WATCH: Witch Fever – ‘Bully Boy’

A thunderous, ruthless assertion of autonomy that spits in the face of misogynistic behaviour, Manchester four-piece Witch Fever have shared their latest single ‘Bully Boy’. Taken from the band’s recent EP Reincarnate, released via Sony’s Music For Nations, the track is a cathartic, brutal takedown of the toxic men who repeatedly push women to their limits.

Full of thumping beats, gritty riffs and Amy Walpole’s visceral vocals, ‘Bully Boy’ is a scathing reflection on the misogyny that Witch Fever have experienced first-hand. “We wrote this song after we played a gig where the guitarist from one of the support bands shouted at us on stage to take our tops off,” Amy explains. “For us ‘Bully Boy’ is our combined rage about these experiences funnelled into one track. The alternative music scene is still very much a ‘boys club’ leaving female and non-binary people vulnerable to misogynistic and sexist behaviour, and we are always challenging this.”

Aware of the track’s heavy context, Witch Fever decided to put a dramatic but playful spin on the accompanying visuals for the track. Directed by Sam O’Leary, the video’s concept was “The Witch Trials meets drag queens and CBeebies”, which Sam and Roma Allenby helped the band create. “The video is different to anything we’ve done before,” Amy continues. “The lyrics are quite brutal so we thought it’d be fun to turn it on it’s head and create something that on the surface is colourful and fun but has a dark undercurrent.”

Fusing their rage with a darkly comic twist, Witch Fever’s mantra “Off with his head!” is one that listeners can scream in unison together, channelling their rage through an empowering and fearless sentiment.

Watch the video for ‘Bully Boy’ below.

Follow Witch Fever on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Debbie Ellis

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

Track Of The Day: Dama Scout – ‘dan dan bub’

In a hauntingly catchy new offering , London/Glasgow alt-art-rock trio Dama Scout return with their first new track in over three years with ‘dan dan bub‘. Continuing to push boundaries, the band’s comeback track stands with its own sense of creative gravity, putting weight in the boots of art-rock and indie-pop, while still exerting its own fresh footing.

Minimalist percussion kicks off the track creating an expansive soundscape for vocalist Eva Liu to dance across. With an effortlessness disposition that feels like its own affirmation, the lyrics of “dan dan bub’ wreak of emotional exposure and a personal journey of rebuilding. Rawness not only is captured in its poignant lyrics, but throughout Dama Scout’s entire captivating instrumental. Weary, abstract sounds trickle in and out, embodying discomfort and the urge to move as ‘dan dan bub’ pushes on.

Despite the psychological weight, ‘dan dan bub’ carries an unspoken confidence to it, sonically reminiscent of fellow art-rockers Piney Gir and St. Vincent. It is certain that Dama Scout have not skipped a beat, but ripened with their time away. This latest offering is both exploratory and comforting as it takes you on its inward path.

‘dan dan bub’ is out now via Hand In Hive.

Jill Goyeau
@jillybxxn

Photo Credit: Danny Grant 

jilliangoyeauLeave a comment

Get In Her Ears Live @ The Shacklewell Arms w/ Problem Patterns, 03.12.2021

On Friday we were back for our second gig since February 2020, and our first time hosting at the glorious Shacklewell Arms, and what a fantastic night it was! Huge thanks to the three totally amazing bands who played (I was blown away by you all!), and to all the lovely folk who came out to support them and fill the venue with the best of vibes… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a dream night.

First up, GUTTS kick things off in a wonderfully riotous way – blasting out their queer sax-punk with an angst-driven energy and magnetising charisma.

Next up, Margate duo pink suits deliver their poignantly charged, utterly immense punk anthems. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive Feminist rebellion to bring about radical change. With a captivating, seething energy, each frenzied offering is propelled by a colossal force, leaving me mind-blown and ready to join their fight for an upheaval of a neoliberal society. 

Having travelled all the way over from Belfast for the gig, I’ve been excited about hosting headliners, Problem Patterns, for a long time now, and they do not disappoint! Continually swapping instruments throughout the set, the Northern Irish Feminist punks cover topics ranging from transphobia and sexism, to the power of female friendship and the damaging effects of toxic relationships. With each poignant, raging offering, the band ooze a swirling, empowering energy and fierce, infectious passion, uniting the crowd in solidarity with both their righteous anger and vibrant, joyous sense of fun. A truly exciting set from one of my most favourite bands.

Massive thanks to the three incredible bands who played for us on Friday and everyone who came along! Join us for our next gig, on 21st January at The Victoria with headliners Fräulein and support from Breakup Haircut and Naz & Ella.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

mariangelicalaneLeave a comment

LISTEN: Blue Loop – ‘Kodama / Pan’

Inspired by the conflicting states of mind she experienced during 2020’s winter lockdown, London-based producer Blue Loop has shared two new singles, ‘Kodama’ and ‘Pan’. Following on from her debut single ‘Before It Begins‘, the double A-side marks a progression in Blue Loop’s sound, venturing into new sonic territory but retaining her polished and considered approach. Both tracks were mixed by Omni Collective’s Joy Stacey and mastered by Stephen Kerrison at Tall Trees Audio Mastering.

Named after the forest spirits of the Studio Ghibli film Princess Mononoke, ‘Kodama’ is a soothing, graceful composition. The track fuses electronic and orchestral elements together – including clarinet improvisations by Rose Ford – to provide a tranquil tonic for tired minds. Second track ‘Pan’ is designed to awaken and distract, with its Jungle/Drum & Bass inspired beats and choppy, techno synths. Opening with samples of street drummers and cathedral bells which Blue Loop collected in France and Portugal in autumn 2020, the track’s pulsing, driving rhythm is complimented by her use of intermittent atmospheric synth patterns.

Together, ‘Kodama’ and ‘Pan’ represent the duality of experience. Blue Loop explores the space in between “light and dark, motion and stillness, tension and release” through these new soundscapes, and she does so with effortless flair.

Listen to ‘Kodama’ and ‘Pan’ below.

 

Follow Blue Loop on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment