Track of The Day: The Crystal Furs – ‘Miss Hughes / Please Fade Away’

Having previously charmed our ears with their debut album Beautiful and True, Portland’s indie jangle pop band The Crystal Furs have spent their career channelling their growth as individuals and as a group into their music. Their sound reflects the shifting, unpredictable nature of life and deftly changes with each curveball thrown. Their two new tracks, ‘Miss Hughes’ and ‘Please Fade Away’ show that same keenness to embrace change and throw the full weight of their creativity behind their own growth.

Both songs are built on a foundation of The Crystal Furs’ ’60s-inspired pop sound, with high lilting vocals harmonising over a chirpy combination of strings and keyboard. This is complemented by a more contemporary-sounding reverb and deep bass, blending the old and new styles in a way that marry together to create something unique and exciting.

‘Miss Hughes’ opens with the rich boom of an organ, striking a decisive and powerful note that rumbles beneath the lighter vocals and strings as they jump in. You can feel the vintage influences soaking into the sound in the way the harmonies dance around each other, as the delightfully simple yet immersive riffs play around the chord progression. The reverb lends an almost club-like vibe to the track underlying the chirpy upbeat singing, which creates a fun contrast that sees the two styles balance each other out into a playful whole.

‘Please Fade Away’ is another wonderfully constructed song, playing off vocals teeming with attitude against that same bright ‘60s sound. The vocals are absolutely fantastic, with the relatable premise of wishing someone would stop being so clingy and just disappear. The snark comes through the wording in a way that is effectively juxtaposed against tones that are otherwise very gentle in their sound and rhythm. These seemingly simple structural decisions give the track’s details so much character. The delicate tambourine jingles feel almost sarcastic, so lightly played against the lyrics, given power by the throbbing drums and signature chirping guitars.

Both tracks show an evolution in The Crystal Furs’ sound. The way the more contemporary musical elements enhance the effect of the vintage style gives the songs a distinct and timeless flavour that feels at once familiar, yet novel. Two dreamily uplifting offerings that leave us longing for more of The Crystal Furs’ playfully honey-sweet creations.

Kirstie Summers
@ActuallyKurt

Artwork: Kara Buchanan

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LISTEN: Reptaliens – ‘Taking’

A hazy, electro-pop tune about the duality of action and perspective, Portland duo Reptaliens have shared their latest single ‘Taking’. Lifted from the band’s upcoming EP Wrestling, which is set for release on 6th November via Captured Tracks, the track is accompanied by a lyric video that shows the unsettling deep red colour of Oregon’s skyline, caused by wildfires earlier this year.

‘Taking’ marks a turning point in Reptaliens’ sound. The duo, formed of Bambi and Cole Browning, have taken on full production, mixing, and engineering duties for this track and their new EP, which allowed them the time and space to explore the more tentative, minimal side of their song writing.

“Taking” is about perception and existence,” the pair explain. “It’s a song that carries the listener through the balance between action and perspective inherent throughout the human experience. Deviating from our traditional ‘reptaliens sound’ we chose to create a collection of darker songs with which to play on this reoccurring theme. The video was shot while crossing the California/Oregon border a month ahead of the single release. The chaos that wildfires have brought to the west coast seemed to encompass the visual juxtaposition between the darkness and light that nature brings.”

Listen to ‘Taking’ below and follow Reptaliens on bandcamp, Spotify & Facebook for more updates.

Photo Credit: Dan Hanson

Kate Crudgington
@KCBobCut

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Track Of The Day: MAITA – ‘A Beast’

A poignant, under-stated guitar ode to the difficulty and desperation that comes with heartbreak; Portland-based MAITA has shared their latest single, ‘A Beast’. Taken from their upcoming album Best Wishes, set for release on 3rd April via Kill Rock Stars, the track is a relatable, melancholy-tinged exploration of being able to forgive, but not forget.

Speaking about the track’s premise, songwriter Maria Maita-Keppeler explains: “’A Beast’ [is] a musing on the pain that one person is capable of causing another, and the endless potential for forgiveness that exists within that space. That forgiveness always comes with a price, however: the memory of it that we carry beneath our skin, as does the abused dog that flinches when you lift a hand to pet it.”

MAITA’s willingness to confront emotional uncertainty is what makes ‘A Beast’ such a compelling listen. The accompanying video also reflects the pain and isolation that underscores the track. Maria offers her thoughts on the setting for the visuals: “It was inspired by [the place] where I wrote the song, which was at an old studio apartment in Portland. Though spacious for a studio, [it] had the potential to feel claustrophobic and lonely at the same time, transforming into a hot-bed for creative angst and pining. I wanted the video to take place in a similar setting: an empty apartment to serve as a backdrop for the many stages of waiting- – the tenderness, the frustration, the desperation.”

We’re big fans of MAITA’s tenderly frustrated sounds. Watch the video for ‘A Beast’ below, and follow MAITA on Spotify and Facebook for more updates.

Photo Credit: Ingrid-Renan

Kate Crudgington
@KCBobCut

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