Get In Her Ears w/ Penelope Trappes 29.10.20

Kate was back in the Hoxton Radio studio this week playing loads of new music from women & non-binary artists, with a few Halloween themed tracks sprinkled throughout the playlist.

She also caught up with electronic artist Penelope Trappes to talk about her latest EP Eel Drip, how she’s been staying creative during the ongoing Covid-19 pandemic & her love for Patti Smith.

Listen back:

Tracklist
X-Ray Spex – Warrior In Woolworths
Nina Simone – I Put A Spell On You
Two Tribes – Cruel Sensuality
Calva Louise – Trial
coral – i just want you cos you’re gone
Shoulder Season – This Town
Serena Isioma – King
Baby Rose – Show You
Deb Never & Kenny Beats – Stone Cold
Tired Lion – ~Cya Later~
Arlo Parks – Green Eyes
Daze – Fool For U
Lucie Guillaume – Still Around
Rihanna – Disturbia
Bitch Falcon – Martyr
Penelope Trappes – Eel Drip
**Penelope Trappes Interview**
Lesley Gore – You Don’t Own Me
Raelle – Sundown
Eckoes – The Light
Divide & Dissolve – We Are Really Worried About You
Kat Duma – System
Landshapes – Drama
Scarlet – Bring Me Down
Tokky Horror – Sleeper
Nova Twins – Lose Your Head
Zilched – Sixteen
Lady Gaga – Monster

PLAYLIST: October 2020

Whether you’re feeling apprehensive about the darker evenings after the pesky BST clock change, or you’re fed up of the ongoing Covid-restrictions that are full of contradictions, our October playlist is here to distract you.

There’s an eclectic mix of dancing beats, atmospheric electronics, indie and alternative guitar tunes – and some seasonal Halloween treats! Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of the page.

Nina Simone – ‘I Put A Spell On You’
The inimitable Nina Simone and her rendition of ‘I Put A Spell On You’ was an obvious choice for a Halloween-esque track, and it gives me goosebumps whenever I hear it. (Kate Crudgington)

Phoebe Bridgers – ‘Halloween’
Fun fact – I’m in love with Phoebe Bridgers. I more or less constantly have one of her songs running through my head, and spend a lot of time musing about how cool she is. So, for our October playlist it seemed only right to include her ode to the spooky season. Taken from her recent (perfect) album Punisher, ‘Halloween’ oozes Bridgers’ majestically haunting vocals and spellbinding splendour. And with the opening lyrics “I hate living by the hospital / The sirens go all night”, as someone who lives round the corner from Croydon hospital, I feel a deep hard relate on each listen. (Mari Lane)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ latest single is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. (KC)

CIRCE – ‘Ruined Your Sons’
A dark-pop gem that challenges toxic masculinity, ‘Ruined Your Sons’ is the latest single from London-based artist CIRCE. It’s taken from her upcoming debut EP She’s Made of Saints, which is set for release via Jazz Life on 25th November, and it’s a cinematic reflection on the apathy and disillusionment young men face while living under the thumb of patriarchal society. (KC)

Beckie Margaret – ‘Divine Feminine’
“’Divine Feminine’ is a song for people who stop you reaching your highest self,” explains Essex songwriter Beckie Margaret. “I wanted to write a sonically aggressive song that reflected this idea.” Through her commanding sounds and effortless vocal delivery, Margaret balances this aggression with elegance as she warns those trying to silence her to “stay out of my way.” I can’t wait to hear her debut album, which she’ll be releasing through Cool Thing Records at some point in the future. (KC)

Arlo Parks – ‘Green Eyes’
‘Green Eyes’ is the latest single from GIHE fave Arlo Parks. The track is taken from her debut album Collapsed In Sunbeams, which is set for release on 29th Jan via Transgressive Records. She’s yet to release something that don’t collectively adore here at GIHE, and I can’t wait to hear the full record next year. (KC)

Sans Soucis – ‘Air’ 
I have Kate to thank for sending this song my way, the latest single from the London based artist Sans Soucis and I cannot get enough of it. ‘Air’ evolves sonically under pitch perfect vocals, to put forth a message of protest against an era of human disconnection and destructive self-doubt. (Tash Walker)

Rihanna – ‘Disturbia’
Disturbia by absolute babe of babes Rihanna, taken from her 2008 album Good Girl Gone Bad: Reloaded. I think this is one of her best songs to date and I’m resurrecting it as a little Halloween treat for you all. (KC)

Eckoes – ‘The Light’
Alongside strobing synths and shimmering guitars, in ‘The Light’ the truly spellbinding power of Eckoes’ vocals soars, lulling the listener into a cathartic sense of hypnosis with its alluring grace. And we’re super excited that, having blown us away playing for us live at The Finsbury a few years back, Eckoes will be joining us for a special Instagram takeover next Wednesday 4th November – keep your eyes peeled on our socials for details! (ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing, emotionally charged electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born musician Penelope Trappes’ recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point, and I’m a little bit obsessed with it. (KC)

Witch Prophet – ‘Tesfay’
‘Tesfay’ translated as “my hope” from queer artist Witch Prophet, inspired by the memory of Witch Prophet’s late grandfather who raised five daughters as a single father in Ethiopia after the passing of her grandmother. Instead of focusing on the traditional roles for women in his day, he pushed his daughters towards education and empowerment – a radical move for the time. The video is fantastic as well, go check it out. (TW)

LIINES – ‘On and On’
One of the latest singles from GIHE faves LIINES, ‘On and On’ reflects on not being able to express your true feelings. Oozing the band’s trademark dark, brooding power, it builds to a high-octane climax of raging riffs and throbbing bass lines, propelled by the utterly commanding vocals of Zoe McVeigh and a punk-fuelled bewitching allure. ‘On and On’ is the B-side to new single ‘Sorry’’, out on 6th November, with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Pre-order via LIINES’ Bandcamp now. (ML)

Bitch Falcon – ‘How Did I Know?’
Is it even a GIHE Playlist if I don’t include a Bitch Falcon track? (Long answer: no.) The Dublin alternative trio have shared this new single ahead of the release of the debut album, Staring At Clocks, on 6th November via Small Pond Records. Vocalist & guitarist Lizzie says this single is “an expression of frustration around someone I love and their problems. When someone you love is at the edge of your grasp, it can be so terrifying that your reaction is to let go.” (KC)

Total Rubbish – ‘What’s Your Damage?’
The latest single from Philadelphia-based trio Total Rubbish, whose sound reminds me a little bit of Garbage or L7 – which is never a bad thing. ‘What’s Your Damage’ is featured on their upcoming EP Triple Negative, which is set for release on 20th Nov via Born Losers Records. (KC)

Middle Kids – ‘R U 4 Me?’
With an uplifting jangly groove, Aussie band Middle Kids offer a swirling emotion and warm melodies with latest single ‘R U 4 Me?’. A perfect burst of sunny energy for this time of year, it’s a scuzzy indie pop anthem, leaving me excited to hear what this trio have in store for us next. (ML)

Landshapes – ‘Drama’
The new single from GIHE faves and one of our first guests on the radio show back in 2015, Landshapes, ‘Drama’ reflects on the imbalance of emotional labour that’s often seen between men and women. Soaring with a whirring synth-filled musicality and sweeping electro-driven hooks as the lustrous distinctive power of Luisa Gerstein’s vocals flows, it’s set to captivate on first listen with its majestic, funk-fuelled groove. ‘Drama‘ is out now, along with accompanying single ‘Let Me Be‘. Both are taken from Landshapes’ upcoming new album, Contact, set for release on 20th November via Bella Union. (ML)

Miri – ‘Just Breathe’
The latest single from London artist MIRI, ‘Just Breathe’ was released to coincide with Mental Health Awareness Day earlier this month. Reflecting on the negative impact some social media can have, whilst delivering a message of love and hope, it’s propelled by a soothing, soulful splendour and emotion-strewn majesty. As the soaring heartfelt power of Miri’s distinctive vocals flows, it’s filled with an uplifting musicality, oozing an endearing sense of hope. Of the track, MIRI explains: “Just Breathe is my message to anyone struggling mentally to please reach out for help. We are living in an incredibly stressful and intense time especially with the pandemic.” (ML)

Lande Hekt – ’80 Days Of Rain’
‘80 Days of Rain’ “is about moving away and missing someone, and how that person taught me to get angry about climate change,” songwriter Lande Hekt explains. It’s a humble, emotive guitar tune about the state of the planet, lifted from Hekt’s upcoming album Going to Hell, which is set for release on 22nd January 2021 via Get Better Records. (KC)

Swallow Cave – ‘Cold Moon’ 
‘Cold Moon’ comes from Bristolians Swallow Cave. Reflecting on mental health, I love the intonation in the vocals that resonate in those long guitar chords, reverberating right into my soul. It’s out now via Sad Club Records. (TW)

Bel Cobain & Lex Amor – ‘At The Bay’
‘At The Bay’ is a beautiful track that was made as part of a Hackney based community movement called The Silhouettes Project. They’re shining a light on artists in the shadows and protecting local spaces from gentrification. The Silhouettes Project provides an open space – a recording studio and live venue (located within the Total Refreshment Centre in Hackney, London) – where MCs, singers, musicians and producers can connect and create. (TW)

Thigh High – ‘Go Slow’ 
The latest single from queer glam-rock band Thigh High and I’m loving it. It’s a song about wanking, masturbating, about that annoying moment when your dildo’s batteries die and you have to raid the remote control. Incredible. Turn up those dials. (TW)

Spill Tab – ‘Santé’
‘Santé’ by LA-based, French Korean artist Spill Tab is intimate bedroom-pop at its best, mixing hypnotic dark-pop vocals with an urgent throbbing bass. Nice. (TW)

Tokky Horror – ‘Sleeper’
Dance-punk trio Tokky Horror have shared two new bangers just in time for Halloween. The explosive ‘Sleeper’ is one of them, with Demonoid Phenomenon – a Rob Zombie cover – being the other. You can download both from their bandcamp page now. (KC)

Lady Gaga – ‘Monster’
Taken from her 2009 album The Fame Monster, this track by Mother Monster herself is guaranteed to get me dancing at a Halloween party (even if that party consists of only me in my bedroom due to the current covid-19 restrictions.) (KC)

Pet Wife – ‘.B.L.O.O.D.O.R.A.N.G.E.’ 
PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single, ‘.B.L.O.O.D.O.R.A.N.G.E.’ is accompanied with an incredible music video which you can watch here, that they describe as an homage to the vampire lesbian exploitation films of the 1970s with an all-trans/gender non-conforming crew and queer cast. Loving this track! (TW)

Soho Rezanejad – ‘Half The Shore’
The new single from Danish artist Soho Rezanejad, ‘Half The Shore’ is a beautifully ethereal soundscape. With Rezanejad’s work often rooted in mythological storytelling, this latest offering oozes a spellbinding majesty that’ll captivate on first listen. A much needed sea of calm. ‘Half The Shore’ is taken from Rezanejad’s upcoming album Perform And Surrender, set for release on 4th December via Silicone Records. Listen to the track here. (ML)

Sonic Youth – ‘Halloween’
The unmistakable sound of Kim Gordon’s voice over these eerie, strung out guitar sounds should be enough to create a wonderful sense of dread for you all this Halloween weekend. (KC)

Track Of The Day: Penelope Trappes – ‘Eel Drip’

A goose bump inducing, emotionally charged electronic soundscape, London-based, Australian-born musician Penelope Trappes has shared her latest single ‘Eel Drip’. Taken from her upcoming EP of the same name, which is set for release on 23rd October via Houndstooth, the track is a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point.

“‘Eel Drip’ Is about honouring the dead, the passing of lives within you and beyond you,” Trappes explains. “It’s about physical or emotional change, acknowledging fears, and being true to yourself… reaching your full potential.” Through her use of arpeggiated electronics and her beguiling vocals, Trappes extrapolates on these themes and invites her listeners to experience the comfort and the catharsis that comes with this acceptance.

The track is accompanied by a beautiful video directed by Agnes Haus, and inspired by artist Francesca Woodman’s 1970s series of nude self-portraits with Eels. Trappes reflects on what the visuals mean to her: “In the process of changing and shedding past notions of myself, there is another world between the past and the future. An eternal state, unknown, warped, slippery, free. Submitting to change, dying… being reborn.”

Watch the video for ‘Eel Drip’ below and follow Penelope Trappes on bandcamp, Spotify, Instagram and Facebook for more updates.

Photo credit: Agnes Haus

Kate Crudgington
@KCBobCut

WATCH: Penelope Trappes – ‘Carry Me’

Sublime, haunting vocals and beautifully shot images make up the video for Penelope Trappes‘ latest single ‘Carry Me’. The track is taken from her sophomore album Penelope Two, which is set to be released via Houndstooth on October 26th.

Originally from Australia but now based in London, Penelope’s dark, pensive, melancholy soundscapes are formed around “field recordings…guitars and synth drones, piano and reverb”. They declutter the mind and ensnare the senses, and ‘Carry Me’ is a beautiful example of her ability to blend tender vocals, layers of sound, and divine visuals with artistic flair.

Speaking about her upcoming album Penelope Two, Trappes extrapolates: “I spent 2017 being an empath with two dear friends, who lost very close loved ones. One lost nearly her whole family in an accident and the other lost his partner of 23 years, after she gave birth to their third child. Echoing distance, pain, love and infinity – this album is dedicated to them”.

Trappes transforms real pain in to other-worldly comfort, proving her worth as a confidant and as an artist. Watch the video for ‘Carry Me’ below and follow Penelope Trappes on Facebook for more updates.

Pre-order your copy of Penelope Two here.

Photo Credit: Agnes Haus

Kate Crudgington
@KCBobCut