Track Of The Day: A.A. Williams – ‘The Echo’

A heavy lament that explores the push-and-pull relationship between the heart and the head, London-based songwriter and multi-instrumentalist A.A. Williams has shared her latest single ‘The Echo’. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, the track is a powerful blend of Williams’ bittersweet vocals and trademark cathartic drop ins.

“’The Echo’ is a dialogue between a person’s heart and the head,” Williams explains about her new single. “the head [is] trying to persuade the heart that what they need is to take time for themselves and prioritise their own well-being, not seek verification of one’s worth through their relationships with others.”

Originally named ‘Forever Blue’ – which is also the title of her debut album – Williams’ has re-worked ‘The Echo’ into a song of “yearning, sorrow and beauty.” These sentiments are reflected in the track’s accompanying video, directed by Fraser West. The visuals follow a young man on his journey through London during the night, encountering strangers and seeking connection in unexpected places.

Following on from her previous singles ‘Evaporate’ and ‘Golden’, ‘The Echo’ continues to spotlight Williams’ intuitive talent for creating captivating, enthralling music. She will be performing tracks from her upcoming album As The Moon Rests with her band and a full string quartet at Southbank Centre’s Queen Elizabeth Hall this Saturday (17th September). You can grab a ticket here.

Watch the video for ‘The Echo’ below.

A.A. Williams’ UK Tour Dates 2022
Saturday 17th September – London – Queen Elizabeth Hall
Saturday 12th November – Glasgow – The Great Eastern
Sunday 13th November – Leeds – Brudenell Social Club
Monday 14th November – Milton Keynes – Craufurd Arms
Tuesday 15th November – Birmingham – Hare & Hounds
Wednesday 16th November – Cardiff – Clwb Ifor Bach
Thursday 17th November – Falmouth – The Cornish Bank
Friday 18th November – Bristol – Thekla

Follow A.A. Williams on bandcampSpotifyInstagramTwitter & Facebook

Photo Credit: Thomas Williams

Kate Crudgington
@KCBobCut

LISTEN: SPELLLING – ‘Little Deer’

A majestic new soundscape inspired by Frida Kahlo’s 1946 painting The Wounded Deer, Bay Area-based artist SPELLLING has shared her latest single ‘Little Deer’. Taken from her upcoming album The Turning Wheel, which is set for release on 25th June via Sacred Bones, the track is a dazzling new offering that showcases her talent for blending electronic & acoustic instruments with her lush vocals to create hazy, uplifting sounds.

“‘Little Deer’ is definitely a thesis track,” explains SPELLLING aka Chrystia Cabral. “I feel that way because it not only showcases the greatest range of instrumentation that is featured on the album, but also because it accomplishes this strong impression of theatre that I was striving for with the album as a whole.” The track features 17 different acoustic instruments, as well as a lilting, warped synthesizer. SPELLLING’s new record is split into two halves – “Above” and “Below” – with ‘Little Deer’ marking the beginning of the dreamy, shimmering “Above” section, which contrasts with the darker, more gothic tones of “Below”.

“I’m especially proud of the lyrics on ‘Little Deer’,” SPELLLING continues. “The challenge with the lyric writing was being able to speak to really large concepts like karma, reincarnation and the cycle of life without making the song sound burdened. I wanted the lyrics to match the grandeur of the instrumentation but still be easy to sing along to. I figured out a way to build the lyrics using a lot of abstract language that is still sing-able but odd in a way that I hope makes it memorable.” SPELLING’s attention to lyrical detail and intricate musical arrangements on ‘Little Deer’ certainly mark her out as a distinctive and compelling talent.

Listen to the track below.

Follow SPELLLING on bandcamp, Spotify, Instagram & Facebook

Photo credit: Adora Wilson

Kate Crudgington
@KCBobCut

LISTEN: Fran Lobo – ‘Brave’

An atmospheric ode to women who thrive in the face of adversity; Fran Lobo has shared her latest single, ‘Brave’. Lifted from her EP of the same name, which is set for release on 19th June via Slow Dance Records, Lobo blends electronic and orchestral elements together to create her stirring soundscape.

A singer, songwriter, producer, DJ, choral composer & sound artist; Lobo has extensive and impressive experience in multiple areas of the music industry. The North East London artist takes inspiration from both the club scene and the choral scene to create her own music, and ‘Brave’ is a strong example of how she seamlessly mixes these genres together.

Speaking about her new single, Lobo explains: “This was a mantra to myself, to stay brave because there is no other choice in the face of our world and diminishing relationships. The world moves on and we have no choice but to move with it. It is also a comment on the intense expectations on women; what to be and what not to be.”

Her message also applies to the current crisis we are all living through: “I wanted to dedicate this track to key workers and those working hard to keep us safe. My Dad works in a care home where there has been little PPE and going to work has felt like an everyday risk, to honour the brave people working in these conditions, I’m donating 50% of band camp revenue to Age UK.”

We’re impressed by Lobo’s kindness and positive energy during this difficult time. Listen to ‘Brave’ below and download the track from bandcamp in order to donate to Age UK.

Follow Fran Lobo on Facebook & Spotify for more updates.

Photo credit: El Hardwick

Kate Crudgington
@KCBobCut

LIVE: Björk’s Cornucopia Tour – The O2 Arena, London 19.11.19

An opulent, self aware, stunning two hour performance: Icelandic icon Björk was able to “weave a matriarchal dome” over the heads of her transfixed crowd during her Cornucopia live show at London’s O2 Arena. The music pioneer brought her Utopian vision to life through pitch perfect vocals, beautifully orchestrated collaborative sounds, and breath-taking visuals.

Before the show began, a polite audio recording requested that fans refrain from filming or photographing the show, as this would be distracting to Björk. Surprisingly, the majority of fans respected her wishes, and immersed themselves in listening to the aural grandeur of the Icelandic choir who opened the Cornucopia show against a curtain backdrop laced with tropical flowers.

When Björk’s altruistic vocals broke through the airwaves and the stage curtain parted; it felt like straying into a Midsummer Night’s Dream. Dressed in a unique ensemble and accompanied by performers who were both decorated like, and sounded like birds of paradise; Björk delivered a passionate rendition of ‘The Gate’. A flute ensemble led her in to ‘Utopia’, followed by the divine sounds of ‘Arisen My Senses’ with live harp accompaniment and more stunning visuals.

With a clear focus on her two most recent studio albums – 2017’s Utopia, and 2019’s Virtual Reality record Vulnicura – Björk’s set list, shape-shifting animations and optics truly transcended the fourth wall between fans and performer. The set’s sensuality was heightened by so many elements – the incredible stage design, the affluent costumes – as well as Björk’s willingness to experiment with new forms of sound during live shows. At one point in the set, she sings next to a percussionist who is pouring water over pebbles, with the crowd so entranced that it almost feels like every water drop is audible.

With only a handful of older songs making the cut for this performance (most notably ‘Venus As A Boy’ and a partial rendition of ‘Pagan Poetry’), whether this was your first time seeing Björk, or your fiftieth time; Cornucopia is an audio & visual force unlike any other. Björk’s artistic vision is uncompromising in so many ways, which is made especially clear towards the latter part of the show.

Her elaborate spectacle is underscored by a sincere desire to highlight the current climate crisis we are all witnessing. A series of words were projected on to the veil-like stage curtain, urging all to imagine a brighter future under that “matriarchal dome”, with the final statement – “Imagine a future. Be in it” – prompting applause from the crowd. There was a video message from climate crisis activist Greta Thunberg during the finale too, further encouraging fans to practice what Thunberg passionately, and necessarily preaches.

A performance that – despite this review – transcends the barriers of language; Björk’s Cornucopia show deserves to be seen in all its live glory. Its potent message about protecting the earth, and each other, still rings true long after the spotlight fades out. Björk’s vision serves as a reminder to all that altruism and ingenuity mean nothing if there’s not a planet for us all to share, and experience them on.

Kate Crudgington
@KCBobCut