Introducing Interview: LUIANNA

Splitting her time between Berlin and Bristol, innovative electro-pop artist Jasmine Luianna Emslie – aka LUIANNA – has now announced the release of her debut EP, Skiá. Taken from the EP, she has recently shared poignant new single ‘Witch‘. Propelled by glitchy beats and a soaring ethereal splendour as LUIANNA’s celestial vocals flow with a delicate grace, it’s an empowering reflection on addressing past trauma and coming out stronger.

We had a little chat with LUIANNA to find out about the upcoming EP and more. Have a read!

Hi LUIANNA, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi, thanks for having me! I’m a producer and singer songwriter. I was born in South London and brought up in rural Wales, I’m half Greek and half Scottish and have lived my adult life in both Bristol and Berlin, so I’m a mixed bag to say the least… I have been in many bands and different creative music projects, but it feels like everything was leading me to this place here, to have the confidence and ability to compose and write songs myself. I’ve chosen a pretty different life than most and have spent the past 15 years squatting in both Berlin and Bristol, enabling me to be able to spend my time doing what I love, instead of chasing after high rents and bills. The combination of music and meditation is how I navigate through this weird and wonderful world and I’m so happy that I’m in a place to start sharing some of it!

How did you initially start creating music?
I started with acoustic guitar and putting my little childhood poems to basic chords. I went on to make a girl group with my two best friends in school and this got me into college. Through college I fell in love with dance music and was somehow bored of seeing an audience sad in all my gigs, so started writing for DJs and producers – it made me so happy to see a crowd jumping and smiling! After this phase, I moved to Berlin and started singing jazz in cabaret venues around the city, and then joined a hip-hop band for a few years, playing a lot of shows in Germany. This was when I realised I didn’t want to be confined to a genre. I wanted to make music that came as and when it did. So I started to save and buy equipment to be able to write my own stuff. Starting with a micro Korg and teaching myself some basic piano, and then a looper and a drum machine and electric guitar. This all came together pretty quickly and within a year I was ready to record this Skiá, my debut EP!

Your new EP Skiá is out on 29th April – can you tell us what it’s all about? Are there any themes running throughout the EP?
The EP is an intimate view into my life. I open up about my father who is a heroin addict, and share how that has made me feel growing up. I also sing about mental health, and what it is to be a woman – the love, the strength, the ebs and flows of our moods and attitudes. And it’s all tied together with love songs, sad but empowering love songs.

You’ve been compared to the likes of London Grammar and BANKS, but who would you say are your main musical influences?
For me it’s Lauryn Hill, Aurora, Madonna, Portishead. I love beautiful majestic pop, and also hip-hop and old school beats. I think I’ve intertwined all of this into the EP.

How is your local music scene? Do you go to see lots of live music?
I’ve been in Berlin for the past seven years and yes, the music scene is thriving. From incredible street shows, smokey jazz bars to epic clubs; small intimate venues, and an array of concert halls – it’s a fab place to be for live music. I’ve just arrived back to Bristol and am excited to get out and see whats happening here too!

And what can fans expect from your live shows?
Vulnerability, a lot of vocal loops, and hopefully a hint of beautiful and original music to their ears!

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Yes! Ber is an incredible new artist that I can’t stop listening too, also LushUs are a new group from Germany with their first single out ‘Velvet’ – love them! 

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
It’s so tough. To get any reach outside of your friendship group is a challenge. I’ve noticed even when my posts do get shared by friends on Facebook it just doesn’t get seen. If you have a ton of money for adds and PR, and you’ve got a great piece of work to promote, then I think it’s straight forward – but as it stands, it’s tough tough tough. A lot of artists are talking openly about how we are musicians, not content creators and there’s a big pressure to keep active online and posting, but it’s not always easy when you just want to make music and not be on social media day in day out. That being said, no-one said it would be easy!

Finally, what does the rest of 2022 have in store for LUIANNA?
I have just moved back to the U.K, so it’s about getting my music out and starting to gig again. Moving to a cabin in the forest and writing more songs!

Massive thanks to LUIANNA for answering our questions! Listen to latest single ‘Witch’ below:

Skiá, the upcoming debut EP from LUIANNA, is set for release on 29th April.

LISTEN: Harkin – ‘Body Clock’

A tender, intuitive offering that reflects on the idea of re-setting your boundaries during a time of great uncertainty, UK based multi-instrumentalist Harkin has shared her latest single ‘Body Clock’. Taken from her second album Honeymoon Suite, which is set for release on 17th June via her own label Hand Mirror, the track marks a shift in musical direction for the artist, caused mainly by the unexpected limitations of the Covid-19 lockdowns during 2020.

Recorded in the one bedroom flat that she shares with her wife above a pub, Harkin’s new album covers the spectrum of “love, grief, anxiety, resilience, danger, heartbreak and hope.” Creating her sounds in the same room where she existed on a day-to-day basis, where she held her virtual wedding reception and where she attended a funeral over zoom, her record feels like a deeply personal time capsule, but it’s one that listeners can open and share too. ‘Body Clock’ is the first of many singles that will resonate with those who had a similar experience during an unsettling and repetitive time.

Accompanied by a charming animated video created by Pastel Castle, ‘Body Clock’ is full of atmospheric electronics, soft vocals and glitchy beats. “I was a big fan of Pastel Castle’s work and felt like this song would be a perfect fit,” Harkin comments about the video. “I wrote and recorded it during lockdown in a flat with no outdoor space. My brother loaned me a Nintendo Switch and I found solace in games with large maps to explore. Songwriting and gameplay can both have the power to transport and the video Pastel Castle has created takes me on a beautiful and perilous quest.”

Watch the video for ‘Body Clock’ below.

Follow Harkin on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Kate Hewett

Kate Crudgington
@KCBobCut

Track Of The Day: Breakup Haircut – ‘Out Of My Way (I’m Not Getting On The Nightbus)’

Having wowed us live with their scuzzy, joyous punk-pop at our January gig at The Victoria, First Timers Fest alumni Breakup Haircut have now announced the release of their debut album, which we could not be more excited about!

Taken from the album, latest single ‘Get Out Of My Way (I’m Not Getting On The Nightbus)‘ offers an ode to those of us who may not be too fond of big social gatherings. Flowing with a jangly, uplifting energy, it oozes a snarly wit as the band’s colourful charisma shines through. Another example showcasing Breakup Haircut’s ability to combine a radiant sparkling charm with a striking relatable poignancy. Of the track, Ishani from the band explains:

“I bill this as a song about hating parties, but I don’t actually hate parties. I just hate that I have to deal with the dichotomy of FOMO or being out past midnight and having to spend four hours or £60 (or both) getting home. I have held the belief for a while now that the best amount of people is four or less, so this song is in the spirit of that.”

Watch the quirky new video for ‘Out Of My Way (I’m Not Getting On The Nightbus)’ here:


Punk Dancing for Self Defence, the debut album from Breakup Haircut, is out on 15th July via Reckless Yes.

Mari Lane
@marimindles

Photo Credit: Akil Kanukuntla

Get In Her Ears Live at The Shacklewell Arms w/ Fightmilk, 24.03.2022

On Friday, we were back at The Shacklewell Arms in Dalston with a total dream of a line-up. Fightmilk, Bitch Hunt and Sassyhiya treated us to a joyous few hours of live music. Huge thanks to them all, and to all the lovely folk who came out to support them and fill the venue… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a beautiful night.

First up, Sassyhiya offer up their uplifting, jangly post-punk. Consisting of two former members of Barry (Kathy and Helen) plus Neil and Pablo, the band’s first ever gig proves to be a great success as the crowd smile and sway along to their twinkling hooks and buoyant, quirky energy.

Having last played live at a gig for us back in October 2019, it’s such a joy to welcome Bitch Hunt back to the stage. And what a wonderful return to live music it is. Radiating a blissful, cathartic energy they fill the venue with their scuzzy punk-pop offerings covering poignant topics ranging from men taking up too much space, to reflections on being non-binary and stirring odes to loved ones no longer with us. A truly euphoric set from these First Timers Fest alumni.

Headlining the night are Bitch Hunt’s Reckless Yes label mates, and total faves, Fightmilk. The third time they’ve played for us, it’s an utter delight to finally see them perform some of the tracks from their latest album Contender live, as well as some old favourites (and a couple of surprise covers!). Blasting out their anthemic indie-pop with an endearing tongue-in-cheek wit, each offering fizzes with the band’s trademark vibrant energy and colourful charisma. From fuzzy love songs to tirades against Elon Musk and bridezillas, Fightmilk bring a refreshing honesty and gritty raw emotion to their jangling melodies and the smooth-yet-husky charm of front-person Lily’s vocals, showcasing their ability to continuously refine their sound and, in the process, consistently continue to win my heart. Plus, I don’t think I ever thought I’d be aged 35 and in a venue filled with people joyously dancing and singing along to Wheatus’ ‘Teenage Dirtbag’, but I was and it was pretty magnificent.

Huge love and thanks again to all three bands who played for us on Friday, and to everyone who came out to share the music and good vibes. We’re taking a little break next month, but will be back at the Shacklewell Arms on 6th May with the return of The Menstrual Cramps, supported by pink suits and Queen Cult – nab your tickets on DICE now.

Photos: Jon Mo / @jonmophoto
Words: Mari Lane / @marimindles