PLAYLIST: March 2020

March has been a busy month for Get In Her Ears HQ! It’s Women’s History Month, and it was also International Women’s Day on the 8th; so we’ve continued to support the wxmen artists we love with regular reviews on our website, and a special IWD Playlist which you can listen to here.

Sofar Sounds kindly invited us to curate their IWD gig in Hackney too; which Indian Queens, Amahla, and Beckie Margaret all graciously agreed to play for us. We’ve barely stopped for breath, and we’ve got more exciting new music to share over the next few weeks. Take some time to scroll through our track choices for our March playlist below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Sink Ya Teeth – ‘The Hot House’
Fresh from their excellent second album aptly named Two, Sink Ya Teeth’s singleThe Hot House’ and the accompanying video features footage shot by the band and audience members at their recent show in Oxford (check it out here). I am SO happy that I’ve got another heavy helping from the Norwich duo to soundtrack the upcoming warmer months. A time where post-punk, and deep house and I really get back into the swing of things. Sink Ya Teeth thank you, thank you! (Tash Walker)

Sleater-Kinney – ‘Hurry On Home’
I have not stopped singing this since us GIHE girls saw Sleater-Kinney live at Brixton Academy a few weeks ago. Their latest album The Center Won’t Hold is such a tonic, and their performance was certainly a gig-life highlight for all of us. (Kate Crudgington)

Noga Erez – ‘VIEWS’
The inimitable Noga Erez stylishly explores the absurdity of paying for exposure on social media on her brand new track, ‘VIEWS’. Collaborating with her partner Ori Rousso, and LA-based hip-hop artist Reo Cragun, Erez effortlessly commands attention in the striking video that accompanies the single. The Tel-Aviv musician’s clear vocals glide over slick beats and pop hooks to create an infectiously powerful anti-fakeness anthem. (KC)

Taquirah – ‘Feel’
‘Feel’ is the latest single from Taquirah, a performance artist form Illinois currently living in Brooklyn. I cannot get this track’s addictive beats and R&B melodies out of my head. I’m obsessed. Taquirah recently released a video for her track ‘Rush’ choreographed and performed by herself, in line with her focus on creating performance art pieces that fuse ballet with hip hop culture. Keep your eyes peeled for Taquirah’s debut project Divine, coming soon. (TW)

Belako – ‘Tie Me Up’
Having previously blown me away with their immersive live show supporting Queens Of The Stone Age in Finsbury Park last year, Basque Country band Belako have now shared new single ‘Tie Me Up’. Filled with gritty, swooning vocals and immense swirling hooks, it’s a super catchy alt-rock anthem showcasing the poignant raw power and majestic musicality that this Spanish band are capable of creating. (Mari Lane)

CLT DRP – ‘Where The Boys Are’
An anthem of self-realisation and new found confidence, ‘Where The Boys Are’ from Brighton-based CLT DRP oozes their immense raging passion in a seething blast of poignant, swirling electro-punk. Commenting on the track, front-woman Annie Dorrett says: “It’s a love song to some of my favourite female artists, a big thank you to my mom for being such a powerhouse and lastly a big f*ck you to all the TERFS out there spreading hate. It’s also just a really playful song to perform with the band, you get a lot of different elements of our sound all jammed into one piece.” CLT DRP’s upcoming debut album Without The Eyes, is out 15th May via Small Pond Records. (ML)

THICK – ‘Mansplain’
A cathartic, witty, guitar driven take-down of the men who undermine women in bands (and women in general), Brooklyn punk trio THICK’s single ‘Mansplain’ will resonate with women and girls who have struggled to be taken seriously on, and off stage. The track is lifted from their debut album 5 Years Behind, which is out now. (KC)

New Pagans – ‘Admire’
I first heard New Pagans whilst listening to The Irish Jam, and I quickly became fascinated by the Belfast band’s genre-bending sounds. Their debut EP Glacial Erratic is a poignant collection of tracks that explore issues of frustration, defiance, and resolution. ‘Admire’ is a personal favourite. It’s a humble, shimmering ode to the perseverance that’s needed to keep a long-term relationship going. (KC)

Why Bonnie – ‘Voice Box’
Oozing sunny uplifting vibes as shimmering hooks and Blair Howerton’s rich, luscious vocals flow with a soaring emotion, Why Bonnie’s ‘Voice Box’ has shades of the twinkling surf-rock of the likes of Alvvays or Best Coast, creating a truly dreamy offering fuzzing with a dazzling, effervescent charm. Voice Box, the upcoming EP from Why Bonnie, is out 10th April via Fat Possum Records. (ML) 

Ghost Car – ‘Virginia & Vita’
Released at the end of last year, ‘Virginia & Vita’ is a perfect example of all there is to love about Ghost Car. Oozing their scuzzy, quirky bubblegum indie-pop sounds, it’s propelled by eerie synth-driven hooks, soaring honey-sweet vocals and their trademark stirring, whirring theramin-soaked fuzz. I cannot wait to catch this totally unique band headline for us this Friday at The Finsbury! As always, FREE entry, event details here. (ML)

Indian Queens – ‘Bubblewrap’
Hackney trio Indian Queens headlined our International Women’s Day gig (in partnership with Sofar Sounds) at the weekend, and we were captivated by their stripped back set. The talented Amahla & Beckie Margaret also shared the bill, and Girls Against were on hand to  help raise awareness of the issues that female musicians & fans often face. This IQ track is a beguiling lament about the state of the planet, and it’s taken from their debut album God Is A Woman, which is set for release via Cool Thing Records on 3rd April. (KC)

Laura Gray – ‘Break, Drift’
‘Break, Drift’ is the first release from Laura Gray’s upcoming EP Better Lighting. Gentle vocals and dreamy synths all mixed together with pulsating beats. I think we could all do with a little more saxophone in our life. Check out the video for ‘Break, Drift’ here. (TW)

A.A. Williams – ‘Cold’
A.A. Williams is set to play her first headline gig at Southbank Centre in the Purcell Room on Thursday 12th March, and I’m excited to hear her dark, atmospheric sounds in the flesh for the first time. (tickets are available here). (KC)

Otta – ‘Near Enough A Woman’
I cannot get enough of Otta! Their new music is seeping so perfectly into my ears, it’s what I’ve been craving for so long and didn’t realise. This is one of their latest singles taken from the freshly released debut EP after it all blew over, which is sublime. Delivering the perfect combination and concoction of electronic, UK jazz, new soul and RnB. (TW)

Okay Kaya – ‘Insert Generic Name’
Okay Kaya who hails from Norway has been a firm fave of mine since I heard her debut Both, released back in 2018. I got to catch her on 4th March at SET in Dalston which was a total pleasure, she’s back again in May at Hoxton Hall so if you can, grab yourself some tickets. ‘Insert Generic Name’ is taken from her recently released and equally fantastic album Watch This Liquid Pour Itself, another incredibly intimate record of self-reflection via boldly honest, exposing lyrics which are delivered with bone dry with wit. One of my albums of 2020, without a doubt. (TW)

Bugeye – ‘Don’t Stop’
The latest single from friends of GIHE, Bugeye, ‘Don’t Stop’ is filled with swirling scuzzy hooks and the band’s trademark impassioned fiery attitude. Complete with whirring synth-driven refrains, it’s a frenzied slice of catchy disco-punk, showcasing the band’s utterly unique vibrant sound. ‘Don’t Stop’ is produced by Paul Tipler and is out now. You can catch Bugeye live on tour this month – check out their Facebook page for details. (Mari Lane) 

Lady Gaga – ‘Stupid Love’
Get me a pink wig and a metallic bikini, because I’m moving to Chromatica to live with Lady Gaga (see the ‘Stupid Love’ video here). I am SO excited to hear her new album (released on 10th April). I hope it’s bursting with electro-pop bangers like this one, and that all of her future videos are just as Power-Ranger-esque. (KC)

 

PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

PLAYLIST: February 2020

We made it through January everyone! That achievement alone deserves a shiny new playlist. We’ve put together a list of brand new music to help you celebrate. As February is also LGBT History month, we’ve included a few tracks from some of our favourite LGBT artists in the list too. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Wilsen – ‘Feeling Fancy’
I cannot get this song from Brooklyn-based trio Wilsen out of my head! It’s a shimmering guitar ode to the softly spoken, celebrating introversion and inherent shyness. It’s taken from their upcoming album Ruiner, which is set for release on 21st February via Dalliance Recordings. (Kate Crudgington)

Bronski Beat – ‘Smalltown Boy’
British synth-pop band Bronski Beat released this classic single in 1984. Whilst on the surface, ‘Smalltown Boy’ is a catchy anthem that easily fills a dance floor, lyrically it tells the story of a young gay man struggling to come to terms with his sexual identity, and his place in the world. (GIHE)

Piney Gir – ‘Puppy Love’
The latest single from the Kansas-born London-based artist, ‘Puppy Love’ reflects on the bittersweet nature of love; both the simple, overpowering desire of first love, and then the ‘black dog’ – a common metaphor for depression and its all consuming nature. Glistening with twinkling hooks and sweeping harmonies, it’s a poignant and infectious offering. Of the track, Piney explains: Everyone feels the darkness sometimes, so I’m singing about it. It’s a thin line between Puppy Love and The Black Dog; both can be all consuming and agonising and at times euphoric, manic even.We cannot wait to catch Piney Gir headline for us on 14th February, at The Finsbury (event info here). She’ll be playing along with Grawlix, Captain Handsome and I Am Her – and all for free! (Mari Lane)

Cold Beat – ‘Prism’
San Francisco band Cold Beat, fronted by Hannah Lew from Grass Widow, have announced details of their forthcoming album Mother, out 28th February via DFA Records, and this is their first single lifted from it. It’s the sort of music I could plug into my ears whilst staring at the fast moving world outside of a train carriage. The world slowly speeding by. (Tash Walker)

Ghum – ‘California’
The new one from total faves Ghum, ‘California’ oozes an eerie, reverb-strewn atmosphere as the distinctive sultry power of Laura Gue Lo’s vocals flow. A grunge-inspired anthem for our times showcasing the unique beguiling allure of this band who just keep getting better. Of the track, Laura explains: “The song talks about a love story that was condemned to end badly. The hope and love that both had at the beginning is represented by the idea of running away to California”. (ML)

Indian Queens – ‘Bubblewrap’ 
A beguiling lament about the state of the planet, London three-piece Indian Queens have shared their latest single, ‘Bubble Wrap’. The track is lifted from their upcoming debut album God Is A Woman, which is set to be released via Cool Thing Records later this year. (KC)

Amaroun – ‘Perish’ 
‘Perish’ is the latest track from previous guest on our radio show Amaroun, and I completely love it. The beats, the vocals, the stripped back simplicity – sublime. Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality, and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. I can’t and don’t want to stop listening. All the latest music from Amaroun will be showcased at the listening party at the CLF cafe Peckham Rye, on 13th Feb. (TW)

ALA.NI – ‘Papa’
I love this latest track from ALA.NI. ‘Papa’ is taken from her recently released self-produced album, ACCA. The whole thing is almost entirely acapella and just beautiful. ALA.NI originally trained as a dancer, but was told that as a person of colour she would never make it as a professional ballerina. Her latest album is a powerful vision of modern womanhood. It’s an unflinching account of pain, anger, sadness, and growth. Check it out now. (TW)

AyOwA – ‘First Frost’
The new single from the Danish duo, ‘First Frost’ is told from the perspective of a couple who have spent their whole life together and are now setting out into the winter to disappear as one. With its swirling synths and the beguiling haunting power of Hannah Schneider’s vocals, it’s a beautiful, shimmering cinematic soundscape. Amoeba, the upcoming debut album from AyOwA, is set for release in September this year. (ML)

JFDR – ‘Shimmer’
This beautiful new track from Icelandic multi-instrumentalist JFDR is about “loving someone who is a bit broken”. It’s lifted from her second album New Dreams, which is set for release on 13th March via White Sun Recording. (KC)

Girl In Red – ‘Kate’s Not Here’
I have no shame admitting I was drawn to Norwegian artist Girl In Red’s new track because a) it has my first name in it, and b) I wear a red coat. It’s lifted from the official film soundtrack for The Turning, directed by Floria Sigismondi (The Runaways, Handmaid’s Tale), which is in UK cinemas now. (KC)

Nuala Honan – ‘Slow Down’
‘Slow Down’ is the first single of 2020 for Bristol-based Nuala Honan and it’s a cracker. Driven by post-punk rawness but with delicate vocals and pounding drums when needed most. It’s a taste of what’s to come from her upcoming second LP, which follows a spell of personal recuperation and sonic evolutions. Loving it. (TW)

Otta – ‘Near Enough A Woman’
I can’t get enough of Otta right now. Their new music is just seeping so perfectly into my ears, it’s what I’ve been craving for so long, but I just didn’t realise. This is one of their latest singles taken from the freshly released debut EP, After It All Blew Over, which is sublime. the perfect combination and concoction of electronic, UK jazz, new soul and RnB. (TW)

Clare Kelly – ‘Less Alone’ 
The tone in Clare Kelly’s voice totally blew me away, so rich and full of emotion, it really sings so beautifully on this song ‘Less Alone’. Describing her sound as “alt-folk mermaid music”, Kelly can firmly consider herself having a new firm fan. Really looking forward to hearing more of where this came from. (TW)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on the GIHE radio show, and we’re including her again here because of LGBT History month. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (GIHE)

Pom Pom Squad – ‘Cellophane’ (FKA Twigs cover) 
A stirring, grunge-inspired take on one of 2019’s most popular tracks, this is Brooklyn indie-punks’ Pom Pom Squad’s cover of FKA Twigs’ single ‘Cellophane’. The band have treated Twigs’ material graciously, and frontwoman Mia Berrin’s vocals are as poignant as those on the original recording. (KC)

Half Waif – ‘Ordinary Talk’
The new single from Hudson Valley-based Nandi Rose, aka Half Waif, ‘Ordinary Talk’ is a reflection on coming to accept and find the beauty in being like everyone else. A truly spellbinding slice of poignant alt-pop, it’s filled with captivating glitchy hooks and the raw emotion of Rose’s rich soulful vocals, reminding me of later Radiohead, which is no bad thing. The Caretaker, the new album from Half Waif, is out 27th March via ANTI records. (ML)

Hilary Woods – ‘Tongues Of Wild Boar’ 
A shadowy, captivating exploration of intense discomfort; Sacred Bones signee Hilary Woods has shared this track, lifted from her upcoming album Birthmarks, due on 13th March. Though quiet in terms of volume, Woods’ new single is a fleshy, charged offering that allows her the space to navigate “emotionally charged states” at a pace suited to her. (KC)

Planningtorock – ‘Beulah Loves Dancing’
Planningtorock is one of GIHE’s fave artists, and they’re one of our fave LGBT artists too. LGBT History month feels like the perfect time to give them a spin again. This track is all about their sister, Beulah, and her love of house music. (GIHE)

PLAYLIST: January 2020

We’re two weeks in to 2020, and whether you’re keeping up with ‘Dry January’, venturing into ‘Veganuary’ or simply demolishing the leftover Christmas snacks; we’ve put together a list of brand new music to help with all of the above. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Shopping – ‘Initiative’
Referencing governments who shirk responsibilities whilst placing blame on individuals; international trio Shopping’s new single ‘Initiative’ oozes a racing sense of urgency and gritty energy, whilst funk-fuelled beats and jangly, whirring hooks flow. Taken from the band’s upcoming new album, it’s a vibrant anthem encouraging us to stay motivated and keep going against the grain. All Or Nothing, the new album from Shopping, is out 7th February via FatCat Records. (Mari Lane)

Dream Nails – ‘Text Me Back (Chirpse Degree Burns)’
With their distinctive, raucous punk-pop energy; our favourite London Punk Witches Dream Nails address the anxious hell-scape that is 21st century dating on ‘Text Me Back’, and the excruciating pain of being left on “read”. With stomping beats, pounding bass-lines and immense riffs accompanying the fun-filled lyrics, it’s an instant smile-inducing anthem. Of the track, Janey from the band explains: “For those born beyond the M25, “chirpse” is London slang for flirting, and “chirpse degree burns” is our personal slang for the injuries borne from romantic misadventure. The song is a tribute to the gut-wrenching feeling of checking your phone every 5 minutes to see if your crush has replied.” ‘Text Me Back’ is taken from Dream Nails’ eponymous debut album, out 3rd April via Alcopop Records. (ML)

Party Fears – ‘Money’
I’m thrilled to announce I am now a contributor to The Irish Jam for their #NewMusicSunday slot, which airs on Riverside Radio on Sunday evenings 7-9pm. They focus on new music from Irish artists, so I played Party Fears’ latest single ‘Money’, as they’re formed of Northern Irish native Maggie Devlin, and Aussie Eilish Frawley. Their single ‘Money’ is a reflection on power, and how it isn’t always used for the greater good. It’s raw, it’s shouty, and it’s catchy as hell. (Kate Crudgington)

draag – ‘Ghost Leak’
A hazy ode to feeling inconsequential; L.A, shoegaze outfit draag have crafted a strung out, dreamy soundscape on their latest single ‘Ghost Leak’. The track is lifted from their upcoming EP Clara Luz, which is set for release on 21st February. (KC)

Post Louis – ‘Descender’
The new single from London art-rockers Post Louis, ‘Descender’ juxtaposes a dreamy, swirling musicality with soaring impassioned vocals. Oozing a heartfelt raw emotion, it’s a truly captivating slice of stirring alt-folk. Descender, the debut album from Post Louis, is out 28th February. (ML)

Xylo Aria – ‘Ignorance’
‘Ignorance’ is the eponymous track from London-based producer Xylo Aria’s latest EP; a collection of songs informed by the current environmental crisis, mental health issues, and the societal pressure she feels to conform. Aria also runs Music Production For Women, which is a fantastic initiative encouraging women to get involved in the production of their own music. Listen to the Ignorance EP in full here. (KC)

Madeleine Smyth – ‘Palmers Green’
Released by independent record label Scratched, London-based artist Madeleine Smyth’s recent EP Covert is a beguiling blend of soft vocals, ambient sounds, orchestral elements, and trip-hop inspired beats. ‘Palmers Green’ is one of four tracks showcasing Smyth’s ability to blend all of these influences seamlessly. (KC)

Aisha Badru – ‘Soil’s Daughter’
The new single from New York artist Aisha Badru, ‘Soil’s Daughter’ reflects on the need to protect our environment. Radiating a sparkling majesty and subtle, soulful power, it’s a truly beautiful ballad; a moving and sincere offering at a time when our world is literally burning, and things feel like they’re falling apart. Of the track, Badru expands: “This is me reflecting on the world, and this huge disconnect between us as a people, and us with the planet.” Transcendence, the upcoming EP from Aisha Badru, is out 7th February via Nettwerk. (ML)

Drea & The Marilyns – ‘Everything to Me’ (Lips Cover)
Loving this cover of Lips’ ‘Everything to Me’ by Drea & The Marilyns! I mean, I loved the original but I’m really enjoying this remake from the Seattle-based artist. Mix anything up with some electro-synths, and I’m yours. (Tash Walker)

Captain Handsome – ‘Halloween’
The second single taken from Lily from Fightmilk’s solo project Captain Handsome, the rather unseasonably entitled ‘Halloween’ flows with silky-smooth vocals and a twinkling, stripped-back musicality. With its delicate lo-fi scuzz and tongue-in-cheek relatable lyricism – “It was Halloween, I was 24, I had a bad time on the bathroom floor” – it’s a sensitive, yet not sentimental effervescent slice of indie-pop. I Am Not An Animal, the debut EP from Captain Handsome, is out 31st January via Reckless Yes. You can catch them live for us at The Finsbury on 14th February, along with Piney Gir, Grawl!x and I Am Her. (ML)

Fenne Lily – ‘On Hold’ 
I’ve been following Bristol-based songwriter Fenne Lily for a while now, and was lucky enough to have a chat with her for a recent feature on The Line Of Best Fit. This is the title track from her 2018 debut album, and I melt a little bit each time I hear it. She’s playing a (sold out) show at The Lexington on 16th Jan, and I’m looking forward to hearing some of the new material that will make up her second album, which is set for release later this year. (KC)

Ethereal UK – ‘Strange World Normal Girl’
This track literally landed in my inbox just before the winter break and I immediately added it to the playlist for the radio show. Just beautiful. (TW)

Asha Gold – ‘Too Good’
Asha Gold who champions self-confidence in R&B influenced electro-pop. Released at the end of last year, ‘Too Good’ is the West London artist’s current single, and it flows with catchy melodies, beats and an infectious chorus. Keep it up Asha. (TW)

Mavi Phoenix – ‘Boys Toys’
I’ve always been a fan of Mavi Phoenix, and had the opportunity to interview them a couple of years back now. I remember how they spoke so eloquently about equality and the importance of queer music in the world. Phoenix has found a home in their new sound and also in the pronoun “he”. This is all about Phoenix being reborn, which is what happens in the accompanying music video to this track ‘Boys Toys’, directed by Elizaveta Porodina, ‘Boys Toys’ is as important as an exploration for Mavi Phoenix’s gender identity, as it is for his artistic work. And on top of all that, it’s an absolute tune. Enjoy. Watch the video for ‘Boys Toys’ here. (TW)

tAngerinecAt – ‘I don’t want to be a white master’
tAngerinecAt are a non-binary duo originally from Ukraine, and now based in London. What an amazing track – the vocals, the heavy electronic based instrumentation, pedals, their self-defined “hurdy-gurdy” loops and those beats! I am so happy I know about this band, and I cannot wait to indoctrinate myself further into their sound. (TW)

Last Eden – ‘Fallen’
If you’re into 8 minute long pieces of obscure electronic drone music (why wouldn’t you be?), then multidisciplinary Irish artist Aileen Wallace – aka Last Eden – is worth a listen. She experiments and improvises with elements of industrial and ambient music to create unusual, captivating soundscapes. Working as both a producer and a sound artist, Wallace uses bespoke DIY microphones, cassette recorders, synthesizers, and an array of equipment from both the analog and digital worlds. Her recent EP Elysian Plain explores the mythology and the journey surrounding death. It’s intense, but definitely intriguing. Listen to the record here. (KC)

GIHE Tracks Of 2019

It’s that time of year again when we look back at some of our musical highlights. And what a year for new music it’s been – from empowering guitar-driven anthems and gritty electro beats, to dreamy indie-pop, our ears have been pretty lucky!

Over the next week, we’ll be sharing our favourite gigs, albums, events and Ones To Watch for 2020, but for now, here are our top tracks of 2019. Have a read, and a listen!

Clt Drp – ‘Speak To My’
Having completely blown us away live at The Finsbury in June, Brighton trio Clt Drp are one of the most exciting bands I’ve come across this year. With the immense, thrashing beats, fuzz-filled whirring hooks and soaring, gritty vocals of ‘Speak To My’, the empowered energy of their unique electro-punk sound is showcased perfectly. (Mari Lane – Co-Founder/Managing Editor)

Scrounge – ‘Badoom’
Savage guitar riffs and driving beats form the basis for South London duo Scrounge’s single ‘Badoom’. Taken from their debut EP Ideal, released via Fierce Panda, the track showcases the band’s ability to take relatable concepts such as feeling burned out, and turn them in to punchy, cathartic sounds. Check out the karaoke inspired visuals that accompany the track here. (Kate Crudgington – Co-Founder/Features Editor)

ILL – ‘Kick Him Out The Disco’
We’re all in agreement at GIHE that ILL’s track ‘Kick Him Out The Disco’ is a BANGER! These grrrls blend the best bits of punk, noise, and keys to create cathartic anthems about standing up for yourself, and not letting the bastards grind you down. ‘Kick Him Out The Disco’ is a “glittered middle finger” to anyone who’s tried to manipulate you, or who made you question your self-worth. (KC)

Lizzo – ‘Juice’
Bam! As soon as this piece of pure pop magic hit the radio, it got my attention. ‘Juice’ is perfectly constructed; its opening bars draw you in, and before you know it, you’re shouting along and belting out the ‘ya-ya’ chorus. I defy you to listen to this song and stay still. If you’re not running to – or already on – a packed dancefloor, you’ll be shimmying in your seat. It’s sunny, fun and so empowering. ‘Juice’ was my introduction to Lizzo and my love affair with her has blossomed throughout 2019. Her beautiful album artwork, fabulous statement outfits (two words: finger handbag!), and that Glasto performance sealed the deal. My four-year-old sometimes likes to sing along to ‘Juice’ in the car, thankfully neglecting the naughty words. When he does, it reminds me how lucky we are to have a popstar like Lizzo. Body positive, funny, filthy. She’s an inspiration.
(Vic Conway – Contributor)

God Colony (feat. Samirah Raheem) – ‘Girls’
You might recognise Samira Raheem from her 2 minute interview at Amber Rose’s Slutwalk in 2018. This video caught the attention of UK Producers God Colony, who approached Raheem to collaborate. The result of that collaboration is ‘Girls’ – an encouraging call-to-arms laced with fierce lyrics, and indutrial-tinged, progressive beats. Always remember: “Every dog has his day / and bad bitches too”. (KC)

Pallas Athene – ‘Through Hell’
One of my absolute favourite songs of the year, ‘Through Hell’ is taken from Pallas Athene’s debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – I just love its spaced out vocals and calming chords. Keep up the great work! Looking forward to the future of Pallas Athene.
(Tash Walker – Co-Founder/Digital Editor)

Grizzly Coast – ‘High Functioning’
A GIHE team favourite, ‘High Functioning’ by Grizzly Coast is a track that has got firmly into my head. It’s all about holding your life together in every place, but your own head. Of the track, Grizzly Coast explains: “I was going through a difficult time with my OCD choosing to power forward and work towards my goals”, but she found the purpose and drive to stay confident through it all, and we are very thankful for that. ‘High Functioning’ is a total tune, keep up the great work Grizzly Coast, we’re behind you 100%! (TW)

Amahla – ‘Dorothy’s Verses’
Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, Hackney native Amahla this year released the poignant ‘Dorothy’s Verses’. Exploring what truth is through the story of her grandmother, and reflecting on the power of female voices, ‘Dorothy’s Verses’ flow with rich, impassioned vocals alongside luscious sweeping hooks, creating a truly spellbinding – and deeply stirring – offering. (ML)

Grimes – ‘Violence’
It’s funny, looking back at 2019, I could swear this song has been out longer than a mere three months. Grimes has always been a bit beyond me up to now: too saccharine for my artsy side, too much of an art angel for my pop tastes, but ‘Violence’ hits the sweet spot. Haunting beats, an insistent hook and candied vocals that bitterly talk of a romance that’s damaging, controlling but satisfying. With 2019’s batshit political and cultural wars veering between poles, ‘Violence’ pins it all to the floor.
(John McGovern – Contributor)

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (TW)

BEA1991 – ‘Loser Wins’
Amsterdam-based artist and musical polymath BEA1991 swept me away with this track, taken from her debut album Brand New Adult. I love her subtle, soaring vocals and there’s a beautiful accompanying video to this track that I recommend you check out too. (KC)

Sui Zhen – ‘Perfect Place’
Despite having now released three albums, I only heard Sui Zhen for the first time this year. And it was love at first listen. Inspired by how we exist in the digital age, ‘Perfect Place’ flows with glitchy beats and twinkling, ‘80s-inspired hooks alongside Sui Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop that I haven’t been able to stop listening to. The whole album, Losing, Linda, is pretty magical. (ML)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, check it out now. (TW)

The Big Moon – ‘Your Light’
The Big Moon proved they’re as talented on two wheels as they are on two feet in the accompanying video to their superb single ‘Your Light’. With its catchy chorus, buoyant melodies and feel-good lyrics, it’s the perfect boost for anyone who’s feeling blue about the current state of affairs. The song is lifted from their upcoming sophomore album Walking Like We Do, which is set for release on 10th January 2020 via Fiction Records. (KC)

Captain Handsome – ‘I Wish I Had A Dog’
Having been a pretty massive fan of indie-pop superstars Fightmilk for a couple of years now, I was excited when Lily from the band shared the first single from her new solo project, Captain Handsome. A poignant exploration of every-day anxieties, ‘I Wish I Had A Dog’ showcases Lily’s distinctive silky-smooth-yet-gritty vocals whilst oozing a touching raw emotion. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. I can’t wait to hear more from Captain Handsome in 2020. (ML)

You can listen to all our favourite tracks now, in this handy playlist! We’ll be adding to the playlist as we share our other end of year features – keep your eyes/ears peeled!

 

 

Mari Lane / @marimindles
Kate Crudgington / @kcbobcut
Tash Walker / @maudeandtrevor
Vic Conway

John McGovern / @etinsuburbiaego

PLAYLIST: November 2019

The shift from autumn to winter has been abrupt this year, and if our eclectic track choices are anything to go by; the lack of vitamin D has clearly hit us hard. From moody electronics, to upbeat bedroom bangers, to experimental soundscapes – we’ve got it all on our November playlist. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the end of the page…

 

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (Tash Walker)

HAVVK – ‘Operate’
The new single from long term faves HAVVK, ‘Operate’ is about getting caught up in the pressures of everyday life, and how this can effect your health and relationships. Filled with twinkling hooks and front woman Julie’s soaring celestial vocals, it’s a captivating creation filled with stirring emotion. Of the track, Julie explains: “There’s been a massive culture-shift towards measuring our happiness by productivity. Our digital lives mean that there’s always something we can be achieving and we have fewer obvious moments to switch off and connect with ourselves or the humans around us.” ‘Operate’ is out now via Veta Records, and will be followed by  HAVVK’s debut album, Cause & Effect, on 22nd November. (Mari Lane)

Le Butcherettes – ‘Tunisia’
Teri Gender bender opens this song with the lyrics “I’ve been masturbating thinking of no-one at all / and you make think that it is selfish of me / but I am no one at all” and I just want to applaud her for such an unexpected, celebratory few lines. ‘Tunisia’ is so funky, so catchy, and I’m so excited to hear the band’s new EP, Don’t Bleed, in February 2020. (Kate Crudgington)

Sea Change – ‘Scratch That Itch’
Norwegian artist Sea Change (aka Ellen Sunde) navigates personal metamorphosis on her new album, Inside, which this track is taken from. Sunde softly sings “I have a white hot anger / I’m slowly setting it free” over mellow synth textures and looping beats that sit in contrast to to emotion she’s expressing. This contradiction in sound and lyricism is what makes Sea Change’s music so compelling, and I’ve had her album on repeat since its release on the 15th. (KC)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, and she will be hitting New Rvier Studios in London on December 8th. I’ll be there, join me. (TW)

ESYA – ‘Blue Orchid’
“I only came here for the meat” broods ESYA (Ayse Hassan of Savages/Kite Base/180db) on her latest track ‘Blue Orchid’, lifted from her new EP Absurdity of ATCG (II) – Emergent Form. Filled with buzzing synth textures, direct vocals and pummeling beats; the song fleshes out the absurdities of our relationships and interactions with each other. We can’t wait for ESYA to headline our next gig at Notting Hill Arts Club on Sat 30th November. Tickets are available on DICE, and you can find all the event info here. (KC)

JFDR – ‘Taking A Part of Me’
I’m highlighting one of my Icelandic loves on this list, JFDR, who is a prolific songwriter and multi-instrumentalist, who we’ve supported at GIHE before as a part of her other project Samaris. ‘Taking A Part of Me’ is the first new material to be taken from her forthcoming album set for release in 2020, in conjunction with a gig at St Pancras Old Church on 30th January. Hauntingly perfect. (TW)

Pallas Athene – ‘Through Hell’
One of my favourite songs of the month, ‘Through Hell’ by Pallas Athene, taken from their debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – its spaced out vocals and calming chords – keep up the great work! Looking forward to the future of Pallas Athene. (TW)

Memphis LK – ‘Roses’
This track has been buzzing around my head over the last couple of weeks. It comes from Melbourne-based Memphis LK, described as a “spirited bass-pop on a bed of dystopian electro” – in other words ‘Roses’. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl, and was punished for it. “I got whoopings for walking like a girl, for using the restroom sitting down like a girl,” says Diamond today. Written whilst Diamond was incarcerated in various men’s correctional facilities between 1999 and 2009, ‘I Am Her’ is a poignant offering oozing an infectious funk-filled groove. With last week being Trans Awareness Week, I wanted to bring everyone’s attention back to this soulful anthem of self-realisation. (ML)

Brix & The Extricated – ‘Wolves’
The latest single from Brix Smith Start (of The Fall) and her awesome band Brix & The Extricated. ‘Wolves’ reflects on pack mentality and the freedom to show your scars. Oozing eerie undertones alongside the impassioned grit of Smith Start’s vocals, it’s filled with searing hooks and a  powerful grunge-tinged energy. Brix & The Extricated’s album, Super Blood Wolf Moon, is out now. (ML)

Captain Handsome – ‘I Wish I Had A Dog’
The debut single from Captain Handsome (aka Lily from faves Fightmilk), ‘I Wish I Had A Dog’ is a poignant exploration of every-day anxieties. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. ‘I Wish I Had A Dog’ is out now via Reckless Yes, and is taken from Captain Handsome’s upcoming EP, set for release in early 2020. (ML)

Siv Disa – ‘Moths’
The new single from New York based artist Siv Disa, ‘Moths’ is a poignant reflection on the captivity of love. Propelled by eerie, atmospheric hooks, ‘Moths’ showcases Disa’s soaring raw vocals alongside a spellbinding majesty. ‘Moths’ is out now via Trapped Animal Records. (ML)

Anne Müller – ‘Drifting Circles’
An epic seven minute instrumental from Berlin-based cellist and composer Anne Müller. ‘Drifting Circles’ is lifted from her highly anticipated debut solo album Heliopause, which is set for release on 29th November via Erased Tapes. I love Müller’s blend of frantic yet soothing strings, and feel like they would still captivate me even if the track was double its duration. (KC)

Tears|Ov – ‘All Else Is Bondage (for A.)’
Founded in 2015, Tears|Ov are a queer arts and LGBTQI+ trio. Formed of sound artist/musician Lori E Allen, cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale; their sounds are experimental, unusual, and always engaging. Their latest album, A Hopeless Place, was initiated by award-winning photographer Wolfgang Tillmans, who asked them to perform at Tate Modern’s South Tanks for his retrospective back in 2017. A Hopeless Place is out now. (KC)

Katie Gately – ‘Bracer’
Brace yourselves for ten minutes of poignant, eerie electronic sounds from Producer Katie Gately. This single is taken from her second album, Loom, which is set for release on 14th February via Houndstooth. The record is dedicated to Katie’s mother, who passed away in 2018 due to a rare form of cancer. Her shifting stages of grief have informed her sparse, yet seismic soundscapes. Not for the faint-hearted. (KC)

PLAYLIST: October 2019

Our ears have been flooded with new music over the last few weeks, and our October playlist is an eclectic reflection of the artists who have been giving us goosebumps. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the bottom of the page…

 

ILL – ‘Kick Him Out The Disco’
We’re all in agreement at GIHE that ILL’s new track is a GRADE. A. BANGER! These grrrls blend the best bits of punk, noise, and electronics to create cathartic anthems about standing up for yourself and not letting the bastards grind you down. ‘Kick Him Out The Disco’ is a “glittered middle finger” to anyone who’s tried to manipulate you, or to anyone who made you question your self worth. (Kate Crudgington)

Peggy Sue – ‘Motorcade’
Taken from their upcoming album Vices (set for release February 2020), Peggy Sue’s new single ‘Motorcade’ flows with the pair’s distinctive rich vocals as it interweaves lilting ’60s inspired melodies and a ’90s garage scuzz. Inspired by feelings of being honest with yourself when ending a relationship, luscious harmonies float along a bright, uplifting soundscape, building with a shimmering energy to create a magnificently more-ish offering. (Mari Lane)

Grizzly Coast – ‘High Functioning’
A GIHE Team favourite, ‘High Functioning’ by Grizzly Coast is a track that has got firmly into my head. It’s all about holding your life together in every place, but your own head. Of the track, Grizzly Coast explains: “I was going through a difficult time with my OCD choosing to power forward and work towards my goals”, she found the purpose and drive to stay confident through it all. And we are very thankful for that, ‘High Functioning’ is a total tune, keep up the great work Grizzly Coast, we’re behind you 100%! (Tash Walker)

Poolblood – ‘Dreamer’
Recently signed to Shamir’s label (Accidental Popstar Records), newcomer Poolblood describes their sound as one that evokes feelings of “crying, dancing, teen movies and nostalgia”. If that’s not enough to make you listen to ‘Dreamer’, I don’t know what is. (KC)

Superglu – ‘Forever Endeavour’
After a two year hiatus, long time faves Superglu are back with this new single. Oozing the band’s trademark buoyant energy, ‘Forever Endeavour’ is filled with a gentle sentimentality that we may not have heard in previous releases, creating an instantly uplifting and immensely infectious indie-pop anthem. (ML)

Rosa Bordallo – ‘Citadel’
‘Citadel’ by Chamoru-American indie artist Rosa Bordallo is all about Capitalist vultures in the concrete jungle, showcasing her riot grrrl influences. It’s a “balls-to-the-wall angry eff-you to the 1 percenters who suck us dry, written out of frustration with the myth of New York (“if you can make it here, you can make it anywhere”) that attracts bright and ambitious folk who may not realize what they’re getting into until it’s too late”. ‘Citadel’ is the second single from her recent solo debut album Reef Walker. (TW)

Jemma Freeman and the Cosmic Something – ‘Keytar (I Was Busy)’
Inspired by a frayed childhood and fractured memories, ‘Keytar (I Was Busy)’ oozes the distinctive soaring majesty of Jemma’s vocals and swirling, twinkling hooks, creating a colourful slice of psychedelia, filled with raw emotion and an energised electro twist.’Keytar (I Was Busy)’ is taken from JFATC’s new album Oh Really, What’s That Then?, out now via Trapped Animal Records and Cargo Records. (ML)

Kim Gordon – ‘Murdered Out’
Music icon Kim Gordon released her first solo album this month, No Home Record, and it’s a raw, gritty, artistic affair. Her inimitable voice and talent for experimentation shine through on this record, and ‘Murdered Out’ is my favourite track. I was lucky enough to pick up a signed copy from her in person at Rough Trade East (I tried very hard not to nerd out, but I 100% did) (KC)

Shari Vari – New York City
I cannot get enough of the Hamburg based alt-electro/punk/producersShari Vari. Their debut album, Now, out via Malka Tuti is packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverbs and cinematic crescendos. What can I say, I’m hooked. (TW)

The Leaf Library – ‘Hissing Waves’
‘Hissing Waves’ is the latest single from The Leaf Library, taken from their new album which is set for release on 25th October via Where It’s At Is Where You Are. This, their first single from the album is in their words “the most pop the band have ever sounded”, skipping inside-esque electronics, and looping verses; I’m enjoying the feeling of elasticity in its sound. (TW)

Hinako Omori – ‘Auraelia’
Influenced by the pain and blurred vision she experienced from multiple migraines, London-based Japanese artist Hinako Omorio has transformed her ailments in to intriguing electronic tunes. ‘Auraelia’ is the title track from her debut EP, which is set for release on 22nd November via Injazero Records. (KC)

POLIÇA – ‘Driving’
POLIÇA are set to release their new album When We Stay Alive in January 2020, and ‘Driving’ is the first track to be lifted from it. Vocalist/synth player Channy Leaneagh explains the context of the new single far more eloquently than I can: “Laying in bed, as I healed from a 10 foot fall of carelessness with my life, I would dream of running in green grass and tears would pour from my eyes – Running in the tall tear grass; imagine wanting life and the want remains – That is a feeling to hold onto; that life is worth living even when all the towers are crumbling and this goes beyond my own little accident but the world around me. Following the crone into the sinking ship and having the chance to return without a shadow. Drive on, Drive on. A second chance you won’t forget”. (KC)

Baby Taylah – ‘Reclaim’
My choices for the October Playlist would not be complete without a heavy helping of pop electronica, which you know I love oh so much. This time it comes from Scottish Baby Taylah, with her debut single ‘Reclaim’. It’s big, it’s bold and it’s a banger! There’s only one way this track should be played, and that’s LOUD. (TW)

Audrey – ‘Paper’
New Jersey based singer-songwriter Audrey has dropped ‘Paper’ her latest single, which is nothing short of a soulful, trap-tinged record, hitting hard with 808s and heavy bass. The accompanying video is equally as cool, with nods to her Korean heritage. (TW)

Bang Bang Romeo (feat Example)- ‘Love Yourself’
An empowering ode to self love, this new single from northern powerhouse Bang Bang Romeo showcases the immense soulful power of front woman Stars’ vocals perfectly. Having completely blown my mind at Cro Cro Land earlier this year, I was thrilled to catch them live again at Omeara. (ML)

Foundlings – ‘I Love You All’
A cover of the original, taken from the 2014 Lenny Abrahamson film Frank, Foundlings’ new single ‘I Love You All’ flows with jangly hooks and luscious vocals, creating an uplifting slice of fuzz-filled indie pop, showcasing all there is to love about them. (ML)

Moor Mother – ‘The Myth Hold Weight’
Philadelphia-based artist, poet, and musician Camae Ayewa – aka Moor Mother – has shared this track from her upcoming album Analog Fluids of Sonic Black Holes, which is set for release via Don Giovanni Records on 8th November. Described as a “dystopian freestyle poem touching on past, present, and future trauma”, the calmness in her voice as she speaks her heavy truths is remarkable. (KC)

Kate Tempest – ‘People’s Faces’
The new album from Kate Tempest, as with all her albums, is a heart-wrenchingly poignant and mind blowingly powerful collection about the state of the world today. ‘People’s Faces’ is just completely spot on and showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. As she laments “My country’s coming apart/ The whole thing’s becoming such a bumbling farce…”, she offers a glimmer of hope: “There is so much peace to be found in people’s faces”. Heartbreaking perfection. (ML)