Introducing Interview: Nghtfall

Having spent the last few years garnering streams and fans for their emotion-strewn alt-pop offerings, Toronto based non-binary artist Bradley Milosevic-Hill, aka Nghtfall, has recently shared their heartfelt new single ‘I’ll Be Fine‘. Shimmering with a twinkling musicality and a soaring, anthemic splendour, Nghtfall wears their heart on their sleeve with this raw reflection on identity and being accepted for being your true self.

We caught up with Bradley to find out more…

Hi Bradley, welcome to Get In Her Ears! Can you tell us a bit about yourself?
I’m an independent queer non-binary artist from Toronto that releases music under the name Nghtfall. 

What initially inspired you to start creating music?
I’ve loved music since a very early age and started writing songs in my head long before I knew I was going to become a musician. It’s really the only thing I’ve ever been this passionate about.

You’ve recently released your poignant new single as Nghtfall, ‘I’ll Be Fine’, can you tell us a bit about this? Is it focused on any particular themes? 
This song is about coming to terms with how people’s view of me has changed since I came out as non-binary. There’s a lot of my fears and anxieties in the lyrics. Especially the feeling that a lot of people’s love is temporary when you know one detail about you would change their view of you completely. I feel so free in being able to express this in my music now, because it’s something I’ve struggled with for a while.

We love your heartfelt, anthemic pop sounds, but who would you say are your main musical influences?
It ranges from modern artists like Nothing,Nowhere and Halsey to stuff I grew up with like Fall Out Boy. Though honestly I get inspiration from all kinds of music.

You’re based in Toronto – in ‘normal’ times, how is the music scene there? Is it a good place for an emerging musician?It’s definitely a great place to watch live music, but I wouldn’t say it’s a super good place for emerging artists. It’s so competitive and a lot of the live music in the city is dominated by established US artists that often play there as their only show in Canada for that tour. I don’t really think about the local scene when it comes to my own music that much, but it is a great place to go to shows.

How have you been connecting with your audience and other musicians during the pandemic?
Maybe it’s because everyone’s been inside but I feel like I’ve made more connections than ever through social media this year. I do a lot of remote collaborations even before the pandemic so this past year or so has almost been better for a lot of what I do in a weird way. Plus it’s given me more time to find ways to connect with new audiences online.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
I’m a huge movie & tv nerd so I’m always getting inspired by that. I’ve gotten really into David Lynch’s movies over the pandemic & recently read his book on creativity. I just find him such an incredible and inspiring artist. Also, I bring her up all the time, but Savannah Brown is someone whose writing and poetry I am such a huge fan of and find super inspiring. I wish I could write as well as her!

How do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
It definitely is, and a lot of the conversations I have with other artists reflects that. However, there’s so many cool things you can do outside of “the industry” with social media to connect with an audience. You just have to be creative with it.

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
There’s this local band Softcult that I discovered recently that makes super great music with a lot of feminist messages in it. I’ve had the chance to talk with them a bit on social media and they’re super nice too.

Finally, what does the rest of 2021 have in store for Nghtfall?
I’m going to be releasing regularly till at least the end of the year, so just expect a lot more music!

Massive thanks to Bradley for answering our questions!

Listen to Nghtfall’s latest single ‘I’ll Be Fine’ here:

Track Of The Day: Dawn To Dawn – ‘Care’

Montreal based trio – Tess Roby, Adam Ohr and Patrick Lee – aka Dawn to Dawn – are due to release a full length LP in spring 2022 and are drip feeding singles throughout this year as an advance taster – ‘Care’ is the latest of these. It’s a gentle and stylish ode to the sheer joy felt when dancing away summer nights.

The track opens with laidback synths treading lightly over a chilled-out drum loop. First impressions are that this is either the song that you dance to at 3am in the club once the DJ has their flow on and the dance-floor is in full swing, or the song in your headphones the next morning as you make your way home. Roby’s shimmering vocals act as an extra textural layer rather than a front and centre feature of Dawn to Dawn’s sound. Long, warm, and breathy, the delivery is so sensual and relaxed you can almost hear the sunrise. The lyrics are minimalist, depicting a dance-floor crush walking away in the sunrise as the encroaching light cuts off the chance to catch up to them. 

Dawn to Dawn have also created a stunning video clip to go with the track. Shot on 16mm, it has the feel of a ’70s/’80s home video and depicts three friends dancing wildly in the studio, driving the streets in early morning sunlight, sharing a glass of wine. Scenes are non-chronological and recreate the sense of lost time so familiar to anyone who has had a massive night out dancing with friends. 

Watch the new video here:

‘Care’ is out now  and is available on bandcamp.

Kate Sullivan
@katesullo

ALBUM: Eliza Shaddad – ‘The Woman You Want’

Desiring to be the best person she can be, in spite of not always feeling capable of accomplishing said desire, Sudanese-Scottish artist Eliza Shaddad challenged herself to create an emotionally honest album; unafraid of showing her true vulnerable self, to both herself and the listener.

Following the release of her debut record, 2018’s Future – and EPs, 2020’s Sept ~ Dec, 2016’s Run, and 2014’s Waters – Eliza’s sophomore effort, The Woman You Want is the culmination of a year-long self-reflection and reconciliation of her identity. A collection of nine deeply personal tracks that demonstrate resilience, insecurity, and raw emotion.

Opening with the jangling guitars of ‘The Man I Admire’, Eliza explores contrasting themes of intimacy and melancholy (“Darling I know you feel blue / But where is the man I admire?”), her soft vocals dovetailing into the compassionate folk-rock anthem ‘Heaven’, a poignant reminder that life can get better – “Yeah, I want you to keep holding on / I know life can be unkind / And you’ve got heaven on your mind / But I want you to keep holding on.”

Eliza wears her influences on her sleeve for ‘Fine & Peachy’, channelling nineties legend Alanis Morissette, and proudly sticking her middle finger up with brutally honest, sick-of-this-shit lyrics (“Fuck you just tell me what you want to say / Instead of screwing with my head for days”), complemented by the rebellious groove of guitarist Michael Jablonka and drummer Glyn Daniels, known for their work with Micheal Kiwanuka and The Staves respectively.

The ethereal guitar melodies and syncopated drum beats of the introspective title track, ‘The Woman You Want’, lead into shimmering distortion and electronic experimentation on ‘The Waiting Game’ and ‘Tired Of Trying’; beautiful, haunting, and reminiscent of Björk, post-1995’s Post. ‘In The Morning (Grandmother Song)’ follows as a delicate yet complex soundscape of soaring multi-layered instrumentals infused with Eliza’s mesmerising voice; a crescendo of emotion showcasing her impressive vocal range. Next, ‘Now You’re Alone’ starts off somber, lonely, but as Eliza’s initial near-whisper grows louder with intensity – an orchestral swell backing the heart-wrenching lyrics – the song becomes cathartic; one you will find yourself singing along to in those dark moments of isolation.

Closing the album is ‘Blossom’, a song that radiates positive energy and encapsulates the record’s central theme: growth.

Produced by BJ Jackson, and recorded at her home studio/bedroom in Cornwall, The Woman You Want is the evolution of Eliza Shaddad’s career and womanhood, an intimate insight into Eliza as an independent artist – a friend, a wife, a daughter/granddaughter. A self-proclaimed “ethereal grunger growing up”.

The Woman You Want is out now via Rosemundy Records/Wow and Flutter. Order here.

Ken Wynne
@Ken_Wynne

Track Of The Day: Vulpynes – ‘Control Is Not What I Need’

Following last year’s acclaimed EP Us Against Them and having shared stages with the likes of Sleaford Mods and Deap Vally, GIHE faves Vulpynes have now shared a raging new single.

With ‘Control Is Not What I Need’, the Dublin duo ooze a frenzied angst-driven power as the gritty passion of Molly’s seething vocals rages alongside Kaz’s immense, thrashing beats. A reflection on addressing anxieties and letting yourself absorb your emotions, it offers an empowering energy as swirling hooks race with a frenzied sense of urgency. A riotous, grunge-fuelled anthem with shades of the fierce intensity of the likes of Distillers and L7, it perfectly showcases the duo’s unforgiving, fiery spirit and ability to create scuzzily smouldering blasts of punk-rock magnificence.

Watch the new video for ‘Control Is Not What I Need’ here:

Vulpynes will be playing live in Dublin at The Button Factory on 5th September. A limited number of remaining tickets are available here.

Mari Lane
@marimindles