Track Of The Day: The Empty Page – ‘Dry Ice’

Inspired by pre-lockdown nightlife, ‘Dry Ice‘ by Manchester’s The Empty Page is a love letter to the sweaty, hedonistic club nights that, despite the world gradually opening up again, haven’t quite returned to their former glory.

From the first bars, the track captures the essence of glowsticks in a dark room, the woozy joy of seeing their shine blurred by smoke and alcohol. But the sweetness of it is underlined by a sad sense of nostalgia brought on by the sheer distance of the memory. The lyrics follow the narrative of a night out, but in a way that feels like the hungover snatches of it that flash back to you later on; the verses capture those moments that stay with you one at a time, a blissful blur of strings and synths between them.

The Empty Page have chosen their moments perfectly – they’ve selected those liminal experiences that stay with you because of their simplicity. The smell of sweat and hairspray spilling out into the fresh air through an open door, the luxury of dressing up only to mess up that perfect outfit before you get home, the carbs you desperately need on your wobbly way home. The track hits those universal moments that are never the highlight of a night out, but are the very familiar beats that it’s all too easy to feel nostalgic about now. All these elements throughout the verses culminate in the pure hedonistic joy of being lost in the chorus; the wailing vocals and screaming guitars ramp up into that heady moment of pure euphoria when you forget who you are and just get caught in the crowd and the music.

‘Dry Ice’ highlights the magic in those simple moments. It effortlessly recreates the sense of togetherness that comes from being in a room full of strangers dancing as one. In the limbo between pre and post pandemic activities, the song is both a celebration and commiseration, with a conflicting but captivating emotional kick.

Kirstie Summers
@ActuallyKurt

LISTEN: GIHE on Soho Radio with DEWEY 18.11.22

Tash was back on Soho Radio’s airwaves playing loads of new music from an eclectic mix of female, non-binary and LGBTQIA+ artists, with tracks picked by fellow GIHE pals Kate and Mari too.

Co-host India Latham also joined Tash live in the studio to discuss the recent gigs of Okay Kaya, Julia Jacklin, Tempers, Curses and Double Helix. India also revealed that the first album she bought was by Ronan Keating, and that she used to co-host Brighton Hospital’s radio show back in the day – life truly is a rollercoaster, just gotta ride it.

Tash spoke to new music artist DEWEY about the inspiration behind their recent release ‘Another Woman’, accepting and processing emotional and physical pain, as well as conversations about the power of electricity, pylons and connection within their music. Music highlights include Priya Ragu, Big Joanie, Etella, LibraLibra, Dayydream, Human Interest, STAINWASHER, Jadu Heart, HOLDA SEK and more.

Listen back below:

 

Make sure you tune into Soho Radio on Wednesday 14th of December for the final Get In Her Ears show of 2022!

Tracklist
Big Joanie – Sainted
Andrew Bird & Phoebe Bridgers – I Felt A Funeral In My Brain
Okay Kaya – Dance Like U
Julia Jacklin – Body
Jadu Heart – I Shimmer
Ideal Host – The Conflict
Dawn Richard and Spencer Zahn – Crimson
STAINWASHER – I Hate Backpackers
Tempers – Unfamiliar
Miss Grit – Follow The Cyborg
Priya Ragu – Santhosam
Babyfather, Tirzah – 1471
Moonchild Sanelly – Demon
HOLDA SEK – At Twenty
DOUBLE HELIX – Rat Rave
The Pearl Harts – More
DEWEY – Another Woman
**Interview with DEWEY**
Export Import – On Scene
Midwife – I Don’t Want To Love
Etella – Nomad
Dayydream – Wasn’t
Human Interest – Mixing Paint
Queen Colobus – 5/9
LibraLibra – Frenemies
Panic Shack – Meal Deal
Sweet Harmony – Liquid

Five Favourites: Electric Pets

Having previously received acclaim for catchy singles ‘Don’t Leave Me’ and ‘That Way‘ from the likes of BBC Introducing, Emma Buckley, Phil Wagg, Adam Grace and Pete Darrington – aka Electric Pets – have today released their second EP, Elephant. Showcasing front woman Emma’s raw, impassioned vocals and the band’s trademark gritty, scuzz-strewn musicality, it’s a collection of garage-infused rock anthems, all propelled by a fierce energy and empowering spirit.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Elephant, we caught up with Emma Buckley of Electric Pets to ask about the music that has inspired her the most. See below for her choice of her five favourite albums.

Lucia & The Best Boys – Cheap Talk
Lucia, now known as Lucia & The Best Boys have been on my radar since 2018. I came across ‘Summertime’ on a playlist and fell in love with their in your face, feel-good, indie-pop sound. Their discography combines big ’60s pop choruses with punk riffs. Lucia’s vocals have the perfect blend of sweetness and angst which sit perfectly on a bed of grunge guitars. I respect the bolshy synth work and fully support the themes of female empowerment. Oh, and of course I’ll never get tired of seeing a female front woman in an over-sized blazer playing the electric guitar!


Hamilton Leithauser + Rostam – I Had A Dream That You Were Mine 
It was actually Phil (lead guitarist in Electric Pets) who introduced me to this masterpiece. Leithauser, lead vocalist of The Walkman and Rostam, founding member of Vampire Weekend and in my opinion one of the greatest indie-rock producers of his generation. This collaboration features a variety of vintage production that inspired some of the influences of soul & early ‘rock n roll’ you hear in Electric Pets. It never conforms to the verse-chorus structure and doesn’t dwell on lyrical content. This album played a large part in my ability to trust the natural flow of a song’s narrative. It taught me not to get hung up on the story and appreciate a song in its entirety.

Bon Iver – 22, A Million
This album marked a shift in my appreciation for the art of production. As much as I’d been party to an indie-folk outfit, I’d never heard influences of hip-hop and electronic music fuse with folk in this way. Before this album, I was impressed mostly by a story and a hook but Bon Iver’s production transported me to different world. After getting over the initial meditative state I found myself in when listening, I naturally attempted to dissect the layers of instruments and their place in the ensemble. This album represents the power music has to shift a mental state for me. It’s obscure and none conventional but beautifully peaceful.

P!nk – I’m Not Dead
It wasn’t Pink’s recorded material that impressed me, but her spellbinding live performance. I was eleven when I received tickets to her Misunderztood tour as a birthday gift. I had a pre-conceived idea she was like any other female RnB/pop star but stood corrected. A singer, songwriter, performer, instrumentalist and true trailblazer. She had it all – a complete force of nature. She redefined the concept of a popstar and commanded the stage like a born rockstar. I made it my mission to go to as many of her tours as I could, which over the years have turned into acrobatic masterpieces. P!nk’s ability to combine show-stopping spectacles with simple, acoustic masterpieces are what make her truly unique. Off stage, she’s committed to her community and has inspired a generation to embrace themselves for exactly who they are – a message that shaped my youth and a baton I hope to carry for others.

Eminem – The Eminem Show
I’m not exaggerating when I say ten year old Emma lived for this album. It was the first time I truly understood the power of words when it came to expressing pain and evoking emotion through music. Most girls my age were busy dancing to the Spice Girls (which I was very much party to) but. in the comfort of my own room, I meticulously studied the lyrical genius that formed these troubled verses from Eminem. I think part of the excitement and charm was that I definitely shouldn’t have been exposed to such narrative at that young age but as my Dad always said –  “Emma, this is art and I won’t restrict access to art whatever your age… Just never tell your mother!”

Massive thanks to Emma for sharing her Five Favourites with us! Listen to current single ‘Show’ below:

Elephant, the brand new EP from Electric Pets, is out today via Reckless Yes. Buy/stream on Bandcamp now, and make sure you catch Electric Pets live at their first headline show on 18th November at West Hampstead Arts Club.

Track Of The Day: Panic Shack – ‘Meal Deal’

Arriving just in time for Christmas sandwich season, the latest single from Cardiff’s Panic Shack celebrates the humble meal deal. Much like a bag of fancy crisps, ‘Meal Deal’ is two and a half minutes of pure joy. The crunchy bass and frenetic drums give off a proper punk energy, while the band’s yelping vocals make for an instant earworm. It’s both energetic and effortless, kind of reminiscent of Amyl and the Sniffers (if Amyl and the Sniffers were Welsh and harboured a love of cheap sandwiches).

‘Meal Deal’ is a stupid amount of fun, but Panic Shack don’t shy away from sharing an important message. The chorus of “Feed me, I’m fucking hungry!” and lyrics that explore the realities of working in an undervalued, underpaid job are a painful reminder of how tough life is at the moment (as if any of us could forget). It’s political, but a proper party banger too.  

Panic Shack’s passion – and their rage – is infectious. Following the successful release of their sold-out debut EP, Baby Shack, and with acclaim from the likes of BBC 6Music’s Steve Lamacq, I can’t wait to see the band spread it even further over the coming months. We need them! 

Baby Shack, the latest EP from Panic Shack, is out now – order here. Catch Panic Shack live on their upcoming headline tour, or supporting faves Yard Act later this year. Details here.

Vic Conway
@thepicsofvic

Photo Credit: Ren Faulkner