Track Of The Day: Koppies – ‘Hospital Song’

A gorgeous contemplation on passing through the motions of life, indie-folk band Koppies have released their new single ‘Hospital Song’. Koppies, the South African-British collective of five long-term friends and collaborators, all musicians with their own acclaim, are finally united on record and the result is utterly captivating.

There is a spaciousness in ‘Hospital Song’. Victoria Hume’s commanding vocal leads the piece, with soft and arpeggiated piano playing accompanying. The effect is beautifully stark, freeing space in both the higher and lower registers that other artists may feel they need to fill. The choice to keep this composition simple is a sign of confidence in the songwriters – an instinct to hold back and preserve the raw emotional core of the song. Later, minimal, droning, synthesizers appear as well as stuttering, driven drums. These later additions create a sense of urgency, pushing the tempo and pace of the music (perhaps reflecting the growing anxiety of hospital visits) – though that sense of space remains. The rhythm sections seem to become the heartbeat of the song, bringing a new sense of life to the music. 

Koppies blending of traditional folk instrumentation with synthesizers creates a unique ambiance which is both parts nostalgic and contemporary. This combination beautifully represents memories of the past fusing into present experiences, just like when Hume sings “I think of being twenty-one, we were all stoned, everything blows…” 

The vocals are hypnotic and convey a sense of detachment from the music and reality as Hume sings “… a storm broke on your house” with an eerie sense of calm. This creates a beautiful contrast. Though the lyrics are deeply personal, when Hume sings, you may hear your own stories and experiences reflected back at you, providing reassurance. 

Of the track, Hume explains: “It’s a pretty literal song about a period of time when my mother was unwell, and the strangeness of driving to and from the hospital along these beautiful Dorset roads that I’ve driven since I was a teenager, heading out to see friends.”



Once you give ‘Hospital Song‘ a listen and inevitably want to hear more, don’t worry – you won’t have to wait long! Koppies’ self-titled debut EP is set for release on 2nd July via Lost Map Records.

Jazmine Kelly
@surfjaz

Photo Credit: Jacqui van Staden

Track Of The Day: Half Waif – ‘Sodium & Cigarettes’

‘Sodium & Cigarettes’ is the latest single from Half Waif’s forthcoming album Mythopoetics, set for release next month.

Half Waif is the creation of New York based artist Nandi Rose whose ethereal vocals sail somewhere in the gap between Phoebe Bridgers, Kate Bush, and Sinead O’Connor. Producer Zubin Hensler makes the most of her unique talent, stripping the production right back to its bare bones and allowing Rose’s voice to be the star of the show. Rose has commented that Mythopoetics is the album she has been trying to make for ten years: “My voice is changing, and my confidence has reached a point where I feel that I can sing however I want; I’ve finally come to a place where I don’t have to conform to what I think other people want it to sound like”. ‘Sodium & Cigarettes’ is an incredible showcase for her newfound confidence.

A simple solo piano accompanies Rose’s tenuous vocal through the opening verse as the lyrics ponder “Do I deserve what’s coming to me?”, but this is ultimately a song of hope. The vocal gathers in strength and resilience throughout as Rose declares in the chorus “okay, give it another day”, giving a sense of needing to take a breath before re-entering the fray – a sentiment which will no doubt be familiar to listeners exhausted by Trump-era politics, the pandemic, and an endlessly grim 24 hour news cycle. Rose implores the listener to keep looking to the future.

As the song progresses, gentle reverb-laden backing vocals swell in the background as if powering up to meet the challenge, sparse staccato synths pepper the final verses as if waking up, and the resonance of a church organ fills the delicate space beneath Rose’s vocal. The track ends with Rose challenging the listener – “Is it too late now to start running?” – her tenuous vocal taking on ever more strength and depth as she uses a vocal effect reminiscent of The Japanese House. 

‘Sodium & Cigarettes’ is a song of hope, a challenge to us all to re-energise and take up the fight, a subtle and gentle awakening in the face of exhaustion and malaise.

‘Sodium & Cigarettes’ is taken from Half Waif’s fourth album Mythopoetics, set for release on 9th July via ANTI-.

Kate Sullivan
@katesullo

Photo Credit:  Ali Cherkis

Track Of The Day: Bad Waitress – ‘Strawberry Milkshake’

Following 2018’s EP Party Bangers, Toronto-based Bad Waitress have now announced their debut album. Ahead of the album’s release this autumn, the band have now shared a fiery new single.

An eerily raging anthem, ‘Strawberry Milkshake‘ blasts into the ears with its scuzzy, pulsating hooks and thrashing beats, as Kali-Ann Butala’s raw, seething vocals soar with a swirling, riotous power, reminiscent of the legendary Brody Dalle. Propelled by a gritty energy and frenzied, empowering drive, it’s a wonderfully sinister – hell-raisingly raucous yet fuzzily catchy – punk-fuelled anthem. Of the track, the band comment:

“‘Strawberry Milkshake’ is saccharine sweet, milky pink terror. On the surface it’s sexy and enticing – but there’s a poisonous sludge bubbling just beneath. It paints the picture of an all-American beauty pageant with buckets of blood as the cherry on top.“

Watch the zombie-filled new video for ‘Strawberry Milkshake’ now:

No Taste, the debut album from Bad Waitress, is set for release 3rd September via Royal Mountain.

Mari Lane
@marimindles

Photo Credit: Kate Dockeray 

LISTEN: Venus Grrrls – ‘Hate Me’

After much critical acclaim from the likes of BBC Radio 1, BBC Introducing, and Radio X for their previous releases including ‘Goth Girl‘, Leeds band Venus Grrrls are back with another angry bop that’ll help you release some pent-up rage. 

The song explores the consequences of unvoiced emotions and lack of communication, delving into “the internal complexities this can cause, and explores the desire to have clarity and closure.” A very relatable situation which makes the question demanded in the chorus “Why do you hate me honey?” very cathartic to scream along to.

‘Hate Me’ is a danceable, angry song that makes you want to sway in the verses and pogo during the chorus. These two ends are held together by the consistency of lead singer Grace Kelly’s powerful, smooth vocals. The drums and rhythm section bring a frenzied energy when needed and the transitions between this and the more swayable verses are seamless. The gorgeous creeping bassline, perfectly matched with the vocals, grips listeners from the get-go and manages to be both punchy and melodious. The synths bring the song to another level sonically without being distracting or gimmicky. Perfect for this riot grrrl-inspired number.

So, do yourself a favour and listen to ‘Hate Me’ by Venus Grrrls. In fact, put it on repeat.

‘Hate Me’ is out now via Monomyth Records.

Red
@redthewarrior86