Track Of The Day: Greta Isaac – ‘how are you not freaking out?’

Welsh singer-songwriter Greta Isaac has released her expansive new single ‘how are you not freaking out?’, the latest installment to her eagerly anticipated second EP, ‘I Think You’d Hate It Here.’

‘how are you not freaking out?’ offers a change in pace to the power-pop sounds found on previous tasters to the EP (‘5’1”’, ‘NUH UH’). The song has a soft dream-pop start, with subdued hooks accompanying Greta’s vulnerable vocals -“If you saw it through my eyes… You would hate it here”. As the song builds, it introduces a powerful emotional allure as the vocals become more passionate, and the soaring guitar creates an anthemic energy, allowing us to “see the wood for the trees and they’re on fire…”

Reflecting on the need to suppress feelings or perform to expectations, ‘how are you not freaking out?’ is a truly stirring, yet instantly catchy, alt-pop earworm. 

Greta Isaac’s upcoming EP, I Think You’d Hate It Here, will be released on 6th May. And she headlines Jack Saunders’ Hopscotch club night at Oslo on 8th April. You too will be freaking out if you miss this inspiring up-and-coming artist! 

Fi Ni Aicead
@gotnomoniker

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Track Of The Day: Kathleen Frances – ‘Boy’

What a voice! Bristol artist Kathleen Frances and her mesmerising vocals are here with ‘Boy’, the third single from her freshly released debut EP Through The Blue. 

‘Boy’ is mellow and at times devastating, but strong and cathartic. Frances explores the pain of a break-up whilst offering a sense of comfort and assurance. It’s one of those songs where you feel the need to stop everything you are doing and just listen.

The simplicity of ‘Boy’ is poignant; there is a sense of restraint and balance in the sparse instrumentation. It doesn’t need anything else – it perfectly captures a stunning intimacy. The vocals will pull you into the song, as Frances’ warm baritone voice enchants the ears, creating a whole soundscape in itself and unmistakably driving the song. The track is brimming with emotion, yet somehow it finds a sense of reassuring sense of calm. Pulsing piano chords gently accompany the vocals, adding to this reflective space. Of the track, Frances explains:

“This one took me ages to write. I was really hurting from a breakup. I just wasn’t ready to go there. I had a few nice ideas but nothing that felt right. It was all too surface level. I had to find what I really felt about it deep down, underneath the feelings of betrayal and bruised ego. I had to figure out what I really wanted from this person now… Things change, people change. It’s sad but it’s also hopeful, it allows you to take stock and figure out what you really want. With this song, I was attempting to get the balance right between cathartic sadness and self-assuredness.”

Through The Blue, the debut EP from Kathleen Frances, is out now. And you can catch Kathleen Frances live on her tour this March and in May – details here.

Jaz Kelly
@surfjaz

Photo Credit: Michaela Frances 

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Track Of The Day: Panic Shack – ‘Mannequin Man’

Cardiff band Panic Shack describe their upcoming debut EP as “raw, honest and always chaotic”, and new single ‘Mannequin Man’ is the ideal track to showcase the band. Upbeat and fun throughout, it’s just under three minutes of pure joyous energy.

Every element of this track, from the sound to the aesthetic, has a camp ‘80s vibe. In the accompanying video, the band are dressed in leopard-print leotards and leg-warmers as they bounce around, as the music blends a simple drum beat with rolling bass and the kind of strings you can’t help but get stuck in your head.

The whole atmosphere is infectious – it’s impossible to watch the video and not feel the itch to bop along with it. Shot in front of a green screen, it is definitely to the band’s credit that they’ve managed to work around the limitations of a peak-pandemic release to create something so fun.

The lyrics specifically refer to one subject – the titular Mannequin Man – but are vague enough that it’s easy to project meaning into them. Lines like “Do you even feel? Do something! Show me you’re real!” feel like there is hidden depth within them. Perhaps the man in question is emotionally unavailable… Maybe he “better run as fast as you can” because the narrator has finally given up on a connection. So, I found it really fun to learn that the song is simply a reaction to the band meeting a man whose job to was to be a real-life mannequin. I like that this song has taught me that that is a job that exists. I have so many questions and I’m enjoying wondering how and why you might end up in that career. The song effortlessly captures the fun inherent in the idea and stays with you in the same delightful way.

Baby Shack, the debut EP from Panic Shack, is out on 8th April via Brace Yourself Records. Pre-order here.

Kirstie Summers
@ActuallyKurt

Photo Credit: Ren Faulkner

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EP: Billie Flynn – ‘Hey Stranger’

I’ve taken a while to find the words for Billie Flynn’s debut EP Hey Stranger, a heartfelt meditation on grief. Each listen has highlighted something new and different, evoked more and more feelings; gorgeous, but increasingly hard to describe in words. It’s a thing of feeling. It feels like memories whispered on a cliff edge and the wind carrying parts of you away. It feels like the moments of stillness after the soil’s been turned. It’s incredibly honest and it  demonstrates Flynn’s infinite potential – her lyrics speaking truth to grief, while fitting comfortably into the cosy featherlight and luxuriously breathy cocoon of her voice box. 

The quality of production is consistently immersive – heady and cinematic, each song getting the best out of synths, pianos and Flynn’s unique tone. I’ve written about and adored previously released tracks already, but the latest ‘Forever Goodbye’ shows Billie’s artistry at a whole other level, it surpasses expectations. I held my breath as I listened. It’s about a loss which occurred during Billie’s teenage years and is utterly stunning in a very special, incisive and relatable way. Lyrics such as  “there’s a look in the eye of a friend when they mention your name, like they’re reminding me of pain, like I’d ever let it go” get to the core of what it is to live with loss in the presence of others. The trepidation, the repetition, the changing pace of the world outside as something privately sinks into your soul, and the never ending cycles. For an EP to so unambiguously be about the life changing power of loss without being in any way maudlin, is truly magical. 

There’s hope and transformation woven in  too. ‘The Good Girl’ beautifully explores the personal journeys our pain can inform as Flynn sings about shedding people-pleasing tendencies, pushing boundaries and growing into someone different. What does it mean to be authentic? What does it mean to reject expectations? What are those moments in life when we feel ourselves truly step into our own power? These are the questions ‘The Good Girl’ provokes. 

The emotional energy of Hey Stranger might not neatly blend with the sugar coated Christmas tunes we’re hearing blasted around us, but there’s no doubt that the moment for this EP is now. In a period where so much and so many are being grieved, this body of music is timely and refreshingly close to home.

Tutku Barbaros
@tutkubarbaros

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