WATCH: pink suits – ‘Are You Gay Yet?’

One of the first songs written, but the final single to be released from pink suits’ recent album Dystopian Hellscape, ‘Are You Gay Yet?’ has now been blessed with an accompanying music video, complete with all the riotous style that makes up the band’s signature impact on the punk scene.

The video is set in the kind of classic British pub that will be instantly recognisable to anyone who has ever stopped for a pint in a small town. Union flag bunting is strung up above the bar and a painting of the queen watches over the punters. Other than rather muted blues and greys, the only pop of colour is the golden yellow of very manly beer as the old mate from school chuckles, “Are you gay yet?

As the music ramps up and the band delivers their response, the video switches gear. With the rallying cry “Am I gay yet? Fuck yes”, the band infuse the drab, simple setting with vibrant energy and colour. They swap out a grey hoodie for a pink mesh tank top and fringed leather waistcoats and leap up onto the karaoke stage. As the song goes on, the crowd joins in, replacing jeans and jumpsuits with bold silk scarves, bright pink cowboy hats and an eclectic assortment of fetish-wear. The camera lingers on different looks, highlighting all the styles and identities that fall under the queer umbrella; making a question as simple as “Are you gay yet?” horribly insufficient in its goal of pinning a label on any individual.

Throughout, neither the setting nor the people change. But the way the band bursts unapologetically into the scene opens a door for everyone there to embrace their own uniqueness and individuality. It hammers home the unavoidable truth that queer people aren’t separate from society, but a fundamental part of it. Whether you see that at a glance or not, the only difference is how much they hide it from you when they’re not sure if you’re safe to come out to. By standing up and being themselves, pink suits take a bland heteronormative room, where it passes as a hilarious joke to suggest someone might be gay, and turn it into the party of the century.

As the video continues, the line “What will the neighbours say?” is delivered from behind a pink latex fetish mask complete with blond braids and a spiked collar. The answer is right there in the room: the neighbours are as wild as anyone else and have been waiting for exactly this permission to show off their authentic selves.

Of the inspiration behind the video, the band explain:

The video was inspired by a real conversation Lennie had in a pub in Manchester with someone they went to school with, as well as an awkward experience doing Karaoke in a bar in a small town in Colorado. The guy hosting the karaoke night had a toy guitar and would play all of the guitar solos, so Lennie did a song and on the solo got on their knees to play the guitar with their mouth and it made the guy absolutely freak out and lose his shit at having a bloke drop to his knees in from of him. It was a very uncomfortable end to the song!”

Watch the joyously empowering new video for ‘Are You Gay Yet?’ now:

Kirstie Summers
@actuallykurt

LISTEN: GIHE on Soho Radio with Sing It Pink (22.07.2024)

For the July edition of Get In Her Ears’ Soho Radio show, Tash and Mari were in the studio spinning loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists.

In addition to shout outs to festival highlights from Glastonbury and bands to look out for at Deer Shed festival, Tash spoke to The Pink Singers – Europe’s longest running LGBTQ+ choir – ahead of the release of a brand new podcast about them, Sing It Pink, which is out on Friday 26th April via Aunt Nell Productions. Plus, there’s some major gushing about Shania Twain…

Artists featured on the eclectic playlist included PlanningtorockHappy AccidentsKaty J PearsonLos BitchosAe Mak, Lex AmorSharon Van EttenARXX, BreymerLittle Simz, The Go! TeamJohn Glacier and more!

Listen to the show below:

 

We’ll be back on Soho Radio on Monday 19th August from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

 

Tracklist

Bronski Beat – Smalltown Boy (Planningtorock Rework)

The Pink Singers – Leaping Lesbians

Jamie XX (feat. Robyn) – Life

Catbear – Rush

Jasmine.4.t – Skin On Skin

Katy J Pearson – Sky

pink suits – Are You Gay Yet?

Los Bitchos – Kiki, You Complete Me

AE Mak – Low Down

Kelly Lee Owens – Love You Got

Tom Rasmussen – Shugs (Live Wire)

Lex Amor – A7X

John Glacier – 2 Hot 4 This

Loose Articles – Are You A Welder?

Sharon Van Etten – Every Time The Sun Comes Up

Roller Derby – Silver Jet

Squirrel Flower – Full Time Job

Billie Eilish – Lunch

Happy Accidents – Infinite Possibilities

Little Simz – Woman

ARXX – Good Boy

The Go! Team – Ladyflash

Nana Benz Du Togo – To Be Free

Breymer – Darkness

Shania Twain – That Don’t Impress Me Much

Deer Shed Preview: Interview with The Go! Team

Celebrating the 20th anniversary of their pivotal debut album Thunder, Lightning, Strike this year, The Go! Team are set to bring their joyous energy and fizzing genre-defying sounds to the main stage of Deer Shed festival on Sunday 28th July. With seven albums under their belts, their live shows are a pretty uniquely euphoric experience to be a part of; so prepare to be swept up in gleeful ecstasy by their soaring funk-fused cacophonies and swirling sunny charisma.

We caught up with the band, fresh from their set at Glastonbury last weekend, to find out more about their live shows, kids on tour and the challenges of the industry today… Have a read, then check out our playlist of bands and artists – including The Go! Team – that we’re most looking forward to checking out at Deer Shed Festival at the end of this month.

You’ve just played Glasto, for the the fourth time! How was that for you? 
Yeah, it went like a dream! We were up against Shania Twain, I believe – clash of the titans.  

And how did the experience compare to the other times you’ve played the festival? 
The first time we played in 2005 the PA died, so that was a disaster, so anything is an improvement after that… We have seven albums of songs to pull from, so we can kinda do a “greatest hits” set!

As a band known for the joyous energy of your live sets, how do you normally prepare for your performances? Do you have any sort of special routine that you do together before playing? 
Well, we don’t do a Madonna-style prayer circle or anything! It’s always been an unspoken thing that we bring it in the live shows – it was never discussed really. Ninja can be asleep five minutes before show time and the next moment she’s doing cartwheels. 

I was lucky enough to see you live back in 2018 at Electric Ballroom in Camden, after having been a massive fan as a teen in the early noughties, and it was such an uplifting experience! Is there a particular show you’ve played over the last twenty years that stands out as a highlight or especially memorable for you?
Selling out the Roundhouse in Camden was a big one for me. We still feel like a cult band to me – a well kept secret. So, that was a big deal.  

And you have a few more festivals coming up this summer, including lovely Deer Shed Festival at the end of this month – are there any particular festival essentials that you like to take with you to get through a weekend of camping? 
Just an olympic weight frisbee. 

As I’m sure you’ve seen, Deer Shed Festival places a particular focus on being as family friendly as possible, with loads of amazing activities for children, and just a really lovely intimate and safe vibe. With some of you being parents of small children, is this something you think is important for festivals to try to embrace? 
Yes, Ninja and Nia in the band have young kids. They actually both took them on a West Coast USA tour recently – from Vancouver down to LA. Touring and kids aren’t really supposed to go together so I can’t believe how they made it happen! As you can imagine, we come off stage late, but the kids will still be up at the crack of dawn, so it pushes you to the limit. So, respect to them.

For children and young people who want to get into playing music or start a band, what advice would you give? 
Less shredding – more angle. It doesn’t matter about being the best player, but bands should take an approach and decide what they are. I love the idea that bands exist in their own unique universe. 

And what is your opinion of the opportunities that are on offer for young people in the arts at the moment? Would you say it’s got any easier or more difficult to get involved, and be heard, in the music industry now than when you started out? 
It’s kind of mixed. The barriers to making music are down in some ways, as you can record at home cheaply and stick it up on streaming, but it’s easy to get lost and it can feel like everyone is clambering to be heard. For a minute it looked like the majors were fucked, but they were shrewd enough to just own the streaming world… 

As we’re an organisation with a focus on supporting women and queer people in music, I just wondered how you feel the industry is for them today? Do you feel much has changed over the years in its treatment of them, and other marginalised groups? 
When we started in the mid noughties it did feel more like a ‘boys club’ to me, and The Go Team was a kind of response to the bullshit NME ‘lads-on-tour’ fantasy they were peddling. I’ve always loved bands with mixed genders, and am always a bit put off by bands that are just full of blokes.

And are there any new artists or bands that you’ve come across recently that you’d recommend we check out? 
I really like a fella called Charif Megarbane – he does amazing kinda library inspired groovy instrumentals 

Finally, in addition to playing lots of live dates, what else does the rest of 2024 have in store for The Go! Team?
We’re heading back to East Coast USA. We’ll be there around election time, ending up in Washington DC the day before, which will be terrifying but pretty interesting! Will be steering clear of the Proud Boys, but apart from that I will be continuing my life long mission of trying to make schizo channel hopping sounds – I really want to push harder with wildly different genres sellotaped into the same song. 


Massive thanks to The Go! Team for answering our questions! Check out their special 20th Anniversary edition of Thunder, Lightning, Strike, which is out now on translucent red vinyl via Memphis Industries. We can’t wait to see their set at Deer Shed Festival, along with an eclectic range of other awesome bands and artists that we’re excited to be seeing, including CMAT, Los Bitchos, Liz Lawrence, Personal Trainer, Jessica Winter, Cerys Hafana, Nana Benz Du Togo and Picture Parlour. In addition to loads of lovely music, Deer Shed also prides itself on its family friendly focus, hosting a variety of activities such as kayaking, skateboarding, tree climbing and a ‘nurf gun arena’! There’ll also be some great literary voices featuring at the festival, including John Niven, Simon Armitage and Vanessa Kisuule. Something for everyone, basically. Plus Get In Her Ears will be DJ-ing at the In The Dock stage on Friday night, treating y’all to some of our favourite danceable tunes by women and queer artists – not to be missed! 

Deer Shed is just a few weeks away – from Friday 26th July to Sunday 28th July – and tickets are running very low, so nab yours here now! And listen to our playlist of bands and artists that we’re most excited about seeing at the festival to get you in the mood here.

Photo Credit: David Richardson

LISTEN: LIINES – ‘Holding On’

The first new single from Manchester’s LIINES since 2021, ‘Holding On‘ blends the post-punk grit that they are known for with a raw emotional depth that draws you into the vulnerability of the track. A song about hope and desperation, the ache in the delivery makes it impossible to ignore how those two sensations can often be two sides of the same coin.

The song broadly centres on a connection that has shifted into dissatisfaction; not going into specifics, the lyrics focus on feelings of anguish. The verses are simple and direct, narrowing in on the physical sensations that go hand-in-hand with the emotions at the core of the song, leaving them at the forefront of your mind as it leaps back into the powerful choruses. Zoe McVeigh’s vocals ache with the emotion of the song, as the repeated lines “… and I’ll wait for you” are delivered with a tone that shifts as the feelings behind them shift with the passage of time. It starts out confident that the wait won’t be too long or arduous, then becomes increasingly forlorn as that confidence wavers, until it is finally belted out in a desperate plea for that confidence to return; clinging to the last of the hope as desperation takes over.

Throbbing bass and drums create the foundation for the track. Combined, they create a heartbeat that begins with a consistent but fairly gentle rhythm, then ramps up to with a fierce energy as the song reaches its most intense moments. Wailing guitars match the intensity in the vocals perfectly, until at last the instruments fade away allowing the vocal cry to ring profoundly out into the silence.

Keep your eyes and ears peeled for more from LIINES throughout 2024!

Kirstie Summers
@ActuallyKurt