Track Of The Day: AGAAMA – ‘Sarehole Mill’

A captivating blend of hypnotic vocals, experimental instrumentation and altruistic beats, Birmingham-based artist, composer, vocalist and producer AGAAMA has shared her latest single ‘Sarehole Mill’. Taken from her upcoming EP Wandering Worlds, which is set for release on 15th September via The state51 Conspiracy, the track is a warm musing on the importance of spaces that nurture creativity and humility.

“‘Sarehole Mill’ is about places and people that ground us,” AGAAMA explains about the context of her new single. “We all have these spaces and these people. I hope that when people listen to the track (even though they may not know what or where Sarehole Mill is), that it makes them feel nostalgia, safety, fondness and love and makes them think about being in their own city savannah with their mates.”

Exploring this notion through her atmospheric electronics and cinematic orchestral horn arrangements, AGAAMA creates a palpable atmosphere of contentedness, soothing listeners with her jazz-inspired vocals. Her eclectic sounds stem from a childhood rich with varied musical experiences. Growing up in a British-Jamaican household, AGAAMA was influenced by the contemporary classical tastes of her Father and her Mother’s love for Sarah Vaughan and Quincy Jones. She sang in Church on Sundays and studied classical trombone as a teenager, but she also spent her weekends raving to UK bass music and writhing in the mosh pit at metal gigs. This glorious array of musical experiences have all informed her work as AGAAMA, making her sounds as vast and altruistic as her collective memories.

Her upcoming EP, Wandering Worlds, reflects this kaleidoscopic musical vision perfectly, whilst also tapping into something darker. “I grew up listening to a lot of angsty, heavy music – metal, dubstep, prog rock and bass music. I wanted to make something where you could explore angst and frustration,” AGAAMA explains. “I found that having a space to release angst within music was healthy and helpful on my path toward healing. I really wanted to incorporate this brooding, meditative, almost primal thing that hooked me into music. At the time of making the record, I lost complete interest in beautiful sounds and music. I was craving something darker.”

Listen to ‘Sarehole Mill’ below.

 

Follow AGAAMA on Spotify, Twitter, Instagram & Facebook

AGAAMA UK Tour Dates 2022
19th August – London, Shacklewell Arms (with Muna Ileiwa)
22nd September – London, Hootenanny (with Jack Tyson Charles)
29th September – (EP Launch) London, state51 Factory
3rd October – Birmingham, The Night Owl

Photo Credit: Lucy Feng

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

LIVE: Deer Shed Festival 2022 (Day 1: 29.07.22)

It’s been a while since I attended a festival… Obviously, there were so many cancellations throughout the last couple of years due the pandemic, and I missed out on 2019 as I was busy hosting my own (well, my wedding which I aimed to be as festival-like as possible). So, this year I was desperate to find one that was as lovely as possible and suited my needs of being perhaps a little older than the average festival-goer without missing out on any of the best new music. Sadly, the last festival I went to in 2018, and my favourite ever festival experience – Indie Tracks – did not survive Covid, and so I was looking for a replacement; something equally as inclusive, chilled-out, family friendly, and of course hosting plenty of amazing female and non-binary bands and artists. And then I came across Deer Shed… And it was just what I was after! Highlighting a real family-friendly focus, whilst hosting an incredible range of exciting new artists, the North Yorkshire based Deer Shed perfectly filled the festival-shaped-void I’d been feeling for the last few years.

Having settled into our pre-pitched tent (a revelation saving so much time and energy that I will be doing at every festival going forwards!), our first taste of live music of the weekend comes from Scottish artist Brooke Combe, oozing a soul-drenched groove and danceable energy.

Although sadly Lime Garden weren’t able to make their initial slot due to van troubles, we wander to the In The Dock stage to see what’s happening, and I couldn’t be happier to have happened upon an impromptu set from Leeds-based composer and producer Remy Enceladus, aka Straight Girl (“but I’m not straight and I’m not a girl!“). Delivering an incredible performance, oozing a fierce charisma and immense, vibrant energy, their unique electro-punk soundscapes and sparkling stage presence offer the perfect start to the weekend. And I’m evidently not the only one who thinks so; a child called George who can’t be more than twelve is head-banging in the front row – grasping the barriers and losing themselves in the throbbing beats, it’s really wonderful to see the positive, inspiring impact that role models like Straight Girl can have on young ones (this heartwarming sentiment is to become an ongoing theme throughout the weekend…).

After enjoying some delicious vegan delights from ‘Big Mouth Gyoza’, we head back to the main stage to enjoy the satirical indie-rock of the first of North Yorkshire’s Mercury nominees of the weekend, Yard Act. Despite not being in-keeping with the usual bands we’d feature on this site, I love their raw energy and witty social commentary; my admiration of them growing when James explains to the crowd that despite their “lad-like persona“, they’re not always cynical and can be quite nice, and that sometimes “people are alright” – an endearing introduction to their slower anthem ‘100% Endurance’.

And then back to the In The Dock Stage for the driving force of total faves The Lovely Eggs. Despite my view being somewhat obstructed by someone wearing some kind of Lowkey-inspired headpiece for the entirety of the set, it’s wonderful to see the packed tent dance along to the band’s colourful, buoyant energy and the brash, inspiring charisma and no-frills-yet-empowering presence of vocalist Holly Ross. As she takes a swig of her Thatchers (Strongbow is too weak these days), she challenges the youngsters to become the “youngest ever crowd surfer” and it strikes me that had this been anywhere else other than Deer Shed, I may have felt a bit uneasy with this suggestion – but the incredibly warm and child-friendly atmosphere just feels like one big happy family, and I have no fear that the willing participant is in safe hands (literally) as they’re propelled through the top of the crowd. However, whilst welcoming kids at gigs, Ross takes a moment in-between frenzied offerings to make her pro-abortion stance clear at a time when reproductive rights are being terrifyingly restricted across the world, stating that “it’s a woman’s choice“.

For our penultimate performance of the day, we return to the Main Stage for Bristol-based artist and someone I’ve been keen to see live for some time now – Billy Nomates. As she bounds across the stage with nothing but a laptop for company, I find myself completely immersed in her poignant spot-on lyricism and fierce, gritty energy. Delivering her stark social commentary to the backdrop of propulsive beats, she’s able to create an immense, stirring sense of urgency with a swirling, danceable allure, and I’m utterly captivated. My excitement about this set was most certainly justified.

Completing our first day at Deer Shed festival, it’s wonderful to see the return of Nadine Shah. Looking sharp in a tiger print suit, she exudes all the spellbinding charisma that I remember from seeing her at the last gig I attended before lockdown in 2019 (BBC 6Music’s International Women’s Day event at The Roundhouse). With an endearing modesty and gratitude for finally being able to headline the festival (after ten years), Shah and her band treat us to a stunningly majestic set; a sweeping orchestral musicality accompanied by her distinctive rich vocals. A truly enchanting performance creating a beautifully unified atmosphere (of “young ones and drunk parents“) to close Friday’s events in a blissfully joyous fashion.

Stay tuned for our review of Days 2 and 3 of Deer Shed festival!

Words: Mari Lane / @marimindles

Photo Credit: Paul Dawes / @paullikesrobots

mariangelicalaneLeave a comment

Video Premiere: Electric Pets – ‘That Way’

Having previously received acclaim for their debut single ‘Don’t Leave Me’ from the likes of BBC Introducing, Emma Buckley, Phil Wagg, Adam Grace and Pete Darrington – aka Electric Pets – have now announced that their debut EP is set for release later this month, and have shared a heartfelt new video.

With Buckley’s raw, impassioned vocals accompanied by a gritty scuzz-strewn musicality, ‘That Way‘ builds with a fierce emotion to an empowering anthem of self love and a two fingers up to society’s expectations of what we should be. Propelled by a jangly, lilting energy, an immersive, intimate tone soon gathers pace and intensity to create a catchy slice of garage-infused rock, oozing a bold swagger. Of the track, Buckley explains:

“You could say ‘That Way’ is my autobiographical f**k you to the music industry. I spent so long being too much of something to someone and not enough of the same thing for someone else. I needed to remind myself who I was. This song is for all the people that never quite fit in, the ones who never quite felt good enough. A reminder to unapologetically love yourself.“

‘That Way’ is accompanied by stirring new video, featuring artfully filmed footage of the band glistening with a sparkling allure. Watch it for the first time here:

Rhinoceros, the debut EP from Electric Pets, is set for release on 19th August via Reckless Yes.

Mari Lane
@marimindles

mariangelicalaneLeave a comment

Track Of The Day: Alaskalaska – ‘Still Life’

Fresh after announcing their upcoming album Still Life, South London band ALASKALASKA have released the record’s title track in an exploratory and curious single. Arriving this Autumn, Still Life will embrace a free-form electronica disposition filled with digital sounds, rich melodies, drum machines and the sparse involvement of acoustic instrumentation. 

With the latest single of the same name, Alaskalaska grasp at a knot tangled by existential dread and the simplicity of life’s simple pleasures, painting an enchanting teaser for the album. Paired with an abstract music video, ‘Still Life’ builds a world with melodic, arpeggiated synths and circular lyrics. With a lyrical refrain building the tension, ALASKALASKA’s story feels interpersonal – oozing a profound immersive soundscape, spinning thoughts of uncertainty. 

Building with intensity, layers of sound are interwoven, building to a climax of fuzz emulating irritation. This distinct arrangement later comes to a burst as the tension of ‘Still Life’ peaks. Eerie reverbs and modulations shift the tone of ALASKALASKA from left to right, delving into a sonic chaos that pays off as stirring, ethereal vocals echo in the background.  

As the track settles, ‘Still Life’ remains in the back of listeners’ minds; swirling and dancing around our thoughts; creating a sparkling moment for reflection. ALASKALASKA has set the scene for a captivating ‘Still Life’ – one that is multidimensional and full of character.

Of the track, the band explain:

“‘Still Life’ asks is what is supposed to connect us on a worldwide scale being used more for vanity/ego, distraction or even surveillance/control? ‘Look at it breed, modern greed…’. It’s a bit of a cautionary tale, much like 1984…if you get my drift. Still though, there are glimmers of hope – ‘I’ve got the seed in my pocket….’ as in I’ve got seeds to sow, seeds to grow. Small gestures can make big changes.”

Watch the stirring new video for ‘Still Life’ here:


Still Life, the upcoming new album from ALASKALASKA, is set for release on 14th October via Marathon Artists.

Jill Goyeau
@jillybxxn

Photo Credit: Abi Sinclair

jilliangoyeauLeave a comment