PLAYLIST: April 2021

The GIHE team have unearthed some more new music gems for you to listen to on our April Playlist! There’s an eclectic mix of indie anthems, alt-pop gems, electronic soundscapes and gritty guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Noga Erez – ‘Fire Kites’
GIHE favourite and pop renegade Noga Erez’s new record KIDS has barely left my turntable since it was released in March. The record is bursting with her trademark charisma and energy, epitomised by this track ‘Fire Kites’. Keep and eye on our GIHE socials for an exciting announcement involving Noga very soon…
(Kate Crudgington)

Miss Eaves – ‘3 Jobs’
This banger from Brooklyn-based rapper Miss Eaves features on Loud Women’s third compilation album, which is bursting with anthems from DIY bands from both sides of the Atlantic. The record also features tracks from ARXX, GÉNN, LibraLibra, Vulpynes, Bugeye, Jelly Cleaver, Breakup Haircut and Pleasure Venom. Grab your copy from bandcamp now. (KC)

Little Simz – ‘Introvert’
The latest single from innovative artist Little Simz, ‘Introvert’ may just be her most powerful offering yet. A poignant reflection on the last year and an empowering rallying cry to break free from societal limitations, the track is propelled by an immense sense of grandeur and cinematic instrumentation. A heartbreakingly impassioned anthem, touching on themes of governmental corruption, poverty and race, it’s a truly magnificent and necessary listen. “I’m a Black woman and I’m a proud one / We walk in blind faith not knowing the outcome / But as long as we unified then we’ve already won.” (Mari Lane)

Sans Soucis – ‘I’m On’
An uplifting blend of lush vocals, warm synth textures and smooth beats, songwriter & producer Sans Soucis’ single ‘I’m On’ is a genre-bending reflection on her own experiences of recovering from an extended period of depression and the joy she experienced when she was able to re-connect with herself again. (KC)

Ruti – ‘Daylight’
Essex-based songwriter Ruti may only be 21 years old, but she has a distinctive, soulful voice that shines with a majestic, mature glory on ‘Daylight’. This track is taken from her recent EP, All At Once. (KC)

People Club – ‘Damn’
This smooth new offering from Berlin-based five-piece People Club is an exploration of the behaviours surrounding addiction to internet pornography. “We wanted to examine how porn addicts can actually be super high-functioning and never get ‘found out’, yet actually can suffer seriously as a result of their habit,” the band explain about the track. ‘Damn’ features on People Club’s new EP Take Me Home, which is set for release on 7th May. (KC)

Nun Habit – ‘Righteous Jerk’
Having wowed us with their sparkling charisma playing for us at The Finsbury back in 2020, the London-based queer five-piece Nun Habit have now announced their debut album, set for release in August. Taken from their recent double a-side release, ‘Righteous Jerk’ oozes an eerie mysticism before building with thrashing beats and scuzzy, reverb-strewn riffs, alongside Kate’s sweeping soulful vocals. ‘Righteous Jerk’ is out now alongside double a-side ‘Slip n Slide’. hedge fun, the upcoming album from Nun Habit, will be released in August, with an accompanying celebratory launch party on 16th August at The Victoria in Dalston. (ML)

Maya Lakhani – ‘Walk Alone’
Inspired by the current conversations that are happening around women’s safety, the culture of victim-blaming and pure desire to walk alone as a women, British-Indian artist Maya Lakhani’s latest single is propelled by a gritty, emotion-strewn power. Flowing with the soaring, raw splendour of her vocals alongside a majestic, otherworldly musicality, it oozes a captivating sense of grandeur and poignant sentiment. (ML)

Softcult – ‘Take It Off’
I’ve been listening to Softcult aka twin sisters Phoenix and Mercedes Arn Horn’s debut EP Year Of The Rat so much recently. It’s a bittersweet collection of lush, grunge-infused songs that culminate their thoughts on sexism, misogyny and objectification, and ‘Take It Off’ aches with with their subdued anger. Lyrically, it’s directed at catcallers, but it doubles up as a care-free dismissal of ridiculous trophy wife standards too. (KC)

Bitch Hunt – ‘Eau Claire’
The latest single from London based non-binary band Bitch Hunt, ‘Eau Claire’ offers the first taste of the band’s upcoming debut EP. An ode to a Wisconsin town where singer Sian used to live, with its stripped back jangling hooks and raw, heartfelt vocals, it builds in momentum to an effervescent slice of perfect punk-pop. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. (ML)

Wallice – ‘Hey Michael’
It was love at first listen when I heard this single from LA-based Wallice. I love her candid lyrics on this playful lament about having your ear chewed off by a mediocre man at a party. Watch the accompanying video for the track here. (KC)

Fightmilk – ‘Overbite’
The recent single from total faves Fightmilk, ‘Overbite’ is taken from their upcoming new album. Oozing a track’s subtle romanticism and tongue-in-cheek wit, the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment alongside an infectious, shimmering energy. The perfect, alternative fuzzy love-song. Contender, the new album from Fightmilk, is set for release on 14th May via Reckless Yes. (ML)

PACKS – ‘New TV’
This brooding offering from Toronto-based PACKS is a hazy ode to “other people’s garbage.” I love the sound of Madeline Link’s vocals and the grungy, hazy guitars on this track. The band will be releasing their debut LP Take The Cake on 21st May via Royal Mountain Records/Fire Talk. (KC)

Tirzah – ‘Send Me’
The latest single from Tirzah, the first we’ve heard from her in two years and boy am I glad she’s back. Teaming up again with previous collaborators Coby Sey and Mica Levi, Tirzah delivers us another beautiful song with futuristic subtlety. The amount of emotion and longing that’s conveyed in her music blows me away every time, leaving me with all the feels. Fingers crossed the release of ‘Send Me’ is only the beginning of more music to come from Tirzah. (Tash Walker)

Deap Vally – ‘Give Me A Sign’
Us GIHE girls are super excited to hear Deap Vally’s new EP American Cockroach, which this new track ‘Give Me A Sign’ is lifted from. Set for release on 18th June via Cooking Vinyl, the LA-based duo have collaborated with Jennie Vee (Eagles of Death Metal) and the brilliant Ayse Hassan (Savages/ESYA) for this record, which the duo describe as “songs for the underdog, the outlaw, the defeated, for the days when you feel like no one understands you or you can’t do anything right.” (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist and it’s been bouncing around my head for weeks. (KC)

Shygirl – ‘Tasty’
One thing that is getting me through my weeks at the moment is listening to music that makes me just want to dance. Especially this track from the incredible Shygirl. Pull up those hoods and get moving. (TW)

Mykki Blanco – ‘Free Ride’
Firm fave Mykki Blanco released ‘Free Ride’ alongside the news that they’d signed to Transgressive Records at the beginning of this year. Speaking about the track, Mykki explains “Some of the most intimate moments and conversations I have ever shared were with my mother on long drives in the Southern countryside when I was a teenager. The music that soundtracked these memories on our daily journeys was the stuff of my mother’s generation. I would find myself daydreaming, reflecting and envisioning the kind of life I would like to create for myself.” With all its feel-good vibes, this song has been buzzing around my head constantly since I first heard it – I LOVE IT. (TW)

DEELA ft. T6lu – ‘FIT’
A fun, provocative cut from British-Nigerian rappers DEELA and T6lu, ‘FIT’ is all about being able to say what you want, when you want. Their slick lyrical delivery and dense beats reflect the pair’s direct approach to making empowering, unapologetic anthems. (KC)

Alex Loveless – ‘Through 2 U’
This is a slow-burning offering full of hazy beats and brooding vocals from Hackney-based DIY electronic artist Alex Loveless. Released via Loveless’ own label Dirty Mind (named after their own club night inspired by the Prince record) ‘Through 2 U’ is an intoxicating combination of smouldering alt-pop hooks and melancholy-tinged lyrics. (KC)

Pallas Athene – ‘Gimme Gimme’
Toronto-based artist Pallas Athene contributed this ambient track to Object Ten, a compilation album that features original pieces of experimental, electronic music by new and established artists. Put together by London drone-pop band The Leaf Library, the album is a real breath of fresh air for anyone looking for a departure from their usual listening habits. (KC)

Tokky Horror – ‘Godliness’
London-Manchester-Liverpool trio Tokky Horror have taken things down a notch on their latest offering ‘Godliness’, which is taken from their debut EP I Found The Answers And Now I Want More, set for release on 21st May via Alcopop! Records. “I think we show our more expansive side on ‘Godliness’,” Zee Davine explains. “Where our first two singles were the ‘flag-in-ground’ moment when we wanted to assert our presence with intensity, ‘Godliness’ is us letting our guard down a bit for something more genuine.” (KC)

GHLOW – ‘Not Fit For This’
A visceral blend of distorted guitars, energetic beats and commanding vocals, this single from Russian-Swedish heavy duo GHLOW is taken from their debut album Slash and Burn, recently released via PNK SLM Recordings. I love their intense rhythms and jagged riffs and recommend listening to the full album if you like what you hear. (KC)

A Place To Bury Strangers – ‘End Of The Night’
With a change in lineup and a new EP titled Hologram on the way, Brooklyn’s A Place To Bury Strangers have unleashed this caustic new tune that buzzes with unrest. Founding member Oliver Ackermann has been joined by John Fedowitz (bass) and Sandra Fedowitz (drums) for this record, which is released on 16th July. (KC)

SPITBOY – ‘In Your Face’ (Remastered)
Don Giovanni Records have announced that they’re releasing trailblazing San Francisco based 90s feminist hardcore band SPITBOY’s discography on 25th June. Titled Body Of Work (1990-1995), 100% of the profits from the record will be going to the National Women’s Law Center. This is the first time SPITBOY have appeared on my radar and I’m loving their grungy, riot grrrl sound. (KC)

The Bug Club – ‘Checkmate’
Set to release their debut EP this Friday, Welsh trio The Bug Club’s ‘Checkmate’ showcases their uniquely uplifting, frenetic brand of garage rock perfectly. Propelled by a vibrant, driving energy, it oozes a playful sense of euphoria as gloriously scuzzy hooks race alongside blissful harmonies. Launching Moondream One, the upcoming debut EP from The Bug Club, is out 30th April via Bingo Records. Read our interview with Tilly from the band here. (ML)

Queens & Kings – ‘Going Through Hell’
Propelled by a fuzzed-out visceral energy and gentle blues-rock twang, ‘Going Through Hell’ reflects on Toronto duo Queens & Kings’ 10+ year relationship and the struggles they have gone through both personally and as a band. As Alissa’s gritty swooning vocals flow with a stirring, soulful drive alongside scuzzy hooks, it’s a powerful Americana-tinged slice of garage-rock brimming full of anthemic emotion. (ML)

GracieSouz – ‘Brian Cox’
Having just released her stirring debut EP Better In Space, GracieSouz creates sweeping, ethereal soundscapes. Paying ode to the famed scientist with Gracie’s soaring, crystalline vocals and a cinematic splendour, it oozes a bewitching, majestic grace. A shimmering slice of brooding electro-pop. Better In Space, the new EP from GracieSouz, is out now. (ML)

MELÓ – ‘Castle’
Taken from her upcoming EP Youthless, Canadian-Hungarian artist MELÓ’s latest single ‘Castle’ reflects on themes of mental illness. Evoking images of escapism, it oozes a sweeping, ethereal soundscape propelled by the soaring power of the soulful vocals. Flowing with a shimmering majesty, it’s a captivating slice of dreamy alt-pop. (ML)

Gillie – ‘Retirement Paradise’
The title track from her recent EP, Welsh songwriter Gillie tentatively explores what it means to slow down and reflect on what you truly need on ‘Retirement Paradise’. “I think this is the track that defines me as who I am today,” she explains. “I’m now aware that the people whom I previously thought lived slow and boring lives, have become the people I take note from. I often joke that I could go into retirement right this moment and live quite happily, and so that’s how this track developed.” (KC)

Be Charlotte – ‘We Are Burning’
Taken from her debut EP Dreaming With The Lights Off, Be Charlotte’s ‘We Are Burning’ soars with a twinkling emotion and lilting, folk-tinged melodies. Propelled by Charlotte’s distinctive luscious Scottish vocals, it’s a sparkling pop anthem, calling us to action at a time when hope may seem to be lost. (ML)

All cats are beautiful – ‘(u know) u mean a long minute to me’
The first single to be taken from their upcoming EP, all cats are beautiful (acab)’s ‘(u know) u mean a long minute to me’ is a truly stirring slice of twinkling lo-fi indie pop. A shimmering, swirling soundscape, it wraps itself around the ears and heartstrings with beautiful harmonies and woozy beats. A wonderfully soothing offering oozing an emotive sparkling splendour. the things we made, the upcoming new EP from all cats are beautiful, is set for release on 6th August via Moshi Moshi. (ML)

Thigh High – ‘Because The Night’ (London 2021)
I first heard Thigh High’s cover/performance of ‘Because The Night’ as part of Patti Smith’s celebrations around the inauguration of President Biden. The track is now available for you to download and it’s just beautiful. I had the pleasure of interviewing Thigh High last year and I recommend you check out the rest of their catalogue – a band truly dedicated to celebrating and centering queer joy in their music! (TW)

 

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GIHE Tracks Of 2019

It’s that time of year again when we look back at some of our musical highlights. And what a year for new music it’s been – from empowering guitar-driven anthems and gritty electro beats, to dreamy indie-pop, our ears have been pretty lucky!

Over the next week, we’ll be sharing our favourite gigs, albums, events and Ones To Watch for 2020, but for now, here are our top tracks of 2019. Have a read, and a listen!

Clt Drp – ‘Speak To My’
Having completely blown us away live at The Finsbury in June, Brighton trio Clt Drp are one of the most exciting bands I’ve come across this year. With the immense, thrashing beats, fuzz-filled whirring hooks and soaring, gritty vocals of ‘Speak To My’, the empowered energy of their unique electro-punk sound is showcased perfectly. (Mari Lane – Co-Founder/Managing Editor)

Scrounge – ‘Badoom’
Savage guitar riffs and driving beats form the basis for South London duo Scrounge’s single ‘Badoom’. Taken from their debut EP Ideal, released via Fierce Panda, the track showcases the band’s ability to take relatable concepts such as feeling burned out, and turn them in to punchy, cathartic sounds. Check out the karaoke inspired visuals that accompany the track here. (Kate Crudgington – Co-Founder/Features Editor)

ILL – ‘Kick Him Out The Disco’
We’re all in agreement at GIHE that ILL’s track ‘Kick Him Out The Disco’ is a BANGER! These grrrls blend the best bits of punk, noise, and keys to create cathartic anthems about standing up for yourself, and not letting the bastards grind you down. ‘Kick Him Out The Disco’ is a “glittered middle finger” to anyone who’s tried to manipulate you, or who made you question your self-worth. (KC)

Lizzo – ‘Juice’
Bam! As soon as this piece of pure pop magic hit the radio, it got my attention. ‘Juice’ is perfectly constructed; its opening bars draw you in, and before you know it, you’re shouting along and belting out the ‘ya-ya’ chorus. I defy you to listen to this song and stay still. If you’re not running to – or already on – a packed dancefloor, you’ll be shimmying in your seat. It’s sunny, fun and so empowering. ‘Juice’ was my introduction to Lizzo and my love affair with her has blossomed throughout 2019. Her beautiful album artwork, fabulous statement outfits (two words: finger handbag!), and that Glasto performance sealed the deal. My four-year-old sometimes likes to sing along to ‘Juice’ in the car, thankfully neglecting the naughty words. When he does, it reminds me how lucky we are to have a popstar like Lizzo. Body positive, funny, filthy. She’s an inspiration.
(Vic Conway – Contributor)

God Colony (feat. Samirah Raheem) – ‘Girls’
You might recognise Samira Raheem from her 2 minute interview at Amber Rose’s Slutwalk in 2018. This video caught the attention of UK Producers God Colony, who approached Raheem to collaborate. The result of that collaboration is ‘Girls’ – an encouraging call-to-arms laced with fierce lyrics, and indutrial-tinged, progressive beats. Always remember: “Every dog has his day / and bad bitches too”. (KC)

Pallas Athene – ‘Through Hell’
One of my absolute favourite songs of the year, ‘Through Hell’ is taken from Pallas Athene’s debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – I just love its spaced out vocals and calming chords. Keep up the great work! Looking forward to the future of Pallas Athene.
(Tash Walker – Co-Founder/Digital Editor)

Grizzly Coast – ‘High Functioning’
A GIHE team favourite, ‘High Functioning’ by Grizzly Coast is a track that has got firmly into my head. It’s all about holding your life together in every place, but your own head. Of the track, Grizzly Coast explains: “I was going through a difficult time with my OCD choosing to power forward and work towards my goals”, but she found the purpose and drive to stay confident through it all, and we are very thankful for that. ‘High Functioning’ is a total tune, keep up the great work Grizzly Coast, we’re behind you 100%! (TW)

Amahla – ‘Dorothy’s Verses’
Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, Hackney native Amahla this year released the poignant ‘Dorothy’s Verses’. Exploring what truth is through the story of her grandmother, and reflecting on the power of female voices, ‘Dorothy’s Verses’ flow with rich, impassioned vocals alongside luscious sweeping hooks, creating a truly spellbinding – and deeply stirring – offering. (ML)

Grimes – ‘Violence’
It’s funny, looking back at 2019, I could swear this song has been out longer than a mere three months. Grimes has always been a bit beyond me up to now: too saccharine for my artsy side, too much of an art angel for my pop tastes, but ‘Violence’ hits the sweet spot. Haunting beats, an insistent hook and candied vocals that bitterly talk of a romance that’s damaging, controlling but satisfying. With 2019’s batshit political and cultural wars veering between poles, ‘Violence’ pins it all to the floor.
(John McGovern – Contributor)

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (TW)

BEA1991 – ‘Loser Wins’
Amsterdam-based artist and musical polymath BEA1991 swept me away with this track, taken from her debut album Brand New Adult. I love her subtle, soaring vocals and there’s a beautiful accompanying video to this track that I recommend you check out too. (KC)

Sui Zhen – ‘Perfect Place’
Despite having now released three albums, I only heard Sui Zhen for the first time this year. And it was love at first listen. Inspired by how we exist in the digital age, ‘Perfect Place’ flows with glitchy beats and twinkling, ‘80s-inspired hooks alongside Sui Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop that I haven’t been able to stop listening to. The whole album, Losing, Linda, is pretty magical. (ML)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, check it out now. (TW)

The Big Moon – ‘Your Light’
The Big Moon proved they’re as talented on two wheels as they are on two feet in the accompanying video to their superb single ‘Your Light’. With its catchy chorus, buoyant melodies and feel-good lyrics, it’s the perfect boost for anyone who’s feeling blue about the current state of affairs. The song is lifted from their upcoming sophomore album Walking Like We Do, which is set for release on 10th January 2020 via Fiction Records. (KC)

Captain Handsome – ‘I Wish I Had A Dog’
Having been a pretty massive fan of indie-pop superstars Fightmilk for a couple of years now, I was excited when Lily from the band shared the first single from her new solo project, Captain Handsome. A poignant exploration of every-day anxieties, ‘I Wish I Had A Dog’ showcases Lily’s distinctive silky-smooth-yet-gritty vocals whilst oozing a touching raw emotion. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. I can’t wait to hear more from Captain Handsome in 2020. (ML)

You can listen to all our favourite tracks now, in this handy playlist! We’ll be adding to the playlist as we share our other end of year features – keep your eyes/ears peeled!

 

 

Mari Lane / @marimindles
Kate Crudgington / @kcbobcut
Tash Walker / @maudeandtrevor
Vic Conway
John McGovern / @etinsuburbiaego

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PLAYLIST: November 2019

The shift from autumn to winter has been abrupt this year, and if our eclectic track choices are anything to go by; the lack of vitamin D has clearly hit us hard. From moody electronics, to upbeat bedroom bangers, to experimental soundscapes – we’ve got it all on our November playlist. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the end of the page…

 

Catbear – ‘Unrequited Love’
‘Unrequited Love’ is the second single from Catbear, and what a tune! Fully home-recorded, self-produced, and with a heavy helping of synths. In their own words Catbear say: “We make music for the enjoyment of it. We are two good friends that love each other and we love making music together. There is no other agenda. And with that attitude we want to inspire young women and LGBTQ people like us to not only go form a band, but to take control over every aspect of their music. You can be a guitarist, you can be a drummer. You can make beats, you can record and produce your own music. You can be anything.” (Tash Walker)

HAVVK – ‘Operate’
The new single from long term faves HAVVK, ‘Operate’ is about getting caught up in the pressures of everyday life, and how this can effect your health and relationships. Filled with twinkling hooks and front woman Julie’s soaring celestial vocals, it’s a captivating creation filled with stirring emotion. Of the track, Julie explains: “There’s been a massive culture-shift towards measuring our happiness by productivity. Our digital lives mean that there’s always something we can be achieving and we have fewer obvious moments to switch off and connect with ourselves or the humans around us.” ‘Operate’ is out now via Veta Records, and will be followed by  HAVVK’s debut album, Cause & Effect, on 22nd November. (Mari Lane)

Le Butcherettes – ‘Tunisia’
Teri Gender bender opens this song with the lyrics “I’ve been masturbating thinking of no-one at all / and you make think that it is selfish of me / but I am no one at all” and I just want to applaud her for such an unexpected, celebratory few lines. ‘Tunisia’ is so funky, so catchy, and I’m so excited to hear the band’s new EP, Don’t Bleed, in February 2020. (Kate Crudgington)

Sea Change – ‘Scratch That Itch’
Norwegian artist Sea Change (aka Ellen Sunde) navigates personal metamorphosis on her new album, Inside, which this track is taken from. Sunde softly sings “I have a white hot anger / I’m slowly setting it free” over mellow synth textures and looping beats that sit in contrast to to emotion she’s expressing. This contradiction in sound and lyricism is what makes Sea Change’s music so compelling, and I’ve had her album on repeat since its release on the 15th. (KC)

Despicable Zee – ‘Counting Cars’
Despicable Zee is an Oxford based musician, composer and performer. I am so very into this track of hers, ‘Counting Cars’. I cannot get enough of the samples and composition – so so good! Despicable Zee aka Zahra is also the director of the Young Women’s Music Project working alongside and guiding young female musicians. Her third EP, Atigheh, is self-produced and independently released, and she will be hitting New Rvier Studios in London on December 8th. I’ll be there, join me. (TW)

ESYA – ‘Blue Orchid’
“I only came here for the meat” broods ESYA (Ayse Hassan of Savages/Kite Base/180db) on her latest track ‘Blue Orchid’, lifted from her new EP Absurdity of ATCG (II) – Emergent Form. Filled with buzzing synth textures, direct vocals and pummeling beats; the song fleshes out the absurdities of our relationships and interactions with each other. We can’t wait for ESYA to headline our next gig at Notting Hill Arts Club on Sat 30th November. Tickets are available on DICE, and you can find all the event info here. (KC)

JFDR – ‘Taking A Part of Me’
I’m highlighting one of my Icelandic loves on this list, JFDR, who is a prolific songwriter and multi-instrumentalist, who we’ve supported at GIHE before as a part of her other project Samaris. ‘Taking A Part of Me’ is the first new material to be taken from her forthcoming album set for release in 2020, in conjunction with a gig at St Pancras Old Church on 30th January. Hauntingly perfect. (TW)

Pallas Athene – ‘Through Hell’
One of my favourite songs of the month, ‘Through Hell’ by Pallas Athene, taken from their debut self-titled EP. Exploring themes of man vs machine and the dissolution of self, this is the latest single from the EP which I’m so into – its spaced out vocals and calming chords – keep up the great work! Looking forward to the future of Pallas Athene. (TW)

Memphis LK – ‘Roses’
This track has been buzzing around my head over the last couple of weeks. It comes from Melbourne-based Memphis LK, described as a “spirited bass-pop on a bed of dystopian electro” – in other words ‘Roses’. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl, and was punished for it. “I got whoopings for walking like a girl, for using the restroom sitting down like a girl,” says Diamond today. Written whilst Diamond was incarcerated in various men’s correctional facilities between 1999 and 2009, ‘I Am Her’ is a poignant offering oozing an infectious funk-filled groove. With last week being Trans Awareness Week, I wanted to bring everyone’s attention back to this soulful anthem of self-realisation. (ML)

Brix & The Extricated – ‘Wolves’
The latest single from Brix Smith Start (of The Fall) and her awesome band Brix & The Extricated. ‘Wolves’ reflects on pack mentality and the freedom to show your scars. Oozing eerie undertones alongside the impassioned grit of Smith Start’s vocals, it’s filled with searing hooks and a  powerful grunge-tinged energy. Brix & The Extricated’s album, Super Blood Wolf Moon, is out now. (ML)

Captain Handsome – ‘I Wish I Had A Dog’
The debut single from Captain Handsome (aka Lily from faves Fightmilk), ‘I Wish I Had A Dog’ is a poignant exploration of every-day anxieties. With a twinkling lo-fi scuzz alongside the sensitivity of Lily’s refreshingly honest and consistently relatable lyricism, it’s a slice of effervescent indie-pop that tugs at the heartstrings in all the right ways. ‘I Wish I Had A Dog’ is out now via Reckless Yes, and is taken from Captain Handsome’s upcoming EP, set for release in early 2020. (ML)

Siv Disa – ‘Moths’
The new single from New York based artist Siv Disa, ‘Moths’ is a poignant reflection on the captivity of love. Propelled by eerie, atmospheric hooks, ‘Moths’ showcases Disa’s soaring raw vocals alongside a spellbinding majesty. ‘Moths’ is out now via Trapped Animal Records. (ML)

Anne Müller – ‘Drifting Circles’
An epic seven minute instrumental from Berlin-based cellist and composer Anne Müller. ‘Drifting Circles’ is lifted from her highly anticipated debut solo album Heliopause, which is set for release on 29th November via Erased Tapes. I love Müller’s blend of frantic yet soothing strings, and feel like they would still captivate me even if the track was double its duration. (KC)

Tears|Ov – ‘All Else Is Bondage (for A.)’
Founded in 2015, Tears|Ov are a queer arts and LGBTQI+ trio. Formed of sound artist/musician Lori E Allen, cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale; their sounds are experimental, unusual, and always engaging. Their latest album, A Hopeless Place, was initiated by award-winning photographer Wolfgang Tillmans, who asked them to perform at Tate Modern’s South Tanks for his retrospective back in 2017. A Hopeless Place is out now. (KC)

Katie Gately – ‘Bracer’
Brace yourselves for ten minutes of poignant, eerie electronic sounds from Producer Katie Gately. This single is taken from her second album, Loom, which is set for release on 14th February via Houndstooth. The record is dedicated to Katie’s mother, who passed away in 2018 due to a rare form of cancer. Her shifting stages of grief have informed her sparse, yet seismic soundscapes. Not for the faint-hearted. (KC)

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