FIVE FAVOURITES: LALA LALA

Following the release of her latest album, I Want The Door To Open via Hardly Art earlier this year, Chicago-based musician Lillie West aka LALA LALA is preparing to take her altruistic electronic sounds on tour across Europe and the UK in February 2022. Choosing to look beyond herself for themes and inspirations when creating this record, West co-produced the album with Yoni Wolf of WHY?, and had contributions from poet Kara Jackson, OHMME, Gia Margaret and her former tour mate Ben Gibbard.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with LALA LALA to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for her ‘DIVER’ at the end of this post.

 

1. Hildegaard – ‘Jour 8’
Hildegaard was introduced to me by my friend Pascal (Fashion Club) when I asked her what I should listen to on a bike ride. This whole album is a masterpiece. I think the production is perfect, it’s sparse but very intentional. This song in particular I’m truly obsessed with – the vocal loop, the bass line, the intertwining voices, the lyrics, the beat coming in half way through. I’m very inspired by Hildegaard, their music is restrained but super impactful. Enchanting.

2. John Carroll Kilby – ‘Walking Through A House Where A Family Has Lived’
I’ve been really into piano music lately and John Carrol Kilby is a beautiful contemporary pianist. I find this record to be very emotional. I don’t know how to play piano really at all, but I aspire to make a piano record and I listen to this all the time for inspiration. It makes me think of… wind? Wind moving leaves. Looking out a window peeling an orange.

3. FPA – ‘Baby’
I listened to this song for the first time walking down the street in the morning in Chinatown in NYC. My friend Andrew sent me the record because he worked on it some. I think it’s so incredible. I love this song. “My body pure, have I not paid it forward? My heart, she beats, did I not lay her on you?” The record is a story she wrote about Princess Wiko. I really want to collaborate with her.

4. Alabaster DePlume – ‘Whisky Story Time’
Wonderful saxophone player, very reminiscent of Mulatu Astatke. Introduced to me by my partner via the label he is a part of – International Anthem, which I highly recommend, everything they release is special. I love this style of saxophone playing, very loose, fluid? Sam Gendel is another sax player I love. Lately I’ve been mostly drawn to instrumental music, maybe because I’ve been stressed… Sometimes it’s just too much to hear other people’s words all the time. Anyway I love this record and Gus is also British, like me…

5. Dua Saleh, Amaarae – ‘fitt’
Two artists I love collaborating. Amaarae was introduced to me by my bandmate Yasmine who is a longtime super fan of her. I listened on our flight together to California. I love the panning on the distorted blown out beat. I love dancing to this song. It just moves around in a really satisfying way. I also love a pitched down vocal. Produced by Dua and Psymum.

Thanks to LALA LALA for sharing her favourite songs with us.
Watch her video for ‘DIVER’ below.

LALA LALA UK Tour Dates 2022
Feb 20 – The Green Door Store – Brighton, United Kingdom
Feb 21 – Moth Club – London, United Kingdom
Feb 23 – Hyde Park Book Club – Leeds, United Kingdom
Feb 24 – Nice N Sleazy – Glasgow, United Kingdom
Feb 25 – YES – Manchester, United Kingdom
Feb 26 – Strange Brew – Bristol, United Kingdom

Follow LALA LALA on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Miwah Lee

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Sophie Hutchings

A talented composer who produces mindful piano-led music, Australian artist Sophie Hutchings uses sound to ease the anxieties of everyday life. She recorded her recent EP, Love & Keep, between the hours of 12-4am, embracing her insomnia and offering her listeners a moment of stillness and serenity amidst her restlessness.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Sophie to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for recent single ‘Light Over The Moor’ at the end of this post.

Sophie: “I find it almost impossible to choose 5 favourite pieces, so I’ve chosen 5 of my favourites that had a significant impact on my formative years. Even though they are all quite different from each other, there’s a common ground of repetition in these pieces which I’ve always found quite hypnotising in music.”

1. Brain Eno – ‘Discreet Music’
I love Erik Satie’s invention and coining of the term “Furniture music” – sounds that were designed to be heard, but not listened to. Brian Eno fans will know this is the whole aim with ‘Discreet music’. It’s intended to blend into the ambient atmosphere of the room rather than be directly focused upon. This, to me, has got to be one of the most soothing ambient pieces I’ve ever heard and has always been one of my favourite go to late night listens. I grew up listening to a lot of Brian Eno but this one really stirred me. It always felt like a musical bedtime story. There’s a dreamy placid beauty about it that allows you to float and drift outside yourself without you even realising.

With a very simple organic layering of melody the piece never really changes which is what I love about it, yet it constantly and subtly evolves with the accession of various decay as the piece gradually and quietly repeats its motifs with all the sounds remaining continually tranquil and peaceful. It’s one of those pieces that feels like it could go on for infinity. It’s music that doesn’t demand your attention though still evokes a delicate sense of emotion.

2. Arvo Part – ‘Spiegel im Spiegel’
The first time I heard ‘Spiegel im Spiegel’ it put a massive lump in my throat. I’ve listened to it countless times and there’s not a moment when it still doesn’t raise the same stirring response. Again, this is one of those hypnotising pieces due to the unchanging nature of recurring motifs in the piece and beautifully long sustained notes. I love how the minimalism relies on atmosphere and not on building towards a climax like a lot of classical music does.

Arvo Part is a true example of introspective music. It’s not how many notes are played but how they are played. It’s also about the space in between. Silence in music speaks and I find there’s almost as much strength in the pauses and space in music as there are notes. ‘Spiegel im Spiegel’ hangs on the edges, yet there’s a restlessness over the quietness that balances the fragility in this piece of music and I guess being a sentimental person you don’t tire of this kind of beauty in music.

3. Susumu Yokota – ‘Traveller In The Wonderland’
Discovering Susumu Yokota was like discovering Alice In Wonderland as a child all over again (which I’m slightly obsessed with). I find him the true master of ambient electronica. Sadly, I only discovered him just before he died and I would love to collect all his albums on vinyl, which are few and far between. There’s a lush fanciful playfulness to this piece. It’s almost like nature talking to each other.

Yokota taps into the senses through melodic remnants taken from historical old classical pieces on his album Symbol, and in this instance on ‘Traveller In The Wonderland’ there’s some beautiful Camille Saint-Saens and a little Luigi Boccherini which gives it this mystic whimsical edge – still he reveals it in this almost anonymous way – placing a sense of nostalgia of some long lost place weaved throughout his dreamy melodic textural synths, wordless dreamy vocals and drum loops with romantic musical pathways of middle eastern tonality resonating around the circumference. To me, it’s like being under the trance of a magical child-like spell which takes me back to my Walt Disney imaginative heydays.

4. DJ Shadow – ‘Building Steam With A Grain Of Salt’
DJ Shadow was a revelation in my early adult years. He enthusiastically rocked my world. There’s this clever combination of moody and intense rhythmic melodious energy that just brings everything so alive in this piece. The haunting atmosphere that’s accentuated by the repetitive hypnotic group vocals, rich off beat bass and the urgency and drive of the eerie piano riff. I’ve always affiliated with a certain amount of intensity in music and hearing this song for the first time was like hearing an unexplored wilderness of dynamic addictive melody. I love how he brings to life all these old vinyl treasures and re-creates layers and collages of sound. It’s enticing, energetic, ethereal and ambient all in one – where happy and melancholy are competently one – it’s an intoxicating and timeless listen.

5. My Bloody Valentine – ‘Soon’
I grew up being surrounded by a lot of noisy indie rock and shoegaze music and as much as I don’t listen to this kind of music as much as used to, this piece stuck with me and was one of my favourites that bounced off the family household walls at high decibels thanks to my older brothers. I would always have a good dance to it!

If there’s ever a blurred latitude of noisy dreamy sound with a rhythmic propulsion, I say this is an iconic one. It’s one of those songs that feels like you’re lost in a sonic labyrinth which one will either grapple with or be enlightened by. I just listened to it again for the first time in years and it took me back to days of going for walks and blaring it in my headphones. When embraced, it’s like entering a woozy euphoric daze that you can get totally lost in and it taught me that you don’t necessarily have to always interpret music as long as you feel it – then to me, you understand it. Not everything in music needs an explanation to be felt.

Thanks so much to Sophie for sharing her favourites with us!

Watch her video for ‘Light Over The Moor’ below.

Photo Credit: Luke Dubbelde