PLAYLIST: October 2025

The Get In Her Ears team have put together another eclectic mix of alt-pop & indie gems, reverb-drenched guitar tunes, DIY punk bangers, electronic musings & intriguing experimental sounds for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

ARXX – ‘W.I.P’
GIHE are always excited when total faves ARXX share a new tune and the latest offering from the Brighton duo feels particularly special. With a gloriously catchy, country-inspired energy, ‘Work In Progress’ (WIP) offers a rousing, empowering anthem; a comforting acknowledgement that we still have a way to go, a subtle reassurance that it’s ok to have imperfections: “It’s about trying. It’s about getting it wrong and getting it right but finding the beauty in the process.”

Another instant earworm from Hanni and Clara, the release coincides with the band being featured on the soundtrack to the new Sally Wainwright drama Riot Women. It’s certainly an exciting time to be an ARXX fan and they truly deserve every bit of success that comes their way. They’re one of the hardest-working, and most lovely bands in the world.
(Mari Lane – Managing Editor)

Beauty Sleep – ‘You (You’re All I Wanted)’
Following the release of their glistening debut album, The Whole Damn Cake, Northern Irish radical alt-pop duo Beauty Sleep have shared a wonderfully euphoric new single. Shimmering with all the lo-fi hooks and scuzzy uplifting energy you could ever desire, ‘You (You’re All I Wanted)’ is “a love letter to failing and not giving up” – a perfect example of the empowering queer spirit of the band. Watch the wonderfully wacky video below and make sure you nab tickets to catch Beauty Sleep headlining for us at The Cavendish Arms on 27th November! With support from glitch-pop faves Dream Phone and pioneering songwriter Lein Sangster, it promises to be a pretty dreamy night. Tickets on DICE now and are always cheaper in advance. (ML)

congratulations – ‘This Life’
Full of chaotic tempo shifts, cathartic beats and relatable lyrics, ‘This Life’ by Brighton-based four-piece congratulations is a much needed distraction from the monotonous nature of the everyday routine. It’s taken from their debut album, Join Hands, which is due on 13th February 2026 via Bella Union. The band describe it as “a bombastic ode to first world problems and that feeling of losing at life before you’ve ever gotten out of bed.”
(Kate Crudgington – Features Editor)

Lala Lala – ‘Does This Go Faster?’
Having just signed to legendary label Sub-Pop, Lillie West aka Lala Lala has now shared a sparkling, synth-driven new single. Drenched in West’s rich, syrupy vocals and twinkling hooks, ‘Does This Go Faster?’ is steeped in a raw, stripped-back emotion as it flows with beautifully existential meanderings. (ML)

Marina Yozora – ‘Touché’
I was so pleased to discover this tender dream-pop tune by Japanese-born, London-based songwriter Marina Yozora in my GIHE inbox earlier this month. She describes ‘Touché’ as a “love letter” to her friends and fans, which she softly communicates through her delicate vocals, emotive lyrics and atmospheric guitar tones. I’m really excited to hear more new music from her in the future. (KC)

Jouska – ‘California’
Another graceful, shape-shifting offering from Norwegian songwriter and producer Jouska here, lifted from her recent album, How Did I Wind Up Here? ‘California’ is a hazy reflection on her first visit to Los Angeles and “finding calm in unexpected places”, which she explores through her lilting melodies, soft vocals and bittersweet lyrics. “I have a complicated relationship with the U.S.A, especially now,” Jouska elaborates. “There’s so much about it that I find difficult and a lot I still don’t fully understand. But that first visit stayed with me. It gave me space when I had nothing left to give, a strange kind of calm in the middle of everything falling apart.” (KC)

skullcrusher – ‘dragon’
Another disarming, wistful release from American indie artist skullcrusher here. Taken from her new album, And Your Song Is Like A Circle, ‘dragon’ is a song about disassociation and how, as skullcrusher so eloquently explains: “It is a heavy thing to feel the weight of living and pull yourself back to earth.” (KC)

Dogviolet – ‘Now’
The latest single from long time GIHE faves Dogviolet, who were one of the eight bands who played our 10th Birthday all-dayer at The Cavendish Arms last month. The dreamiest of days! Talking of dreamy, this new single showcases the band’s ability to create utterly dreamy soundscapes as its swirling dark majesty caresses the ears with a soaring, gritty splendour. Of the track, Naz from the band explains: “This song is about feeling so consumed by thoughts of the past and the future that you’re unable to move forward with your life, mentally trapped in a cycle of regret and nostalgia.” (ML)

Talking Violet – ‘Destroy’
Having been big fans of Talking Violet since first coming across their immersive “dreamo” sound back in 2018, the Ontario band have since been making waves and garnering acclaim for two sonically expansive albums, and it’s lovely to have another gorgeous track of theirs back in our ears. Rippling with a swirling, shoegaze-tinged allure and shimmering haze, ‘Destroy’ offers an stirring reflection on loss and acceptance. Of the track, songwriter and vocalist Jillian Goyeau explains: “(it’s) about closing a chapter in my life…before moving on I kinda needed to say goodbye…It’s me finally accepting that people can both love you and hurt you at the same time and vice versa.” (ML)

Red Ivory – ‘Crashing Down’
South London four-piece Red Ivory are new to team GIHE, but we’re already big fans of their brooding, distorted sound. Band members Eiliyah, Berry, Frida and Ivy began playing together in 2021 aged fourteen in their secondary school music rooms. Since then, they’ve been honing their skills and developing their songwriting, which has resulted in their upcoming EP, Please Leave, I Need To Wake Up Now, due on 28th November. ‘Crashing Down’ is the opening track on the record and it’s a dizzying reflection on the heightened state of anxiety that can arise when you’re under the influence. (KC)

THE NONE – ‘Pigs Need Feeding’
On one of our recent Soho Radio shows, I declared that punk-inspired four piece THE NONE were one of “the best live bands I’ve ever seen” and I stand by that statement. Kai Whyte is a formidable front person, backed by the cacophonous, momentous sounds of their talented bandmates Gordon Moakes, Jim Beck and Chris Francombe.

The band recently pressed their first two EPs, MATTER AND CARE, to vinyl and released them through Zennor Records. ‘Pigs Need Feeding’ is one of my favourite tracks, full of Kai’s raging reflections on their conflicting feelings about self-intoxication. “I was feeling some sort of shame about my vices, but it was juxtaposed with the knowledge that actual killers don’t feel any,” Kai explains. “I like a drink, but there are certain powerful people and organisations literally arming terror states that kill kids. Maybe I’m not the scumbag.” (KC)

Pinkshift – ‘Authority Problem’
Following gritty recent single ‘Vacant’ back in July, Maryland punk-rockers Pinkshift are back with the fierce, raging energy of ‘Authority Problem’. Propelled by an immense seething power and the raw searing force of front-person Ashrita Kumar’s vocals, it’s a perfect anti-establishment anthem: “”Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath,” (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album. (ML)

Gravey – ‘Blessed With’
Following a five year hiatus, South London duo Soraya Fernandez and Nick White aka Gravey have now joined forces with bassist Myles Morgan and drummer Jonny Jurassic for an epic return to form. Reflecting on the complications and unpredictability of love, ‘Blessed With’ combines a dark, immersive groove with a raw punk-tinged passion. (ML)

Breakup Haircut – ‘I’m Okay (I Lied)’
Having been big faves since they formed at First Timers Fest many years ago, Breakup Haircut played for us at New River Studios recently supporting Strange New Places and – despite being a person down, as Ishani had hurt their ear the day before – Ripley, Delphine & Jordan still managed to put on an absolutely fantastic show! Their brand new single ‘I’m Okay (I Lied)’ is a perfectly catchy slice of punk-pop that comes ahead of their upcoming second album, No Worries If Not, out on 28th November via INH Records. (ML)

No Other News – ‘Flowers’
I was pleased to find a lovely email from Laura, vocalist & bassist of Italian indie-pop trio No Other News, in my GIHE inbox earlier this month. Based in Milan, the band – whose name is a reference to a line from the acclaimed film, The Banshees of Inisherin – write songs that are inspired by “universal themes like insomnia, awkward tenderness, and using someone else’s toothbrush to clean the kitchen sink.” I love the juxtaposition of bittersweet lyrics and playful indie melodies on this single ‘Flowers’. (KC)

 

Wax Jaw – ‘Creepshow’
Philadelphia five-piece Wax Jaw create emotionally charged guitar tunes that purge suffering and express joy simultaneously, and this track ‘Creepshow’ is the epitome of that ethos. It’s taken from their debut album, It Takes Guts!, which the band released via Born Loser Records earlier this month. The band revel in the duplicitous nature of life, love, politics and sexuality, playfully reminding listeners that “the horrors persist, but so do we!” (KC)

CHERYM ft. Uninvited – ‘Sofa Bed’
A cute, queer collaboration between Derry stars CHERYM and new upcoming band Univited, ‘Sofa Bed’ offers a fizzing reflection on coming to realise you may have romantic feelings for someone you consider a close friend; a catchy sapphic anthem, interweaving sugar-sweet vocals and a fresh, punk-pop energy.

Of the collaboration, CHERYM share: “We’re both not ashamed to admit losing hours of our lives sat in front of the TV watching Kerrang! in the early 2000s. It’s safe to say we knew quite early on the exact type of collaboration we wanted to make and saw it as an opportunity to create something that would make our younger selves feel seen and valued. It’s McBusted but more homoerotic and way better looking.” (ML)

Charley Stone – ‘I’ve Gotta Know’
The first of three new songs recorded with The Actual Band, ‘I’ve Gotta Know’ showcases the endearing vulnerability and playful lilting energy of Charley Stone. Taking the listener on a journey through the emotional states of a hopeless romantic caught up in a situationship, it’s another example of Stone’s ability to craft a perfectly catchy indie-pop ditty. (ML)

Rival Queens – ‘Time Goes By’
Following grunge-tinged singles ‘Not Your Enemy’ and ‘Right Now’ earlier this year, London based artist Sally-Anne Hickman aka Rival Queens is back with a reflective new single to celebrate the release of her debut solo EP, Crown and Conquer. A stirring rumination on moments we can never reclaim, it slows with a haunting melancholy with scuzzy shades of the likes of Dum Dum Girls. (ML)

Francis Of Delirium – ‘Little Black Dress’
Luxembourg songwriter Jana Bahrich aka Francis of Delirium is back with this infectious new single, ‘Little Black Dress’, released to coincide with the end of her EU tour supporting Blondshell. Inspired by the feeling of not having your expectations match your reality, the track is an angst-ridden offering that Jana wrote in the hopes that the urgency would translate when she’s on stage; giving her fans a chance to indulge in the messy, chaotic realm of desperation and disappointment with her. (KC)

The Pains Of Being Pure At Heart – ‘Kurt Cobain’s Cardigan’
Not only does this song have one of the best titles ever, it’s just super beautiful. As beautiful as one of Kurt’s cardies, in fact. Oozing a fuzzy, nostalgic energy, it encompasses the whirring stripped-back emotion that shines through whatever The Pains Of Being Pure At Heart create. They explain: “We probably would have never gotten into the things we love if it wasn’t for Kurt telling all his 13 year old fans to ‘go check out The Vaselines, Beat Happening, and Teenage Fanclub’ – bands that have a pretty different sound to Nirvana, but shared a similar spirit.” (ML)

PINS – ‘I’ll Be Yours’
Manchester post-punk outfit PINS have returned with ‘I’ll Be Yours’, a gritty new offering inspired by the early emotions of falling in love and the expectations placed on women’s roles within romantic relationships. Vocalist Faith Vern considers ‘I’ll Be Yours’ to be one of the most “tender” tracks she’s written for PINS to date, but it still smoulders with the band’s trademark shadowy post-punk sensibilities. (KC)

Ezra Furman – ‘One Hand Free’
Taken from the same studio sessions as Goodbye Small Head, Ezra Furman’s acclaimed tenth album released earlier this year, ‘One Hand Free’ is her new standalone single. Flowing with twinkling keys and the distinctive raw emotion of Furman’s vocals, it offers a deceptively jaunty reflection on “feeling so bad you’re not sure what species you even belong to anymore.” A self-described slice of “loser-core kill-shot”, it showcases all the quirky spirit and strangely uplifting grace we know and love from the innovative artist. (ML)

Coral – ‘Garden’
Swedish songwriter Miranda Engholm aka Coral has returned with this bittersweet track inspired by feelings of disappointment and loneliness. ‘Garden’ is the first taste of what her upcoming new album will sound like, which is set for release in the Spring of 2026. Through her gentle indie-pop melodies and earnest lyrics, Coral gently dismantles her feelings and tries to make peace with the idea of “playing in the garden but without all of your friends.” (KC)

Ailbhe Reddy – ‘Align’
I’m so pleased that Dublin-born songwriter Ailbhe Reddy is back with new music! ‘Align’ is the first single from her forthcoming album, which is due in early 2026 on her new label Don Giovanni Records. I loved her previous albums, Personal History and Endless Affair, so I’m looking forward to hearing more from her in the near future. For now though, I’m content to listen to ‘Align’ on a loop. It’s a lilting, compassionate reflection on a big breakup, tentatively tracing how memories and emotions shift and soften over time. (KC)

feeo – ‘The Hammer Strikes The Bell’
Lifted from her debut album, Goodness, released via AD 93 earlier this month, I’m transfixed by this track from London experimental artist feeo. She describes her album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness” – something which is epitomised on ‘The Hammer Strikes The Bell’. Her calm, meditative voice and mixture of ambient & experimental sounds is strangely soothing here. (KC)

Hannah Schneider – ‘Lighthouse’
One half of acclaimed electronic duo AyOwA, Copenhagen-based artist Hannah Schneider is now set to release an innovative solo album early next year. Rejecting the use of AI in music, she recorded the record together with other musicians at a residency at the historical Thorvaldsens Museum. The first taste of the new album, ‘Lighthouse’ offers a glitchy soundscape, interweaving sparkling layers of sound alongside Schneider’s beautifully rich Beth Gibbons-reminiscent vocals. (ML)

Hilary Woods – ‘Taper’
An airy, shape-shifting soundscape that stirs the senses, ‘Taper’ beautifully showcases the versatile songwriting of Irish artist & composer Hilary Woods. Lifted from her upcoming new album, Night CRIÚ, which is set for release on 31st October via Sacred Bones (one of my favourite record labels), Hilary says ‘Taper’ is “a song that honours a presence to one that is absent. A love song that only a children’s choir could express fully.” Retaining her experimental spirit, but also seeing her return to a more song-based structure, Night CRIÚ is centered around Hilary’s vocals, which act as threads of connection to the past and the present. (KC)

Penelope Trappes – ‘The Mercy of The Hagetisse’
This slow-burning, haunting lament from the marvellous Penelope Trappes is the perfect soundtrack for a gloomy Halloween night. After sharing her poignant album, A Requiem, earlier this year, the Brighton-based Australian artist is set to share a companion piece, titled Æternum, on 31st October via One Little Independent Records. ‘The Mercy of The Hagetisse’ features on Penelope’s new record, which she summoned from a place of grief and intense emotional vulnerability. Throughout the track, Penelope explores the compassion and the cruelty of Hagetisse – a witch, seer, or hag in Old Dutch folklore – through her melancholic vocals, un-nerving electronic textures and steady, somber beats. (KC)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL

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PLAYLIST: October 2024

The Get In Her Ears team have put together another mix of alt-pop tunes, indie-folk musings, alternative, grunge & shoegaze sounds, punk bangers, eclectic electronic soundscapes and some Halloween themed Gloomy Grrrl tracks for your listening pleasure. Take some time to scroll through our selections below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

PostLast – ‘Halloween’
‘Halloween’ is an apt track to kick off our October playlist with, courtesy of Irish duo PostLast. Lifted from the band’s debut EP, Pull Me Into The Open Sea, released via Veta Records, Julie Hough and Stephen McHale tap into their “childlike sense of wonder” on this track. Through their unfiltered brand of dream-pop, PostLast offer listeners a space to enjoy feeling nostalgic, joyful and melancholic all at the same time.
(Kate Crudgington – Features Editor)

TTSSFU – ‘Studio 54’
I love the dark, cinematic allure of this track from Manchester artist Tasmin Nicole Stephens aka TTSSFU, who has just signed to Partisan Records. ‘Studio 54’ is the final track on her latest EP, Me, Jed and Andy, and it’s inspired by the tumultuous relationship between Andy Warhol and his partner Jed Johnson. I’m so glad this dropped into my GIHE inbox – a new personal favourite for sure. I love the accompanying video too, which you can watch here. (KC)

Skutterfly – ‘Changing Room’
Having won us over playing live for us at The Cavendish Arms last month, First Timers alumni Skutterfly have now shared their debut single. The first song they ever recorded together, ‘Changing Room’ fizzes with a sparkling energy as jangly hooks and ‘90s reminiscent grunge-tinged allure. They’re definitely ones to watch and we can’t wait to hear more!
(Mari Lane – Managing Editor)

HotWax – ‘She’s Got A Problem’
GIHE faves HotWax have announced their debut album with the release of this blistering new single. ‘She’s Got A Problem’ will feature on their LP, Hot Shock, which is set for release on 7th March 2025 via Marathon Artists. Produced by Catherine Marks (boygenius, Wolf Alice), the band put together an all-female team to record the album, which includes input from Steph Marziano (Picture Parlour, Cassandra Jenkins) and Warpaint drummer Stella Mozgawa. We can’t wait to hear their riotous debut record, which you can pre-order here. (KC)

Jæd – ‘Bakkos’
Another knockout single from London based Irish-Puerto Rican musician Jæd. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra at The Shacklewell Arms, and we were all blown away by her stage presence and dynamic vocals and guitar playing. Jæd will be releasing her debut album, I Loved The Gauntlet And There Was No Other Way, on 29th Nov via cult Irish label The Delphi Label. This track, ‘Bakkos’, features on the record and it’s a visceral imaginary tale of indulgence and self-judgement, set within the setting of a chaotic Bacchanalian court. (KC)

Clutter – ‘Jesus’
Recently signed to PNKSLM Recordings, Stockholm quartet Clutter have a sound that’s as cacophonous as their namesake. This track ‘Jesus’ is a noisy blend of their gritty riffs, swirling dual vocals and driving beats. The band will be releasing ‘Jesus’ along with their debut single ‘Holy Brother’ on a limited edition 7″ vinyl on 7th November, which you can pre-order here. (KC)

High. – ‘Catcher’
This latest single from New Jersey shoegazers High. is a glistening rumination on grief, which holds deep personal resonance for the band. It’s the second offering from their upcoming EP, Come Back Down, which is set for release on 24th January 2025 via New York indie label Kanine Records. I love their blend of effervescent vocals, heavy reverb and poetic lyricism. The track is accompanied by a music video, directed by bassist Bridget Bakie and starring drummer Jack Miller, which you can watch here. (KC)

Comic Sans – ‘Mr President’
Having completely blown us away with their immense energy and charisma playing live for us at New River Studios last week, London’s queer emo-punk ones to watch Comic Sans have now shared a raging new single. Propelled by a racing energy and angst-driven power, ‘Mr President’ showcases all there is to love about this exciting new band; a soaring punk anthem delivered with a fierce sense of urgency. Of the track, the band explain: “Mr President is an amalgamation of lyrics derived from grief, and an expression of frustration at the world, blended with band improvisation to create a song that expresses our individuality.” We highly recommend you catch Comic Sans live at the single launch for ‘Mr President’ on 28th October at The Windmill in Brixton – tickets here. (ML)

The Menstrual Cramps – ‘Class War’
A fierce rebuttal against trickle-down economics and the hold that the ruling classes have over society, ‘Class War’ is the latest single from GIHE faves, Bristol’s The Menstrual Cramps. Oozing their trademark seething energy alongside frenzied punk hooks and an immense empowering drive, it offers an rousing call to action to fight back; to join a union and hold those in power to account. Of the track, front person Emilia comments: “Workers rights are being taken away from us at an alarming rate, and the best way to combat this is with collective bargaining and activism…” Watch the new video for ‘Class War’ here. (ML)

Fightmilk – ‘Yearning and Pining’
Another one taken from the upcoming album from absolute faves Fightmilk, ‘Yearning and Pining’ offers a ridiculously catchy tongue-in-cheek love song. Exquisitely fusing together twinkling hooks and anthemic gritty energy with a lilting country twang, the track races with the angsty anticipation of a mega crush. Of the track, front person Lily comments: “(It’s) a two-minute country-punk biscuit about having the cosmic horn for someone. Being so lusty that you give yourself an asthma attack…” And there’s a gloriously DIY accompanying video that was filmed entirely on a doorbell cam. No Souvenirs, the upcoming new album from Fightmilk, is out 15th November via Alcopop! Records. Catch them live to celebrate – details here. (ML)

Daffodildos – ‘What’s Ur Excuse’
Having recently released their debut EP via Not Saints – a pioneering label committed to supporting artists in recovery from addiction – Brighton trans-punk trio Daffodildos have spent the year making a name for themselves, touring the country, delivering important social messages with their trademark playful attitude. Taken from the EP, ‘What’s UR Excuse’ is fuelled by fierce scuzzy hooks, offering a catchy punk anthem raging against the cruelty that society inflicts on animals, and capitalism’s reliance on the suffering of innocent animals for profit. Not My Cup Of Tea, the debut EP from Daffodildos, is out now. (ML)

Man/Woman/Chainsaw – ‘The Boss’
Lifted from their upcoming EP, Eazy Peazy, which is set for release on 7th November via Fat Possum Records, this track from London based art punks Man/Woman/Chainsaw is a grinding, unpredictable exploration of power dynamics. The band have fused electric violin, synths and guitars together to form their heaviest track yet. I remember Brixton trio Alien Chicks recommending Man/Woman/Chainsaw to us when they were guests on our Soho Radio show last year, and after hearing ‘The Boss’, I can see why! (KC)

Lobby – ‘folding out’
Featuring members from Goat Girl and leather.head, South London slowcore trio Lobby have shared a brand new single. Following last year’s ‘in the wall’, ‘folding out’ flows with a twinkling energy as honey-sweet vocals ripple over fuzzy musical layers and a stripped back raw emotion. Of the track, the band explain: ““It’s about the desire to watch the layers someone has built up, unfold, to reveal the core of who they are, and the unquestioning support needed for that process to occur.” (ML)

Queen Of Nothing – ‘How Does It Feel’
I’m so glad this debut single from independent artist Abi Crisp aka Queen Of Nothing dropped into my GIHE inbox. ‘How Does It Feel’ is taken from her soon-to-be-released EP, The Pull, which she recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie). I love her atmospheric guitar tones and her brooding vocals, which shift in volume throughout the track. (KC)

Labyrinthine Oceans – ‘Pinch’
A dark reflection on self autonomy and escaping societal expectations, ‘Pinch’ is the latest single from London/Newcastle dream rock band Labyrinthine Oceans. It’s taken from their upcoming second EP, home, which is set for release in the near future. The band blend grinding riffs, crashing percussion and melancholic vocals in attempt to confront the uncomfortable truths that underline vocalist Julia O’Neill’s lyrics, which give the track its heavy lullaby quality. (KC)

sweet93 – ‘what’s true?’
I love this dreamy offering from New York artist sweet93, fronted by elusive vocalist Chloe. I’m new to her blissed out brand of ambient shoegaze, but after hearing ‘what’s true?’ I’ll definitely be diving into her debut album, All The Same All OK, which she released back in 2021. (KC)

Mi.el – ‘Hers To Own’
The latest single from dream-pop duo Mi.el, ‘Hers To Own’ explores themes of change, personal growth and self-love, offering a sparkling empowering energy. Interweaving a tapestry of different sonic textures, providing the backdrop to rich syrupy vocals, it glistens with an understated uplifting grace. (ML)

Friedberg – ‘Hardcore Workout Queen’
Described by Friedberg’s founding member Anna as an anthem for “the Champion of the slobs”, ‘Hardcore Workout Queen’ is the title track from the band’s upcoming album, which is set for release on 8th November. Juxtaposing upbeat indie-pop rhythms with lyrics about being unmotivated to excel at physical exercise, the track is a playful, relatable reflection on living the lifestyle that suits you – whether that means you’re smashing it in the gym or relaxing with snacks on the sofa. (KC)

God’s Mom – ‘Maddalena’
A new collaboration between Canadian artist Bria Salmena (FRIGS, Orville Peck) and producer/film-maker A.Matthews, God’s Mom create innovative soundscapes combining vocal traditions rooted in Salmena’s Italian heritage with glitchy electro-driven dancefloor beats. Celebrating the power and beauty of the community that the duo found in Toronto and Rome’s club scene, ‘Maddalena’ offers a cinematic cacophony that resonates with a driving energising allure. As It Was Given, the new album from God’s Mom, is out now – exclusively available on Nina. (ML)

foxgluvv – ‘i need to understand but i don’t’
Brighton based DIY pop artist foxgluvv has returned with this brand new single, their first since 2023. Inspired by their journey of self-discovery and the complexities of gender identity, foxgluvv explains that ‘i need to understand but i don’t’ is “more than just a song” to them, it’s their way of supporting their LGBTQIA+ listeners and reminding them not to panic if they haven’t got everything figured out just yet. It’s full of foxgluvv’s hyper-pop beats and catchy lyricism, making it an anxious-yet-euphoric anthem. (KC)

Susi Pagel – ‘Anything Like U’
Self-described as Belfast’s ‘pink pop princess’, Northern Irish artist Susi Pagel is set to release her debut EP very soon, which she worked on with local legend and GIHE fave Rocky O’Reilly. Taken from the EP, ‘Anything Like U’ reflects on the feelings of relief that come from realising you’ve made a lucky escape from a toxic person, and I just love its glistening punk-pop energy. Susi Pagel’s debut EP, can you hear me now?, is set for release next month. (ML)

Moniah – ‘Sweet Escape’
This track from emerging London-based indie pop artist Moniah is all about letting go of what’s holding you back and living in the moment. Through her emotive vocals and lilting alt-pop melodies, she offers her listeners a brief moment of respite from the grind of everyday life. (KC)

Catbear – ‘Carry On’
The latest single from Brighton/London queer duo Catbear, ‘Carry On’ offers a soaring immersive soundscape. Combining elements of ‘80s-inspired synth pop with a gritty post-punk edge, it explores themes of overcoming adversity and pushing through life’s challenges with a captivating ethereal splendour. (ML)

Aisha Badru – ‘Side Of The Moon’
Set to release a new album next month, Nigerian-American artist Aisha Badru has now shared a beautiful new single. Sparkling with a delicate effervescent grace, ‘Side Of The Moon’ reflects on our life’s journey towards healing with a blissful charm. The Sun Still Rises, the upcoming new album from Aisha Badru, is set for release on 29th November via Nettwerk. (ML)

Breymer – ‘When I Get Through’
Set to release their new album, When I Get Through, later this month, Minnesota born artist Sarah Walk aka Breymer creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality as it reflects on a personal journey of self-discovery with a stark honesty, it’s a truly exquisite collection. Breymer is in the UK next month, playing dates in London and Brighton – details here. (ML)

Sunflower Thieves – ‘So Far So Good’
A poignant, relatable tune from Leeds based duo Sunflower Thieves here. Taken from their upcoming EP, Same Blood, set for release on 30th October 30th, ‘So Far So Good’ is a tender exploration on the very human need for connection and the often overwhelming feeling of our own insignificance in the grand scheme of things. Sunflower Thieves deliver these ruminations gently through their considered lyrics and soft acoustic guitar sounds. (KC)

Katie Malco ft. SOAK – ‘Babette’
Another disarming tune from Katie Malco, this time featuring Northern Irish songwriter SOAK. The pair toured the US together in 2023, which SOAK comically recalls as a time they navigated their way through North America with little more than their “drivers’ licences and delusion.” ‘Babette’ is inspired by Malco’s sense of being too much, or not enough, and how this inner conflict transpires into relationships and social situations. The track’s call-and-response style reflects how communication can break down between two people over time, with Malco and SOAK’s emotive vocals hitting a relatable nerve throughout. (KC)

jasmine.4.t – ‘Elephant’
The first UK signee to Phoebe Bridgers’ label Saddest Factory Records, Manchester based musician jasmine.4.t has announced her debut album, You Are The Morning, set for release on 17th January 2025, by sharing this track ‘Elephant’. Inspired by her memories of her first love after she came out as a trans woman, ‘Elephant’ is a moving reflection on how it feels to be friends with someone when you both know you want more. Produced by Julien Baker, Phoebe Bridgers and Lucy Dacus, jasmine’s sensitive lyricism, acoustic and electric instrumentation – plus the wonderful voices of the Trans Chorus of Los Angeles at the close of the track – all combine to create a passionate, buoyant exploration on the complexities and joy of finding your first queer love. (KC)

Miya Folick – ‘Alaska’
Following on from her previous single ‘La Da Da’, LA-based songwriter has shared another beautifully vulnerable offering here. ‘Alaska’ is inspired by her fear of potentially losing her relationship, but she pacifies this pain with the realisation that she would cope if that sadly became a reality. Her raw lyricism, emotive vocals and gentle instrumentation soothe these difficult thought processes, making ‘Alaska’ a tender and cathartic offering. (KC)

Heff VanSaint – ‘Weavers Fields’
Originally from Aberdeen, London based artist Heff VanSaint has just released her new EP Best Days Gone. Of the release, she explains: “It’s not as hopeless as the title suggests. I guess it’s a metaphor for where I am in my life. It starts off very misty eyed and full of longing for what’s gone and then through reflection regains a kind of optimism that is dogged in its hopefulness.” A lovely sentiment, and it is a really beautiful collection of tracks – and I think perhaps I have a particular soft spot for this one as it definitely has shades of The Boss, which is always a good thing in my books. (ML)

Waxahatchee – ‘Much Ado About Nothing’
The latest single from Katie Crutchfield – aka Waxhatchee – ‘Much Ado About Nothing’ flows with the lilting Americana twang and stirring raw emotion that I love so much. The first taste of new music from Crutchfield since her much-acclaimed album Tigers Blood earlier this year, it’s another exquisite offering from one of my absolute favourites. (ML)

Clara Mann – ‘Stadiums’
Having supported the likes of Bill Ryder-Jones and Bat For Lashes, London-based artist Clara Mann has now shared a beautiful new single. Reflecting on the both the beauty and difficulties of loving someone whose passion lies in being creative, ‘Stadiums’ offers a beautifully folk-strewn ballad, flowing with a delicate musicality and the sparkling subtle allure of Mann’s vocals. (ML)

Natalie Fée – ‘Daughter Of Nature’
‘Daughter Of Nature’ is the debut single from Bristol based environmental activist, author and musician Natalie Fée. It’s the eponymous track from her upcoming debut album, which is set for release in 2025. Natalie has expanded her preexisting love of nature through her indie-folk musings, and hopes that this will be a new form of connection to the environment for her listeners too. (KC)

Mark Trecka, Midwife – ‘Witch’s Hat’
Add this plaintive collaboration between Parisian sound artist Mark Trecka and Colorado multi-instrumentalist Midwife to your Halloween playlist NOW! It’s a haunting blend of the pair’s other-worldly vocals, moody electronics and twitchy percussion, which Trecka hopes will resonate with those who are “dreaming and celebrating the other side in this thinning veil season.” I love it. (KC)

Joh Chase ft. Brittany Ann Tranbaugh and Natalie Carol – ‘Gossamer Thread’
The debut collaborative single from LA based songwriter Joh Chase, Brittany Ann Tranbaugh and Valley Queen’s Natalie Carol, ‘Gossamer Thread’ offers a stirring slice of Americana reflecting on themes of interconnectedness, fragility and resilience. Shimmering with a catchy, lilting musicality, a heartfelt raw emotion ripples throughout, demanding multiple listens. ‘Gossamer Thread’ is out now via legendary label Kill Rock Stars. (ML)

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PLAYLIST: October 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

deep tan – ‘xenomorph queen’
Having been a big fan of deep tan for a few years now, I’m excited to see that – following last year’s diamond horsetail EP – they’re back with a brand new single, and new line-up, ahead of their live shows supporting QOTSA on tour next month. Reflecting on themes of matriarchy, queer parenting and sapphic love, ‘xenomorph queen’ oozes all the discordant immersive allure that we’ve come to know and love from the trio. Instantly captivating the senses with its mystical ethereal majesty, it showcases deep tan’s ability to create their own truly unique brand of other-worldly angular post-punk. Watch the video for ‘xenomorph queen’ here.
(Mari Lane – Managing Editor)

Fräulein – ‘The Last Drop’
Is it even a GIHE playlist if we don’t include a track by Fräulein? (No, it’s not). Joni & Karston have shared this excellent single via Submarine Cat, which Joni says is inspired by the “manic uncertainty, the confusing, exasperating and self-destructive patterns that you can fall into after the end of a relationship”.
(Kate Crudgington – Features Editor)

Grrrl Gang – ‘Cool Girl’
Indonesian riot grrrl group Grrrl Gang have been a rising force in the Southeast Asian music scene since their formation in 2016, and are now commencing their world takeover with the recent release of their debut album. Having been featured in the likes of NME and Spin, with the album, Grrrl Gang showcase their ability to fuse together their empowering riotous punk energy with a poignant raw honesty and relatable fizzing emotion. Uplifting and cathartic in equal measure. Spunky, the debut album from Grrrl Gang, is out now via Trapped Animal, and via legendary label Kill Rock Stars in the US. (ML)

HotWax – ‘High Tea’
Another anthem from GIHE faves HotWax, taken from their recently released EP, Invite Me, Kindly. Vocalist Tallulah explains: “‘High Tea’ is about two people in your life who are very close to you but don’t mix well, leaving you in the middle feeling torn. It’s a conversation that has gone on for too long, you have to spit out your doubt and let your bad feelings leave you. It’s a song for people to let go and be free.” (KC)

LipGloss – ‘Anna (Walks Along The Street)’
Recorded at Start Together Studios with GIHE fave Rocky O’Reilly, ‘Anna (Walks Along The Street)’ is the new single from Belfast band LipGloss. Oozing a sparkling dark majesty, and building with a scuzzy anthemic splendour, it reflects on the band’s own personal experiences of growing up in Northern Ireland with a raw impassioned energy; reverb strewn riffs colliding perfectly with the immense soaring vocals. I can’t wait to hear more from this lot! (ML)

Dermabrasion – ‘Halberdier’
**NEW FAVOURITE BAND ALERT**
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, the track is a heavy, brooding gothic anthem that rumbles with discontent. Perfect listening for Halloween (or anytime of the year tbh). (KC)

Slothrust – ‘Pony’
I’m not sure I’ve talked enough about my obsession with Slothrust on GIHE yet, but – having been a fan for a few years – seeing them live in New York last year just completely took my breath away. I was totally captivated by their scuzzy, raw emotion and the utterly immersive, no-frills charisma of front-person Leah Wellbaum. They’ve just released a new EP, I Promise, which includes this fiercely seductive cover of Ginuwine’s ‘Pony’, along with three other versions of the track, my favourite being the extended version: 15 minutes of pure swirling joy. With a couple of wonderful new original tracks too (plus a magical cover of ‘Somewhere Over The Rainbow’), the EP showcases all there is to love about Slothrust. (ML)

Chelsea Wolfe – ‘Whispers In The Echo Chamber’
A potent blend of shadowy industrial sounds and her trademark captivating vocals, Chelsea Wolfe’s latest single is accompanied by the news that she’ll be releasing her seventh album, She Reaches Out To She Reaches Out To She, via Loma Vista on 9th February 2024. ‘Whispers In The Echo Chamber’ is a heavy rumination on trusting your inner voice and following your own intuition. Wolfe is “bathing in the blood of who [she] used to be” – cleansed and cutting as ever. (KC)

Vyva Melinkolya & Midwife – ‘Doomer GF Song’
I’ve made no secret of my admiration for the sounds that Vyva Melinkolya & Midwife make together, and this track is another perfect example of the unique symbiotic musical relationship they share. ‘Doomer GF Song’ – what a title, and what a sound. (KC)

Atka – ‘Eye In The Sky’
Set to release her debut EP next month, London-based, Brandenburg-born artist Atka creates captivating cinematic soundscapes. This first taster of the EP, ‘Eye In The Sky’ shimmers with a dark, haunting energy, reflecting on the social construction of identity. A stirring offering showcasing the beguiling majesty of this innovative artist. The Eye Against The Ashen Sky, the upcoming debut EP from Atka, is out on 3rd November. Catch Atka live in London on 7th November at Studio 9294. (ML)

body / negative – ‘persimmon’
An exquisitely gloomy piece of ambient shoegaze from body / negative, the solo project of multi-instrumentalist Andy Schiaffino. ‘Persimmon’, is taken from their upcoming album, Everett, which is set for release on 8th December. The record is inspired by love, loss and grief, following the death of their Father, featuring contributions from Midwife and Amulets – two of my favourites. I can’t wait to hear it. (KC)

GENN – ‘The Sister Of’
Lifted from their debut album, unum, released via their own label Liminal Collective, this is another dynamic offering from Malta-via-Brighton art punks ĠENN. Their album is a cell-tingling listen, inspired by deep empathy and feelings of otherness. Read more about it and watch the stunning accompanying video for ‘The Sister Of’ on our website here. (KC)

070 – ‘Black Dress’
I am OBSESSED with this track from 070 Shake, which is equal parts moody and euphoric. She’s going to be releasing a new album soon and I cannot wait to hear it. (KC)

Coolgirl – ‘Druid’s Hood’
Another sensational electronic offering from GIHE fave Lizzie Fitzpatrick aka Coolgirl. Inspired by the sounds on vintage video games, ‘Druid’s Hood’ is taken from the Dublin-based artist and producer’s upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records. (KC)

Echo Juliet – ‘Life On Trains’
This is the latest single from Birmingham-based electronic musician Echo Juliet, taken from her debut 7 track mini-album, Abandon Reality, out now via her new label Invisible IDs. This track – written entirely on a train – is a hypnotic, electronic minimal groove. Speaking about the track, Echo Juliet explains: “I’ve spent a lot of time on the train for work and wanted to capture the feelings that gives me. The groove has a kind of rolling, perpetual forward motion but I was also feeling exhaustion, listlessness and a sense of inevitability that I tried to capture in the melody” Such a vibe! Read Echo Juliet’s Five Favourites feature on our website for more insight into her music. (Tash Walker – Digital Editor)

Janette King – ‘Nah Mek Me Fall’
An end-of summer track drawing On Janette King’s Caribbean roots, incorporating patois into her lyrics layered over those infectious beats, ‘Nah Mek Me Fall’ is perfect for this hazy October sun. A celebration of identity and a testament to the power of music in conveying the tangled journey of love and uncertainty. (TW)

Rubie – ‘Sicily’
This was my track of the show for our October Soho Radio show. It comes from Rubie, who describes herself as a songstress, producer, multi-instrumentalist and unbridled trans voice from south London. I first encountered Rubie as a member of Jenny Moore’s Mystic Business and of course the fantastic F*Choir. But this is Rubie in her solo iteration here, fresh off her new EP release, Whatever Cage – totally mesmerising. Rubie will be opening for Living Body on 2nd November at New Cross Inn, and playing an in-store lunchtime gig at Dash the Henge on 4th Novemeber, which will also go out live on Resonance FM, all ahead of the EP launch party on 30th November at Walthamstow Trades Hall – see you there! (TW)

Caleb Nichols – ‘Demon Twink’
California-based poet and musician Caleb Nichols creates beautifully poignant indie-pop ballads with a lilting heartfelt energy reminiscent of the stirring offerings of Elliott Smith. I was lucky enough to catch Caleb live at The Cavendish Arms this Spring and am very much looking forward to having them play for us at Matchstick Piehouse on 1st December, along with adults and Gay Skeleton Club. Grab a ticket here. Their latest album, Let’s Look Back, is out now via Kill Rock Stars. (ML)

ME REX – ‘Jawbone’
Having just released their debut album, ME REX continue to win my heart with each new offering, and latest single ‘Jawbone’ is no different. I just can’t get enough of the swirling emotion oozing from their stirring lyrical storytelling with their trademark glistening musicality and impassioned energy. Giant Elk, the debut album from ME REX, is out now via Big Scary Monsters. (ML)

Francis of Delirium – ‘First Touch’
Produced by Catherine Marks and released via Dalliance Recordings, this truly dreamy track is all about those initially heady moments of love or lust. Francis of Delirium will be playing a headline show at the Lexington in London on 15th November. (TW)

Coco – ‘Mythological Man’
Formed in 2019, LA trio Coco have just announced the release of their second album. Out first taster of the album is ‘Mythological Man’; a reflection on common ‘masculine’ archetypes, it offers a blissful dose of lilting indie-pop. Rippling with luscious hooks and the honey-sweet vocals of Maia Friedman, it’s a dreamy soundscape, oozing subtle playful wit -visualised perfectly in the accompanying self-directed video. Simply titled 2, the upcoming second album from Coco, is set for release on 1st March 2024 via First City Artists. (ML)

Maple Glider – ‘Don’t Kiss Me’
Australian artist Tori Zietsch aka Maple Glider has just released her brand new album, I Get Into Trouble. Offering a poignant reflection on her Christian upbringing, reflecting on themes of shame, consent and sexuality, it’s a truly stirring collection of starkly honest, yet delicately beautiful, compositions. Flowing with a glistening musicality as the heartfelt crystalline splendour of Zietsch’s vocals ripples with raw emotion, the album showcases her ability to reflect on potentially difficult subject matter with an immersive cathartic grace and shimmering majestic allure. Read our recent interview with Maple Glider here. (ML)

Sheherazaad – ‘Mashoor’
The debut single from New York based artist Sheherazaad, ‘Mashoor’ reflects on her South Asian sonic lineage; drawing on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. Watch the stirring accompanying video for ‘Mashoor’ here. (ML)

Gazelle Twin – ‘Fear Keeps Us Alive’
This Gazelle Twin track, taken from her recently released fourth album Black Dog, spotlights once again what an instinctive, shape-shifting artist she is. Released via one of my favourite labels INVADA Records, this single and her new record are partially inspired by her childhood experiences with the paranormal, which makes for perfect listening this October. (KC)

Hilary Woods – ‘Burial Rites’
Following on from her poignant rumination ‘Where The Bough Has Broken’ – an atmospheric ode to communal growth and memory – Irish artist Hilary Woods has returned with another hypnotic instrumental titled ‘Burial Rites’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is a magnetic, gloomy cogitation inspired by the Gaelic Celtic ritual of Keening; a traditional form of vocal lament when mourning for the dead. (KC)

 

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PLAYLIST: October 2022

The Get In Her Ears team have put together another eclectic mix of guitar anthems, electronic sounds & alternative tunes for your listening pleasure this month. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

CLT DRP – ‘Aftermath’
The latest single from Brighton trio CLT DRP, ‘Aftermath’ is a compelling exploration of the way we process generational trauma following sexual assault, and the internalised guilt and grief that blurs our reactions in its aftermath. It’s a heavy but important listen, that sees vocalist Annie pushing through uncomfortable truths, finding new ways to relate to and process this generational trauma. It’s a powerful listen, and one that will resonate with many GIHE followers. The band have released the single on a 7” vinyl, with the B-side featuring a cover of the track by friends of the band The Big Moon. Order your copy here. (Kate Crudgington)

Miss Grit – ‘Like You’
Released to coincide with the news that they’ve signed to Mute Records, ‘Like You’ is the latest single from Korean-American, non-binary musician Margaret Sohn aka Miss Grit. The track is a magnetic musing, inspired by the film Ex Machina, exploring the conflicting nature of our inner voices. Miss Grit will be playing shows across Europe in October, and they will be playing in London at Amazing Grace on 1st November. (KC)

O Hell – ‘I Watch The Women’
The follow up to their previous releases ‘Down’ and ‘Untangle’, this new track from Brighton-based Lucy Sheehan aka O Hell is underscored by a quiet agitation, exploring the personal confines of imposed femininity. I’ve been repeatedly listening to it for the last month, consistently impressed by Sheehan’s steady vocal and their twitchy, mesmeric sounds. (KC)

Maria Uzor – ‘Solitaire’
We’re super excited to hear that Norwich based vocalist and producer Maria Uzor (also half of faves Sink Ya Teeth) will be releasing her upcoming new EP in December. And now, ahead of the EP release, she has shared this captivating new single ‘Solitaire’. Flowing with a luscious, swirling groove and gnarly beats, it builds with a shimmering, pulsating majesty to a gritty slice of euphoric electro-pop. Oozing her distinctive, spellbinding sweeping vocals, it’s a gloriously uplifting synth-soaked soundscape. (Mari Lane)

AGAAMA – ‘Blackbox Oracle’
The latest single from Birmingham-based artist, composer, vocalist & producer AGAAMA, ‘Blackbox Oracle’ is an intoxicating blend of enigmatic vocals, heady electronic beats and jazz-inspired instrumentation. Taken from her recent EP Wandering Worlds, the track explores our complex relationship with Artificial Intelligence, questioning whether we can live in harmony with the machines we have created. (KC)

Helen Ganya – ‘young girls never die’
Taken from her upcoming album polish the machine, which is set for release on 18th November via Bella Union, this single from Brighton-based artist Helen Ganya is super catchy. Inspired by her reaction to a graph that showed how a male celebrity continued to age, but his girlfriends stayed the same age, Ganya has taken this unsettling concept and dismantled it over glitchy beats, crystalline vocals and altruistic electronics. (KC)

Maury Blu, Peaches – ‘Vashti Part One’
Maury Blu sort of says it all on her Instagram profile: “Recording artist, Prophetess of God & Bad Bitch in General,” LOVE IT! Then throw some Peaches into the mix…absolute gold. (Tash Walker)

Big Joanie – ‘Confident Man’
I’ve said this before, but is it even a GIHE playlist if we don’t include a Big Joanie track? The black feminist punk trio have shared this buzzy new offering ahead of the release of their second album, Back Home, on 4th November, which vocalist & guitarist Steph says is inspired by an essay in Jia Tolentino’s book Trick Mirror, which is about “scam culture and how everyone’s obsessed with con men and their stories.” Steph, Chardine & Estella kindly joined us for a chat about their new music on our most recent Soho Radio show, which you can listen back to here. (KC)

Zahra Haji Fath Ali Tehrani – ‘Waiting’
Whilst you may have come to know her under the moniker of Despicable Zee, Oxford artist Zahra Haji Fath Ali Tehrani has now decided to use her own name for her innovative solo creations. Taken from her upcoming new EP, latest single ‘Waiting‘ showcases Tehrani’s ability to create sweeping, ethereal soundscapes with a shimmering raw emotion. As unique swirling layers of instrumentation are interwoven with crystalline vocals, it’s a beautifully stirring percussion-driven ballad. (ML)

Amaroun – ‘Brown Skin Beauty’
October is Black History Month in the UK, with the theme this year of ‘sharing journeys’. This amazing song, a favourite of mine for so long now, is all about her experience of being Black and queer, and it is now the soundtrack to a podcast I’ve been working on with the wonderful Marc Thompson. He created an Instagram photo archive called Black and Gay, Back in the Day, which we’ve turned into a podcast of intergenerational conversations between younger and older Black Queer people all about the photos from the archive. Check out more wherever you get your podcasts, and the Instagram account Black and Gay, Back in the Day to see the amazing photos the series centres around. (TW)

Perera Elsewhere – ‘Who I Am’
Perera Elsewhere’s latest single, taken from her recent album Home, released via Friends of Friends. Of the song she says, “We are many people inside one person…our ancestors, present and future and a whole bunch of brainwashing, marketing, conformity, institutionalised religion and an almost branded rebellion against those things.” Perera continues: “The internet is a catalyst and a centrifuge. Thus the ongoing question of ‘Who I Am’ remains: a journey to get to the core of yourself even if your self is a construction in itself. This journey straddles individuality, identity and the simulation of spirituality and authenticity, all ideas/things that the post-materialist societies are obsessed with…” and what a beat on this track too. (TW)

Connie Constance – ‘Mood Hoover’
I cannot get enough of Connie Constance’s voice on her latest single! ‘Mood Hoover’ is such an on point way to describe someone too. (TW)

Coco – ‘Rough Water’
Formed in 2019, Coco is a collaborative project consisting of Maia Friedman (The Dirty Projectors), Dan Molad (Lucius), and Oliver Hill (Pavo Pavo). The first single since the release of their self titled debut album last year, ‘Rough Water’ fizzes with whirring hooks and an anthemic energy as luscious harmonies flow. An instantly catchy offering, propelled by a colourful groove reminiscent of uptempo ‘70s psych-pop hits. (ML)

Teri Gender Bender – ‘The Get Up’
I saw Mexican-born artist Teri Gender Bender live at Moth Club when they were fronting Le Butcherettes a few years ago, and I was dazzled by their natural stage presence. I’m new to their solo work, but it brims with Teri’s eccentricity and warmth, whilst remaining a little obscure – the dream combination. ‘The Get Up’ is taken from Teri’s upcoming EP, SATURN SEX, which is set for release on 21st October via Clouds Hill. (KC)

Ghost Car – ‘Selfish, Spoiled’
The latest single from London-based international band Ghost Car, ‘Selfish, Spoiled’ is a reflection on how hard the music industry can be for people from working class backgrounds. Propelled by a fuzzy allure, it oozes all the quirky charisma and swirling, synth-driven sounds we’ve come to know and love from the band. Juxtaposing the distinctive honey-sweet with a gritty, haunting aura, it’s a glorious slice of whimsical post-punk. Truly Trash, the debut album from Ghost Car, is out 28th October via One Little Independent Records (ML)

Jemma Freeman & The Cosmic Something – ‘Easy Peeler’
Ahead of the release of their second album next month, GIHE fave Jemma Freeman and the Cosmic Something has shared an earth-shattering new single. Propelled by a frantic energy, ‘Easy Peeler’ blasts into the ears with a soaring, raw power. Oozing a frenzied, psychedelic fury as it rages against the horrors of this patriarchal society, it’s a sparkling slice of majestic glam-rock. Miffed, the upcoming album from Jemma Freeman and the Cosmic Something, is out on 25th November via Trapped Animal Records. And make sure you catch them live playing for us at The Victoria on 14th October with support from KIN and Trouble Wanted – tickets here. (ML)

Grandmas House – ‘Body’
Full of candid vocals, cathartic lyrics and boisterous riffs, I love this track from GIHE faves Grandmas House. Speaking about the track, the Bristol trio explain ‘Body’ is “an anthem for anyone that’s ever felt uncomfortable in their own skin,” which I’m sure will resonate with many of our followers & listeners. (KC)

Brutus – ‘Victoria’
A cathartic reflection on teenage angst, growing up, and the solidarity that comes from facing up to these inevitable parts of life together, I love this single from Belgian heavy trio Brutus. Lifted from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, I’ve been listening to it on repeat in anticipation of their headline show at The Garage in November. (KC)

A VOID – ‘Newspapers’
Two parts French, one part English, London-based A Void have recently released their new album, Dissociation. Taken from the album, latest single ‘Newspapers’ builds with the gritty scuzz of jangly guitars alongside rich, soulful vocals, as thrashing beats race with a fierce energy reminiscent of early Garbage. (ML)

Bikini Kill – ‘Double Dare Ya’
The Get In Her Ears website turns FIVE this month! I thought I’d celebrate by adding a Bikini Kill classic to our October playlist, because they’re a band who inspired us to create the Get In Her Ears radio show back in 2015, and then to grow the platform into a full website and live night too. It’s a privilege and a pleasure to work with two of my best friends Mari and Tash, and to share the work of so many talented musicians on this website. Thanks to everyone who has engaged with our corner of the internet so far. We’re always open to expanding our writing team, so if you’d like to get involved – even if you have no previous writing experience – please drop us a line. Contact details here. (KC)

New Pagans – ‘Better People’
Far removed from the righteous fury of the songs that formed their debut album, The Seed, The Vessel, The Roots and All, but still brimming with a strong social conscience, ‘Better People’ is Belfast-based band New Pagans’ ode to pushing through collective doubt, and veering towards hope instead of despair. (KC)

The Hyena Kill – ‘Cauterised’
I caught The Hyena Kill supporting Holy Fawn at 229 recently, and their set reminded me why you should always turn up early to see the other acts that are on the bill. Their heavy, bruising sounds thundered through the venue, commanded by drummer Lorna Blundell’s knockout percussion. Definitely catch them next time they’re in town. (KC)

Softcult – ‘One Of a Million’
I’m so glad that Canadian twin sibling duo Softcult are back with this lush, swirling new anthem. Urging listeners to recognise that “we are all more the same than different”, ‘One Of a Million’ is another atmospheric, bittersweet offering from the pair that’s perfect listening for the darker Autumn nights ahead. (KC)

th’sheridans – ‘Luka’
The latest single from indie-pop duo th’sheridans, ‘Luka’ is a cover of Suzanne Vega’s 1987 poignant country-pop classic. Whilst maintaining all the heartfelt twinkling emotion of the original as it tackles the song’s affecting theme of child abuse, it also oozes a unique fuzzy musicality and a beautiful lillting grace. (ML)

Roller Derby – ‘Only You’
Having first fallen in love with Hamburg-based indie trio Roller Derby when they supported Lunar Vacation live at Moth Club earlier this year, I was super happy to hear they had a new single out last month. Oozing a blissful allure, ‘Only You‘ flows with lilting hooks and the honey-sweet vocals of Philine Meyer as it builds with a shimmering, uplifting grace and Twin Peaks-esque eerie undertones to a truly euphoric soundscape propelled by a vibrant ’60s surf-pop energy. ‘Only You’ is out now via Practise Music. (ML)

Knife Girl – ‘Never Let Go’
A hazy, euphoric tune that meanders through early memories of a new love, this is the latest single from Finland’s Knife Girl. The track is lifted from her new album Uniform, which is described as “a mature summation of her sonic endeavours thus far.” Written when she was struggling with gender dysphoria whilst living in Japan, it’s a genre-spanding celebration, and acceptance of her new identity. (KC)

Jessica Winter – ‘Choreograph’
Jessica Winter’s gloomy girl banger ‘Sad Music’ got me through lockdown in 2020, so I’m thrilled to see she’s back with this majestic new alt-pop tune. I fully endorse dancing in the rain to it like she does in the accompanying video too, which you can watch here. (KC)

Husk – ‘Crush’
A catchy, danceable ‘tranthem’ of self-love, ‘Crush‘ is the latest single from Manchester queer artist Husk. A call to go against society’s expectations and love yourself, it’s propelled by vibrant beats and a colourful, ’80s-reminiscent groove; a glistening offering oozing all the uplifting vibes and shimmering energy needed to dance together in unity. (ML)

The Go! Team – ‘Divebomb’
Eighteen years after their debut LP, total faves The Go! Team have now announced a brand new album. Taken from the album, ‘Divebomb’ is an ode to Pro Choice activism, offering a perfect blast of colourful energy. Fizzing with frenzied layers of instrumentation and a racing drive, it’s an utterly joyous dose of sweeping euphoria. Get Up Sequences Part 2, the new album from The Go! Team, is set for release on 3rd February 2023 via Memphis Industries. (ML)

TSHA, Clementine Douglas – ‘Dancing In The Shadows’
This is song is SO GOOD, I can’t not move when I hear it! I hope it has the same impact on you too. (TW)

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