Get In Her Ears @ Notting Hill Arts Club w/ ESYA 30.11.19

Get In Her Ears returned to Notting Hill Arts Club to host another evening of alternative music, headlined by the multi-talented ESYA (Ayse Hassan of Savages/Kite Base/180 db). South London duo Scrounge shared the bill, as we as spoken word artist & drummer Eilis Frawley.

The task of opening the night fell to Berlin-based Eilis, who delivered her unique cacophony of live drums, electronic elements and spoken-word lyrics with captivating precision. Performing singles ‘Strangers’ and ‘Illusions’ (both championed by Radio X’s John Kennedy, who was in attendance), her one woman show felt all the more powerful, as many of her songs are informed by feminist beliefs that align perfectly with GIHE.

Scrounge took to the stage next to perform their savage post-punk noise. Lucy & Luke’s live sets are always a raw, urgent affair; and we felt every beat of tracks ‘Badoom’ and ‘Purpose’. The duo released their EP Ideal, earlier this year, and it’s barely left our ears since. They’re firm favourites of GIHE, and their heavy guitar riffs and knockout drumming sat perfectly between Eilis & ESYA’s sets.

  

Headlining the night and performing her last London show of 2019, ESYA hypnotized us with her dark, brooding electronics. Filled with buzzing synth textures, direct vocals and pummeling beats; her songs flesh out the absurdities of our relationships and interactions with each other. Set highlights included ‘Nothing’, ‘Everything’, and brand new single ‘Blue Orchid’, lifted from her recent EP, Absurdity of ATCG (II) – Emergent Form. She multi-tasks triggering synths, performing  vocals, and plucking bass strings throughout the set, and she’s met with deserved cheers and applause at the end of the show.

Huge thanks to the sound engineer and staff at Notting Hill Arts Club.

Follow the bands on Facebook for more updates: ESYA, Scrounge, Eilis Frawley.

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut

Video Premiere: Eilis Frawley – ‘strangers’

Following the success of debut single ‘illusions’, and already receiving acclaim from the likes of Radio X’s John Kennedy, Berlin-based artist Eilis Frawley (Party Fears, I Drew Blank) has now shared a poignant new offering.

Fuelled by jangling percussion and whirring glitchy beats, ‘strangers’ reflects on the different, and often troubling, dynamics of relationships. As the subtle, commanding power of Frawley’s poetic spoken word lyricism flows, the track builds to a psychedelic electronic soundscape, oozing a swirling emotion and sparkling, ethereal majesty. Fusing together innovative layers of instrumentation and speech, it’s a wonderfully unique cacophony, with a truly stirring sentiment that resonates deeply: “Your turbulent past running full speed for our future / hands around our throats.”

Of the track, Frawley explains:

strangers‘ is about the various stages of relationships, how quickly my mind can jump to conclusions whether they are realistic or made up, how vulnerable and anxious I often feel in romantic relationships, and the insecurities they raise within me. We’re constantly creating rituals to build strong relationships, and at the end they are often the only thing left.

Watch the eerily captivating new video for ‘strangers’ now:

‘strangers’ is out on 6th December, taken from Eilis Frawley’s upcoming debut EP, Never Too Emotional, set for release in early 2020, both via Reckless Yes.

Make sure you catch Eilis Frawley live tomorrow night, playing for us at Notting Hill Arts Club, supporting ESYA. Tickets £8 from DICE

Mari Lane
@marimindles

WATCH: ESYA – ‘Blue Orchid’

“I only came here for the meat” broods ESYA on her latest track ‘Blue Orchid’, lifted from her new EP Absurdity of ATCG (II) – Emergent Form, released in digital form today (15th Nov). Filled with buzzing synth textures, direct vocals and pummeling beats; the song fleshes out the absurdities of our relationships and interactions with each other.

ESYA (aka Ayşe Hassan of Savages/Kite Base/180dB) has been busy cutting her teeth on the solo electronic music circuit since the release of her debut EP, Absurdity Of Being, in 2018. The first of a trio of records, Absurdity of ATCG (I), followed shortly after, and her latest release Absurdity of ATCG (II) – Emergent Form, now completes her “wonky exploration” of alternate personas.

Laced with themes of acceptance and growth, ESYA’s music is a captivating blend of experimental electronics and urgent lyricism. ‘Blue Orchid’ extrapolates on these elements, as do the other six tracks on the new EP. They’re also underscored by a scientific idea, as ESYA explains further:

“This EP is about becoming the next version of yourself, about engaging in the process of coming into being, or becoming prominent…ATCG refers to the building blocks in human DNA, that set the foundations of what we will be before we take our first breath along with the absurdity we encounter in the life/society we are born into. The intention is to be honest, abrasive and direct, confronting the things we fear the most.”

We can’t wait for ESYA to headline our next gig at Notting Hill Arts Club on Sat 30th November. Tickets are available on DICE, and you can find all the event info here. Watch the video for ‘Blue Orchid’ below (directed by Alex Keegan), and grab a copy of ESYA’s new EP on vinyl here.

Kate Crudgington
@KCBobCut

Get In Her Ears @ Notting Hill Arts Club w/ ANNAVR 22.06.19

The sun was shining bright yesterday, but that didn’t deter us from venturing in to the basement of Notting Hill Arts Club to uncover the hypnotic electronica of three very different artists: ANNAVR, Zoey Lily & Death Hags.

The task of opening the night fell to LA based artist Death Hags, who delivered her dark, opulent, sci-fi inspired sounds beneath flickering stage lights. Her understated but confident delivery meant the obscurities of tracks such as ‘Oublie Moi’ and ‘Electrochemical Communication’ could be fully appreciated by listeners as she performed her one woman show.

Zoey Lily took to the stage next to perform her melancholy pop sounds. The London-based newcomer charmed listeners with her soft, elegant vocals and impressed them with renditions of her singles ‘I Wish I Had A Heart’ and ‘Hate You’. She looked especially pleased when the crowd participated in singing along to one of her tracks too.

Headlining the night and performing for her first time in London, Berlin-based producer ANNAVR melted us with her luscious electronic soundscapes. Originally a classically trained pianist, ANNAVR’s skills have transcend the pop barrier and have blossomed in to a mix of uplifting and distracting sounds. Between songs she spoke about how she relied on music whilst growing up in Berlin to express herself and to take her to new places, and we were proud to give her a platform to share her sounds and her stories.

Huge thanks to the bands, sound engineer and the staff at Notting Hill Arts Club for your help. Keep your eyes peeled for more gig announcements from us soon!

Follow the bands on Facebook for more updates: ANNAVR, Zoey LilyDeath Hags.

Kate Crudgington
@KCBobCut

Get In Her Ears Live @ Notting Hill Arts Club w/ Foxgluvv 16.03.19

Get In Her Ears returned to Notting Hill Arts Club on Saturday night to host another successful evening of alternative and electronic music. Headliner Foxgluvv was joined by Party Fears and Grapefruit who performed their sounds to a buzzing, appreciative crowd.

First up were five piece Grapefruit, who delivered their dreamy and intoxicating blend of atmospheric guitar tunes with enviable intricacy. Frontwoman Angela’s captivating vocals were especially impressive on singles ‘Colder’ and the band’s latest release ‘Black and Blue’, but collectively the group were mesmerising to watch. Guitarist Grace broke a string but Party Fears came to her rescue….

The Berlin-based duo took to the stage afterwards and played a raucously enjoyable set filled with disco-punk bangers. Joined by their friend Sean on bass, Maggie (guitars & vocals) & Eilis (drums) played a knockout set which featured their latest single ‘Sun King II’, delivered with an energy and charisma that won over the crowd in a heartbeat.

Closing the night was “hungover pop” artist Foxgluvv, who was joined on stage by producer Scott. The pair clearly enjoyed playing and singing to every beat, as they danced away to their buoyant and infectious tunes. ‘Fries’ and ‘Expensive’ were definite set highlights – during ‘Expensive’ Foxgluvv even brandished her own personalised dollar bills and showered the crowd with them. Her soft vocals and sassy attitude worked perfectly together, cementing her as a firm Get In Her Ears favourite.

Huge thanks to the bands, sound engineer and staff at Notting Hill Arts Club. Keep your eyes peeled for more gig announcements from us soon!

Photo Credit: Jon Mo Photography

Get In Her Ears Live @ Notting Hill Arts Club w/ Alyss 01.12.18

Get In Her Ears returned to West London’s Notting Hill Arts Club on Saturday night to host another successful night full of alternative electronic music. For our second gig at the venue, we chose Alyss to headline; with support coming from the brilliant Elsa Hewitt, Temples of Youth and Varley.

First up were Berlin-based trio Varley, who played a beautiful stripped back set to an appreciative, respectfully quiet crowd. Vocalist Claire-Ann Varley’s gentle, clear voice was perfectly accompanied by the acoustic & electric guitar sounds of bandmates Matthias Heising & Joschka Bender. When she cautiously asked for a little audience participation during one particular song, she was rewarded with attempts to mimic her soft voice, and the trio left the stage to well deserved and rapturous applause.

 

 

Up next were our favourites, electronic duo Temples Of Youth, who (as always) performed a stunning set. Jo & Paul’s blend of old and new songs – including ‘Darker Places’, the title track from their latest EP – captivated the crowd with their ambient guitar sounds and Jo’s standout vocals. We never tire of seeing these two live, and we were thrilled to have them on the bill with other talented electronic artists.

Penultimate act Elsa Hewitt was a one woman music machine. She played a hypnotising set, which included her latest single ‘Invisible Threads’. It’s always a pleasure to watch artists lose themselves within their own sound, and watching Elsa perform her intricate tuning and triggering, whilst simultaneously performing her soft vocals so seamlessly was a genuine pleasure to witness. We were so caught up in her soundscapes we lost track of time, and as we gently ushered her set to a close, electro-pop Queen Alyss took centre stage.

Clad in a shiny cape and black-rimmed hat, headline act Alyss dominated the stage with her powerful vocals and uncompromising attitude. Performing as a one woman band, she had the room packed full of fans who were dancing along to her pop hooks and bouncing beats.

Huge thanks to the bands and to Notting Hill Arts Club, and extended thanks to all those who donated their spare change on the door to National AIDS Trust on #WorldAIDSday – we appreciate your generosity!

Keep your eyes peeled for more gig announcements from us soon.

Photo Credit: Jon Mo Photography

Get In Her Ears w/ AyOwA 02.08.18

Fresh from their first night at Notting Hill Arts Club, Tash and Kate were back in the studio with heaps of new music from the likes of LIERS, Bess Atwell, Pi Ja Ma, Temples Of Youth, Value Void & Bugeye.

Plus, Tash aired her pre-gig interview with Get In Her Ears favourites AyOwA!

Listen back to the show here: