PLAYLIST: June 2019

Whether you’re loving this “heatwave” or loathing the humidity; we’ve got some fresh new music on our June playlist to quench your listening thirst. Take some time to scroll through our words and make sure you hit play on the Spotify link at the bottom of the page…

Friedberg – ‘Go Wild’
Indie-pop quartet Friedberg have been on my radar since I played their desert-rock debut ‘BOOM’ earlier this year and I am just as into their latest offering. Scritchy synths and some classic reverb all mixed into ‘Go Wild’, which is out now via LGM Records. (Tash Walker)

The Paranoyds – ‘Girlfriend Degree’
I’m loving the slacker-grunge sound of ‘Girlfriend Degree’ from LA newcomers The Paranoyds. Speaking about the track, the band explain: “[it’s] a call to arms, a reminder to be a supremely self-loving woman, to just do you. It’s cool to be a girlfriend or wife or whatever, but there’s so much more to being a woman than that.” Couldn’t agree more girls! The band’s debut album Carnage Bargain is set for release on 13th September via Suicide Squeeze. Check out the accompanying video too. (Kate Crudgington)

Sleater Kinney – ‘Hurry On Home’
We cannot wait to see legends Sleater Kinney in February!! And this incredible latest single from the Olympia band fills us with excitement for their upcoming album The Center Won’t Hold, out in August. (Mari Lane)

Witching Waves – ‘Best Of Me’
The latest single from trio Witching Waves, ‘Best Of Me’ races with a jangly twang and punk-fuelled energy. Alongside fast-paced hooks and raw, impassioned vocals, I just can’t get enough of its visceral power. Witching Waves’ latest album Persistence is out now via Specialist Subject Records, and we cannot wait for them to headline for us at The Finsbury on 12th July, along with Milk Crimes, Finish Flag and Hubert’s Friend. (ML)

Scrounge – ‘Purpose’
Q. Will there ever be a day when us GIHEs girls don’t rave about the brilliance of South London duo Scrounge?
A. NO.
Their latest track ‘Purpose’ is equally as formidable as their previous singles and we urge you to see them live if you can. (KC)

ARXX – ‘Iron Lung’
Q. Will there ever be a day when us GIHEs girls don’t rave about the brilliance of Brighton duo ARXX?
A. NO.
We had such a laugh with Clara & Hannah on our radio show last week (listen back here) and they treated us to an exclusive acoustic version of ‘Iron Lung’, but we love it in it’s full fury too. (KC)

Nova Twins – ‘Devil’s Face’ 
Georgia & Amy never fail to fill my ears with cathartic, addictive, abrasive sounds and this latest single is no different. Their distorted bass lines and furious vocals make my heart swell, and I can’t wait to catch the duo live again at The Sebright Arms in September (get your ticket here). (KC)

Gaffa Tape Sandy – ‘So Dry’
Bury St. Edmunds band Gaffa Tape Sandy have now shared a new single taken from their upcoming EP Family Mammal. Propelled by an angst-driven scuzzy energy, ‘So Dry’ blasts out jangly melodies alongside luscious harmonies, creating a massively infectious summer delight, with a fierce, gritty edge. Of the track, the band explain: “We don’t really like arguing as a whole, but expressing yourself is very important, so we like to think of this song as us raising our voices anonymously at the people who make us mad as hell”.
Family Mammal is out 9th August via Alcopop! Records. (ML)

Show Boy – ‘Like That’
Following his last infectious offering ‘Video’, Show Boy’s latest single blends hyper-real production elements with introspective songwriting. An impassioned UK Garage-tinged pop anthem, ‘Like That’ perfectly juxtaposes catchy summer beats with heartfelt reflective lyricism, that will stick in your ears on first listen. Of the track, Show Boy explains: “It’s about the confusion and panic felt when you realise you have more affinity with a past snapshot of yourself than the person you currently are”.
Surreal
, Show Boy’s upcoming EP, is set for release next month. (ML)

Haiku Salut – ‘Going Back’
Haiku Salut are an instrumental trio from the Derbyshire Dales, consisting of multi-instrumentalists Gemma Barkerwood, Sophie Barkerwood and Louise Croft. Between them, they play accordion; piano, glockenspiel, trumpet, guitar, ukulele, drums, and melodica. Their music is a truly delightful, immersive experience and their dreamy electronic soundscapes continue to distract me from whatever I’m doing. ‘Going Back’ is one of the double A-side singles taken from their forthcoming album The General due out on Secret Name 2nd August. (TW)

Sui Zhen – ‘Perfect Place’
Taken from her upcoming album Losing, Linda, ‘Perfect Place’ is the latest single from Melbourne-based artist Sui Zhen. Inspired by how we exist in the digital age, the track flows with glitchy, playful beats and twinkling, ‘80s-inspired hooks alongside Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop. Losing, Linda is out 27th September via Cascine. (ML)

Joviale – ‘Ride Away’
Influenced by the likes of Billie Holoday and Nina Simon, Joviale’s music inspires a dynamic mix of pleasure and pain. This is her second single, taken from her upcoming EP Crisis which is set for release on 6th of September via Blue Flowers. (KC)

Rachel Chinouriri – ‘Mama’s Boy’
Full of neo soul and heavy on the bass… this song just feels full of summer. (TW)

Jeannel – ‘Everything’s The Same’
Berlin based Jeannel has the most gentle haunting vocals filled with so much emotion. (TW)

PLAYLIST: April 2019

It’s a brand new month and that means we’ve got a brand new playlist of new music to share with you! April has been another month of musical discovery for us, and we’re excited to share our top picks with you all. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Lupa J – ‘The Crash’ 
‘The Crash’ is the latest single from Lupa J which she’s also recently dropped a pretty slick video to. With sounds evocative of early Grimes and touches of Alice Glass, we’re loving this track at Get In Her Ears. Of the track Lupa J says: “”I wrote this just over a year ago now, and I was in a really unhappy place. I had barely any friends in the city I lived in; instead focusing my energy on a long term relationship that was starting to eat away at me and my sanity more than it grew me, and I was starting to realise more and more I had a lot of previously repressed & unexplored queer desire.” (Tash Walker)

Tacocat – ‘The Joke Of Life’
Our fave Seattle pop-punks Tacocat are releasing their new album This Mess Is A Place on 5th May via Sub-pop records, and this is the latest single to be lifted form the record. This band never fail to put a smile on my face, always providing a buoyant guitar tune that makes for a reassuring listen during these misguided and politically turbulent times. Long live Tacocat! (Kate Crudgington)

Panic Pocket – ‘Pizza In My Pants’
Taken from Panic Pocket’s new EP Never Gonna Happen, ‘Pizza In My Pants’ is a fun-filled look at the common expectations society holds women to, and is filled with a playful energy and self-deprecating humour. Oozing honey-sweet harmonies alongside shimmering melodies and a gritty synth-driven energy, it’s another luscious (and super relatable!) slice of indie-pop from the duo, showcasing all there is to love about them. Never Gonna Happen, the new EP from Panic Pocket, is out now via Reckless Yes. And we cannot wait for them to play for us at our next night at The Finsbury on 10th May, along with Crumbs, Charismatic Megafauna and Rookes. (Mari Lane)

Grizzly Coast – ‘Half-Light Boy’ 
“Will you shine for them, like I shined for you?” asks Grizzly Coast on her bitter sweet new single ‘Half-Light Boy’. The track is a “sobering realization that not every person you encounter will have the same heart as you”. It’s not all doom and gloom though! Grizzly Coasts’ buoyant guitar and gentle yet sturdy vocals are a reminder that “someone else’s lack of care for you is often due to something lacking in them – it is never an expression of what you deserve”. The story behind ‘Half-Light Boy’ will resonate with anyone who’s felt like like they’re shining the spotlight on someone else, whilst simultaneously living in their shadow. (KC)

ABBIE OZARD – ‘Growing Pains’
I am loving the latest single from Manchester based Abbie Ozard, ‘Growing Pains’ keep your eyes peeled for a full debut EP still to come later this year – mine are wide wide open. (TW)

Sølv – ‘Bittersweet’ 
Bittersweet’ is the first taste of Sølv that we’ve had following the release of her acclaimed Codeine EP in 2017 and it’s a banger. Tripped out hazy waves, warped vocals all mixed together in electronic beats. Yes please.(TW)

Bamboo – ‘Weeping Idols’ (ML)
Taken from Bamboo‘s upcoming third album, ‘Weeping Idols’ is an uplifting and subtly captivating offering. Propelled by a thunderous sense of urgency, a twinkling soundscape is created as swirling interwoven melodies and chiming hooks provide the backdrop for Rachel Horwood (Trash Kit)’s soaring majestic vocals. Daughters Of The Sky, the upcoming new album from Bamboo, is out on 14th June via Upset The Rhythm. Pre-order here. (ML)

Witching Waves – ‘Best Of Me’ 
The latest single from trio Witching Waves, ‘Best Of Me’ races with a jangly twang and punk-fuelled energy. Alongside fast-paced hooks and raw, impassioned vocals, I just can’t get enough of visceral power. Formed of Emma, Mark and Estella (Big Joanie and Charmpit), I just love Witching Waves’ unrelenting DIY post-punk sound and frenetic sense of urgency. Persistence, the new album from Witching Waves, is out now. (ML)

Mammoth Penguins – ‘Closure’
The latest single from Cambridge trio Mammoth Penguins, ‘Closure’ is a reflective offering, oozing the rich, impassioned power of Emma Kupa’s vocals alongside the band’s trademark jangly hooks and shimmering emotion, showcasing the their ability to make me feel all the feels on every listen. Of the track, Emma explains:Closure is a song about an interaction, or day, or moment, or occurrence when something shifts and feelings that you may have been carrying around for a while just dissipate. I think real closure can be quite rare and incredibly profound.Having left us with butterflies in our stomachs with their dreamy indie-pop offerings playing for us at our last night at The Finsbury, Mammoth Penguins’ new album There’s No Fight We Can’t Both Win, is out today, 26th April, via Fika Recordings. (ML)

Seraphina – ‘Backbone’ 
I’ve said it before and I’ll say it again – I am loving what Seraphina is bringing out at the moment! Such rich sound and soul. ‘Backbone’ is her last single which is out now and all about wanting someone you shouldn’t…and all the messy head-fuckery that it brings. Just fantastic. (TW)

Jessica Winter – ‘Sleep Forever’ 
I am so late to the Jessica Winter party, but thanks to a suggestion from one of our writers (thanks Cazz!) I have arrived and I am ready to immerse myself in her captivating sound. She’s a DIY Producer who fuses elements of trap and gothic electronica and her vocals are spellbinding. Jessica also has a strong presence in the LGBTQ scene, putting on Hate The Haus club nights across London to celebrate a range of talent while supporting ethical causes. ‘Sleep Forever’ is an introduction to her upcoming EP Let’s Keep It Shallow, due out in September. (KC)

FKA TWIGS – ‘Cellophane’
FKA Twigs seems to re-emerge whenever my heart’s taken a bit of a beating, and I’m always so relieved when she does. ‘Cellophane’ is her first release since 2016 and she’s co-created a breath-taking set of visuals and written a truly poignant and ballad. “Why don’t I do it for you?” she asks so gently – Oh Twigs! – you do it for me every time and I’m so glad to have your new music back in my life *cries* (KC)

Zamilska – ‘Hollow’ 
I am obsessed with Polish producer ZAMILSKA and I cannot wait to hear her new album Uncovered, which this track is taken from, when it’s released digitally on 10th May via her own label Untuned Records. Set around the theme of levitation, Zamilska’s industrial, techno-infused electronics have been haunting me (in a good way) from first listen. She’s been featured on Nine Inch Nails’ Spotify playlist, and remixed ‘Belly Of The Beast’ one of my fave tracks from my fave artist Gazelle Twin. Super talented and super exciting to see what she does next. (KC)

Peaches – ‘Boys Wanna Be Her’
Long time favourite, and total legend, Peaches is playing at The Southbank Centre in London on 28th August – I’m SO excited to finally be able to finally see her incredible, unique performance live! And ‘Boys Wanna Be Her’ is just the perfect celebratory anthem; as Peaches explains – “It’s just a celebration. Seriously. I want it to be like a post-gender and post-age celebration of becoming who you are.
(ML)

PLAYLIST: February 2019

It’s a brand new month and that means we’ve got a brand new playlist of new music to share with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Queen Zee – ‘Loner’
GIHEs faves Queen Zee released their debut self-titled album last week, and this single was lifted from the record just before it dropped. It’s an in-your-face anthem that takes the piss out of being a solitary, socially inept loser. Zee’s vocals dominate this track which is filled with swirling guitar noise and non-stop percussion. Mari & I will be watching Queen Zee live at The Lexington on Valetine’s Day this year, and we can’t wait to grab a copy of this glorious record, and we’d encourage you to do the same! (Kate Crudgington)

Scrounge – ‘Crimson’
Total faves Scrounge have just released their ferocious new single ‘Crimson’. Ever since they completely blew us away with their epic energy-fuelled set at our gig at The Windmill last summer, we’ve been struggling to put into words just how impressive we find their refreshingly original sound. Propelled by Luke’s intense pummelling beats and Lucy’s trademark gritty snarl, ‘Crimson’ creates a frenzied swirl of sound that’ll wrap itself around you with a racing sense of urgency. With shades of the soaring majesty of Sonic Youth, whilst retaining the duo’s utterly unique and colossal genre-blending sound, I just can’t get enough of ‘Crimson’s wonderfully discordant whirring cacophony. (Mari Lane)

Le Butcherettes – ‘Give Up’
Taken from their new album bi/MENTAL released last week, this knockout single from Le Butcherettes laments the many struggles surrounding grief. Front woman Teri’s passionate vocal delivery and the infectious rolling rhythms on this track make it a real blood-pumping affair you can’t sit still to. (KC)

Sacred Paws – ‘Brush Your Hair’
Having won the 2017 Scottish Album Of The Year Award for their debut Strike A Match, Glasgow-based duo Sacred Paws have become firm favourites over the last couple of years. Now, with their vibrant, jangly melodies flowing seamlessly alongside lush harmonies and thrilling, racing beats, new single ‘Brush Your Hair’ has secured their place in our hearts once again. And, with the band’s trademark utterly infectious uptempo energy and colourful charisma, ‘Brush Your Hair’ is set to brighten your February on first listen. (ML)

Arlo Parks – ‘Super Sad Generation’
Arlo Parks has shared her beautiful follow up to single ‘Cola’ with the aptly named ‘Super Sad Generation’. It’s a heartfelt tune that speaks about going through the motions, trying to make emotional sense of what’s in front of you. (KC)

Mags On Earth – ‘Tulip Stone’
Influenced by her constantly changing surroundings and by the pressures associated with youth and living in the moment; Mags On Earth has shared her beautifully dreamy single ‘Tulip Stone’. The song was recorded with producer Jose Manuel Cubides in London, and deals with “wondering what else life could be looking like right now, and the pressure of spending your youth in a certain way and how time keeps passing”. (KC)

Amahla – ‘Dorothy’s Verses’
Exploring what truth is through the story of her grandmother, Amahla’s ‘Dorothy’s Verses’ flows with rich, impassioned vocals alongside luscious sweeping hooks, creating a truly dreamy – and deeply stirring – offering. Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, I really can’t wait to hear more from this innovative artist. (ML)

NAVA – ‘Ritual’
Milan-via-Iran based project NAVA’s new single is a blend of Persian-dance inspired beats, industrial elements and hypnotic vocals. I like this band’s obscure image and sound, so I’ll be keeping tabs on them for the rest of 2019. (KC)

Miss Jacqui – ‘These Walls’
I was only recently introduced to songwriter and poet Miss Jacqui when Amahla featured this track on her guest playlist for us; and it was love at first listen. With poignant, heartfelt lyrical storytelling set to glitchy beats and a twinkling soundscape, ‘These Walls’ is an essential listen. Having performed at the 2012 Paralympics ceremony, she’s only officially started releasing tracks last year, and I’m so glad she has. An exceptional voice that we need in our ears now more than ever. (ML)

Heather Woods Broderick – ‘Where I Lay
‘Where I Lay’ is the utterly cinematic new single from Oregon’s Heather Woods Broderick. With its sparkling beauty and the subtle soaring power of Woods Broderick’s vocals, it’s impossible not to become utterly captivated. Of the track, she explains explains: “’Where I Lay’ is really a poem about the impermanence of all things. So many of our questions will remain unanswered but if we slow down and appreciate things as they are it can provide a simplicity and an ease that inspires wonder amidst the chaos.” ‘Where I Lay’ is taken from Heather Woods Broderick’s new album Invitation, out on 19th April via Western Vinyl. (ML)

Hubert’s Friend – ‘Shipping Forecast’
Filled with gritty, blues-driven riffs, meandering desert-rock groove and the soaring soulful vocals of front woman Elly Lock, I just can’t get enough of this new single from London’s Hubert’s Friend. With regular appearances on the London gig scene, Hubert’s friend have now got through to the  quarter finals of Isle of Wight Festival Emerging Talent competition, so it definitely seems they’re headed for big things this year. (ML)

PLAYLIST: January 2019

We’re two weeks in to 2019 and whether you’re keeping up with ‘Dry January’, demolishing the leftover Christmas supplies, or simply carrying on like the trooper you are – we’ve put together a list of brand new music to help with all of the above. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Big Joanie – ‘New Year’
Recorded at Hermitage Works with Producer Margo Broom and released via The Daydream Library Series (Thurston Moore & Eva Prinz’s label), Big Joanie’s debut album Sistahs is a stellar release from a band who have been actively working on and off-stage within London’s DIY scene for years. ‘New Year’ is the opening track on the record, and I love its focused, quiet yearning to kick-start something. (Kate Crudgington)

Lizzo – Juice 
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Juice’ is filled with all the refreshing wit and funk-filled grooves that we’ve come to know and love from the Minneapolis artist. With Lizzo’s joyous, body-positive spirit and its immensely infectious, ’80s reminiscent hooks, ‘Juice’ is the ultimate feel-good anthem that you need to start your 2019. (Mari Lane)

The Choppy Bumpy Peaches – ‘Darjeeling’
What a musical delight from Luxembourg based The Choppy Bumpy Peaches. ‘Darjeeling”s mesmerising cacophony of instruments and sound, layering gently over each other, all drawn together with Julia Lam’s intriguing vocals. Such a heady and hypnotising sound. This track is taken from their first LP Sgt. Konfuzius & the Flowers of Venus which is out now, go check them out, The Choppy Bumpy Peaches. What a name. (Tash Walker)

Medejin – ‘Untitled 4’
There’s something about Medejin’s music which makes feel completely immersed in their sound, as if I’m in a room with no doors, covered ceiling to floor with speakers pouring out ‘Untitled 4’. A truly immersive dreamwave project from Jenn Taranto & Matthew Cooke. ‘Untitled 4’ is taken from their debut EP Eleni which is out now. I’ve got all my fingers crossed that Medejin will be bringing their Seattle sound to our shores in person soon. (TW)

Foxgluvv – ‘Crush’ (remixed by MOONOVERSUN)
Foxgluvv joined us in the studio as our first guest on the Get In Her Ears’ Radio Show this year, we talked with her about being a DIY artist, her particular slice of ‘hungover pop’ and this remix by Brighton based pop duo MOONOVERSUN. Released near the end of 2018, I cannot get enough of this remix and I urge you all to press play right now. It’s heavy on the electronics, pounding beats and warped vocals – dreamy. (TW)

Kill J – ‘Dead Weight Soldier’
Copenhagen’s Kill J has returned with a revenge fantasy in the form of new single ‘Dead Weight Soldier’. Following her fiercely political release ‘Strange Fruits of The Sea’ in 2018, this is the second track from her forthcoming album Superposition, which is set to be a poignant and unapologetic listen. (KC)

Cheerbleederz – ‘Staying Up Late’
Taken from last year’s EP Faceplant, Cheerbleederz’s latest single ‘Staying Up Late’ is filled with all the twinkling indie-pop melodies and honey-sweet vocals you could ever desire. With its jangly catchy hooks and a fuzzy whirring energy, it fills me with a comforting sense of joy on each listen. It’s also accompanied by a wonderfully animated, and super cute video, which you can watch here(ML)

Argonaut – ‘Girl Talk’
An empowering, punk-pop anthem, with motivational lyrics such as “You rock, you can change the world, you inspire boys and girls, you can do anything!”, Argonaut’s ‘Girl Talk’ is the perfect pick-me-up to kick start the new year. Filled with shimmering hooks and a magnificent punk-rock spirit, it’ll leave you ready to face 2019 with all the immense, buoyant energy that it oozes. As well as getting hold of their brilliant latest EP
The New Argonaut EP, you should also make sure you catch this band live – they completely blew us away playing at our gig at The Finsbury last week! (ML)

Panic Pocket – ‘Mr Big’
Inspired by too many formative Sex And The City marathons, Panic Pocket’s ‘Mr Big’ is an uplifting ditty about desperately wanting your close friend to stop defining herself by her relationship status and focus instead on friendship. Flowing with a twinkling charm and the London duo’s impeccable tongue-in-cheek wit, the track oozes honey-sweet harmonies alongside shimmering melodies and a gritty synth-driven energy. Strewn with memorable SATC quotes, highlighting the importance of friendship, it’s another luscious (and super relatable!) slice of indie-pop. (ML)

Micropixie – ‘New Year’s Day’
Micropixie is a British artist based in San Francisco who has recently found herself on The New York Times Top 10 Playlist for new songs which is amazing. We love this track from Micropixie which moves to its own beat whilst taking “a high-concept approach to offering commentary on a world that is torn by injustice, violence and war, and financial misdoings.” From all of us here at Get In Her Ears a huge well done to Micropixie, she’s definitely someone to watch out for in 2019. (TW)

Tallies – ‘Easy Enough’
Taken from their new self-titled debut album, Tallies’ latest single ‘Easy Enough’ oozes a captivating, dreamy haze as the raw vocals of Sarah Cogan soar alongside a whirring scuzz. With its shoegazey spiralling hooks and luscious emotion-driven energy, it’s impossible not to get sucked into its hypnotic allure and fall instantly in love with the unique, swirling  charm of this Toronto-based band. (ML)

Amaal – ‘Not What I Thought’
I’ve been enjoying this song a lot since I first heard it just over a week ago. ‘Not What I Thought’ comes from Somali-Canadian artist Amaal Nuux who has returned to music following much time spent on her activist work as the Goodwill Ambassador for Somalia Women and Children. Drawing influences from both her personal life experiences and her travels in all her work and music, this is her latest single out released on 10th January. Strong beats, warped samples and emotionally evocative vocals ‘Not What I Thought’ by Amaal earns a firm place on our January 2019 playlist. (TW)

Beckie Margaret – ‘New York’
My absolute favourite! Beckie Margaret released this heart-breaking track at the end of last year, and I’ve not been able to stop listening to it since. Beckie’s resilience in the face of heartbreak is what makes listening to her music so rewarding. Even in her seemingly weakest moments, her powerful, pure vocals provide an aching relief that can be felt all the way from the end of Southend Pier in her hometown, to the lonely shores of the city she sings about. (KC)

David Bowie – ‘Lady Grinning Soul’
It’s been two years since the death of the legendary David Bowie, and whilst it’s easy to lament the gap he’s left in the musical world, it’s much easier to put on his records and celebrate all of the wonderful art he left behind. ‘Lady Grinning Soul’ is taken from Aladdin Sane, one of my favourite Bowie albums. I’ll certainly be spinning it in tribute to the Starman over the next few weeks. (KC)

PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)

PLAYLIST: September 2018

Summer’s over and so is festival season, but fear not! Our brand new September playlist is here to to brighten up your day. This month is shaping up to be something special sound-wise, and we’re excited to share our track selections with you. Take some time to scroll through our words, and hit play on the Spotify link at the bottom of the page…

 

Noga Erez – ‘Cash Out’ (feat. SAMMUS)
The idiosyncratic voices of Tel Aviv’s Noga Erez and Philadelphia rapper SAMMUS combine in superb style on this new track, which is the perfect follow up to Erez’s previous knockout single ‘Bad Habits’. Together, the pair “call out the contradicting and chauvinistic pressures piled on women through consumerist society” with defiant, seething flair. I cannot stop listening to this total T.U.N.E. (Kate Crudgington)

Basement Revolver – ‘Heavy Eyes’
‘Heavy Eyes’ is the new single from Canadian indie-rock trio Basement Revolver taken from the debut album (also called Heavy Eyes) which was released in August via Fear of Missing Out Records. The track is about feeling tired and how hard life is when you’re in that tired state…PREACH. I love the track’s rhythmic percussion with those distant vocals pushing me into that hypnotic hazy state. (Tash Walker)

Twist Helix – ‘Graphite’
Taken from their upcoming debut album, Twist Helix’s new single ‘Graphite’ is a song about the artist feeling frustration as she cannot articulate an authentic vision of her city. A sweeping, cinematic offering, it juxtaposes dynamic, synth-heavy beats with a twinkling musicality and the soaring impassioned vocals of front woman Bea Garcia. Ouseburn, the upcoming album from Twist Helix, is out 5th October. (Mari Lane)

Fears – ‘Blood’
Flitting between Belfast and Dublin, Irish musician Fears (aka Constance Keane) creates sublime electronic-based soundscapes. I first heard ‘Blood’ on The Irish Jam, and I’ve been haunted by her melancholy soundscapes ever since. I’ll definitely be keeping tabs on this talented newcomer. (KC)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on Ah! Kosmos’ new single. The track is taken from her upcoming second album Beautiful Swamp, which is set for release on October 5th via Compost Records. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist. She sweeps listeners up in to a rapture with her intense soundscapes filled with rhythmic guitar melodies, and her collaboration with guitarist Özgür Yılmaz on ‘Wide’ is another stunning example of this. (KC)

Koschka – ‘The Flood’
The new single from Berlin-based Koschka, ‘The Flood’ oozes a sweeping grandeur and haunting, majestic power. Inspired by themes of ephemeral love, acceptance and regret, it flows with twinkling keys as the impressive range of Koschka’s resonating vocals soar across a luscious soundscape with an effervescent grace. Truly spellbinding. (ML)

Okay Kaya – ‘Habitual Love’
Okay Kaya who hails from Norway has only recently popped up on my radar, but I’m so glad she did. Currently in the process of releasing a series of loosely-connected, slightly disconcerting music videos for her album Both – manifesting themes such as love, voyeurism and trauma as another physical body. This is my favourite of the releases so far – ‘Habitual Love’ whose gentle beats and Sade like melodies take on a life of their own when you watch the video. However you consume this…it’s fantastic. (TW)

The Menstrual Cramps – ‘The Smash’
Raw, righteous, and a rallying cry against pervasive capitalist and patriarchal oppression: The Menstrual Cramps’ released their sophomore album Free Bleedin’ at the end of August, and it drips with irrepressible anarchy and wit. ‘The Smash’ is the second track on the record, calling for a political and personal revolution. The lyric “Theresa May don’t even masturbate” is a personal fave here. (KC)

Peach Club – ‘Boy In A Band’
A gritty, raging attack on those ‘boys in bands’ that we’ve all come across – those disgusting guys who use their self-proclaimed ‘fame’ to take advantage of young women – ‘Boy In A Band’ rages with a raw ferocity, thrashing hooks and driving beats, building with a frenzied energy to a riotous anthem, blasting into the ears with a racing sense of urgency. And rightly so. We need voices like Peach Club’s now more than ever; a voice that gives motivation and inspiration to girls and women to speak out and be heard in order to prevent the damaging actions of certain boys in bands continuing to be swept under the carpet within the music industry. And we cannot wait for Peach Club to headline our Blogtober event at The Finsbury on 12th October! (RSVP here(ML)

Fightmilk – ‘Four Star Hotel’
Fightmilk have now signed to Reckless Yes and announced the release of their truly fantastic debut album Not With That Attitude (due November 2nd). Taken from the album, new single ‘Four Star Hotel’ is a scuzzy, sparkling anti-love song spiced with a tongue in cheek wit and refreshing cynicism. Another immensely catchy, instant smile-inducing slice of luscious punk-infused indie-pop at its finest. And we cannot wait for Fightmilk to play for us again at The Finsbury on 14th December! (RSVP here). (ML)

Dolls – ‘Sugar Free’
Prepare to have your bubble well and truly popped by the sound of DOLLS’ latest single ‘Sugar Free’. The London-based duo have delivered another catchy slice of grunge-pop glory, alongside the news they’ll be releasing their debut EP Pop The Bubble on September 21st. (KC)

Value Void – ‘Babeland’
I just think this is such a tune. ‘Babeland’ by London trio Value Void is taken from their upcoming debut album set for release on 26th October via Tough Love, which they’ve described as “a luxuriantly deep, shag pile-warm, analogue proto punk collection”. This particular song is about one night in a pub when everything looked grim except for two very attractive men kissing. I love the hazy dreamlike sound which for me was the perfect accompaniment to the hazy warmth of this London Summer. (TW)

Dott – ‘Wedding Song’
Taken from their recent album Heart Swell, Dott’s ‘Wedding Song’ is a poignant ode to love in all its forms, and a celebration of Ireland’s vote to legalise Same Sex Marriage in 2015. The Galway-based band will be headlining our first Get In Her Ears Night at The Five Bells on October 26th (RSVP here). (KC)

IDER – ‘Body Love’
I could listen to this song over and over and over. Such beautifully intricate harmonies, carefully weaved together over the course of ‘Body Love’, I’m left wrapped in the song’s self-affirming message each and every time. I’ve picked this track because I’m going to be seeing IDER play at The Village Underground on 2nd October, and I cannot wait. (TW)

Tirzah – ‘Gladly’
Beautifully understated, gently hypnotic and lyrically touching. I cannot get enough of Tirzah right now, and you know what, it’s not just this track…but the whole album Devotion. What can I say…I am hopelessly devoted. Cringe statements aside, please go listen if you haven’t already, your life will be better for it. (TW)