviewed the track for The Line Of Best Fit, so if you want to read 200 words on how emotional she makes me, you can click here. (Kate Crudgington)

Temples Of Youth – ‘Suburbia’
The new single from GIHE faves, Temples Of Youth, ‘Suburbia’ is another truly majestic offering from the Winchester duo. An utterly dreamy soundscape oozing a twinkling emotion and mystical allure, as heaving synths are interwoven with fuzzed out hooks, whilst the beautifully rich vocals of Jo Carson soar. (Mari Lane)

Tora – ‘Call Your Name’
This is the second release from new R&B artist Tora. ‘Call Your Name’ focuses on confronting the conflicting unbalanced power dynamics that she sees in the world, a truly empowering call to arms that will get you moving whilst raging. Love it. (TW)

Allegra Krieger – ‘Rot’ 
‘Rot’ is the latest release from Brooklyn based Allegra Krieger, aptly named for a song about toxic apathy, originally inspired by the climate crisis. Kriege says it’s a tale of “someone who has assimilated into a culture of wanting and taking without reparation,” which mirrors the human arrogances exposed by the COVID-19 crisis. I love the grunge rock tone to this single. (TW)

Tired Lion – ‘Waterbed’
When I grow up, I want to be a guitar-wielding, chain-smoking Nun – just like Tired Lion’s front-woman Sophie Hopes in the accompanying video to this track. ‘Waterbed’ is a grunge-infused goodbye to the past, and a bold leap into the band’s future sound. (KC)

Diet Cig – ‘Who Are You?’
Flowing with Alex Luciano’s luscious honey-sweet vocals, infectious jangly melodies and all the twinkling energy you could ever need, ‘Who Are You?’ is a delectably catchy slice of dreamy indie-pop from Diet Cig. Juxtaposing an emotion-strewn lilting charm and subtle gritty angst, it’s a shimmering, sunny delight; perfectly uplifting isolation listening. Diet Cig’s new album, Do You Wonder About Me? is out now. (ML)

MOURN – ‘Call You Back’
An edgy, relatable exploration of the anxieties around answering the phone; MOURN’s latest single is an instantly gratifying, cathartic guitar tune. Released via Captured Tracks, the Catalan-based trio are adept at tapping into universal insecurities, providing a personal angle, and deconstructing them through indie guitar hooks and direct vocals. (KC)

Ganser – ‘Lucky’
Ganser’s music has garnered comparisons to 90s noise-makers Fugazi, Shellac, and Sonic Youth. Their jolting rhythms, confrontational vocals, and manic riffs fuse together to create defiant, jarring tunes; and new single ‘Lucky’ is a sturdy example of this. (KC)

Scrounge – ‘Etch’ 
Not a new song, but a darn good one. ‘Etch’ by Scrounge got me through one of my lowest moments during this lockdown. The infectious drums, catchy chorus and memories of seeing them live dragged me out of my cloud and reminded me of the importance of music in dealing with life’s challenges. Thank you Scrounge – I owe you. x (TW)

Alice Bag – ‘Spark’
The new single from prolific punk legend Alice Bag, ‘Spark’ is propelled by gritty hooks and a punk-fuelled frenzied energy, as the raw power of Bag’s vocals rage with a passion, asserting “Hell no, I’m not dimming my spark!” An uplifting burst of empowering strength in the face of adversity; a wonderfully vibrant and super catchy celebration of queer culture and the joy that comes with being able to express your true self. (ML)

Stef Fi – ‘Nowhere’
Lifted from her debut EP, Girlhood, Stef Fi’S single ‘Nowhere’ is a lo-fi dose of grunge-infused punk. The quiet, uncertain lyrics of the verses contrast well with the distorted riffs and defiant words in the chorus. Best known as the vocalist & guitarist of black feminist punk band Big Joanie, Stef Fi’s (aka Stephanie Phillips) debut shows “sketches of a girl” resisting hate, and trying to find hope in the harshest of realities. (KC)

Gulls – ‘Shame Shame Shame’
Propelled by thrashing beats and a driving, riotous force, ‘Shame Shame Shame’ could not have come to our ears at a better time. A spot on social commentary, rallying against fascists and the insidious alt-right, it oozes a frenzied impassioned energy that we need now more than ever, asserting that we will not tolerate intolerance. A perfect slice of angst-driven punk; a truly necessary listen right now. Gulls were also due to be playing for us tonight at The Finsbury – we really hope to be able to book in the Brighton band again in the future. (ML)

Peaness – ‘Kaizen’
Another band I was supposed to be seeing live this week, at The Lexington on Wednesday, I had been super excited about catching the sunny, jangly melodies and sparkling uptempo energy of Manchester/Chester trio Peaness. Oozing their trademark ‘Pea-positivity’, ‘Kaizen’ is the perfect antidote to these strange and scary times. If you’d like to help venues like The Lexington keep afloat while so many events are being cancelled right now, find out more about The Music Trust’s #SaveOurVenues campaign here.  (ML)

Jemma Freeman and the Cosmic Something – ‘Keytar’ (I Was Busy)
Jemma Freeman and the Cosmic Something were due to be headlining for us tonight (Fri 8th May)at The Finsbury, and – as with all the gigs we’ve had to cancel recently – we’re super gutted that it’s had to be postponed. They have wowed us with their magnificent charisma and immense psych-infused offerings live before, and it would have been such an honour to have them return, this time at the top of the bill. (ML)

CLT DRP – ‘Like Father’ (Sit Down Remix)
Having previously completely blown us away with their live set at The Finsbury, Brighton trio  CLT DRP have now returned to blast into our ears with a seething new offering. A magnificent, whirring electro-punk cacophony that addresses the complexities of family ties, ‘Like Father’ is driven by a swirling, impassioned energy, oozing a poignant breathtaking force, showcased perfectly in this immense frenetic remix by fellow Brighton faves Sit Down.(ML)

Notelle – ‘Alive’
Self-described as “nightmare pop”, Nashville-based Notelle blends hushed vocals, warped beats, and seething synth textures to create her claustrophobic sounds. Based on her own experiences of toxic relationships and gas-lighting, ‘Alive’ is Notelle’s most personal release to date. (KC)

Stainwasher – ‘Chems’
Swedish artist Stainwasher is not one to shy away from darker states of emotion. With ‘Chems’, she’s crafted another dark, alluring lullaby that broods with bittersweet anxiety. (KC)

Lorana – ‘Am I’ 
‘Am I?’ is the latest single from self-produced artist Lorana, who sings about her love for music and questions if this love is too big. Her upcoming EP, Here In Between, was written after leaving her small Belgian hometown of Alken for the big London city. In order to reflect this lyrical narrative into her sonic identity, she recorded samples both at home and in London, which are woven throughout all the songs. ‘Am I?’ is a truly touching and beautiful offering, which is a pleasure to listen to as the vocals and samples pour in and out of your ears. (TW)

GEISTE – ‘Moonchild’ 
‘Moonchild’ is the fourth single leading up to GEISTE’s debut EP, Utopia, released on 22nd May. This is a track that hits you with its fullest force. It’s such a an empowering listen, building and building with the tribal drums and feverish samples before colliding into the chorus. ‘Moonchild’ is about not feeling like you fit with people and finding your crowd of misfits, stronger and wilder people that are not defeated by life – which is certainly relatable right now. (TW)

Anna Leone – ‘Wondering’ (TW)
‘Wondering’ is the first release from Anna Leone in two years, and it was definitely worth the wait. Slow and intense, she draws you into her world with such raw emotion, that you’re left feeling as though you’ve had a personal invitation into her thoughts.

Speaking about the new track, Anna says: “I’ve been going back and forth recently trying to decide whether I should start releasing new songs. My music is very much about isolation and being disconnected, and I’ve been kind of questioning if that‘s the energy I should put out into the world right now. I think ultimately though, the songs are also about healing, and I can only hope that that’s what people take away from them. I’ve been dealing with depression and anxiety for a long time and this album is sort of the culmination of all those feelings. I still can’t listen to it all the way through without crying, which is painful but also a good thing, I think. It feels cathartic.” It’s so important that we hear music like this right now, remembering it’s ok to not be ok, but more importantly that we are not alone.

Listen to, and follow, the full playlist here:

PLAYLIST: March 2020

March has been a busy month for Get In Her Ears HQ! It’s Women’s History Month and it was International Women’s Day on the 8th, so we’ve continued to support the women artists we love with regular reviews on our website and a special IWD Playlist which you can listen to here.

Sofar Sounds kindly invited us to curate their IWD gig in Hackney too, which Indian Queens, Amahla, and Beckie Margaret all graciously agreed to play for us. We’ve barely stopped for breath! Take some time to scroll through our track choices for our March playlist below and make sure you hit play on the Spotify playlist at the end of the page.

Sink Ya Teeth – ‘The Hot House’
Fresh from their excellent second album aptly named Two, Sink Ya Teeth’s singleThe Hot House’ and the accompanying video features footage shot by the band and audience members at their recent show in Oxford (check it out here). I am SO happy that I’ve got another heavy helping from the Norwich duo to soundtrack the upcoming warmer months. A time where post-punk, and deep house and I really get back into the swing of things. Sink Ya Teeth thank you, thank you! (Tash Walker)

Sleater-Kinney – ‘Hurry On Home’
I have not stopped singing this since us GIHE girls saw Sleater-Kinney live at Brixton Academy a few weeks ago. Their latest album The Center Won’t Hold is such a tonic, and their performance was certainly a gig-life highlight for all of us. (Kate Crudgington)

Noga Erez – ‘VIEWS’
The inimitable Noga Erez stylishly explores the absurdity of paying for exposure on social media on her brand new track, ‘VIEWS’. Collaborating with her partner Ori Rousso, and LA-based hip-hop artist Reo Cragun, Erez effortlessly commands attention in the striking video that accompanies the single. The Tel-Aviv musician’s clear vocals glide over slick beats and pop hooks to create an infectiously powerful anti-fakeness anthem. (KC)

Taquirah – ‘Feel’
‘Feel’ is the latest single from Taquirah, a performance artist form Illinois currently living in Brooklyn. I cannot get this track’s addictive beats and R&B melodies out of my head. I’m obsessed. Taquirah recently released a video for her track ‘Rush’ choreographed and performed by herself, in line with her focus on creating performance art pieces that fuse ballet with hip hop culture. Keep your eyes peeled for Taquirah’s debut project Divine, coming soon. (TW)

Belako – ‘Tie Me Up’
Having previously blown me away with their immersive live show supporting Queens Of The Stone Age in Finsbury Park last year, Basque Country band Belako have now shared new single ‘Tie Me Up’. Filled with gritty, swooning vocals and immense swirling hooks, it’s a super catchy alt-rock anthem showcasing the poignant raw power and majestic musicality that this Spanish band are capable of creating. (Mari Lane)

CLT DRP – ‘Where The Boys Are’
An anthem of self-realisation and new found confidence, ‘Where The Boys Are’ from Brighton-based CLT DRP oozes their immense raging passion in a seething blast of poignant, swirling electro-punk. Commenting on the track, front-woman Annie Dorrett says: “It’s a love song to some of my favourite female artists, a big thank you to my mom for being such a powerhouse and lastly a big f*ck you to all the TERFS out there spreading hate. It’s also just a really playful song to perform with the band, you get a lot of different elements of our sound all jammed into one piece.” CLT DRP’s upcoming debut album Without The Eyes, is out 15th May via Small Pond Records. (ML)

THICK – ‘Mansplain’
A cathartic, witty, guitar driven take-down of the men who undermine women in bands (and women in general), Brooklyn punk trio THICK’s single ‘Mansplain’ will resonate with women and girls who have struggled to be taken seriously on, and off stage. The track is lifted from their debut album 5 Years Behind, which is out now. (KC)

New Pagans – ‘Admire’
I first heard New Pagans whilst listening to The Irish Jam, and I quickly became fascinated by the Belfast band’s genre-bending sounds. Their debut EP Glacial Erratic is a poignant collection of tracks that explore issues of frustration, defiance, and resolution. ‘Admire’ is a personal favourite. It’s a humble, shimmering ode to the perseverance that’s needed to keep a long-term relationship going. (KC)

Why Bonnie – ‘Voice Box’
Oozing sunny uplifting vibes as shimmering hooks and Blair Howerton’s rich, luscious vocals flow with a soaring emotion, Why Bonnie’s ‘Voice Box’ has shades of the twinkling surf-rock of the likes of Alvvays or Best Coast, creating a truly dreamy offering fuzzing with a dazzling, effervescent charm. Voice Box, the upcoming EP from Why Bonnie, is out 10th April via Fat Possum Records. (ML) 

Ghost Car – ‘Virginia & Vita’
Released at the end of last year, ‘Virginia & Vita’ is a perfect example of all there is to love about Ghost Car. Oozing their scuzzy, quirky bubblegum indie-pop sounds, it’s propelled by eerie synth-driven hooks, soaring honey-sweet vocals and their trademark stirring, whirring theramin-soaked fuzz. I cannot wait to catch this totally unique band headline for us this Friday at The Finsbury! As always, FREE entry, event details here. (ML)

Indian Queens – ‘Bubblewrap’
Hackney trio Indian Queens headlined our International Women’s Day gig (in partnership with Sofar Sounds) at the weekend, and we were captivated by their stripped back set. The talented Amahla & Beckie Margaret also shared the bill, and Girls Against were on hand to  help raise awareness of the issues that female musicians & fans often face. This IQ track is a beguiling lament about the state of the planet, and it’s taken from their debut album God Is A Woman, which is set for release via Cool Thing Records on 3rd April. (KC)

Laura Gray – ‘Break, Drift’
‘Break, Drift’ is the first release from Laura Gray’s upcoming EP Better Lighting. Gentle vocals and dreamy synths all mixed together with pulsating beats. I think we could all do with a little more saxophone in our life. Check out the video for ‘Break, Drift’ here. (TW)

A.A. Williams – ‘Cold’
A.A. Williams is set to play her first headline gig at Southbank Centre in the Purcell Room on Thursday 12th March, and I’m excited to hear her dark, atmospheric sounds in the flesh for the first time. (tickets are available here). (KC)

Otta – ‘Near Enough A Woman’
I cannot get enough of Otta! Their new music is seeping so perfectly into my ears, it’s what I’ve been craving for so long and didn’t realise. This is one of their latest singles taken from the freshly released debut EP after it all blew over, which is sublime. Delivering the perfect combination and concoction of electronic, UK jazz, new soul and RnB. (TW)

Okay Kaya – ‘Insert Generic Name’
Okay Kaya who hails from Norway has been a firm fave of mine since I heard her debut Both, released back in 2018. I got to catch her on 4th March at SET in Dalston which was a total pleasure, she’s back again in May at Hoxton Hall so if you can, grab yourself some tickets. ‘Insert Generic Name’ is taken from her recently released and equally fantastic album Watch This Liquid Pour Itself, another incredibly intimate record of self-reflection via boldly honest, exposing lyrics which are delivered with bone dry with wit. One of my albums of 2020, without a doubt. (TW)

Bugeye – ‘Don’t Stop’
The latest single from friends of GIHE, Bugeye, ‘Don’t Stop’ is filled with swirling scuzzy hooks and the band’s trademark impassioned fiery attitude. Complete with whirring synth-driven refrains, it’s a frenzied slice of catchy disco-punk, showcasing the band’s utterly unique vibrant sound. ‘Don’t Stop’ is produced by Paul Tipler and is out now. You can catch Bugeye live on tour this month – check out their Facebook page for details. (Mari Lane) 

Lady Gaga – ‘Stupid Love’
Get me a pink wig and a metallic bikini, because I’m moving to Chromatica to live with Lady Gaga (see the ‘Stupid Love’ video here). I am SO excited to hear her new album (released on 10th April). I hope it’s bursting with electro-pop bangers like this one, and that all of her future videos are just as Power-Ranger-esque. (KC)