PLAYLIST: September 2020

It’s been another testing month, filled with more government Covid-19 “rule” changes and unwanted opinions on social media, but we’re determined to keep our spirits up by listening to some of our favourite women and non-binary artists. September’s GIHE playlist is filled with an eclectic mix of alt-pop gems, frenzied guitar anthems, indie tunes and alternative new sounds. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Noga Erez – ‘You So Done’
An emotionally charged offering from a resilient and uncompromising artist, Noga Erez’s latest single is accompanied by a stunning set of visuals directed by Indy Hait. The Tel Aviv based artist delves deep into the memories left behind by a toxic relationship, making this her most personal release to date. She’s yet to share something that we don’t collectively adore here at GIHE, so expect to see her name on all future playlists! (Kate Crudgington)

Eilis Frawley – ‘Stats’
The poignant new single from GIHE fave Eilis Frawley, ‘Stats’ offers a completely unique soundscape from the classically trained percussionist. Kicking off with an arresting drumroll, it quickly picks up the pace moving into bold, Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. ‘Stats’ is out now via faves Reckless Yes. (Mari Lane)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Embracing production duties for the first time on her new EP, how to: make a kitsch pop song to show the world, Æ MAK – aka Aoife McCann – made this record during the Covid-19 lockdown period with “100% childsplay and solo belly laughs”. This single in particular showcases her delightfully carefree, vibrant attitude when it comes to letting go of performance qualms and focusing on making music that makes you feel good. (KC)

HANYA – ‘Texas’
The latest single from Brighton’s Hanya, ‘Texas’ is propelled by a dreamy haze, as it flows with twinkling hooks and the soaring, effervescent vocals of front person Heather Sheret. With shades of the lush surf-pop of Real Estate or Best Coast, it’s a shimmering slice of exquisite indie-pop oozing a blissful tranquility and spellbinding ethereal splendour. The perfect soundtrack to soothe these post-summer blues. Of the track, the band explain: “‘Texas’ was entirely written and recorded during lockdown, experimenting with working remotely as a group. The track explores the startings of a relationship – the head-over-heels uncertainty, the self-doubt and the desire to know each other entirely.” (ML)

Daniela Andrade – ‘Puddles’
A definite September highlight for me comes from Honduran-Canadian producer and musician Daniela Andrade. The track is called ‘Puddles’, it’s self-produced and it has been reverberating around my head since I first heard it. If you don’t start swaying when you hear this, something is wrong. This track was announced alongside details of her new EP, Nothing Much Has Changed, I Don’t Feel The Same, which is out on 30th September via Crooked Lid. (Tash Walker)

Komang – ‘DEWI’ 
I cannot get this song out of my head! It’s excellent. It comes from Melbourne artist Komang and is her debut release, endorsed by a mentorship with the amazing Sui Zhen. Komang is a multidisciplinary producer, performer and vocalist who blends soul-based groove and echoes of traditional Gamelan to create vibrant electronic RnB described as “neo-soul meets Balinese mystic power”. This track is lifted from her forthcoming EP Mythologies, which is set to be released later this year. There’s only one way to listen to this song and that’s very loudly with your eyes closed. TURN UP THAT DIAL. (TW)

Nina Cobham – ‘Solar’ (Bipolar Sunshine Remix)
I love this remix by Bipolar Sunshine of Nina Cobham’s ‘Solar’, it’s so goddamn sultry. Makes me hold onto those dreamy summers of years gone by… (TW)

Seraphina Simone – ‘Hollywood $$$’
The latest release from one of my faves Seraphina Simone, a song shining the spotlight on the glitzy, gritty, ghastly Hollywood. In her words, “’Hollywood $$$’ is about the Lynchian, fame-obsessive undercurrents of tinsel town, with its sirens, starlets, leeches & letches. It’s about that world of smoke and mirrors – where nothing and no one is really as it seems, and the world of celebrity – where we deify or demonise people into these superhumans or arch villains. Kim Gordon mentions ‘tarantula LA glamour’ in Girl In A Band, and that sums it up perfectly I think – the predatory darkness under the glitz.” Amazing description, I defy you to not think of Mulholland Drive or even Selling Sunset (for my sins) when you press play on this. (TW)

ZAND – ‘Slut Money’
A defiant, savage pop tune that celebrates self-autonomy, body positivity and sexuality, self-described “ugly pop” star ZAND takes aim at slut shamers on their latest single. They deftly defy the haters on ‘Slut Money’ through a combination of gritty beats, sweet vocals and candid rap verses. (KC)

Leikeli47 – ‘Zoom’
I’m ashamed to say I’m extremely late to the Leikel47 party, but I’m so glad I’ve now discovered the gritty, brutal wit of the bandana-clad Virginia born rapper. Following 2018’s epic album Acrylic, last month she shared ‘Zoom’. Holding nothing back, ‘Zoom’ showcases Leikel47’s swagger and tenacity with its glitchy beats, catchy hooks and lyrical wit, with references to ‘90s boy bands and her roots in the DMV area: “I ain’t the type of bitch to do a lot of barking/ And only thing I need validated is my parking/ I’m from the back street boy, where it’s very rare to link/ And if you using the wrong note/ We’ll put yo ass n sync…” I just can’t get enough of it. And if you too are new to the joy of Leikel47, I strongly suggest checking out singles ‘Girl Blunt’ and ‘Money’. (ML)

Tolü Makay – ‘Don’t Let Go’
An understated, beautifully soothing listen, Nigerian-born, Ireland-based artist Tolü Makay gently reassures her listeners to let go of their fears through her smooth vocals, tender lyricism and jazz inspired instrumentation on this reassuring track. (KC)

SUSU – ‘Work Song’
New York based SUSU have shared this epic guitar tune that powerfully demonstrates the deep civil unrest that’s simmering beneath the Covid-19 pandemic in the USA. The band explain: “This song is for US – the disenfranchised, black, brown, minority, middle class, poor, trans, gay, and subjugated communities stepping down off the auction block, breaking the stranglehold; saying: ‘If a house gets in my way, you know I’ll burn it down.’ As Nina Simone once said, ‘An artist’s duty, as far as I’m concerned, is to reflect the times’.” (KC)

MOURN – ‘Men’
A rallying cry against toxic masculinity and street harassment, Barcelona-based MOURN’s latest single is lifted from their upcoming album Self Worth, which is set for release on 30th October via Captured Tracks. The song is an honest, cathartic purge of the distrust and anger many women suppress on a daily basis when they’re intimidated in public spaces. (KC)

Francis Of Delirium – ‘Equality Song’
Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, Francis Of Delirium’s vocalist & guitarist Jana Bahrich penned this poignant track in the wake of the Brett Kavanaugh hearings. It’s a powerful, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society. (Just a heads up: there’s mention of rape/sexual assault) (KC)

Fightmilk – ‘If You Had A Sister’
The latest single from faves Fightmilk, ‘If You Had A Sister’ may be more sombre in tone than previous releases, as it oozes a swirling melancholy and heartfelt lyricism, but it loses none of the band’s trademark emo-tinged indie-pop goodness. Propelled by the gritty, raw emotion of front person Lily’s yearning vocals alongside scuzzy hooks and perfectly interwoven musical layers, it offers a shimmering reflection on life and loss. The band expand: “ … if there was ever a time for songs you can do ominous slow dancing to, it’s 2020.” ‘If You Had A Sister’ is out now via Reckless Yes. (ML)

Ailbhe Reddy – ‘Looking Happy’
Dublin’s Ailbhe Reddy has transformed the crushing sadness that comes with seeing your ex “enjoying” their life on social media without you, into a buoyant alt-folk gem. Lifted from her upcoming debut album Personal History, which is set for release on 2nd October, the track taps into the feelings of inadequacy we all experience when the FOMO unexpectedly hits us while scrolling through our ex’s newsfeed. (KC)

First Frontier – ‘Take Cover’
Having been creating music together since last year, South London duo Helena Poole (who has previously played for us at The Finsbury in her other band Macadamia Sluts) and Paul Stafford – aka First Frontier – pride themselves on choosing hope over fear and play over fight. Focusing on what we can control and devote positive energy to, debut single ‘Take Cover’ is propelled by scuzzy hooks and thrashing beats, creating a catchy slice of fuzzed-out garage rock, tinged with dark ‘80s nu-wave vibes and swirling harmonies. (ML)

Nadine Shah – ‘Ladies For Babies (Goats For Love)’
In the wake of another irritating tirade from “that” man-punk-band of the moment, I just wanted to take this opportunity to declare my love for Nadine Shah. Having released her immense latest album Kitchen Sink earlier this year, she completely blew me away when playing the BBC 6Music festival in March; one of the most immersive live performances I’ve ever witnessed, it’s simply impossible not to become utterly captivated by her unique charisma and the subtle, gritty power of her vocal delivery. I’d pay whatever it took to take her on tour with me… (ML)

Vanessa Richardson – ‘Spider’
This track is right up my experimental music street. It comes from Toronto/Montreal based Vanessa Richardson who is an experimental singer, songwriter and producer. I’ve listened to it non-stop since I heard it first, I love the loops, the deep vocals, the feverish percussion, it really creates this wonderfully dark intoxicating sound. Sublime. (TW)

Masma Dream World – ‘Theta’
This is the lead track from the upcoming album by Masma Dream World, the solo recording project of multi-disciplinary artist Devi Mambouka. Of the track, she explains: “From age 0-7, the human brain is in ‘theta,’ a state during which our minds can be programmed to believe anything. I became quickly aware of that programming growing up in the African country of Gabon, where, despite its Matriarchal roots, young girls are groomed to be wives and mothers only — there are no other options.” Mambouka wanted to create an anthem for these young girls, which developed into the otherworldly trip-hop song ‘Theta,’ driven by a deep sub-bass and kick drum. The lyrics, which are heard both forward and in reverse, translate to: “We are girls from central Africa. We are Gabomas!” Gaboma refers to a young hip Gabonese girl. As with the rest of her debut album, the music is designed specifically to awaken one’s power source from within, and it set for release on 25th September via Northern Spy. Incredible. (TW)

LibraLibra – ‘Listerine’
A step away from the usual high energy riotous cacophonies of the Brighton band’s previous releases, ‘Listerine’ reflects on lingering painful memories. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, the track oozes a glistening soulful majesty, creating a striking cinematic soundscape. With blissful twinkling keys providing the backdrop to Beth’s vocals, it’s filled with poignant, reflective lyricism as a raw, emotion-strewn power builds to a magnificent, immense anthem of self-realisation. ‘Listerine’ is taken from LibraLibra’s new EP, Hail Mary, out now. (ML)

Balraj Singh Samrai, Pandit G Gavsborg, Farah Amad Khan, Shanique Marie, Tunde Adekoya, Vikaash – ‘I should have hugged you tighter when we last met (Oh What A Joy)’
This piece was made in June of this year with the help from Opera North’s artist development programme, Resonance: The Lockdown Edition. Combining  music and spoken word to document life  during the COVID-19 pandemic and its impact on  communities of colour, Samrai initially produced an instrumental which tabla player Vikaahsh Sankadecha added South Asian percussion rhythms to. Equiknoxx member Gavsborg then penned a poem for the track, and Farah Ahmad Khan added her own spoken word contribution. The accompanying video is so powerful and was made by the Rainbow Collective, go check it out and raise the profile of this track. This is documentary art at its best. (TW)

 

PLAYLIST: Pride 2020

With no marching, no gatherings and no physical prides this year, it’s more important than ever to remember why Pride started. Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the black and transgender and gender non-conforming communities.

This period of lockdown has been, and is an incredibly difficult time for everyone, with increasing levels of anxiety, isolation and loneliness. Switchboard LGBT+ Helpline, where I am Co-Chair, has seen a 40% increase in contacts to their services, and a 42% increase in people who are transgender and gender-non conforming getting in touch. People have been reaching out for support all across the LGTBQIA+ communities, from young people feeling the pressures of the closure of schools, to trans people self-isolating within transphobic families, to the elderly – an already isolated group – who felt they may not see a friendly face for a very long time.

The lockdown has had an unimaginable impact on all of us, especially folx from marginalised communities – magnifying any existing situation people may be in from domestic violence to transphobia, biphobia, homophobia but especially loneliness and isolation. Something members of the LGBTQIA+ communities have been battling heavily against for a while now.

What Pride means to everyone within the LGBTQIA+ communities will be different, but as a queer person I stand and I protest for every single one of those people’s rights. For LGBTQIA+ rights, for anti-racism, for black people, for people of colour, for transgender and gender non-conforming people and every intersectionality in-between. We have to learn from our history and we have to work together where we support the human rights of each and every one of us. People should be free to live without fear of judgement or discrimination. People should not have to fear for their lives because of their sexuality, gender identity, race, socio-economic class, disability or religion.

If your pride flag doesn’t include black and brown stripes, it’s outdated. If your pride flag doesn’t include the transgender flag, it’s outdated. So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone, but most importantly, black lives matter, trans lives matter, black trans lives matter.
Tash Walker (Co-Founder of GIHE & Co-Chair of Switchboard)

 

The GIHE grrrls have put together a playlist full of their favourite LGBTQIA+ artists to help celebrate Pride 2020. Read about their choices below and scroll down to the end of the post to listen to the playlist on Spotify

Janelle Monae – ‘Pynk’
A brash celebration of creation. Self love. Sexuality. And p-ssy power! Need I say more. (Tash Walker)

Amaroun – ‘Perish’ 
Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality, and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. It’s one of my faves. (TW)

Foxgluvv – ‘Desperately Seeking Susan’
A sparkling, sultry tune inspired by the 1985 film of the same name, ‘Desperately Seeking Susan’ is another example of Foxgluvv’s natural ability to create “hungover pop” tracks that celebrate her queer identity. We’re big fans here at GIHE. (Kate Crudgington)

TABS – ‘Love Like This’
We had the pleasure of having TABS on our radio show back in 2019, where she sang the original of ‘Love Like This’ and we savoured every moment. Whilst signed to major labels (Polydor, BMG) TABS felt misunderstood. As a club promoter of Butch, Please! – an amazing lesbian club night which we love – she connected with butch lesbians all over the world and began the journey of making her EP of the same name. Seeking authenticity, she self-released this EP with the support of her queer community, and we are so glad she did. (TW) 

Lido Pimienta – ‘Eso Que Tu Haces’
When I interviewed Lido Pimienta earlier this year, she described herself as “the grey area” in Colombian culture – “but very gay, very queer, very feminist.” I’ve been captivated by her music and her artistic vision since listening to her second album Miss Colombia, and feel that no-one else makes electronic music sound as warm and meaningful as she does. (KC)

Arlo Parks –  ‘Black Dog’ 
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. Her latest release ‘Black Dog’ is no different, a frank, heartbreaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. From talking, to supporting, to asking and reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can encourage and show people that asking for help is a sign of strength not weakness, the more we can combat these rising numbers. (TW)

Brown Belt – ‘Lamplight’
Brown Belt self-described as the non-binary boi band of your dreams, and we couldn’t agree more. I’ve only just come across them with their latest release ‘Lamplight’ a super catchy number, with a rad video to accompany it. Looking forward to hearing more from this trio, certainly ones to watch. (TW)

Personal Best – ‘This Is What We Look Like’
Headliners at one of our last Finsbury gigs, Personal Best perfectly brand themselves as “classic rock for tragic lesbians”. Closing their set for us in December, front person Katie dedicated this track to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see /’cause this is what we look like”, the poignancy of the lyrics in these uncertain times was overwhelming, and an empowering sense of unity took hold as the crowd danced and sang in solidarity. A perfect anthem for love between anyone and everyone. (Mari Lane)

Bitch Hunt – ‘Spaceman’
Since first meeting at Roller Derby, London based all queer/non-binary band Bitch Hunt formed at First Timers Fest, and have been going from strength to strength ever since. Filled with catchy, scuzzy hooks, a subtle tongue-in-cheek wit and the gritty deadpan vocals of front person Sian, ‘Spaceman’ is an observational and relatable slice of punk-pop. A spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives. An uplifting raging anthem inspiring us all to take those men down a peg (or four). (ML)

Kermes – ‘Time To Shut Him Up’
Self proclaimed “anxious rock for the gay agenda”, Leicester band Kermes were due to headline for us at The Finsbury in August, and I’m desperately hoping we can get this rescheduled for as soon as it is safe to do so! Addressing issues such as gender dysphoria, sexism and dysfunctional relationships, their infectious emotion-strewn punk-pop oozes a raw, angst-driven energy and scuzzy shimmering power. ‘Time to Shut Him Up’ is taken from Kermes’ 2018 album, We Choose Pretty Names. (ML)

Ms Mohammed – ‘Pandora’
‘Pandora’ and its rolling, rumbling drums – such a tune by Ms Mohammed who we had a total blast with in the Get In Her Ears studio last year. As well as being an artist in her own right, Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBTQIA+ rights and visibility, Ms Mohammed is challenging prejudice through her music and we stand by her every step of the way! (TW)

Le Tigre – ‘Hot Topic’
Pioneers of queer culture and ultimate faves, Le Tigre’s ‘Hot Topic’ is a celebratory ode to those who’ve inspired us. Paying homage to some queer feminist champions of the ‘90s and earlier, it’s an empowering and joy-filled protest in the face of adversity. (ML)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people. Planningtorock and their music, has unquestionably helped me on my own gender identity journey and I’m sure many others. (TW)

Bishi – ‘Who Has Seen the Wind’
Last year as part of the Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. An incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

Blonde Maze – ‘Hold On To Me’
NY based GIHE fave Blonde Maze consistently writes heartfelt shimmering electro-pop reflecting on life and love. Taken from last year’s EP Hold On, ‘Hold On To Me’ is an example of the utterly enchanting euphoric soundscapes Blonde Maze is capable of creating. I listen to Blonde Maze whenever I need to feel calm; I just can’t get enough of the iridescent hooks and blissful, emotion-filled romanticism. The perfect soundtrack if you need to take a break this Pride to stop and refuel before continuing to protest, organise and celebrate. (ML)

Husk – ‘Below The Neck’
“I would never change being trans. I would never change being a trans musician. And the industry should support us. Book us. Play us. Listen to us. We have so much to offer.” A poignant sentiment this Pride from Trans, Non-Binary artist Husk, who combines ’80s synth-pop nostalgia with fresh leftfield pop to create their signature sound. A colourful, high-energy offering, recent single ‘Below The Neck’ is the perfect danceable anthem for any Pride party – though, for now, sadly, dancing around your bedroom/living room to it will have to do. (ML)

Bronski Beat – ‘Smalltown Boy’
This track was released in 1984 at the beginning of the AIDS crisis by openly gay Bronski Beat, ‘Smalltown Boy’ is a heartbreaking story given an empowering beat. In 2020 it may feel like we have come so far from the height of the AIDS epidemic in the 80s and 90s but those lost will never be forgotten, and we, the LGBTQIA+ communities still live with the impact today. (TW)

Lady Gaga – ‘Born This Way’
I know I add this Gaga track to our GIHE Pride playlist every year, but it’s such a BANGER and so fun to dance to. She’s always celebrating being the best version of yourself, and for that reason, I can’t leave Gaga out! (KC)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

Princess Nokia – ‘Sugar Honey Iced Tea’
Openly queer rapper and all round inspiration, Destiny Nicole Frasqueri – aka Princess Nokia – writes powerful, feminist anthems promoting self love and body positivity. A strong advocate of intersectional feminism, having founded the Smart Girl Club with Milah Libin, a podcast where she discusses healthy living and urban feminism, Princess Nokia offers a hopeful and empowering presence in these times when pushing for change is so important. (ML)

Lotic – ‘Burn A Print’
Born in Houston USA but now a familiar face on the Berlin underground club and electronic music scene, Lotic (aka J’Kerian Morgan) shared her debut album, Power, in 2018. The record showcased her vocal and songwriting abilities for the first time, consolidating her skills into a coherent message about transforming fear in to fierce autonomy. ‘Burn a Print’ continues this narrative, as Lotic explains: “to burn your print into this Earth, because when you go, you need to remind the future bitches that you was here.” (KC)

Mykki Blanco (feat. Devendra Banhart) – ‘You Will Find It’
Queer pioneer and musician/rapper extraordinaire, Mykki Blanco has been an inspiration for the GIHE team for quite some time, and their voice is more poignant now than ever. ‘You Will Find It’, their latest offering, oozes a glistening, soulful splendour as shimmering hooks and swirling atmospherics provide the backdrop for Blanco’s trademark gritty power. Replacing their usual glitchy energy with a soothing aura, they have created a perfect tranquil interlude; an alluring soundscape to immerse yourself in and find blissful cathartic release. (ML)

kate can wait – ‘to be alone with you’
Molly Kate Rodriguez – aka kate can wait – is a collective member of Grimalkin Records, a US-based benefit label and queer artist collective. Rodriguez lives in Guayanilla, Puerto Rico and she crafts dark, haunting folk sounds. She’s not on Spotify, but you can listen to ‘to be alone with you’ via bandcamp. (KC)

Phantómódel – ‘Passing Through’
Another band on Grimalkin Records‘ roster, Phantómódel are a post-punk three-piece who explore the internal struggles of gender dysphoria and body image, systemic oppression and mental health through their dark sounds. Phantómódel describe themselves as a “TRANS GOTH POWERHOUSE of darkness dismantling white supremacy at every turn. We are phantoms of the night, goblins who lurk in the shadows, and demons of chaos and magic, here to enchant everyone we meet.” (KC)

Gordian Stimm – ‘Miscellaneous Body Parts’
The solo project of Maeve Westall of itoldyouiwouldeatyou, Gordian Stimm’s sound is visceral, distorted, yet at times totally dance-able. They remind me a little of early Passion Pit or Crystal Castles, and I recommend listening to their debut album, Your Body In On Itself, released via Amateur Pop earlier this year. (KC)

Perfume Genius – ‘Jason’
Having been a huge fan of Perfume Genius for many years now, it’s been wonderful immersing myself in his poignant latest album, Set My Heart On Fire Immediately. Reflecting on a one night stand he had with a straight man over fifteen years ago, ‘Jason’ resonates with its twinkling musicality, nostalgic lyrical story-telling and the raw emotion of Hadreas’ trademark heartstring-tugging vocals. Throughout changes in his musical style over the years, Perfume Genius never fails to captivate and inspire. (ML)

Antony & The Johnsons – ‘My Lady Story’
A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice that we need now more than ever. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on the GIHE radio show, and included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

 

ALBUM: Gordian Stimm – ‘Your Body In On Itself’

A raw, experimental new offering; Gordian Stimm‘s debut album, Your Body In On Itself, is a vivid electronic exploration of bodily autonomy. Released via independent Leicester-based label Amateur Pop, Stimm (aka Maeve Westall of itoldyouiwouldeatyou) has crafted six unpredictable, intriguing soundscapes that range from uplifting and melodic, to sparse and unusual.

At times reminiscent of early Passion Pit or Crystal Castles, Stimm’s record is a visceral collection of distorted, yet dance-able beats. Opener ‘Bleeding Out In a Septic Tank’ hosts six dense minutes of erratic synth textures, and a blend of both mangled and clear vocals, that will either alienate, or invite listeners in to their obscure vision. The edgy, disjointed beats and scratchy, soaring electronics of ‘Pia Mater (Sorry Mate)’ see Stimm extrapolating on the “retail price of emotional labour” and the fear of failure with an unexpected buoyancy.

The ominous, yet oddly uplifting ‘Miscellaneous Body Parts’ shows Stimm at their best; mixing the foreboding and the freeing together in one track. The dark, yet humourous images of tapeworms burrowing into spines on ‘The Very Best Of Friends’ provides a strange distraction, before the crashing beats and overlapping vocals of penultimate track ‘Song For Self Help’ disorientates listeners further. The atmospheric, kaleidoscopic sounds of ‘Synthetic Retinas’ close the record, stimulating the senses right until the last beat.

There’s an enjoyable violence underscoring Stimm’s vision; a gleeful, sometimes painful dissecting of the self, and the social cues that either help construct or dismantle it. Your Body In On Itself is a bold, surreal listen from a bold, surreal artist; and one we highly recommend.

Follow Gordian Stimm on Spotify and Bandcamp.

Photo Credit:@trashjinni

Kate Crudgington
@KCBobCut