PLAYLIST: October 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our October Playlist features plenty of alt-pop tunes, alternative offerings, indie musings, DIY punk anthems, and some experimental electronic sounds. Make sure you scroll through and read all about our recommendations below.

As you already know, to best support the artists we love here at GIHE, we now use TIDAL as our main playlisting platform. Please follow us on there! We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

 

Tusks – ‘How Can I Be The Same’
An evocative, synth-soaked response to an experience of sexism that she encountered whilst creating her new album, Tusks’ latest single ‘How Can I Be The Same’ is a resonant, aural assertion of her determination as an artist. The London-based musician produced her upcoming fourth album, Do I See You There? – due via One Little Independent Records on 12th February 2027 – entirely by herself, after spending two months at The Townshend Studio experimenting with Townshend’s vast collection of priceless analogue synthesisers. ‘How Can I Be The Same’ is one of ten tracks that form her new record, which was heavily shaped by grief and coming to terms with the loss of a close friend. ‘How Can I Be The Same’ offers a fascinating glimpse into what we can expect from Tusks’ emotive new effort.
(Kate Crudgington – Features Editor)

Green Tea Bitches – ‘Ghosts’
And the prize for best aritst name goes to… Green Tea Bitches! A Chinese-Danish duo, they’ve just released a special Halloween single oozing all the glorious scuzz-fuelled electro-punk energy you could ever ask for. In the vein of noughties faves like CSS or Le Tigre, it offers a playful reflection on an all too relatable fear of big egos and ghosts, complete with spooky theramin sounds throughout. (Mari Lane – Managing Editor)

Striped Light ft. Elizabeth Bernholz (Gazelle Twin) – ‘Foolish’
An ode to the electronic alt-pop that raised him, under the moniker of Striped Light, electronic musician and producer Benge (Creep Show/Wrangler/John Foxx and the Maths) has been working on his upcoming album, For All This Beauty, for almost 20 years. On this track ‘Foolish’, he has collaborated with experimental artist & composer Elizabeth Bernholz aka Gazelle Twin – who I am a long-time fan of – and the result is an intoxicating blend of jagged-yet-buoyant synths and lush, captivating melodies. It’s hugely exciting to me to hear Elizabeth’s vocals float over this carefree love song, as the context of her solo work is much darker than this. For All This Beauty will be released via MemeTune on 6th November, and features contributions from Tara Busch (I Speak Machine), Hannah Peel, Serafina Steer and Juliana Venter. (KC)

Eilis Frawley – ‘Taken, Never Erased’
Another idiosyncratic offering from GIHE fave Australian-born, Berlin-based drummer & songwriter Eilis Frawley. ‘Taken, Never Erased’ is a moving reflection on the systemic suppression of Indigenous Australian languages through colonization, simultaneously acting as an aural ode to the resilience of the communities affected by this too. The track is lifted from her upcoming second album, Twist My Words, set for release on 6th November via cult Berlin label Sinnbus Records. Eilis explains the track’s context further: “‘Taken, But Never Erased’ acknowledges the violence of cultural theft and the attempts to silence indigenous communities, while recognising the resilience of the people, memories, and traditions that continue to be carried forward.” (KC)

Other Mother – ‘Not Sorry’
The latest single from Cork’s Other Mother, ‘Not Sorry’ combines evocative spoken word lyrics with relentless hooks. With an “unapologetic feminine rage’, it flows with a swiring, eerie allure, as it builds with a tenacious energy and immense sense of urgency to a firercely empowering anthem. ‘Not Sorry’ is taken from Other Mother’s debut EP, Can’t Help But Feel Dramatic. (ML)

Gone Future ft. ShitKid – ‘PIG!!’
Featuring one of the most cathartic choruses I’ve heard all year, this single from Swedish indie-rock supergroup Gone Future is a real angst-ridden anthem. Formed of members of Dolores Haze, Dead Vibrations and Mando Diao, as well as the instigative vocals of their labelmate ShitKid, ‘PIG!!’ is a biting blend of crashing percussion and gritty riffs. The track is taken from Gone Future’s upcoming debut EP, Signs, set for release on 4th December via PNKSLM Recordings. (KC)

Minor Dents – ‘I’d Like To Meet Her’
Opening our recent Brighton gig at A L P H A B E T this month, local band Minor Dents completely blew me away with their spellbdining allure. Now, with new single, ‘I’d Like To Meet Her’, they’re showcasing their ability to create immaculate, immersive psych-tinged soundscapes. Taken from their debut EP, Sitting With The Fish, synth-driven hooks propel the glistening celestial vocals of Holly Finch into a swirling splendour. (ML)

LIINES – ‘Always The Same’
I’m extremely excited by the return of Manchester long-time favourites LIINES, who’ve just released their first music in over two years. Taken from their new EP, As Shadows Fall, ‘Always The Same’ fizzes with a gritty energy and drummer Leila’s fierce beats as Zoe’s vocals soar with a raw, impassioned power. Zoe reflects: “There’s something comforting about things staying the same, but something frustrating about never quite escaping them. ‘Always The Same’ sits between the two. Repetition can be reassuring or unsettling, depending on how you look at it. I’ve always found comfort in familiarity, even when it’s not a good thing. Sometimes the things that make you feel safe are the very things that keep you stuck.” (ML)

Fightmilk – ‘Escape! From Camp Run For Your Life’
Released as a Halloween treat from total faves Fightmilk, ‘Escape! From Camp Run For Your Life’ translates the real life horrors of the world today into a perfect slice of energising punk-pop, propelled by spookily sweeping hooks and front person Lily’s distinctive, fiercely honest lyrical storytelling. Of the track, Lily explains: “This was the product of years of obsessively reading R.L. Stine’s Goosebumps book series for children, where horrible things happen in broad daylight, your parents can’t protect you and happy endings come with a caveat… Every day feels terrifying at the moment and this is a love letter to the warm hug of horror, where you can close the book or stop the film at any time you like.” (ML)

PISS – ‘Rote Zora. “Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’
One of the most exciting bands to have dropped into my inbox in recent times, Canada’s PISS are fast building a reputation for their pivotal and unique fusion of punk, poetry, sound collage and performance art, consistently delivered with a fierce sense of urgency and politcally driven angst. Having already received acclaim for their brand new album, you made me / skin on linen, recent single ‘Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’ takes it lyrics from an interview transcript published in Emma in 1984, and races with a visceral, immense power, building to an absolutely thrilling and completely necessary outpouring of grief-driven rage. The single is accompanied by a massively impactful new video, directed by Eila Vallevand and combining found footage and animation. (ML)

BRIDGET. – ‘For The Hell Of It’
Bursting with her trademark riotous energy, ‘For The Hell Of It’ is the title track from grunge-punk artist BRIDGET.’s latest EP. It’s a visceral collection of songs that are threaded together by BRIDGET.’s “fuck what you think, I’m doing it anyway” energy. She celebrated the EP’s release with an ‘Autumn Ball’ party in a 400 year-old grade II listed church in Ipswich, complete with Drag performances and surprise songs – punk af in my opinion. (KC)

Lost Grrrl Found – ‘Lesbian Spinsters’
Having just released their debut EP, Pupal Phase, NYC-based Lost Grrrl Found deliver their fierce Riot Grrrl-inspired sound with a raucous frenzied energy. Inspired by queercore pioneers Team Dresch, ‘Lesbian Spinsters’ offers empowering ode to reunion and queer community. Bringing together collaborators from New York’s indie music and downtown theater communities, Lost Grrrl Found is a uniquely DIY production carving out its own space between music and theatre. (ML)

Teens In Trouble – ‘I Do’
The project of Asian-American singer, guitarist and songwriter Lizzie Killian, Raleigh’s Teens In Trouble have now shared a brand new single. Propelled by dreamily scuzzy hooks alongside an endearing sense of vulnerability that twinkles throughout, ‘I Do’ offers a cathartic reflection on a ‘friendship break-up’ – “I’d convinced myself I was over it until a mutual friend asked me about the situation over brunch…”, Killian explains, “As I started to explain what happened, I found myself getting heated and realizing that maybe I wasn’t actually over it after all.” (ML)

The Gentle Spring – ‘Down With Love’
With shades of the likes of Camera Obscura or Belle & Sebastian, The Gentle Spring have just announced the release of their second album. Taken from the album, new single ‘Down With Love’ flows with uptempo lilting melodies and honey-sweet vocals reminiscent of the delicate romanticism of The Field Mice (songwriter Michael Hiscock’s previous band), creating a truly infectious slice of perfect syrupy pop. (ML)

Kathleen Frances – ‘Kitchen Sink’
The latest single from Bristol-based songwriter and producer Kathleen Frances, ‘Kitchen Sink’ offers a beautiful tapestry of sounds. Interwoven with a sparkling emotion, the rich resonance of Frances’ vocals ripples throughout, creating something truly captivating. Of the track Frances reflects: “It’s an exploration of the rhythm of moving apart and coming together that happens in a romantic relationship. The chorus captures a playful moment where the other person makes you laugh and you almost forget why you were annoyed with them in the first place… I connect deeply with this song, it captures my own life; when love, familiarity and shared humour floods back in a wave of joy.” (ML)

Brimheim – ‘My Collection’
Danish-Faroese experimental pop artist Brimheim is responsible for two of my favourite albums – can’t hate myself into a different shape (2022) and RATKING (2024) – so I’m thrilled to see that she’s now gearing up to release more new music. Her latest single ‘My Collection’ beautifully displays her rich, distinctive vocals as they float over tender keys and a blend of acoustic, brass and woodwind instrumentation. Accompanied by a monochrome video which hints at what else is to come, ‘My Collection’ offers new insight into Brimheim’s eternally intriguing musical universe. (KC)

Klein – ‘princess of the souf’
Genre-bending, London-based artist & composer Klein has been one of my favourite new music discoveries over the past year, despite having an impressive backlog of releases reaching back much further than that. This cinematic instrumental ‘princess of the souf’ is lifted from her new album, my own fairytale, which is her dark interpretation of a “Disney-esque soundtrack”, incorporating her unique blend of ambient noise, grime and R&B. On this record, she dissects her intense thoughts on identity, belonging, secrecy, reality and fantasy. (KC)

Sijya – ‘Safe’ (Sneha Khanwalkar Edit)
Another eclectic piece of electronica from South Asian composer & producer and GIHE fave Sijya here. This remix of ‘Safe’ is lifted from her collaborative EP, Leather & Brass [Retrofitted], released via iconic label One Little Independent Records. Pioneering Indian music director Sneha Khanwalkar has re-worked Sijya’s original track, bringing together India’s independent and Bollywood music communities in one place – something Sijya feels especially passionate about. (KC)

Kee Avil – ‘meld’
A frisson of twitchy electronics and her unflinching vocals, ‘meld’ is the final track from Montréal-based experimental artist and producer Kee Avil’s fascinating new album, Vapor. An intrepid artist unafraid of trying new approaches to creating art, Kee Avil wrote and recorded her new LP in real time, sharing the songs in chronological order over 12 months. “Creative inspiration is often like vapor, appearing and dissipating quickly” she extrapolates. “This album represents what inspires me in the moment.” (KC)

Sheherazaad – ‘Registaan’
Having been a big fan of Brooklyn-via-India based artist Sheherazaad since falling in love with 2024’s globally acclaimed Qasr, I’m excitetd to hear that she’ll be releasing her debut album next month. And now, ahead of the album, she’s shared a stirring new single. “Based in a crass desertland wherein really lonely women emerge…” ‘Registaan’ oozes a mystical, other-worldy allure creating a cinematic slice of dystopian folk, showcasing the poignant and spellbinding soundscapes that this innovative artist is able to create. (ML)

ĠENN ft. Aidan Moffat – ‘Jaguar Sun’
An eclectic exploration of what it means to exercise free will, Anglo-Maltese quartet ĠENN have teamed up with Arab Strap’s Aidan Moffat to create the intriguing ‘Jaguar Sun’. Inspired by a myriad of influences, including Under the Jaguar Sun by Italo Calvino – an unfinished novel written just before his death which attempted to tell a story for each of the senses – this collaborative effort evokes a potent, ominous atmosphere that seeks to understand the notion of freedom and our own perceptions of reality. (KC)

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

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PLAYLIST: October 2025

The Get In Her Ears team have put together another eclectic mix of alt-pop & indie gems, reverb-drenched guitar tunes, DIY punk bangers, electronic musings & intriguing experimental sounds for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

ARXX – ‘W.I.P’
GIHE are always excited when total faves ARXX share a new tune and the latest offering from the Brighton duo feels particularly special. With a gloriously catchy, country-inspired energy, ‘Work In Progress’ (WIP) offers a rousing, empowering anthem; a comforting acknowledgement that we still have a way to go, a subtle reassurance that it’s ok to have imperfections: “It’s about trying. It’s about getting it wrong and getting it right but finding the beauty in the process.”

Another instant earworm from Hanni and Clara, the release coincides with the band being featured on the soundtrack to the new Sally Wainwright drama Riot Women. It’s certainly an exciting time to be an ARXX fan and they truly deserve every bit of success that comes their way. They’re one of the hardest-working, and most lovely bands in the world.
(Mari Lane – Managing Editor)

Beauty Sleep – ‘You (You’re All I Wanted)’
Following the release of their glistening debut album, The Whole Damn Cake, Northern Irish radical alt-pop duo Beauty Sleep have shared a wonderfully euphoric new single. Shimmering with all the lo-fi hooks and scuzzy uplifting energy you could ever desire, ‘You (You’re All I Wanted)’ is “a love letter to failing and not giving up” – a perfect example of the empowering queer spirit of the band. Watch the wonderfully wacky video below and make sure you nab tickets to catch Beauty Sleep headlining for us at The Cavendish Arms on 27th November! With support from glitch-pop faves Dream Phone and pioneering songwriter Lein Sangster, it promises to be a pretty dreamy night. Tickets on DICE now and are always cheaper in advance. (ML)

congratulations – ‘This Life’
Full of chaotic tempo shifts, cathartic beats and relatable lyrics, ‘This Life’ by Brighton-based four-piece congratulations is a much needed distraction from the monotonous nature of the everyday routine. It’s taken from their debut album, Join Hands, which is due on 13th February 2026 via Bella Union. The band describe it as “a bombastic ode to first world problems and that feeling of losing at life before you’ve ever gotten out of bed.”
(Kate Crudgington – Features Editor)

Lala Lala – ‘Does This Go Faster?’
Having just signed to legendary label Sub-Pop, Lillie West aka Lala Lala has now shared a sparkling, synth-driven new single. Drenched in West’s rich, syrupy vocals and twinkling hooks, ‘Does This Go Faster?’ is steeped in a raw, stripped-back emotion as it flows with beautifully existential meanderings. (ML)

Marina Yozora – ‘Touché’
I was so pleased to discover this tender dream-pop tune by Japanese-born, London-based songwriter Marina Yozora in my GIHE inbox earlier this month. She describes ‘Touché’ as a “love letter” to her friends and fans, which she softly communicates through her delicate vocals, emotive lyrics and atmospheric guitar tones. I’m really excited to hear more new music from her in the future. (KC)

Jouska – ‘California’
Another graceful, shape-shifting offering from Norwegian songwriter and producer Jouska here, lifted from her recent album, How Did I Wind Up Here? ‘California’ is a hazy reflection on her first visit to Los Angeles and “finding calm in unexpected places”, which she explores through her lilting melodies, soft vocals and bittersweet lyrics. “I have a complicated relationship with the U.S.A, especially now,” Jouska elaborates. “There’s so much about it that I find difficult and a lot I still don’t fully understand. But that first visit stayed with me. It gave me space when I had nothing left to give, a strange kind of calm in the middle of everything falling apart.” (KC)

skullcrusher – ‘dragon’
Another disarming, wistful release from American indie artist skullcrusher here. Taken from her new album, And Your Song Is Like A Circle, ‘dragon’ is a song about disassociation and how, as skullcrusher so eloquently explains: “It is a heavy thing to feel the weight of living and pull yourself back to earth.” (KC)

Dogviolet – ‘Now’
The latest single from long time GIHE faves Dogviolet, who were one of the eight bands who played our 10th Birthday all-dayer at The Cavendish Arms last month. The dreamiest of days! Talking of dreamy, this new single showcases the band’s ability to create utterly dreamy soundscapes as its swirling dark majesty caresses the ears with a soaring, gritty splendour. Of the track, Naz from the band explains: “This song is about feeling so consumed by thoughts of the past and the future that you’re unable to move forward with your life, mentally trapped in a cycle of regret and nostalgia.” (ML)

Talking Violet – ‘Destroy’
Having been big fans of Talking Violet since first coming across their immersive “dreamo” sound back in 2018, the Ontario band have since been making waves and garnering acclaim for two sonically expansive albums, and it’s lovely to have another gorgeous track of theirs back in our ears. Rippling with a swirling, shoegaze-tinged allure and shimmering haze, ‘Destroy’ offers an stirring reflection on loss and acceptance. Of the track, songwriter and vocalist Jillian Goyeau explains: “(it’s) about closing a chapter in my life…before moving on I kinda needed to say goodbye…It’s me finally accepting that people can both love you and hurt you at the same time and vice versa.” (ML)

Red Ivory – ‘Crashing Down’
South London four-piece Red Ivory are new to team GIHE, but we’re already big fans of their brooding, distorted sound. Band members Eiliyah, Berry, Frida and Ivy began playing together in 2021 aged fourteen in their secondary school music rooms. Since then, they’ve been honing their skills and developing their songwriting, which has resulted in their upcoming EP, Please Leave, I Need To Wake Up Now, due on 28th November. ‘Crashing Down’ is the opening track on the record and it’s a dizzying reflection on the heightened state of anxiety that can arise when you’re under the influence. (KC)

THE NONE – ‘Pigs Need Feeding’
On one of our recent Soho Radio shows, I declared that punk-inspired four piece THE NONE were one of “the best live bands I’ve ever seen” and I stand by that statement. Kai Whyte is a formidable front person, backed by the cacophonous, momentous sounds of their talented bandmates Gordon Moakes, Jim Beck and Chris Francombe.

The band recently pressed their first two EPs, MATTER AND CARE, to vinyl and released them through Zennor Records. ‘Pigs Need Feeding’ is one of my favourite tracks, full of Kai’s raging reflections on their conflicting feelings about self-intoxication. “I was feeling some sort of shame about my vices, but it was juxtaposed with the knowledge that actual killers don’t feel any,” Kai explains. “I like a drink, but there are certain powerful people and organisations literally arming terror states that kill kids. Maybe I’m not the scumbag.” (KC)

Pinkshift – ‘Authority Problem’
Following gritty recent single ‘Vacant’ back in July, Maryland punk-rockers Pinkshift are back with the fierce, raging energy of ‘Authority Problem’. Propelled by an immense seething power and the raw searing force of front-person Ashrita Kumar’s vocals, it’s a perfect anti-establishment anthem: “”Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath,” (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album. (ML)

Gravey – ‘Blessed With’
Following a five year hiatus, South London duo Soraya Fernandez and Nick White aka Gravey have now joined forces with bassist Myles Morgan and drummer Jonny Jurassic for an epic return to form. Reflecting on the complications and unpredictability of love, ‘Blessed With’ combines a dark, immersive groove with a raw punk-tinged passion. (ML)

Breakup Haircut – ‘I’m Okay (I Lied)’
Having been big faves since they formed at First Timers Fest many years ago, Breakup Haircut played for us at New River Studios recently supporting Strange New Places and – despite being a person down, as Ishani had hurt their ear the day before – Ripley, Delphine & Jordan still managed to put on an absolutely fantastic show! Their brand new single ‘I’m Okay (I Lied)’ is a perfectly catchy slice of punk-pop that comes ahead of their upcoming second album, No Worries If Not, out on 28th November via INH Records. (ML)

No Other News – ‘Flowers’
I was pleased to find a lovely email from Laura, vocalist & bassist of Italian indie-pop trio No Other News, in my GIHE inbox earlier this month. Based in Milan, the band – whose name is a reference to a line from the acclaimed film, The Banshees of Inisherin – write songs that are inspired by “universal themes like insomnia, awkward tenderness, and using someone else’s toothbrush to clean the kitchen sink.” I love the juxtaposition of bittersweet lyrics and playful indie melodies on this single ‘Flowers’. (KC)

 

Wax Jaw – ‘Creepshow’
Philadelphia five-piece Wax Jaw create emotionally charged guitar tunes that purge suffering and express joy simultaneously, and this track ‘Creepshow’ is the epitome of that ethos. It’s taken from their debut album, It Takes Guts!, which the band released via Born Loser Records earlier this month. The band revel in the duplicitous nature of life, love, politics and sexuality, playfully reminding listeners that “the horrors persist, but so do we!” (KC)

CHERYM ft. Uninvited – ‘Sofa Bed’
A cute, queer collaboration between Derry stars CHERYM and new upcoming band Univited, ‘Sofa Bed’ offers a fizzing reflection on coming to realise you may have romantic feelings for someone you consider a close friend; a catchy sapphic anthem, interweaving sugar-sweet vocals and a fresh, punk-pop energy.

Of the collaboration, CHERYM share: “We’re both not ashamed to admit losing hours of our lives sat in front of the TV watching Kerrang! in the early 2000s. It’s safe to say we knew quite early on the exact type of collaboration we wanted to make and saw it as an opportunity to create something that would make our younger selves feel seen and valued. It’s McBusted but more homoerotic and way better looking.” (ML)

Charley Stone – ‘I’ve Gotta Know’
The first of three new songs recorded with The Actual Band, ‘I’ve Gotta Know’ showcases the endearing vulnerability and playful lilting energy of Charley Stone. Taking the listener on a journey through the emotional states of a hopeless romantic caught up in a situationship, it’s another example of Stone’s ability to craft a perfectly catchy indie-pop ditty. (ML)

Rival Queens – ‘Time Goes By’
Following grunge-tinged singles ‘Not Your Enemy’ and ‘Right Now’ earlier this year, London based artist Sally-Anne Hickman aka Rival Queens is back with a reflective new single to celebrate the release of her debut solo EP, Crown and Conquer. A stirring rumination on moments we can never reclaim, it slows with a haunting melancholy with scuzzy shades of the likes of Dum Dum Girls. (ML)

Francis Of Delirium – ‘Little Black Dress’
Luxembourg songwriter Jana Bahrich aka Francis of Delirium is back with this infectious new single, ‘Little Black Dress’, released to coincide with the end of her EU tour supporting Blondshell. Inspired by the feeling of not having your expectations match your reality, the track is an angst-ridden offering that Jana wrote in the hopes that the urgency would translate when she’s on stage; giving her fans a chance to indulge in the messy, chaotic realm of desperation and disappointment with her. (KC)

The Pains Of Being Pure At Heart – ‘Kurt Cobain’s Cardigan’
Not only does this song have one of the best titles ever, it’s just super beautiful. As beautiful as one of Kurt’s cardies, in fact. Oozing a fuzzy, nostalgic energy, it encompasses the whirring stripped-back emotion that shines through whatever The Pains Of Being Pure At Heart create. They explain: “We probably would have never gotten into the things we love if it wasn’t for Kurt telling all his 13 year old fans to ‘go check out The Vaselines, Beat Happening, and Teenage Fanclub’ – bands that have a pretty different sound to Nirvana, but shared a similar spirit.” (ML)

PINS – ‘I’ll Be Yours’
Manchester post-punk outfit PINS have returned with ‘I’ll Be Yours’, a gritty new offering inspired by the early emotions of falling in love and the expectations placed on women’s roles within romantic relationships. Vocalist Faith Vern considers ‘I’ll Be Yours’ to be one of the most “tender” tracks she’s written for PINS to date, but it still smoulders with the band’s trademark shadowy post-punk sensibilities. (KC)

Ezra Furman – ‘One Hand Free’
Taken from the same studio sessions as Goodbye Small Head, Ezra Furman’s acclaimed tenth album released earlier this year, ‘One Hand Free’ is her new standalone single. Flowing with twinkling keys and the distinctive raw emotion of Furman’s vocals, it offers a deceptively jaunty reflection on “feeling so bad you’re not sure what species you even belong to anymore.” A self-described slice of “loser-core kill-shot”, it showcases all the quirky spirit and strangely uplifting grace we know and love from the innovative artist. (ML)

Coral – ‘Garden’
Swedish songwriter Miranda Engholm aka Coral has returned with this bittersweet track inspired by feelings of disappointment and loneliness. ‘Garden’ is the first taste of what her upcoming new album will sound like, which is set for release in the Spring of 2026. Through her gentle indie-pop melodies and earnest lyrics, Coral gently dismantles her feelings and tries to make peace with the idea of “playing in the garden but without all of your friends.” (KC)

Ailbhe Reddy – ‘Align’
I’m so pleased that Dublin-born songwriter Ailbhe Reddy is back with new music! ‘Align’ is the first single from her forthcoming album, which is due in early 2026 on her new label Don Giovanni Records. I loved her previous albums, Personal History and Endless Affair, so I’m looking forward to hearing more from her in the near future. For now though, I’m content to listen to ‘Align’ on a loop. It’s a lilting, compassionate reflection on a big breakup, tentatively tracing how memories and emotions shift and soften over time. (KC)

feeo – ‘The Hammer Strikes The Bell’
Lifted from her debut album, Goodness, released via AD 93 earlier this month, I’m transfixed by this track from London experimental artist feeo. She describes her album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness” – something which is epitomised on ‘The Hammer Strikes The Bell’. Her calm, meditative voice and mixture of ambient & experimental sounds is strangely soothing here. (KC)

Hannah Schneider – ‘Lighthouse’
One half of acclaimed electronic duo AyOwA, Copenhagen-based artist Hannah Schneider is now set to release an innovative solo album early next year. Rejecting the use of AI in music, she recorded the record together with other musicians at a residency at the historical Thorvaldsens Museum. The first taste of the new album, ‘Lighthouse’ offers a glitchy soundscape, interweaving sparkling layers of sound alongside Schneider’s beautifully rich Beth Gibbons-reminiscent vocals. (ML)

Hilary Woods – ‘Taper’
An airy, shape-shifting soundscape that stirs the senses, ‘Taper’ beautifully showcases the versatile songwriting of Irish artist & composer Hilary Woods. Lifted from her upcoming new album, Night CRIÚ, which is set for release on 31st October via Sacred Bones (one of my favourite record labels), Hilary says ‘Taper’ is “a song that honours a presence to one that is absent. A love song that only a children’s choir could express fully.” Retaining her experimental spirit, but also seeing her return to a more song-based structure, Night CRIÚ is centered around Hilary’s vocals, which act as threads of connection to the past and the present. (KC)

Penelope Trappes – ‘The Mercy of The Hagetisse’
This slow-burning, haunting lament from the marvellous Penelope Trappes is the perfect soundtrack for a gloomy Halloween night. After sharing her poignant album, A Requiem, earlier this year, the Brighton-based Australian artist is set to share a companion piece, titled Æternum, on 31st October via One Little Independent Records. ‘The Mercy of The Hagetisse’ features on Penelope’s new record, which she summoned from a place of grief and intense emotional vulnerability. Throughout the track, Penelope explores the compassion and the cruelty of Hagetisse – a witch, seer, or hag in Old Dutch folklore – through her melancholic vocals, un-nerving electronic textures and steady, somber beats. (KC)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL

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PLAYLIST: October 2024

The Get In Her Ears team have put together another mix of alt-pop tunes, indie-folk musings, alternative, grunge & shoegaze sounds, punk bangers, eclectic electronic soundscapes and some Halloween themed Gloomy Grrrl tracks for your listening pleasure. Take some time to scroll through our selections below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

PostLast – ‘Halloween’
‘Halloween’ is an apt track to kick off our October playlist with, courtesy of Irish duo PostLast. Lifted from the band’s debut EP, Pull Me Into The Open Sea, released via Veta Records, Julie Hough and Stephen McHale tap into their “childlike sense of wonder” on this track. Through their unfiltered brand of dream-pop, PostLast offer listeners a space to enjoy feeling nostalgic, joyful and melancholic all at the same time.
(Kate Crudgington – Features Editor)

TTSSFU – ‘Studio 54’
I love the dark, cinematic allure of this track from Manchester artist Tasmin Nicole Stephens aka TTSSFU, who has just signed to Partisan Records. ‘Studio 54’ is the final track on her latest EP, Me, Jed and Andy, and it’s inspired by the tumultuous relationship between Andy Warhol and his partner Jed Johnson. I’m so glad this dropped into my GIHE inbox – a new personal favourite for sure. I love the accompanying video too, which you can watch here. (KC)

Skutterfly – ‘Changing Room’
Having won us over playing live for us at The Cavendish Arms last month, First Timers alumni Skutterfly have now shared their debut single. The first song they ever recorded together, ‘Changing Room’ fizzes with a sparkling energy as jangly hooks and ‘90s reminiscent grunge-tinged allure. They’re definitely ones to watch and we can’t wait to hear more!
(Mari Lane – Managing Editor)

HotWax – ‘She’s Got A Problem’
GIHE faves HotWax have announced their debut album with the release of this blistering new single. ‘She’s Got A Problem’ will feature on their LP, Hot Shock, which is set for release on 7th March 2025 via Marathon Artists. Produced by Catherine Marks (boygenius, Wolf Alice), the band put together an all-female team to record the album, which includes input from Steph Marziano (Picture Parlour, Cassandra Jenkins) and Warpaint drummer Stella Mozgawa. We can’t wait to hear their riotous debut record, which you can pre-order here. (KC)

Jæd – ‘Bakkos’
Another knockout single from London based Irish-Puerto Rican musician Jæd. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra at The Shacklewell Arms, and we were all blown away by her stage presence and dynamic vocals and guitar playing. Jæd will be releasing her debut album, I Loved The Gauntlet And There Was No Other Way, on 29th Nov via cult Irish label The Delphi Label. This track, ‘Bakkos’, features on the record and it’s a visceral imaginary tale of indulgence and self-judgement, set within the setting of a chaotic Bacchanalian court. (KC)

Clutter – ‘Jesus’
Recently signed to PNKSLM Recordings, Stockholm quartet Clutter have a sound that’s as cacophonous as their namesake. This track ‘Jesus’ is a noisy blend of their gritty riffs, swirling dual vocals and driving beats. The band will be releasing ‘Jesus’ along with their debut single ‘Holy Brother’ on a limited edition 7″ vinyl on 7th November, which you can pre-order here. (KC)

High. – ‘Catcher’
This latest single from New Jersey shoegazers High. is a glistening rumination on grief, which holds deep personal resonance for the band. It’s the second offering from their upcoming EP, Come Back Down, which is set for release on 24th January 2025 via New York indie label Kanine Records. I love their blend of effervescent vocals, heavy reverb and poetic lyricism. The track is accompanied by a music video, directed by bassist Bridget Bakie and starring drummer Jack Miller, which you can watch here. (KC)

Comic Sans – ‘Mr President’
Having completely blown us away with their immense energy and charisma playing live for us at New River Studios last week, London’s queer emo-punk ones to watch Comic Sans have now shared a raging new single. Propelled by a racing energy and angst-driven power, ‘Mr President’ showcases all there is to love about this exciting new band; a soaring punk anthem delivered with a fierce sense of urgency. Of the track, the band explain: “Mr President is an amalgamation of lyrics derived from grief, and an expression of frustration at the world, blended with band improvisation to create a song that expresses our individuality.” We highly recommend you catch Comic Sans live at the single launch for ‘Mr President’ on 28th October at The Windmill in Brixton – tickets here. (ML)

The Menstrual Cramps – ‘Class War’
A fierce rebuttal against trickle-down economics and the hold that the ruling classes have over society, ‘Class War’ is the latest single from GIHE faves, Bristol’s The Menstrual Cramps. Oozing their trademark seething energy alongside frenzied punk hooks and an immense empowering drive, it offers an rousing call to action to fight back; to join a union and hold those in power to account. Of the track, front person Emilia comments: “Workers rights are being taken away from us at an alarming rate, and the best way to combat this is with collective bargaining and activism…” Watch the new video for ‘Class War’ here. (ML)

Fightmilk – ‘Yearning and Pining’
Another one taken from the upcoming album from absolute faves Fightmilk, ‘Yearning and Pining’ offers a ridiculously catchy tongue-in-cheek love song. Exquisitely fusing together twinkling hooks and anthemic gritty energy with a lilting country twang, the track races with the angsty anticipation of a mega crush. Of the track, front person Lily comments: “(It’s) a two-minute country-punk biscuit about having the cosmic horn for someone. Being so lusty that you give yourself an asthma attack…” And there’s a gloriously DIY accompanying video that was filmed entirely on a doorbell cam. No Souvenirs, the upcoming new album from Fightmilk, is out 15th November via Alcopop! Records. Catch them live to celebrate – details here. (ML)

Daffodildos – ‘What’s Ur Excuse’
Having recently released their debut EP via Not Saints – a pioneering label committed to supporting artists in recovery from addiction – Brighton trans-punk trio Daffodildos have spent the year making a name for themselves, touring the country, delivering important social messages with their trademark playful attitude. Taken from the EP, ‘What’s UR Excuse’ is fuelled by fierce scuzzy hooks, offering a catchy punk anthem raging against the cruelty that society inflicts on animals, and capitalism’s reliance on the suffering of innocent animals for profit. Not My Cup Of Tea, the debut EP from Daffodildos, is out now. (ML)

Man/Woman/Chainsaw – ‘The Boss’
Lifted from their upcoming EP, Eazy Peazy, which is set for release on 7th November via Fat Possum Records, this track from London based art punks Man/Woman/Chainsaw is a grinding, unpredictable exploration of power dynamics. The band have fused electric violin, synths and guitars together to form their heaviest track yet. I remember Brixton trio Alien Chicks recommending Man/Woman/Chainsaw to us when they were guests on our Soho Radio show last year, and after hearing ‘The Boss’, I can see why! (KC)

Lobby – ‘folding out’
Featuring members from Goat Girl and leather.head, South London slowcore trio Lobby have shared a brand new single. Following last year’s ‘in the wall’, ‘folding out’ flows with a twinkling energy as honey-sweet vocals ripple over fuzzy musical layers and a stripped back raw emotion. Of the track, the band explain: ““It’s about the desire to watch the layers someone has built up, unfold, to reveal the core of who they are, and the unquestioning support needed for that process to occur.” (ML)

Queen Of Nothing – ‘How Does It Feel’
I’m so glad this debut single from independent artist Abi Crisp aka Queen Of Nothing dropped into my GIHE inbox. ‘How Does It Feel’ is taken from her soon-to-be-released EP, The Pull, which she recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie). I love her atmospheric guitar tones and her brooding vocals, which shift in volume throughout the track. (KC)

Labyrinthine Oceans – ‘Pinch’
A dark reflection on self autonomy and escaping societal expectations, ‘Pinch’ is the latest single from London/Newcastle dream rock band Labyrinthine Oceans. It’s taken from their upcoming second EP, home, which is set for release in the near future. The band blend grinding riffs, crashing percussion and melancholic vocals in attempt to confront the uncomfortable truths that underline vocalist Julia O’Neill’s lyrics, which give the track its heavy lullaby quality. (KC)

sweet93 – ‘what’s true?’
I love this dreamy offering from New York artist sweet93, fronted by elusive vocalist Chloe. I’m new to her blissed out brand of ambient shoegaze, but after hearing ‘what’s true?’ I’ll definitely be diving into her debut album, All The Same All OK, which she released back in 2021. (KC)

Mi.el – ‘Hers To Own’
The latest single from dream-pop duo Mi.el, ‘Hers To Own’ explores themes of change, personal growth and self-love, offering a sparkling empowering energy. Interweaving a tapestry of different sonic textures, providing the backdrop to rich syrupy vocals, it glistens with an understated uplifting grace. (ML)

Friedberg – ‘Hardcore Workout Queen’
Described by Friedberg’s founding member Anna as an anthem for “the Champion of the slobs”, ‘Hardcore Workout Queen’ is the title track from the band’s upcoming album, which is set for release on 8th November. Juxtaposing upbeat indie-pop rhythms with lyrics about being unmotivated to excel at physical exercise, the track is a playful, relatable reflection on living the lifestyle that suits you – whether that means you’re smashing it in the gym or relaxing with snacks on the sofa. (KC)

God’s Mom – ‘Maddalena’
A new collaboration between Canadian artist Bria Salmena (FRIGS, Orville Peck) and producer/film-maker A.Matthews, God’s Mom create innovative soundscapes combining vocal traditions rooted in Salmena’s Italian heritage with glitchy electro-driven dancefloor beats. Celebrating the power and beauty of the community that the duo found in Toronto and Rome’s club scene, ‘Maddalena’ offers a cinematic cacophony that resonates with a driving energising allure. As It Was Given, the new album from God’s Mom, is out now – exclusively available on Nina. (ML)

foxgluvv – ‘i need to understand but i don’t’
Brighton based DIY pop artist foxgluvv has returned with this brand new single, their first since 2023. Inspired by their journey of self-discovery and the complexities of gender identity, foxgluvv explains that ‘i need to understand but i don’t’ is “more than just a song” to them, it’s their way of supporting their LGBTQIA+ listeners and reminding them not to panic if they haven’t got everything figured out just yet. It’s full of foxgluvv’s hyper-pop beats and catchy lyricism, making it an anxious-yet-euphoric anthem. (KC)

Susi Pagel – ‘Anything Like U’
Self-described as Belfast’s ‘pink pop princess’, Northern Irish artist Susi Pagel is set to release her debut EP very soon, which she worked on with local legend and GIHE fave Rocky O’Reilly. Taken from the EP, ‘Anything Like U’ reflects on the feelings of relief that come from realising you’ve made a lucky escape from a toxic person, and I just love its glistening punk-pop energy. Susi Pagel’s debut EP, can you hear me now?, is set for release next month. (ML)

Moniah – ‘Sweet Escape’
This track from emerging London-based indie pop artist Moniah is all about letting go of what’s holding you back and living in the moment. Through her emotive vocals and lilting alt-pop melodies, she offers her listeners a brief moment of respite from the grind of everyday life. (KC)

Catbear – ‘Carry On’
The latest single from Brighton/London queer duo Catbear, ‘Carry On’ offers a soaring immersive soundscape. Combining elements of ‘80s-inspired synth pop with a gritty post-punk edge, it explores themes of overcoming adversity and pushing through life’s challenges with a captivating ethereal splendour. (ML)

Aisha Badru – ‘Side Of The Moon’
Set to release a new album next month, Nigerian-American artist Aisha Badru has now shared a beautiful new single. Sparkling with a delicate effervescent grace, ‘Side Of The Moon’ reflects on our life’s journey towards healing with a blissful charm. The Sun Still Rises, the upcoming new album from Aisha Badru, is set for release on 29th November via Nettwerk. (ML)

Breymer – ‘When I Get Through’
Set to release their new album, When I Get Through, later this month, Minnesota born artist Sarah Walk aka Breymer creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality as it reflects on a personal journey of self-discovery with a stark honesty, it’s a truly exquisite collection. Breymer is in the UK next month, playing dates in London and Brighton – details here. (ML)

Sunflower Thieves – ‘So Far So Good’
A poignant, relatable tune from Leeds based duo Sunflower Thieves here. Taken from their upcoming EP, Same Blood, set for release on 30th October 30th, ‘So Far So Good’ is a tender exploration on the very human need for connection and the often overwhelming feeling of our own insignificance in the grand scheme of things. Sunflower Thieves deliver these ruminations gently through their considered lyrics and soft acoustic guitar sounds. (KC)

Katie Malco ft. SOAK – ‘Babette’
Another disarming tune from Katie Malco, this time featuring Northern Irish songwriter SOAK. The pair toured the US together in 2023, which SOAK comically recalls as a time they navigated their way through North America with little more than their “drivers’ licences and delusion.” ‘Babette’ is inspired by Malco’s sense of being too much, or not enough, and how this inner conflict transpires into relationships and social situations. The track’s call-and-response style reflects how communication can break down between two people over time, with Malco and SOAK’s emotive vocals hitting a relatable nerve throughout. (KC)

jasmine.4.t – ‘Elephant’
The first UK signee to Phoebe Bridgers’ label Saddest Factory Records, Manchester based musician jasmine.4.t has announced her debut album, You Are The Morning, set for release on 17th January 2025, by sharing this track ‘Elephant’. Inspired by her memories of her first love after she came out as a trans woman, ‘Elephant’ is a moving reflection on how it feels to be friends with someone when you both know you want more. Produced by Julien Baker, Phoebe Bridgers and Lucy Dacus, jasmine’s sensitive lyricism, acoustic and electric instrumentation – plus the wonderful voices of the Trans Chorus of Los Angeles at the close of the track – all combine to create a passionate, buoyant exploration on the complexities and joy of finding your first queer love. (KC)

Miya Folick – ‘Alaska’
Following on from her previous single ‘La Da Da’, LA-based songwriter has shared another beautifully vulnerable offering here. ‘Alaska’ is inspired by her fear of potentially losing her relationship, but she pacifies this pain with the realisation that she would cope if that sadly became a reality. Her raw lyricism, emotive vocals and gentle instrumentation soothe these difficult thought processes, making ‘Alaska’ a tender and cathartic offering. (KC)

Heff VanSaint – ‘Weavers Fields’
Originally from Aberdeen, London based artist Heff VanSaint has just released her new EP Best Days Gone. Of the release, she explains: “It’s not as hopeless as the title suggests. I guess it’s a metaphor for where I am in my life. It starts off very misty eyed and full of longing for what’s gone and then through reflection regains a kind of optimism that is dogged in its hopefulness.” A lovely sentiment, and it is a really beautiful collection of tracks – and I think perhaps I have a particular soft spot for this one as it definitely has shades of The Boss, which is always a good thing in my books. (ML)

Waxahatchee – ‘Much Ado About Nothing’
The latest single from Katie Crutchfield – aka Waxhatchee – ‘Much Ado About Nothing’ flows with the lilting Americana twang and stirring raw emotion that I love so much. The first taste of new music from Crutchfield since her much-acclaimed album Tigers Blood earlier this year, it’s another exquisite offering from one of my absolute favourites. (ML)

Clara Mann – ‘Stadiums’
Having supported the likes of Bill Ryder-Jones and Bat For Lashes, London-based artist Clara Mann has now shared a beautiful new single. Reflecting on the both the beauty and difficulties of loving someone whose passion lies in being creative, ‘Stadiums’ offers a beautifully folk-strewn ballad, flowing with a delicate musicality and the sparkling subtle allure of Mann’s vocals. (ML)

Natalie Fée – ‘Daughter Of Nature’
‘Daughter Of Nature’ is the debut single from Bristol based environmental activist, author and musician Natalie Fée. It’s the eponymous track from her upcoming debut album, which is set for release in 2025. Natalie has expanded her preexisting love of nature through her indie-folk musings, and hopes that this will be a new form of connection to the environment for her listeners too. (KC)

Mark Trecka, Midwife – ‘Witch’s Hat’
Add this plaintive collaboration between Parisian sound artist Mark Trecka and Colorado multi-instrumentalist Midwife to your Halloween playlist NOW! It’s a haunting blend of the pair’s other-worldly vocals, moody electronics and twitchy percussion, which Trecka hopes will resonate with those who are “dreaming and celebrating the other side in this thinning veil season.” I love it. (KC)

Joh Chase ft. Brittany Ann Tranbaugh and Natalie Carol – ‘Gossamer Thread’
The debut collaborative single from LA based songwriter Joh Chase, Brittany Ann Tranbaugh and Valley Queen’s Natalie Carol, ‘Gossamer Thread’ offers a stirring slice of Americana reflecting on themes of interconnectedness, fragility and resilience. Shimmering with a catchy, lilting musicality, a heartfelt raw emotion ripples throughout, demanding multiple listens. ‘Gossamer Thread’ is out now via legendary label Kill Rock Stars. (ML)

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PLAYLIST: October 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

deep tan – ‘xenomorph queen’
Having been a big fan of deep tan for a few years now, I’m excited to see that – following last year’s diamond horsetail EP – they’re back with a brand new single, and new line-up, ahead of their live shows supporting QOTSA on tour next month. Reflecting on themes of matriarchy, queer parenting and sapphic love, ‘xenomorph queen’ oozes all the discordant immersive allure that we’ve come to know and love from the trio. Instantly captivating the senses with its mystical ethereal majesty, it showcases deep tan’s ability to create their own truly unique brand of other-worldly angular post-punk. Watch the video for ‘xenomorph queen’ here.
(Mari Lane – Managing Editor)

Fräulein – ‘The Last Drop’
Is it even a GIHE playlist if we don’t include a track by Fräulein? (No, it’s not). Joni & Karston have shared this excellent single via Submarine Cat, which Joni says is inspired by the “manic uncertainty, the confusing, exasperating and self-destructive patterns that you can fall into after the end of a relationship”.
(Kate Crudgington – Features Editor)

Grrrl Gang – ‘Cool Girl’
Indonesian riot grrrl group Grrrl Gang have been a rising force in the Southeast Asian music scene since their formation in 2016, and are now commencing their world takeover with the recent release of their debut album. Having been featured in the likes of NME and Spin, with the album, Grrrl Gang showcase their ability to fuse together their empowering riotous punk energy with a poignant raw honesty and relatable fizzing emotion. Uplifting and cathartic in equal measure. Spunky, the debut album from Grrrl Gang, is out now via Trapped Animal, and via legendary label Kill Rock Stars in the US. (ML)

HotWax – ‘High Tea’
Another anthem from GIHE faves HotWax, taken from their recently released EP, Invite Me, Kindly. Vocalist Tallulah explains: “‘High Tea’ is about two people in your life who are very close to you but don’t mix well, leaving you in the middle feeling torn. It’s a conversation that has gone on for too long, you have to spit out your doubt and let your bad feelings leave you. It’s a song for people to let go and be free.” (KC)

LipGloss – ‘Anna (Walks Along The Street)’
Recorded at Start Together Studios with GIHE fave Rocky O’Reilly, ‘Anna (Walks Along The Street)’ is the new single from Belfast band LipGloss. Oozing a sparkling dark majesty, and building with a scuzzy anthemic splendour, it reflects on the band’s own personal experiences of growing up in Northern Ireland with a raw impassioned energy; reverb strewn riffs colliding perfectly with the immense soaring vocals. I can’t wait to hear more from this lot! (ML)

Dermabrasion – ‘Halberdier’
**NEW FAVOURITE BAND ALERT**
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, the track is a heavy, brooding gothic anthem that rumbles with discontent. Perfect listening for Halloween (or anytime of the year tbh). (KC)

Slothrust – ‘Pony’
I’m not sure I’ve talked enough about my obsession with Slothrust on GIHE yet, but – having been a fan for a few years – seeing them live in New York last year just completely took my breath away. I was totally captivated by their scuzzy, raw emotion and the utterly immersive, no-frills charisma of front-person Leah Wellbaum. They’ve just released a new EP, I Promise, which includes this fiercely seductive cover of Ginuwine’s ‘Pony’, along with three other versions of the track, my favourite being the extended version: 15 minutes of pure swirling joy. With a couple of wonderful new original tracks too (plus a magical cover of ‘Somewhere Over The Rainbow’), the EP showcases all there is to love about Slothrust. (ML)

Chelsea Wolfe – ‘Whispers In The Echo Chamber’
A potent blend of shadowy industrial sounds and her trademark captivating vocals, Chelsea Wolfe’s latest single is accompanied by the news that she’ll be releasing her seventh album, She Reaches Out To She Reaches Out To She, via Loma Vista on 9th February 2024. ‘Whispers In The Echo Chamber’ is a heavy rumination on trusting your inner voice and following your own intuition. Wolfe is “bathing in the blood of who [she] used to be” – cleansed and cutting as ever. (KC)

Vyva Melinkolya & Midwife – ‘Doomer GF Song’
I’ve made no secret of my admiration for the sounds that Vyva Melinkolya & Midwife make together, and this track is another perfect example of the unique symbiotic musical relationship they share. ‘Doomer GF Song’ – what a title, and what a sound. (KC)

Atka – ‘Eye In The Sky’
Set to release her debut EP next month, London-based, Brandenburg-born artist Atka creates captivating cinematic soundscapes. This first taster of the EP, ‘Eye In The Sky’ shimmers with a dark, haunting energy, reflecting on the social construction of identity. A stirring offering showcasing the beguiling majesty of this innovative artist. The Eye Against The Ashen Sky, the upcoming debut EP from Atka, is out on 3rd November. Catch Atka live in London on 7th November at Studio 9294. (ML)

body / negative – ‘persimmon’
An exquisitely gloomy piece of ambient shoegaze from body / negative, the solo project of multi-instrumentalist Andy Schiaffino. ‘Persimmon’, is taken from their upcoming album, Everett, which is set for release on 8th December. The record is inspired by love, loss and grief, following the death of their Father, featuring contributions from Midwife and Amulets – two of my favourites. I can’t wait to hear it. (KC)

GENN – ‘The Sister Of’
Lifted from their debut album, unum, released via their own label Liminal Collective, this is another dynamic offering from Malta-via-Brighton art punks ĠENN. Their album is a cell-tingling listen, inspired by deep empathy and feelings of otherness. Read more about it and watch the stunning accompanying video for ‘The Sister Of’ on our website here. (KC)

070 – ‘Black Dress’
I am OBSESSED with this track from 070 Shake, which is equal parts moody and euphoric. She’s going to be releasing a new album soon and I cannot wait to hear it. (KC)

Coolgirl – ‘Druid’s Hood’
Another sensational electronic offering from GIHE fave Lizzie Fitzpatrick aka Coolgirl. Inspired by the sounds on vintage video games, ‘Druid’s Hood’ is taken from the Dublin-based artist and producer’s upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records. (KC)

Echo Juliet – ‘Life On Trains’
This is the latest single from Birmingham-based electronic musician Echo Juliet, taken from her debut 7 track mini-album, Abandon Reality, out now via her new label Invisible IDs. This track – written entirely on a train – is a hypnotic, electronic minimal groove. Speaking about the track, Echo Juliet explains: “I’ve spent a lot of time on the train for work and wanted to capture the feelings that gives me. The groove has a kind of rolling, perpetual forward motion but I was also feeling exhaustion, listlessness and a sense of inevitability that I tried to capture in the melody” Such a vibe! Read Echo Juliet’s Five Favourites feature on our website for more insight into her music. (Tash Walker – Digital Editor)

Janette King – ‘Nah Mek Me Fall’
An end-of summer track drawing On Janette King’s Caribbean roots, incorporating patois into her lyrics layered over those infectious beats, ‘Nah Mek Me Fall’ is perfect for this hazy October sun. A celebration of identity and a testament to the power of music in conveying the tangled journey of love and uncertainty. (TW)

Rubie – ‘Sicily’
This was my track of the show for our October Soho Radio show. It comes from Rubie, who describes herself as a songstress, producer, multi-instrumentalist and unbridled trans voice from south London. I first encountered Rubie as a member of Jenny Moore’s Mystic Business and of course the fantastic F*Choir. But this is Rubie in her solo iteration here, fresh off her new EP release, Whatever Cage – totally mesmerising. Rubie will be opening for Living Body on 2nd November at New Cross Inn, and playing an in-store lunchtime gig at Dash the Henge on 4th Novemeber, which will also go out live on Resonance FM, all ahead of the EP launch party on 30th November at Walthamstow Trades Hall – see you there! (TW)

Caleb Nichols – ‘Demon Twink’
California-based poet and musician Caleb Nichols creates beautifully poignant indie-pop ballads with a lilting heartfelt energy reminiscent of the stirring offerings of Elliott Smith. I was lucky enough to catch Caleb live at The Cavendish Arms this Spring and am very much looking forward to having them play for us at Matchstick Piehouse on 1st December, along with adults and Gay Skeleton Club. Grab a ticket here. Their latest album, Let’s Look Back, is out now via Kill Rock Stars. (ML)

ME REX – ‘Jawbone’
Having just released their debut album, ME REX continue to win my heart with each new offering, and latest single ‘Jawbone’ is no different. I just can’t get enough of the swirling emotion oozing from their stirring lyrical storytelling with their trademark glistening musicality and impassioned energy. Giant Elk, the debut album from ME REX, is out now via Big Scary Monsters. (ML)

Francis of Delirium – ‘First Touch’
Produced by Catherine Marks and released via Dalliance Recordings, this truly dreamy track is all about those initially heady moments of love or lust. Francis of Delirium will be playing a headline show at the Lexington in London on 15th November. (TW)

Coco – ‘Mythological Man’
Formed in 2019, LA trio Coco have just announced the release of their second album. Out first taster of the album is ‘Mythological Man’; a reflection on common ‘masculine’ archetypes, it offers a blissful dose of lilting indie-pop. Rippling with luscious hooks and the honey-sweet vocals of Maia Friedman, it’s a dreamy soundscape, oozing subtle playful wit -visualised perfectly in the accompanying self-directed video. Simply titled 2, the upcoming second album from Coco, is set for release on 1st March 2024 via First City Artists. (ML)

Maple Glider – ‘Don’t Kiss Me’
Australian artist Tori Zietsch aka Maple Glider has just released her brand new album, I Get Into Trouble. Offering a poignant reflection on her Christian upbringing, reflecting on themes of shame, consent and sexuality, it’s a truly stirring collection of starkly honest, yet delicately beautiful, compositions. Flowing with a glistening musicality as the heartfelt crystalline splendour of Zietsch’s vocals ripples with raw emotion, the album showcases her ability to reflect on potentially difficult subject matter with an immersive cathartic grace and shimmering majestic allure. Read our recent interview with Maple Glider here. (ML)

Sheherazaad – ‘Mashoor’
The debut single from New York based artist Sheherazaad, ‘Mashoor’ reflects on her South Asian sonic lineage; drawing on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. Watch the stirring accompanying video for ‘Mashoor’ here. (ML)

Gazelle Twin – ‘Fear Keeps Us Alive’
This Gazelle Twin track, taken from her recently released fourth album Black Dog, spotlights once again what an instinctive, shape-shifting artist she is. Released via one of my favourite labels INVADA Records, this single and her new record are partially inspired by her childhood experiences with the paranormal, which makes for perfect listening this October. (KC)

Hilary Woods – ‘Burial Rites’
Following on from her poignant rumination ‘Where The Bough Has Broken’ – an atmospheric ode to communal growth and memory – Irish artist Hilary Woods has returned with another hypnotic instrumental titled ‘Burial Rites’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is a magnetic, gloomy cogitation inspired by the Gaelic Celtic ritual of Keening; a traditional form of vocal lament when mourning for the dead. (KC)

 

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