PLAYLIST: September 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our September Playlist features plenty of alternative offerings, post-punk tunes, shoegaze riffs, indie & alt-folk musings, DIY punk anthems, and some experimental, instrumental and electronic sounds. Make sure you scroll through and read all about our recommendations below.

As you already know, to best support the artists we love here at GIHE, we now use TIDAL as our main playlisting platform, so please follow us on there! We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN

 

Eilis Frawley – ‘Calm Down’
Interrogating the unreliability of algorithms and how they obscure the truth in her own idiosyncratic style, ‘Calm Down’ is the latest single from GIHE fave Australian-born, Berlin-based drummer and songwriter Eilis Frawley. It’s lifted from her upcoming second album, Twist My Words, which is set for release on 6th November via cult Berlin label Sinnbus Records. She combines her direct lyricism and distinctive spoken-word with her fluctuating percussive rhythms to unravel how it feels to be bombarded with versions of the “truth” online. “We’re surrounded by news, strong opinions, notifications, and algorithms, all tailored to our individual interests and needs. But is the truth being tailored too?,” Eilis shares about the context of her track. “In a world where everything competes for our attention, sometimes the most radical thing you can do is simply calm down.”
(Kate Crudgington – Features Editor)

M(h)aol – ‘Scam Manifesto’
I remember being struck by the raw power of Irish post-punks M(h)aol when I first heard their single ‘Laundries‘ back in 2020. This power still endures 6 years later, after three album releases and changes in their line-up, the band remain as cutting and contemporary as ever, especially on new single ‘Scam Manifesto’. Released via Merge Records and Tulle, it’s permeated with drummer and vocalist Constance Keane’s eviscerating honesty and dry wit, as she explores the contradiction of the image we present online, versus the one we try to obtain in private. “’Scam Manifesto’ is a song I wrote during one of my semi-regular social media breaks,” she explains. “My entire feed was ‘how to lose the last 5 lbs’ and obituaries for people I didn’t know. It’s about the guilt I feel about my own hypocrisy. Publicly, I say that as a woman it’s my right to be as ugly and old as I want and still value myself, while privately I was consistently fixating on a list of things I would change about my appearance. It’s about having one rule for others and another one for yourself.” (KC)

The Sewing Club – ‘Bark’
A swirling rumination on the unsettling nature of duplicity, I love this track from Nashville-based indie band The Sewing Club. ‘Bark’ is taken from their upcoming debut album, Sew, which is set for release on 2nd October via Born Losers Records. Led by the emotive vocals of multi-instrumentalist Hannah McElroy, the track blends melodic, fuzzy guitars with brooding bass lines to explore the “wolf in sheep’s clothing” scenario that Hannah muses over. “‘Bark’ was probably the hardest song to write on the record,” she explains. “The whole premise of the song is discovering someone isn’t who they say they are…I always tend to write the most depressing lyrics over the most melancholic guitar parts, but I really like that’s kind of just a mirror to the juxtaposition of life. Some of the most horrific things are totally normal.” (KC)

Minor Dents – ‘Rituals’
If you’ve not yet listened to Brighton’s Minor Dents’ Sitting With The Fish EP from earlier this year, you really should. Its swirling, shoegaze-tinged soundscapes and lilting Stereolab-reminiscent vocals are the stuff dreams are made of; the way different layers are interwoven seamlessly offers an evocative, ethereal haze that it’s easy to become completely immersed in. I can’t wait for Minor Dents to open our gig at Alphabet in Brighton next Friday 9th October. They’ll be supporting US band Perennial with Piney Gir, and I can promise it’ll be a magical night! Tickets are on DICE now and cheaper in advance.
(Mari Lane – Managing Editor)

Mariae Cassandra – ‘Splinter’
The new single from Australian one-to-watch Mariae Cassandra, ‘Splinters’ reflects on how feelings of self-trust and self-confidence can grow as we get older and gain strength from the experiences that we encounter along the way. Oozing a heartfelt vulnerability alongside catchy hooks and a twinkling emotion, it offers a beautifully tender ode to believing in yourself, reminiscent of the likes of Phoebe Bridgers or Blondshell. (ML)

Cosign – ‘Too Far For What’
It took approximately 5 seconds for me to decide that I loved this track from Belfast artist and producer Martha Greer aka Cosign. I love the blend of jagged and atmospheric electronics, coupled with her clear, gentle vocals. She describes ‘Too Far For What’ as dealing with “the friction of self-awareness versus self-destruction. It’s about knowing exactly how a compulsion ends but choosing to do it anyway”. The track is lifted from her upcoming EP, This Is What It Feels Like, which is set for release on 6th November via Our House Online. (KC)

YELF. – ‘brainrot’
A real gear-change from GIHE fave London-based, British-Swedish artist YELF. here, but it’s one I can get behind. Driven by two competing voices in the verses and choruses, ‘brainrot’ is a gritty-yet-infectious sonic exploration of trying to stay motivated in a world that seems to constantly drain us. Released on the autumn equinox – when day and night are equal – and produced, mixed and mastered in an abandoned bank in London by AKA Block, YELF. has actively sought to make ‘brainrot’ as all-consuming and intense as the neuroses that initially inspired the track’s conception. (KC)

Sijya – ‘Do I Know’ [Rachika Nayar Remix]
I named South Asian composer and producer Sijya as one of my ‘Ones To Watch‘ this year, after being captivated by the expansive electronica on her 2025 EP, Leather & Brass. Now, she’s gearing up to release a collaborative version of the same record, titled Leather & Brass [Retrofitted], set for release on 23rd October via One Little Independent Records. By enlisting the help of some of her favourite femme producers and artists, Sijya has re-worked her original tracks to reveal new layers to each of them. Brooklyn-based composer and producer Rachika Nayar has made her mark on ‘Do I Know’, showcasing the tenderness underlying Sijya’s original version. (KC)

Amahla – ‘Sticky’
Having been a big fan of Hackney raised artist Amahla since being charmed by the lush, soulful sounds of her 2019 single ‘Dorothy’s Verses’, we’re excited to hear that she’s back with a brand new single. Exploring the push and pull of love, ‘Sticky’ offers an infectious, jazz-tinged groove as Amahla reflects on the conflicting feelings of lust and knowing you should leave a relationship. Produced by WAVSDNTDIE, it showcases this innovative artist’s ability to combine a playful musical energy with her rich, resonant vocals and relatable lyricism. (ML)

Dana Margolin – ‘Big Beautiful Sound’
Known for her time over the last decade in acclaimed indie band (and personal favourites) Porridge Radio, Dana Margolin is now releasing her first solo single. Rippling with a stirring raw emotion as lilting stripped back melodies flow, ‘Big Beautiful Sound’ offers an exquisite rumination on self-discovery; an honest and heartfelt reflection on the journey from the darkness of despair, building with an anthemic splendour, to the glistening light of acceptance and hope. (ML)

Marina Yozora – ‘Snow Heat’ (String Session)
Japanese-born, London-based songwriter Marina Yozora continues to share the gentle evolution of her single ‘Snow Heat’ with this beautiful string-infused rendition of the track. Originally inspired by a brief connection with someone that now exists only in Marina’s mind, to honour the intensity of this fleeting moment, she has previously released a lyric video and an acoustic version to accompany the original single, and now she has added to the collection with this tender string session too. Marina plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release in 2027, which we will be keeping our eyes peeled for. (KC)

Ayanna Witter-Johnson – ‘Blue’
Another considered, emotionally resilient offering from acclaimed composer and MOBO-nominee Ayanna Witter-Johnson here. Through her tender vocals and resonant cello sounds, she provides an intimate snapshot into finding strength in vulnerability on ‘Blue’. The track is lifted from her recent album, New Roots, which she released through hero own imprint (Hill and Gully Records) in September. The LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. Ayanna describes her album as “learning that new roots can be grown even in unfamiliar or fractured ground” – a poignant and comforting concept to hold on to. (KC)

ACTRESE – ‘Jasmine’
Self-described as “the perfect song for the end of summer”, ‘Jasmine’ is the latest single from indie-folk artist ACTRESE. Taken from her upcoming debut album, it flows with a sweeping immersive grace as lilting keys and strings ripple beneath the ethereal allure of the vocals. A stirring reflection on the initial beginnings of an infatuation – in the words of ACTRESE, “a feeling we’re not yet sure exists, or perhaps one we’re still too shy to admit.” (ML)

R Loomes – ‘Another Sip Of The Divine Specific’
This is the eponymous track from Sheffield-based musician R Loomes’ debut album, which she has released today! (30/09). ‘Another Sip Of The Divine Specific’ showcases the doom-folk songwriter’s beguiling vocal style and her intuition for pairing it with evocative riffs to create her potent and emotive sounds. “This song is about feeling the present as a cosmic, euphoric experience,” she explains, “allowing the depths of the subconscious to flow freely and giving it a voice with the aim of true authentic connection with the self and another.” (KC)

Softcult – ‘I Held You Like Glass’
Featured on their debut album, When A Flower Doesn’t Grow, which they released at the beginning of this year, Ontario-based grunge sibling duo Softcult have now shared a new video for their track ‘I Held You Like Glass’. The visuals feature the band viewed through fragmented glass, dimly lit, playing their instruments amidst shots of their hands in a bloodied state, reflecting the discomfort and numbness that they explore through their swirling riffs and melancholic vocals. “We wrote “i held you like glass” about the processing and letting go of unhealed trauma,” shares vocalist Mercedes Arn-Horn, who also directed the video. “The lyrics describe how it feels to internalize the dynamics of toxic relationships, comparing loving people that hurt us to holding broken glass; continuously wounding us until we let go.” (KC)

Esther’s Wife – ‘Anyone’s Man’
A brand new discovery for me, Esther’s Wife are already building a great reputation in their hometown of Glasgow, as well as receiving acclaim from the likes of BBC 6Music. Now, combining a gritty, impassioned energy with a more traditional folk-inspired musicality, recent single ‘Anyone’s Man’ offers a beautiful insight into what this young band are capable of. I can’t wait to hear more! (ML)

Matching Outfits – ‘Mini Moon’
Following 2025’s incredible break-up album, Ditch Me, Berlin band Matching Outfits’ latest single ‘Mini Moon’ may be my favourite track of the year so far. Combining jangly hooks with Linnea Mårtensson’s deadpan lyrics and candy sweet harmonies, it’s a gloriously lo-fi, instantly catchy reflection on the frustrating search for both romantic and artistic inspiration. I was lucky enough to catch the band live at The Ivy House while they were over in the UK a couple of weeks ago, and I highly recommend you do the same when they’re next here. Their tongue-in-cheek wit coupled with the shimmering musicality of their creations is bound to win you over. (ML)

Weather Happy – ‘Trees’
Following their debut single, ‘It Leaks Out’, brand new duo Weather Happy are back with another fantastic offering from their upcoming EP. Formed of Holly from Berries and her childhood friend Harry on drums, they’re already building a big buzz around the perfect combination of Holly’s distinctive songwriting style and seemingly effortless mega riffs with Harry’s fierce, spiky beats. Showcasing something slower-paced and more melodic than previous single, ‘Trees’ reflects on the comfort to be found in nature, and the consistent people in our lives – Holly explains: “I remember sitting in a wood surrounded by rustling leaves and creaking branches and I realised how comforting the sound of trees can be. They represent so much history and are such a solid presence. The lyrics ‘this soil grows beneath my feet, won’t trip me up, it keeps me steady’ are born from a similar place. Both reflect the solid people in our lives who help us through difficult trials and the comfort and reassurance we get from familiar faces and places.” Moth, the debut EP from Weather Happy, is out on 30th October via Easy Does It Records, and before that, the band are supporting legends Team Dresch at The Dome in North London tonight! (30/09) (ML)

Saoirse Dream – ‘grimdark’
‘grimdark’ is the title track from North American electronic-emo artist Saoirse Dream’s upcoming album, which is set for release on 9th October via Lauren Records. Saoirse blends emotive lyrics with melodic guitars and dramatic volume fluctuations to give ‘grimdark’ its racing, urgent quality. Alongside fellow North American artist Estelle Allen (who plays on their upcoming record) Saoirse Dream will be coming over to the UK & Ireland this November to play a series of shows in Bristol, Manchester, Glasgow, Dublin and Belfast. They’ll also be playing a headline show in East London on 13th November at Signature Brew. Tickets are available on DICE now! (KC)

DOG DAYS – ‘Starting Again’
This is the second single from Newcastle-based newcomers DOG DAYS. A hazy blend of indie riffs and brooding basslines, ‘Starting Again’ showcases the band’s ability to write infectious alternative tunes that smoulder with teenage angst. I look forward to hearing more offerings like this from DOG DAYS in the near future! (KC)

Chuck SJ – ‘Lovesick Puppy’
The latest single from GIHE fave Chuck SJ, ‘Lovesick Puppy’ offers a soaring reflection on queer identity and the conflicting feelings of needing some quiet time in nature whilst craving the sense of community and culture that city life brings. Going on to explore how transphobia has influenced Chuck’s relationship to grief and their mixed feelings around whether or not they would be accepted by their mother if she was still alive, it’s propelled by a raw stirring emotion and honest sense of vulnerability. A beautifully heartfelt introspection that builds with a twinkling musicality, switching between anthemic hooks and stripped-back delicate vocals. (ML)

Blue Bendy – ‘Dragonslayer’
Having first fallen in love with Blue Bendy, immediately captivated by their swirling cacophonies, at Deer Shed festival back in 2024, I’ve been missing new music from them over the last couple of years while the band have been on hiatus. But now, with a revised line-up and second album on the way, they’re back with a new single that maintains the seething raw emotion and glistening, fuzzy musicality that first captured my attention, whilst showcasing a more refined, all-encompassing sound. Of ‘Dragonslayer’, vocalist and songwriter Arthur Nolan reflects: “I was trying to look at Nationalistic mythology wrapped in a tragicomic romantic pop song, and the fantasies that any musician tells themself about fame, living in your own head.” One Day This Will All Be Lore, the upcoming second album from Blue Bendy, is set for release on 29th January 2027. (ML)

Count Florida – ‘Last Selfie’
Another new discovery from Glasgow, Count Florida look set to take the place of my indie-pop faves imminently. With its lilting melodies, stripped back bass and honey-sweet Belle and Sebastian reminiscent vocals, new single ‘Last Selfie’ offers a first taste of the band’s upcoming second album, in the form of a dreamy reflection on the trials and tribulations of an old relationship. With each of the band no stranger to the DIY music scene (bassist Andrew used to be in Shopping), and their new album promising “a witty, warm and proudly queer record”, I’m looking forward to hearing more from this Scottish trio. (ML)

Had Sandy – ‘I Hate My Parents and I Wanna Learn How To Swim’
The latest single from Brighton’s Had Sandy, ‘I Hate My Parents and I Wanna Learn How To Swim’ offers a nostalgic emo-tinged reflection on teenage angst that promises to “make you feel 16 again”. It does just that, and has me wishing I had a band like Had Sandy to resonate with when I was an angsty teen – the way their scuzzy, impassioned energy fizzes alongside their driving, catchy hooks would have been (and still is) just what I needed. (ML)

The Oozes – ‘Pump Out Some Kids’
Having had the honour of having art-punk queercore legends The Oozes play our GIHE 10th Anniversary party at The Cavendish Arms last year, I’m super excited that they’ve now announced the release of their debut album. Taken from the album, ‘Pump Out Some Kids’ is propelled by a driving frenzied energy, as the duo rage against the villainisation of the trans community and the deeply harmful rhetoric of trans exclusionary groups. Racing with a necessary sense of urgency, the track’s immediacy coupled with the seething emotion of its visceral vocals highlight the importance of the message behind it. The Oozes’ debut album will be released on 15th January 2027 and covers themes including navigating intersectionality within political spaces, disrupting stability in structures of power, and pushing against the relentless suppression of community used to maintain the holds of capitalism, fascism and colonialism. (ML)

Heavens To Betsy – ‘My Secret’
Sharing their first music since 1994, feminist punk trailblazers Corin Tucker (Sleater-Kinney) and Tracy Sawyer (The Husbands, The Flying Tigers, The Lies) aka Heavens To Betsy are making an extremely welcome return to our ears. As huge inspirations to us, both as fans of their music and influenced by their rebellious voices and desire to create safe spaces for women and the queer community within the Riot Grrrl movement, we’re excited by this recent announcement. A 16-track mission statement comprising a never-before-heard demo tape, baby’s gone was originally recorded by Bratmobile’s Molly Neuman and is now finally being digitised and released into the world, at a time when it seems more urgent than ever to bring attention to certain important issues. Album track ‘my secret’, for example, sees Corin Tucker grappling with the aftermath of a sexual assault; a subject that seems particularly resonant with what’s been in the news this week, and the pervasiveness of rape culture that continues to dominate society. (ML)

 

CLICK HERE TO LISTEN

Get In Her EarsLeave a comment

PLAYLIST: August 2026

The Get In Her Ears team have put together another marvellous mix of new music for your listening pleasure! Our August Playlist features plenty of eclectic alt-pop tunes, DIY punk anthems, alternative riffs, indie & alt-folk musings, as well as some experimental and electronic sounds. We’ve also included some tributes to the late Dolly Parton and L7 bassist Jennifer Finch. Make sure you scroll through and read all about our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Dolly Parton – ‘Coat Of Many Colours’
Like probably everyone who follows us, I was heartbroken to hear the news of Queen Dolly passing away this week. Although it may seem odd to grieve someone you never knew personally, I think it was easy to feel a connection with Dolly and a resonance to her radiant infectious joy and spirit. She really was such a huge inspiration – not only an incredible songwriter, performer and iconic woman until the very end – but such a wonderful advocate and supporter of marginalised communities. She was also the perfect example of how you don’t have to give birth to a child to be a mother figure. She cared for and actively helped so many children and young people throughout her life. I feel incredibly lucky and honoured to have seen her live at Glastonbury in 2014, a completely joyous experience and life highlight that I don’t think I’ll ever forget. She performed with such a playful energy and sweetness and her cheeky humour and incredible talent shone throughout, especially when she played the Benny Hill theme song on her mini saxophone!.
(Mari Lane – Managing Editor)

Aether Speaker – ‘Golden Hour’
A gorgeous piece of indie electro-pop here from London-based band Aether Speaker. ‘Golden Hour’ is full of front-person Yel’s soft, breathy vocals, underscored by hazy synths and gentle beats. The band explain that their psychedelic new offering is “poised between one world and the next, between soothing words and the truth” – delighting in ambiguity and lingering in the romantic ether. (Kate Crudgington – Features Editor)

Squirrel Flower – ‘Cleveland’
A beautiful ode to its namesake and the comfort of domesticity, ‘Cleveland’ is the latest single from Chicago based artist Ella Williams, aka Squirrel Flower. A song originally written with her her family band (the brilliantly named ‘uncommon rat’), it oozes a twinkling sentimentality and sense of nostalgia as Williams’ rich distinctive vocals flow, creating a heartfelt slice of Americana. Say A Prayer To The Gods Of Getting Going, the new album from Squirrel Flower, is out now via Polyvinyl Record Co. (ML)

Grandmas House – ‘Dance’
Congratulations to long-time GIHE faves Grandmas House on the release of their debut album! The Bristol band’s LP Baby You’re A Winner, released via Brace Yourself Records, is a superb amalgamation of their skill for writing urgent, cathartic anthems which reflect both the “light and dark” of the times that we live in. This track ‘Dance’ encapsulates that theme deftly, with Yasmin Berndt’s uniquely raspy vocals leading the charge as the band urge listeners to dance the pain away. (KC)

GRAVE GOODS – ‘Grit’
Based between Manchester and Dublin, experimental duo GRAVE GOODS create distinctive, primal sounds that examine the grind of modern existence. On this track ‘Grit’, Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) reflect on the the “existential disgust” that comes from separating the animalistic parts of ourselves in order to fit in with societal expectations. It’s a fascinating concoction of spoken-word-style vocals, contrasting beats and quirky riffs. The track also features the eponymous lyric of GRAVE GOODS’ upcoming album, Reality, Swallow Me., which was written and recorded to analogue tape at Analogue Catalogue Studios, with engineer and producer Julie McLarnon (Brighde Chaimbeul, The Altered Hours, Lankum). The LP is due for release on 25th September via bandcamp. (KC)

Trusselina – ‘Gastro’ / ‘Trusselina Archimboldi’
Philadelphia-based duo Trusselina are a new experimental pop project, formed of Mikaela Oppenheimer (Hello Mary) and Hayden McGarvey (Bleary Eyed). Together, they create jagged, intriguing soundscapes that blend acoustic and electronic elements, incorporating their love of ground-breaking literature, collaboration, and even their experience of food poisoning – which their double single release confidently covers. ‘Trusselina Archimboldi’ is inspired by a passage from Djuna Barnes’ acclaimed 1930s novel Nightwood, which is considered a prominent piece of early lesbian literature. The beat for ‘Gastro’ was concocted when Hayden was in the midst of an episode of food poisoning whilst on tour in France. I’m enjoying the eclectic nature of Trusselina’s sound and look forward to hearing more from the duo soon. (KC)

Emma Ruth Rundle – ‘Enough’
Another deeply emotive, powerful single from multi-instrumentalist Emma Ruth Rundle here. Inspired by both ‘The Man Who Sold The World’ and the story of Elijah – in which Emma explains she “imagines [Elijah] as an Elon Musk type figure” – ‘Enough’ is an epic reflection on modern wealth, greed, and a poetic cry for us to rise up against the powers that continue to benefit from this inequality. ‘Enough’ features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. (KC)

Tanzana – ‘Without A Sound’
Having been a big fan of Glasgow’s Tanzana since being spellbound by the soaring energy of last year’s ‘Covet’, I’m excited to hear that they’ll be releasing their debut EP in October. Ahead of the EP, they’ve now shared a powerful new single. Rippling with a dark majestic splendour and building with a fierce impassioned energy, ‘Without A Sound’ offers a reflection on the cathartic process of making art, as well as the frustration that can be felt when we reach our limit. An insight into the captivating and poignant genre-defying soundscapes the band are able to create. Etched In, the debut EP from Tanzana, is out on 9th October via SO Recordings & Hideous Mink Records. (ML)

Desperate Journalist – ‘Terrible Years’
Having just announced that their sixth album will be released in November, longtime favourites Desperate Journalist have now shared its lead single. Propelled by a gritty force and front woman Jo Bevan’s impassioned vocals, ‘Terrible Years’ offers a fierce post-punk anthem. Lyrically told from the perspective of someone in denial about how much they miss the excitement of youth, it captures the band’s ability to fuse a ‘90s-tinged hooks with a fresh raging energy that is distinctly their own. Gilding The Lily, the upcoming album from Desperate Journalist, is out on 20th November via Fierce Panda Records. (ML)

Rose Fatale – ‘Hole In The Head’
Belfast punks Rose Fatale embrace their softer, sapphic side on their latest single ‘Hole In The Head’. Leaning into alt-rock sensibilities, they blend impassioned vocals, earnest lyrics and driving riffs to create a melancholic whirl of noise. The band recently performed on Belfast Pride’s City Hall stage and are planning to play more gigs soon. (KC)

Team Dresch – ‘Growing Underground’
When queercore legends Team Dresch announced their return a couple of months ago, I was beyond excited, having been a mega fan since first hearing them when I was at uni 20 years ago. Now, ahead of their new album, Furthermore, which is set for release on 18th September, they’ve shared a powerful new anthem; a fierce call to action to resist the hegemonic, hateful systems which continue to oppress marginalised voices, its driving riotous energy celebrates collective, intersectional values and offers a defiant sense of unity and a hope that a brighter future is possible: “The song imagines shared communities becoming the very thing that nurtures future life. Love is embodied through chosen families, interconnected communities, and the networks that have always sustained one another.” I never thought I’d get to see Team Dresch live, and so I can’t wait to finally catch them downstairs at The Dome on 30th September. They had to move to a bigger venue than The Lexington due to high demand! (ML)

Tender Claws – ‘Tear Him To Pieces’
Having just released her debut EP, Belfast born Tess Corr aka Tender Claws creates haunting, immersive goth-inspired soundscapes, driven by a fiercely dark energy. The EP’s title track, ‘Tear Him To Pieces’, showcases her rich ethereal allure as rich, impassioned vocals soar over swirling expansive hooks. (ML)

Eilis Frawley – ‘Guilt’
We love all of the musical endeavours that drummer and songwriter Eilis Frawley undertakes here at GIHE, and we’re excited that she’s back releasing new music. This track ‘Guilt’ is the first offering from her upcoming second album, and it’s an apt reflection on the frightening and polarising times we’re living in. Led by her distinctive spoken-word vocals and gritty beats, ‘Guilt’ is an urgent reminder to engage with the world in a meaningful way and not to be desensitized by the carefully curated algorithms on our social media accounts. Eilis explains the track’s context further: “I have my own guilt, you open Instagram, in one moment you can witness a child being blown to pieces, and then the next minute someone’s trying to sell you an over priced bag or tell you how to optimise your life. I find the western world’s response petrifying to what’s happening in Gaza, and Lebanon, and Sudan, and the Congo. No reason will make a good enough reason for the amount of civilians killed, and traumatised”. (KC)

GOOD GRIEF – ‘Lucy’
Following on from their feisty debut single ‘Bait Shop’, Seattle-based duo GOOD GRIEF are back with this tender ode to unrequited love during queer adolescence. ‘Lucy’ is a track that “sparkles with curiosity – but not naivete,” reflecting on the poignancy of budding queer romantic feelings whilst softly reminding listeners of their beauty and validity. Inspired by grief, rage and love, GOOD GRIEF are currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Railcard – ‘Flanelette’
Consisting of current members of Heavenly and ex-members of Dolly Mixture and Death In Vegas, I’d definitely class Railcard as an indie-pop supergroup – and their new single is pretty super too. Showcasing their swooning honey-sweet vocals and lilting uplifting melodies perfectly, ‘Flanelette’ is taken from their upcoming debut album, Two Steps At A Time, which is set for release on 18th September via Skep Wax Records. (ML)

R Loomes – ‘The Self Demands a Reckoning’
A hypnotic offering from Sheffield-based musician R Loomes here. ‘The Self Demands a Reckoning’ is a potent piece of doom-folk that she describes as “a sort of personal prayer”, in which she attempts to sever the link between mind and body and “navigate the world [as a] free spirit.” As with her previous single ‘Passerine’, the track blends her beguiling vocals and richly atmospheric riffs to create a determined and fluid sound. ‘The Self Demands a Reckoning’ is taken from R Loomes upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Clara Mann – ‘News From Home’
A truly spellbinding soundscape, ‘News From Home’ is the new single from London based multi-disciplinary artist Clara Mann. Taken from her upcoming, literary-inspired, album Wishbone, it offers an immersive expansive musicality alongside the sparkling emotion of her resonant vocals as she reflects on how our feelings towards where we’re from can change and develop over time. Wishbone is out on 23rd October via state51. (ML)

YELF. – ‘flesh’
‘flesh’ is the second offering from London-based, British-Swedish artist YELF., who I am a big fan of. It’s a sultry reflection on lust and longing, inspired by the ebb and flow of the ocean. It’s a “neo-psychedelic ode to desire, fantasy and the brain-body connection,” as YELF. explains, underscored by her yearning vocals, immersive electronics and poetic lyricism. ‘flesh’ was also produced and mixed in Brighton (literally by the sea!) by Michael Baker and includes harp played by Fior Anderson and even the tinkling sound of glasses from Baker’s kitchen cupboards too. (KC)

Selkie – ‘Lick The Sun’
Today (28th July), Glasgow-based songwriter and producer Selkie has shared her debut EP, inWaves, which this single ‘Lick The Sun’ features on. Full of her tender vocals and considered instrumentation, she has created an atmospheric collection of tracks that beautifully melt into each other. She’ll be celebrating her debut release with a small UK tour in October and a showcase performance at Aberdeen Music Week too. (KC)

Marina Yozora – ‘Snow Heat’ (Acoustic)
We’re big fans of Japanese-born, London-based songwriter Marina Yozora here at GIHE, and we love how she’s continuing to share different evolutions of her poignant track ‘Snow Heat’. It’s a poetic rumination on a brief connection with someone that now exists only in Marina’s mind, and to honour the intensity of this fleeting moment, Marina released a lyric video to accompany the original single, and now she has shared a beautiful acoustic version of the track too. She also plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release, which we are eagerly anticipating. (KC)

Mother Church – ‘Wait To Kiss Me Until Heaven’
An unlikely collaboration between a founding member of HMLTD and an ordained priest, Mother Church create their own unique brand of alternative folk, drawing on an eclectic range of literary and theological influences. A stirring reflection on the pleasures and contradictions of virtue and temptation, ‘Wait To Kiss Me Until Heaven’ oozes a captivating mystical allure alongside its lilting folk-strewn musicality. Yolk, the debut album from Mother Church, is set for release in November via Trapped Animal Records. The band will be playing a special release show at St Pancras Old Church on 13th November. (ML)

BERTY – ‘Take For Granted’
Inspired by the power of unconditional love in our meaningful relationships, songwriter and producer BERTY penned this track ‘Take For Granted’. It’s an earnest refection on the Forest of Dean-based artist’s feelings about human connection, showcasing her intuitive nature as a songwriter. BERTY is currently working on a new EP, which she is set to release in the near future. (KC)

Brennan Wedl – ‘High Priestess’
Having just released her self-titled new album, Nashville based artist Brennan Wedl has been a favourite of mine for a couple of years now. I’m a big fan of her wonderfully self-labelled “grungetry” sound (a perfect fusion of grunge and country, in case you were wondering!) and raw Sheryl Crow-reminiscent vocals. The final single to be taken from the album, ‘High Priestess’ reflects on the otherworldly intuition of the tarot card and the thoughts and feelings that can swirl around our heads when trying to face reality head on.(ML)

The Genes – ‘Charlotte’
I first became a fan of awesome Coventry band The Genes after seeing them at Decolonise Festival in 2025, and then loved having them play for us supporting WIDGET earlier this year. Now, they’ve released their first proper single and it’s pretty great. Self-described as a “high energy punk anthem with a uniquely British story”, ‘Charlotte’ is a love letter to the Ford Transit. Inspired by years of DIY touring, late-night motorway drives and the vans that somehow survive gig after gig, the song celebrates the unsung hero that’s carried countless independent bands across the UK. I love the track’s playful tongue-in-cheek energy and scuzzy hooks and can’t wait to hear more from this unique band. (ML)

L7 – ‘Shitlist’
Another incredibly inspirational woman that we tragically lost earlier this month was Jennifer Finch, the bassist from legendary grunge-punk band L7. At just the age of 59, it seems extremely unfair that she should be gone already. Anyone who’s ever been to a GIHE gig is probably aware of how much we love L7, as I include either ‘Shitlist’ or ‘Wargasm’ on most of our pre-band playlists – their tunes have never failed to energise and motivate me, and seem like the perfect way to get people psyched up for the amazing bands who play for us. I was lucky enough to see L7 live in Camden in 2015 for their first UK gig since initially breaking up in 2001, and I remember being utterly blown away by Finch’s immense fierce energy and presence and the way her swirling life-force and booming hooks reverberated into the crowd. (ML)

Bugeye – ‘This Is What I Want’
Following the release of their recent second album, The Shape Of Things, and support slots with big names such as The Datsuns and Loose Articles, longtime faves Bugeye have now shared an empowering new single. Offering a middle finger to the outdated expectations of women that still prevail within society, ‘This Is What I Want’ oozes a sultry playful allure and danceable groove-laden hooks whilst raging against the “toxic manosphere”. Of the track, front woman Angela Martin says that it’s dedicated to “every woman who’s ever been told to know her place. Here’s the truth: your place is wherever you choose to stand. Stand tall, stand loud, and never apologise for demanding the respect you’ve always deserved.” (ML)

Four Degrees Colder – ‘Reminisce’
‘Reminisce’ is the opening track from Four Degrees Colder’s debut album, Nothing To Do. Released in July, the St. Louis-based alternative pop-rock duo take their listeners on a captivating, track-by-track journey through a decaying factory overtaken by artificial intelligence. Propelled by their clear vocals, driving riffs and electronic textures, the pair aim to inspire a sense of hope and persistence throughout their LP, ultimately refusing to succumb to the “the fear of becoming obsolete.” (KC)

Tiiva – ‘I Keep Falling In Love’
We’re big fans of producer and sound & game designer Tiiva here at GIHE, so I’m chuffed to see they’re back with a new single and a new record. ‘I Keep Falling In Love’ is lifted from the Lake District alt-pop artist’s upcoming album, This Could Be A Start, which is set for release on 25th September. It’s a euphoric swirl of buoyant electronics, floaty vocals and glitchy beats. “The story throughout the album is how we as humans navigate love, neurodivergence, AI interactions, and our desire to be everywhere all at once; in the mountains, in the city,” Tiiva explains. “Each song represents an internal character – the optimist, the party kid, the recovering addict, the loner, the nostalgic. Some of the songs could read as romantic but in reality we are all looking for connection, and we find it in not always the most obvious places.” Tiiva will be celebrating the release of their new LP with an immersive headline show at Spanners in South London on 30th September. See you there! (KC)

Sidney Packard – ‘Acer Tree’
Non-binary, alt-pop artist Sidney Packard envelops their listeners in dark atmospheric electronics and soft vocals on their latest single, ‘Acer Tree’. The London-based musician penned the track as an ode to the plant they really adore, which are more commonly known as Japanese Maple trees and are known for their distinctive leaf shape and red foliage.
Sidney will be playing a gig in London – which coincides with their birthday! – on Saturday 12th September at The Phoenix. (KC)

Maria Uzor – ‘Cyclops’
We’re super excited that GIHE mega fave Maria Uzor will be releasing her second album, Fantasyland, on 3rd September. Showcasing Uzor’s unique ability to seemingly effortlessly fuse together genres ranging from grunge to techno, the album explores notions of escapism in a world that appears increasingly unpredictable. Taken from the album, recent single ‘Cyclops’ pulsates with immense glitchy beats as the seductive power of Uzor’s vocals takes hold, and an immersive dub-inspired energy propels you onto the dancefloor. Keep your eyes peeled for a special interview with Maria on the website over the next couple of weeks. (ML)

NAMELESS TWIN – ‘Neon Machine Gun’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim (Dokoe) and Ryan Osterman (Holy Fawn) aka NAMELESS TWIN. They’ve only released a handful of tracks to date, but all of them have been a perfect blend of their dramatic volume shifts and dark, dreamy electronics. ‘Neon Machine Gun’ is their first new release since 2023, but I hope they’ll be sharing more of their ominous sounds in the near future. (KC)

Ladybug 2 (The Bug, Friday Night Plans) – ‘Miss U’
Under the moniker of Ladybug, UK-based producer The Bug has launched a new collaborative series via his own imprint PRESSURE. The project sees him work alongside different female vocalists to explore new sonic territory, and this track features the voice of one of his personal favourites: Japanese songwriter Friday Night Plans. ‘Miss U’ is another heady, cell-tingling offering from the eclectic collaborators, and if you can’t get enough of the original, the duo have also shared five accompanying “alternate” versions that you can sink your teeth into, available on bandcamp now. (KC)

 

 

Missperception – ‘Into The Glitch’
By combining her love of electronic music, jazz elements and cinematic soundscapes, Yorkshire-based independent artist Missperception creates an infectiously glitchy atmosphere with her music. This aptly titles track ‘Into The Glitch’ is lifted from her recent EP, Static Symphony, which she says is formed of “Four rooms…four transmissions…a signal from the edge, where melody frays into static.” (KC)

 

CLICK HERE TO LISTEN (TIDAL)

Get In Her EarsLeave a comment

PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

CLICK HERE TO LISTEN TO THE OUR JULY PLAYLIST

Get In Her EarsLeave a comment

PLAYLIST: April 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our April Playlist features DIY punk anthems, indie and alt-pop bangers, shoegaze & grunge tunes, plus, some experimental & electronic soundscapes. Scroll through our recommendations below…

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

Dose – ‘Shelley’
Loosely inspired by the pop culture myth of actress Shelley Duvall disappearing after she starred in cult horror flick The Shining, ‘Shelley’ is the latest single from Dublin four-piece Dose. It’s taken from their upcoming debut EP, Sycophantic, which they’ll be releasing later this year via Pizza Pizza Records. Dose’s skilful pairing of hazy riffs and ambiguous lyrics, alongside their striking visuals means they’re becoming firm favourites of mine. Directed by Aoife Spratt, the accompanying video for ‘Shelley’ acts as a spoof of Stanley Kubrick’s iconic ’80s film, shot across a handful of Irish locations, including The Ferrycarrig Hotel in Wexford, New Ross Arboretum and a Dublin hotel. Check it out below.
(Kate Crudgington – Features Editor)

Shy New World – ‘Fahrradtag’
A gloriously trippy new single from London duo Shy New World, ‘Fahrradtag’ means ‘bicycle day’ in German and it’s easy to imagine lots of bikes speeding through the city as the track’s colourful swirling haze ripples throughout.
(Mari Lane – Managing Editor)

Meg Elsier – ‘meaning of life’
The marvellous Meg Elsier is back with this deeply relatable new track, inspired by her ruminations on moving through periods of depression, negative thought spirals and trying to find purpose again. Her candid lyrics and reverb-heavy riffs make for cathartic listening, as she unravels her thoughts on finding meaning and reason in a world that often seems void of both. (KC)

Mad Honey – ‘Moshfeghian’
A swirling, slow-burning offering from Oklahoma City band Mad Honey here. ‘Moshfeghian’ features on their upcoming second album, Bridge Over Cumberland, which is due on 15th May via Deathwish Inc. and Sunday Drive Records. By blending the quiet-to-load dynamic of grunge and the shimmering sensitivity of dream-pop, the band evoke a deep sense of nostalgia on this track, which guitarist Lennon Bramlett believes forms the basis of the whole record. (KC)

dvrkworld – ‘Stimulation’
‘Stimulation’ is the latest single from Tasmanian alt-rock band dvrkworld. Blending gritty riffs with lush vocals, the track reflects on the overwhelming presence of technology in today’s world. dvrkworld released their debut self-titled EP back in 2025 via Psychedelic Salad Records and they are currently working on their first full-length album, due in early 2027. (KC)

Waterdeer – ‘Goddamn’
Having blown us away playing for us at New River Studios a while back, shoegaze international supergroup Waterdeer (featuring members of Ritual Error and former members of GHUM) have now finally released some of their captivating music into the world. Flowing with a haunting, shimmering grace, ‘Goddamn’ will immerse you in its rich dreamy splendour on first listen. I can’t wait to hear more. (ML)

 

Roomer – ‘Written By’
Berlin-based dream rock outfit Roomer are new to me, but I’m loving their latest single. ‘Written By’ is a dreamy, reverb-heavy rumination on the subtlety nature of growth and change. The band will be venturing to Brighton in May to play The Great Escape Festival, so make sure you check them out if you’re heading down to the seaside! (KC)

Mi.el – ‘She Will Be Gone’
An immersive slice of dream-pop, ‘She Will Be Gone’ is taken from the poignant latest EP from London duo Mi.el. Exploring female empowerment and curiosities, the EP offers a lilting collection as rich celestial vocals and lilting hooks shimmer throughout with a captivating grace reminiscent of the likes of Warpaint or The XX. (ML)

maehem99 – ‘I Can’t Be Your Guy’
I am hooked on this gritty piece of electronica from non-binary, Irish-South African artist maehem99. ‘I Can’t Be Your Guy’ is their debut single and the first track they’ve shared from their upcoming EP, Sexual Commerce, which is set for release on 18th June. The EP is maehem99’s authentic sonic statement of self-autonomy, as well as a reflection on the industries that tried to mould them into something they’re not. (KC)

Tomorrow Woman – ‘The Flower’
Tomorrow Woman is the new project of California-born, Paris-based artist Betsy Roszko, formerly of punk band Gomme. With her strong DIY spirit and background in dance and movement, she changed musical gears and began experimenting with electronics under her new monkier. This track ‘The Flower’ is taken from her debut EP, Plays Machines, which is set for release on 1st May, and it’s inspired by Betsy’s favourite Buddhist quote: “If we could see the miracle of a single flower clearly, our whole life would change”. It’s an infectious mix of enveloping synths, dreamy vocals and twitchy beats, designed to immerse listeners in the moment. (KC) 

HEIGHTS – ‘Belong’ 
A captivating slice of alt-pop inspired by the binary oppositions of closeness and isolation, ‘Belong’ is the latest single from HEIGHTS. Full of her soft vocals and dreamy cinematic synths, the track acts as a sonic confession for the artist, which she explains in more detail: “I wrote ‘Belong’ about the tension between craving closeness and feeling like you don’t quite belong anywhere yet. It’s a late-night conversation with yourself about identity and the need to feel seen – searching for home in another person while still trying to find it within yourself. Really outing myself as an overthinker with this one.” (KC)

Eve Maret – ‘Gethsemani’
I’ve only just discovered Nashville-based experimental artist and composer Eve Maret, but I’m fascinated by her sound and her aesthetic. Inspired by her self-desribed “complicated” Catholic upbringing, she penned this track ‘Gethsemani’ – named after the biblical garden – when she visited a monastery. It’s taken from her upcoming album, Diamond Cutter, which is set for release on 17th April. She uses an array of sythns, instruments and recording techniques to create her unusual and exploratory sounds, which she performs in full costume as a Nun. “Dressing up like a nun and playing music felt like a random idea at first, but in retrospect, my life has been building towards this culmination point for years,” Eve shares. “I’m re-contextualizing my wounds to empower myself. I’m taking the parts of Catholicism I appreciate and reappropriating them. I am devoted to music, to knowing myself, and to having fun in the process.” (KC)

Bugeye – ‘Comfortably Numb’
Big faves of ours at GIHE for many years now, Croydon punk-pop band Bugeye have now announced the release of a new album, and they’ve celebrated by sharing a fierce new single. Reflecting on the mixed feelings around late nights and dancefloor antics, ‘Comfortably Numb’ sizzles with an ‘80s-inspired brooding energy as the band’s trademark colourful layered hooks pulsating disco beats take hold. The Shape Of Things, the upcoming new album from Bugeye, is out 15th May via INH Records. (ML)

Downtown Boys – ‘You’re A Ghost’
Having first met at union meetings while working together at a hotel, founding members of Downtown Boys Victoria Marie and Joey La Neve DeFrancesco let their political drive and desire for change seep into everything they release as a band, and this is certainly the case with their latest single. A fierce retort against ICE, genocide and the suppression of marginalised voices, ‘You’re A Ghost’ races with a raging, chaotic energy, building to an immense and necessary slice of industrial dance-punk. The resonant and powerful accompanying animated video was directed by Lebanese artist Khalil (@palpable.image). Public Luxury, the upcoming new album from Downtown Boys, is set for release on 26th June via Sup Pop. (ML)

WIDGET – ‘WHAT IF PHONES BUT TOO MUCH’
Having completely dazzled us with their gritty compelling energy and utterly unique charisma when they headlined New River Studios for us last month, East London post-punk supergroup WIDGET (featuring members of Big Joanie, all cats are beautiful, Junodef and Zahra Haji Fath Ali Tehrani) have just released their debut album, Classy Hits Vol.2. Taken from the album, ‘WHAT IF PHONES BUT TOO MUCH’ offers a seething, satirical anthem, as fitting for the dancefloor as it is for taking to the streets and rising up against the powers that be. Of the track, the band explain: “It’s a song about not accepting the lot you’ve been given, about pushing up at the glass ceiling and smashing it wide open on your way out. Fulfilling the dream we’ve definitely all had where everyone’s face is Danny Dyer and saying ‘god no this is absolutely not what I want from life please and thank you’”. You can catch WIDGET talking about their new album in more detail on our next Soho Radio show on Wednesday 13th May at 8-10pm! (ML)

Cootie Catcher – ‘Loiter For The Love Of It’
New favourite band (and band name) alert! Having released a new album in February, Toronto’s Cootie Catcher have just come to my attention with the announcement of a UK tour later this year. I’m a big fan of their lo-fi scuzzy sounds and honey-sweet harmonies; a perfect combo of twee innocence and chaotic angst-driven energy. Something We All Got, the latest album from Cootie Catcher, is out now via Carpark Records. (ML)

Carla J. Easton – ‘Let’s Make Plans For The Weekend’
Having played in awesome bands such as TeenCanteen and The Vaselines, Scottish musician Carla J. Easton is now set to release a new solo album next month, featuring collaborations with the likes of MALKA and Darren Hayman. Ahead of the album’s release, she’s just shared an uplifting new single. A celebration of late nights, friendship and the weekly ritual of letting go, ‘Let’s Make Plans For The Weekend’ offers a sparkling slice of playful synth-pop; a perfectly sparkling summer bop. I Think That I Might Love You, the upcoming new album from Carla J. Easton, is out on 8th May via Ernest Jenning Record Co. (ML)

Gabi Garbutt – ‘Lightning Held’
Following last month’s empowering anthem ‘Radical Love’, London artist Gabi Garbutt has now released a driving new single. Propelled by a glowing, danceable groove, ‘Lightning Held’ offers an uplifting proclamation of being open to love, fizzing with a sparkling energy as Gabutt’s introspective pop-poetry flows throughout. (ML)

Not Richard & Her Majesty – ‘A Song About Being A Parasite’
The latest single from Brighton based glam rockers Not Richard & Her Majesty, ‘A Song About Being A Parasite’ reflects on the end of a romantic relationship and the mixed emotions that can come with this. Fizzing with ska-tinged beats and glistening synth-laden hooks, it’s an instantly catchy anthem offering all the effervescent allure of Marc Bolan with a fresh queer energy. Not Richard & Her Majesty will be playing at Brighton’s Alternative Escape Festival on 15th May at Hotel Pelirocco. (ML)

Grandmas House – ‘DOG’
GIHE faves Grandmas House are back with this excellent new single ‘DOG’. The Bristol-based post-punks penned this track during a time of personal struggle, when a band member was living with a chronic illness that no health professional could properly explain. Through their racing riffs, marching beats and fluctuating tempos, the band explore feelings of unease and the exhaustion of living through a health crises, offering brief respite for listeners who have found themselves in similar circumstances. (KC)

Frances Murray – ‘Holidays By The Sea’
Described as one of her favourite tracks from her debut solo album, Dreamer, ‘Holiday By The Sea’ is the latest single from Essex-born, Brighton-based songwriter Frances Murray (fka BLAB). For this song, Frances used the “cut up” lyric technique, which involves physically cutting words out of newspapers & magazines or lifting lines from poetry in order to create your own song, which perfectly encapsulates the scrap-book, nostalgic spirit of ‘Holidays By The Sea’. To celebrate the release of Dreamer, Frances will be playing a show in Southend at The Fickle Pickle (12th June) and in Brighton at the Hope and Ruin (3rd June) too. (KC) 

TERE! – ‘MAN’
Fuelled by a desire to process her trauma and to offer a message of solidarity to survivors of sexual assault, Spanish-born, Liverpool-based songwriter TERE! penned this intense single ‘MAN’. Through her potent vocals, dramatic volume shifts and explicit lyricism, TERE! tackles these issues with a formidable spirit, fighting her demons and gaining the courage to help others in the process. She will be releasing her debut album, NO MORE MANNERS, in May this year. (KC)

No Peeling – ‘Stationery’
A catchy slice of energetic garage-pop from Nottingham-based band No Peeling here! ‘Stationery’ is lifted from their upcoming EP, simply titled EP2, which is set for release on 1st May via Wrong Speed Records & Feel It Records. Inspired by both the mundanity and the joy of everyday life – like stationery for example – it’s a playful collection of tracks that the band believe aptly captures the spirit of their live shows. (KC) 

Irked – ‘Who Asked?’
Self-described as “a garage-punk hate letter to the world,” North-East punks Irked are on the cusp of sharing their debut album, Grievance, on 1st May via Wrong Speed Records. The LP is a deeply personal dismantling of the politics of gender, class and toxic behaviours in the workplace, which this track ‘Who Asked?’ directly addresses. Lyrically inspired by notes on band members phones and late night chats, the track explores the contradictions of “day jobs, night shifts, work drinks and half-hearted plans”. (KC)

THE NONE – ‘Watch’ / ‘Daddy Doesn’t Make Mistakes’
We are big fans of Birmingham-based punk outfit THE NONE here at GIHE, so we’re excited to see that they’re back with more vital, abrasive and electrifying new music. The band performed ‘Watch’ and ‘Daddy Doesn’t Make Mistakes’ for a live session with state51, which you can watch below. Filmed in one continuous take, the video captures vocalist Kai’s visceral energy perfectly, alongside their bandmates cacophonous blend of intense riffs and beats. The session also features a cover of Napalm Death’s infamous ‘You Suffer’. THE NONE will be curating two all-day events with some of their favourite acts in London (16th May) and in Birmingham (18th July). Tickets are available on DICE now. (KC)

Spit Takes – ‘Teeth’
With a songwriting technique described as “a zero fucks given approach on dark times with tongue-in-cheek wit,” it’s no wonder we became instant fans of Minneapolis-based punk band Spit Takes. This riotous single ‘Teeth’ is the title track from their upcoming debut album, which is set for release on 9th May via independent label Whiplass Records. Full of raging catharsis and reminiscent of the raw energy of iconic Riot Grrrl bands like Bikini Kill, Spit Takes’ sound is vehemently anti-fascist and totally up GIHE street. (KC)

Dogviolet – ‘Daisy Crowns’
Following the spellbinding power of songs like ‘Dandelions’ and ‘Violets’, long time favourites Dogviolet have returned to grace our ears with another beautiful, floral-themed single. A captivating reflection on nostalgia, ‘Daisy Crowns’ flows with a dark, sweeping majesty, longing for the frivolous joy of youth with a sparkling desperation. It’s always a highlight of their live sets, oozing an all-compassing swirling allure. (ML)

Jolanda Moletta (ft. Yellow Belly) – ‘Their Voices Rise Above The Waves’
A stunning soundscape that will captivate and lull listeners into a dreamlike state, this is the latest single from multimedia artist and one-woman electronic choir Jolanda Moletta. ‘Their Voices Rise Above The Waves’ is lifted from her upcoming third album (and first for label Becaon Sound) Oceanine, which is set for release on 1st May. It’s a sonic celebration of female power and divinity, as well as an ode to survival and collective memory. Each track on Oceanine features a collaboration with a different female vocalist, including Nadine Khouri, Karen Vogt, Astrid Williamson, Elska, Yellow Belly and more. Speaking about her deeply personal new work, Jolanda explains: “Oceanine is inspired by sirens, water nymphs, and the timeless call of the sea. At its core lies my deep, lifelong connection to the Mediterranean Sea and to the ancient and modern myths and folklore that have emerged from its waters…The entire album is built exclusively from the human voice, processed and layered, yet always remaining voice, and nothing else.” (KC)

afromerm – ‘reflections’
This beautiful track is lifted from GIHE fave and Oram Award-winning artist afromerm’s latest EP, held. An emotive and eclectic blend of field recordings, soothing vocals and electro-acoustic instrumentation, the three-track EP showcases afromerm’s instinctive sonic connection to water and the sea, as well as being a testament to the fluidity and shifting tides of life itself. ‘reflections’ also features arrangements from talented collaborators YUIS and Marysia Osu too. (KC)

 

Penelope Trappes – ‘Platinum’ (Saint Etienne Rework)
It seems there are no limits to the extraordinary vision of Brighton-based Australian multi-disciplinary artist Penelope Trappes. In 2025, she shared her poignant, grief-inspired album A Requium, along with a companion LP, Æternum, which featured a new set of compositions. Now, she is preparing to share Opvs Novum: A Requiem Reworked, a new collaborative record which expands her captivating concepts even further. Set for release on 29th May via One Little Independent Records, Penelope “reframes” her original release with the help of an array of discerning artists, including Gazelle Twin, Midwife, Julia Holter, PRIZMA9 and more. On this new version of ‘Platinum’, London trio Saint Etienne bring a hypnotic, hymn-like sensibility to the track, whilst still retaining the haunting quality of the original. I am so excited to listen to the new record in full! (KC)

BISHI – ‘Maya She Lives Inside Me’
We are consistently impressed by the eclectic projects that British Bengali multi-instrumentalist & composer BISHI brings her unique talents to, so we were excited to discover that she has produced her first original soundtrack! She wrote the score for MAYA: The Birth of a Superhero, which is a 30 minute immersive VR animated film that forms part of award-winning activist and transmedia artist Poulomi Basu’s law-changing multimedia project, Blood Speaks – exploring menstrual exile and violence against women in South Asia – which was shortlisted at Festival de Cannes 2024. Now, BISHI is preparing to release the soundtrack via her own label Gryphon Records on 15th May, and to celebrate, she will be host four special live performances of the score across the UK in June. These shows will feature BISHI on voice, sitar and electronics alongside live strings, with bespoke visuals from the creators of MAYA: The Birth of a Superhero, manipulated live to create an immersive concert experience. (KC)

Hannah Schneider – ‘The Apartment’
Recently releasing her innovative solo album, The Room, Danish artist Hannah Schneider is keen to reclaim the creative process, consistently insisting on presence, intuition, and craftsmanship as the driving forces behind the creation of her music. Rejecting the use of AI in music, she recorded together with other musicians at a residency at the historical Thorvaldsens Museum, fusing together an eclectic array of musical elements and processes to create something truly exceptional. Taken from the album, ‘The Apartment’ showcases Schneider’s rich, immersive soundscapes and beguiling, sumptuous vocals perfectly. Watch the beautiful new video below. (ML)

CLICK HERE TO LISTEN ON TIDAL

Get In Her EarsLeave a comment