Five Favourites: Sir Jude

Having had previous singles featured in popular TV shows such as ‘Catfish’ and ‘The A List’, Australian artist Sir Jude has now announced the release of her upcoming debut album, Revelations, and shared a sweeping new single with the world. Propelled by a stirring, glitchy energy ‘Madonna‘ reflects on the dichotomy of the Madonna concept – the virgin and the whore. As her rich vocals soar over a gritty electro-infused soundscape, an instantly catchy cinematic alt-pop anthem is created.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of ‘Madonna’ and the upcoming debut album, we caught up with Sir Jude to ask about the music that has inspired her the most. See below for her choices of her five favourite songs.

The Red Hot Chili Peppers – ‘Wet Sand’ 
Growing up, I was such a big Chili Peppers fan. Still am of course. It was the soundtrack to many defining moments, particularly my first love. My journey to discovering them as a band was led by pure intrigue – none of my friends listened to them and I was mesmerised by the sound of psychedelic rock. The lyric in this track – “you don’t form in the wet sand” – I thought was so delicate and beautiful. Despite it feeling like a song about lightness, there is this sense of tragedy and vulnerability. I think Anthony Kiedis mastered that; most of their songs have this wonderful element of dichotomy. Later I watched an interview of Flea talking about how the song for him is a special love song, about the darkness of love, and I deeply resonate with that.  

Imogen Heap – ‘Hide and Seek’
This song was a staple for my teen years! I had first heard this on my favourite show at the time – which I’m admitting was The OC. I think for most people, it was unlike anything else they’d heard before. For me, I wanted to know more. I think Imogen Heap is one of the most talented composers and is an absolute force for women in music. I’m so grateful to her for being so authentic and bold in everything she does. This song inspired a whole era of songs I set to write at 13 or 14 (most of which were terrible). But one song it inspired, titled ‘Sailor Ships’, was the very song that brought me to Abbey Road Studios in London, with my friend and collaborator Bryce Jacobs, and that moment was so special.  

Arctic Monkeys – ‘I Wanna Be Yours’ 
This song gets most of its lyrics from the John Cooper Clark poem of the same name. I first heard this and gasped. I’m not the most romantic person, but for the first time I felt like these words were ones I could understand. It’s honestly a little creepy when you read it aloud, but I think at the heart of the song it’s about loving someone so deep that you want to know and be with every single part of them, and that’s pretty beautiful. I feel like such a sap admitting that, but it’s just lovely.  

Kavinsky ft. Lovefoxxx – ‘Nightcall’
I had heard this song before seeing it in Drive. The movie and the scorpion jacket only added to the iconic etch it made in my mind. The way the album, Out Run, opens is so epic; it paints this glorious mental movie soundtrack that is otherworldly and genius and just so cool. It’s the best nighttime driving song there is. Again, there is this sense of love and tragedy that I resonated with because the concept of the album itself felt so tangible.  

The Naked and Famous – ‘The Sun’
I lean very heavily towards songs that make me feel as though I can cut a quick movie montage of my life in my head. Every time this song plays, I feel so empowered and capable – like something is about to happen. It’s dramatic and aggressive and the lyrics bring about a feeling of frustration, like this person is about to explode; like they’re finally at a turning point. The line “and what the hell have I done” inspired my own song – ‘What the Hell Have You Done’. I just remember feeling so heard in that line. It does something to me every time I hear it. And the whole album is a classic; I think there are a lot of people that can listen to a song from that album and have it take them back somewhere years ago.  

Massive thanks to Sir Jude for sharing her Five Favourites with us!

‘Madonna’ is out now, and Revelations, the upcoming debut album from Sir Jude, is set for release soon!

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Track Of The Day: ARXX – ‘Couldn’t Help Myself’

Following acclaim from the likes of Diva Magazine, John Kennedy, BBC Radio 1’s Jack Saunders and BBC 6Music’s Steve Lamacq for previous singles such as ‘Deep’ and ‘Not Alone But Not With You’, Brighton’s ARXX have cemented themselves as firm favourites with the release of their brand new single.

A swirling slice of honey-sweet pop, ‘Couldn’t Help Myself’ is a positive reflection on the freedom that can come from a break-up. Complete with the fizzing energy and empowering, gritty drive that we’ve come to know and love from the duo, a colossal anthemic musicality builds alongside the sassy allure of Hanni’s vocals, oozing a danceable, joyous vivacity as colourfully catchy hooks flow.

An immaculately produced pure pop banger, ‘Couldn’t Help Myself’ once again showcases ARXX as a band consistently honing and developing their sound to create the freshest, most addictive of tunes. Impossible to pigeonhole into one genre, ARXX continue to impress us with everything they do and remain one of the most exciting bands I’ve ever come across.

Of the track, Hanni explains:

“‘Couldn’t help Myself’ is a brutally candid reflection of a relationship gone wrong.  The exclamation of  “It’s not me, it’s you” epitomises the joyful fuck you spirit of the song.  This song is for; those times when break ups are a good thing,  forgiving yourself and getting rid of toxic relationships and for unashamedly just having fun.”

‘Couldn’t Help Myself’ is co-produced by Black Honey’s Chris Ostler and Tommy Taylor, with mastering from Katie Tavini. ARXX are releasing this single through Share It Music, raising money for Gendered Intelligence.

We can’t wait to catch this new single live when ARXX headline our night at Shacklewell Arms on 22nd July, alongside Lusa Morena and an incredibly exciting (currently secret) main support! Tickets here.

Mari Lane
@marimindles

Photo Credit: Rosie Powell

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LISTEN: Sophia – ‘Strong For Two’

‘Strong For Two‘, the latest offering from Rotterdam based singer songwriter Sophia, is a reflective track which popped just the right spring in my step as I took my first strides into 2022. 

With lyrics like “Please don’t be afraid / I get lonely too / there’s no need for shame / you can own your truth”, Sophia shows herself to be he a strong lyricist with an observational and bravely personal outlook. Frequently inviting us to embrace our vulnerability, line by line, Sophia cultivates such a bond with her listener that each verse comes to feel like the warming layers of a good hug.

Complementing the lyrics is a neat and upbeat sauntering rhythm which hints at the R’n’B influences on Sophia’s work. Her ability to vocally switch tempo and tone throughout the song also makes the track feel like a journey, like I’m being taken by the hand into the middle of the dance floor – or maybe just the middle of myself. The song closes with the appearance of several new voices speaking the reaffirming words “You know where to find me”. This surprising touch adds an exciting female flourish to the song which offers a genuine sense that we really are all in this together: a track for the New Year truly. 

Tutku Barbaros
@tutkubarbaros

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EP: Billie Flynn – ‘Hey Stranger’

I’ve taken a while to find the words for Billie Flynn’s debut EP Hey Stranger, a heartfelt meditation on grief. Each listen has highlighted something new and different, evoked more and more feelings; gorgeous, but increasingly hard to describe in words. It’s a thing of feeling. It feels like memories whispered on a cliff edge and the wind carrying parts of you away. It feels like the moments of stillness after the soil’s been turned. It’s incredibly honest and it  demonstrates Flynn’s infinite potential – her lyrics speaking truth to grief, while fitting comfortably into the cosy featherlight and luxuriously breathy cocoon of her voice box. 

The quality of production is consistently immersive – heady and cinematic, each song getting the best out of synths, pianos and Flynn’s unique tone. I’ve written about and adored previously released tracks already, but the latest ‘Forever Goodbye’ shows Billie’s artistry at a whole other level, it surpasses expectations. I held my breath as I listened. It’s about a loss which occurred during Billie’s teenage years and is utterly stunning in a very special, incisive and relatable way. Lyrics such as  “there’s a look in the eye of a friend when they mention your name, like they’re reminding me of pain, like I’d ever let it go” get to the core of what it is to live with loss in the presence of others. The trepidation, the repetition, the changing pace of the world outside as something privately sinks into your soul, and the never ending cycles. For an EP to so unambiguously be about the life changing power of loss without being in any way maudlin, is truly magical. 

There’s hope and transformation woven in  too. ‘The Good Girl’ beautifully explores the personal journeys our pain can inform as Flynn sings about shedding people-pleasing tendencies, pushing boundaries and growing into someone different. What does it mean to be authentic? What does it mean to reject expectations? What are those moments in life when we feel ourselves truly step into our own power? These are the questions ‘The Good Girl’ provokes. 

The emotional energy of Hey Stranger might not neatly blend with the sugar coated Christmas tunes we’re hearing blasted around us, but there’s no doubt that the moment for this EP is now. In a period where so much and so many are being grieved, this body of music is timely and refreshingly close to home.

Tutku Barbaros
@tutkubarbaros

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