PLAYLIST: November 2017

Us Get In Her Ears girls have put our broomsticks back in our cupboards and cleared away October’s cobwebs in order to share some brand spanking new music with you this November. Check out the Spotify playlist below, and have a nose at the stuff we just can’t get out of our ears this month…

Fever High – ‘Good Advice’
Oozing an uplifting wit and sparkling, infectious melodies, this latest offering from Brooklyn’s Fever High will undoubtedly put a smile on your face. Featuring the unmistakable voice of non other than Jeff Goldblum spouting hilarious anecdotes about the bad advice he’s been given throughout his career, it’s a delightfully fizzy blast of electro pop. ‘Good Advice’ is taken from the band’s upcoming EP FHNY, out on 10th November. (Mari Lane)

Wy – ‘You + I’
The slow steady melancholia of this track drew me in, with lead singer Ebba’s alto rising up over the reverb-drenched guitars, it had me feeling all sad and wistful. (Tash Walker)

REWS – ‘Your Tears’
Shauna & Collette consistently dazzle me with the power of their fierce and defiant pop-rock tune, and ‘Your Tears’ is no exception. The pair co-wrote this anthem which refuses to acknowledge the ‘boy who cried’ wolf’ and it features on their debut album Pyro, released this Friday (Nov 3rd) via Marshall Records. (Kate Crudgington)

Miya Folick – ‘Give It To Me’
Since first hearing this track, I’ve been completely head over heels with this California artist who explains that she makes music “because forming thoughts into sounds blends emotional and rational thought in a way that turns me on.” I just love this song’s emotion-strewn power – how it builds in intensity and just totally captivates with its raw urgency and utterly beautiful, heart-wrenching passion. (Mari Lane)

Kllo – ‘Dissolve’
Just as the title implies this track gives you a big does of escapism, through its electronic sound scape and samples, with a gentle nod to UK garage.  **Bows head in appreciation** (Tash Walker)

Nova Twins – ‘Thelma & Louise’
I’m like a moth to a flame when it comes to defiant duos, and Nova Twins’ latest track ‘Thelma & Louise’ proves that double trouble is the best kind of trouble. Their devious bass lines and punk vocals will shake your bones, so make sure you grab a ticket to their headline show at Camden Assembly on November 30th. (Kate Crudgington)

Kid Cupid – ‘Easy’
Having already received support from the likes of BBC Introducing and Amazing Radio, GIHE favourite Kid Cupid are back with a brand new single. Oozing euphoric layers of sound alongside Laura Shaw’s soulful vocals, ‘Easy’ is a truly blissful slice of electro-pop; a dreamy sonic delight. (Mari Lane)

Just Because – ‘All I Knew’
As I listen to this track I feel my whole body relax and dissolve into the beautiful samples, spacey vocals and slow gentle beats….just perfect, Just Because. (Tash Walker)

Pale Honey – ‘Get These Things Out of My Head’
If you blend the vocals of Wolf Alice’s Ellie Rowsell and the Cardigans’ Nina Persson with clear electronics and hazy guitar riffs; you’ll end up with the sound of Gothenburg duo Pale Honey. They released their second album Devotion in October, and it’s a cool, understated, but intense new offering from the pair. Catch them live at Old Blue Last on November 7th. (Kate Crudgington)

King Henry (feat Rhye) – ‘Moment’
I absolutely love this, with the beautiful genderless vocals of Rhye, King Henry has released Moment off of his upcoming EP.  Perfectly nostalgic in its melting beauty. (Tash Walker)

Witch Fever – ‘Carpet Asphyxiation’
I’m a big fan of this Manchester based grunge-punk band. Describing themselves as “making noise with our big muffs”, this track oozes a raw, frenzied cacophony and raucous hooks, as the fist-clenching power of the wonderfully shrieking vocals makes for essential, riotous listening. (Mari Lane)

Queen Zee & The Sasstones – ‘Boy’
All I want to do is lay in a bath tub full of red wine and listen to Queen Zee & The Sasstones on repeat – watch the video to ‘Boy’ and that sentence will make sense. Download their latest EP, Eat My Sass, while you’re at it too. (Kate Crudgington)

Maya Songbird – ‘Regal Slut’
I was lucky enough to catch the San Francisco artist supporting Dream Nails at their EP launch last week, and it was one of the most wonderfully joyous, vibrant experiences. Creating her unique, ambient fusion of sounds whilst soulfully singing of sex, love and living regally during tough times, she is truly one of a kind. And, as we all joined in with the refrain of “Slut, Slut, Slut” to this one on Friday night, the room filled with all the empowering, positive vibes. (Mari Lane)

Yangze – ‘U & Me’
The debut single from Danish Yangze, I just love the way this track gently pads out of the speakers, pacing round and round you with its restrained electronic beats. (Tash Walker)

Jackie Shane – ‘Any Other Way’
A “pioneer of transgender rights born in a male body”, Jackie Shane has remained largely unknown outside of Toronto, where her career flourished in the 1960s. However, with Numero Group’s reissue of Any Other Way – the first approved collection of Ms. Shane’s work which features all six of her 45s & highlights from her 1967 live sessions at the Sapphire Tavern – I think that’s about to change. (Kate Crudgington)

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Track Of The Day: Cindy Wilson – ‘Mystic’

Cindy Wilson is best known for her work as a founding member of the new wave band B-52s, but by the time you’ve wrapped your ears around her synth-soaked new single ‘Mystic’, you’ll be left wondering “the B-fifty-whos?” The track is taken from her upcoming solo album Change, due to be released on the 1st December via iconic label Kill Rock Stars.

The record is a confident, ambitious effort from the songwriter, who embarked on this new recording journey back in Athens, GA. almost a decade ago. Change is “as bold as anything in Wilson’s ground-breaking four decade canon”, spanning genres such as future pop, disco drama, American standards, electronica and more, which demonstrate her own “distinctive creative vision”.

Listen to ‘Mystic’ below and follow Cindy on Facebook for more updates.

Kate Crudgington
@KCBobCut

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WATCH: Slowcoaches – ‘Complex’

Whilst it’s normal to agonise about the harassment and adversity that female musicians face in the industry, it’s even more important to organise and shout back against the injustice of it all – and that’s exactly what Slowcoaches bassist & vocalist Heather Perkins does on brand new single ‘Complex’.

Perkins has some insightful, valid  observations about the new track and we thought they were worth sharing in full below:

“The music industry really feeds toxic masculinity by putting male artists on a pedestal. ‘Complex’ is a response to the sexual assault allegations against artists that were in the press at the time I wrote it. There’s still a really dirty side to the industry – particularly with the encouragement and portrayal of male artists in rock music to god-like status. All too often, the system is adhering to an archaic, misogynistic interpretation of ‘punk’ that makes guys think they’re invincible, that they have an authority over women’s bodies.”

“It sweeps the artists up, way out of their depth and then there’s no one there to support them in dealing with this stuff in the right way when they eventually get called out. We came up with the concept of the video when we were talking about this – the idea of a split self – that there are parts of the personality that are always hidden from view. Pulling the curtain away, kind of peeling back those layers – the bright light exposing all the grubby stuff underneath.”

The single will be available this side of the new year on screen-printed 7” vinyl, backed by a cover of Fang’s ‘The Money Will Roll Right In’. The band are touring the UK over the next month, so check which date you can go to below, and learn the lyrics to ‘Complex’ in the meantime. Follow the band on Facebook for more updates.

Slowcoaches Oct/Nov 2017 Headline Tour:
18/10/2017 – UK, Liverpool – Shipping Forecast
19/10/2017 – UK, Manchester – Soup Kitchen
20/10/2017 – UK, Sheffield – The Rocking Chair
21/10/2017 – UK, Leeds – Lending Room
23/10/2017 – UK, Newcastle – Think Tank Underground
24/10/2017 – UK, Glasgow – Broadcast
25/10/2017 – UK, Nottingham – Bodega
27/10/2017 – UK, Cardiff – Clwb Ifor Bach Downstairs
28/10/2017 – UK, Exeter – Cavern – Indie Club
30/10/2017 – UK, Bristol – The Louisiana
31/10/2017 – UK, Oxford – Cellar
01/11/2017 – UK, Brighton – The Joker
02/11/2017 – UK, London – Boston Music Room

Kate Crudgington
@KCBobCut

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INTERVIEW: Baby In Vain

Mari & I have shamelessly plugged our love of Copenhagen trio Baby In Vain via Get In Her Ears since 2016 when we saw them perform a free show at tiny Dalston venue Birthdays. There’s something about their heavy, corrosive sounds that keeps us both hypnotised, and we were more than happy to be swept back under their spell at Camden Assembly on Monday night.

We met Bene, Andrea & Lola backstage before their show to talk about their current UK tour, their favourite tracks on debut album More Nothing, and how tricky it is to shoot a music video on skateboards and mopeds when you’re hungover…

Hello girls, am I right when in saying you met and started playing music together whilst still at school?

Bene: Not entirely…

My bad! How did you initially meet? What was it that made you want to start a band together?

Andrea: Lola & Bene went to music school together and we had some mutual friends and we went to a lot of the same shows, so we just started talking and one night decided we should all jam together, and we’ve been doing that ever since.

Bene: Every Tuesday, always on a Tuesday.

Cool. You’re almost half way through your current UK tour. What have been the highlights so far? How do the UK crowds differ from your hometown crowds?

A: Glasgow and Edinburgh…

B: So, Scotland?.

Lola: Edinburgh has been the best so far, and tonight maybe?

A: We had two days off in Nottingham also, and went to see Ulrika Spacek and Gary Numan.

I love Gary Numan! I saw him live for the first time last year and I thought he was incredible.

A: That was definitely a highlight for us. When it comes to crowds it’s not really fair to compare because in Denmark we play larger venues, and people know who we are. When we play here we’re still very new to people. Most places have been alright, but we’ve played a couple of places where only a couple of people showed up. But for an unknown band, the crowds in the UK are a little bit better.

L: I think it’s the same. Remember when we played in Oxford? People bought all of our merchandise afterwards so they really enjoyed it, but while we were playing people were just stood completely still (laughs)

B: Scotland crowds though…

L: They were incredible.

Is there any particular reason why they were so good?

L: They were so drunk!

A: Actually, when we played here about three years ago with The Wytches in Hull, the crowd was insane. Even for the support bands. They were also drunk.

There’s a trend here, the drunker they are, the better the crowd. Cool.

You released your debut album More Nothing (through Partisan Records) earlier this year. It’s a follow-up to your 2016 EP For The Kids. Did you approach the album differently in terms of writing/recording/producing compared to the EP?

B: Very differently. You can’t really compare the two recordings at all. For The Kids was meant to be an album when we started recording it, but our label thought it would work well as an EP. We were in the studio for a very long time, a very long time (laughs), several years I think? But the album was recorded in two weeks.

A: When you don’t have a time limit you just don’t get stuff done. Once we had a deadline, things worked much better.

Do you have a favourite track on the album, and if so; why?

L: I think ‘One Feather’ is one of my favourite songs. I just think when we wrote it, you know, it was like… next level (laughs)

A: I really love ‘Transcendent’ as well.

I really like ‘Thank You’, just in case you were wondering…

B: That’s definitely a London thing! Something about Brits and that song…

It’s because the song name is really polite, but it sounds really aggressive. That’s the British way…

Your video for opening track ‘To Heaven & Back’ was shot in one take and looks extremely cool. Can you tell us about the shoot? Was miming on skateboards as easy as you made it look?

A: It was a very fun day. Me & Lola used to skate when we were younger, so it wasn’t that big of a challenge, but it was still a little nerve-racking because Bene was driving really fast, even if it doesn’t look like that in the video.

B: It was my first time riding a moped as well, I had to learn on the day.

This video sounds like a death trap.

A: It was really painful actually, the next day my thighs and my feet were killing me (laughs)

L: We shot the whole thing around 7 times. We didn’t really have a plan, we just met up and started shooting. There were no safety procedures, and we were all really hungover (laughs).

A: It was an old idea we had years ago, that Bene would be on the bike, we’d be skating, and we’d also have those little propeller caps on our heads.

L: Why didn’t have those in the video?!

I guess you’ll just have to do it again, re-shoot the whole thing.

You’ve also released a video for your latest single ‘Low Life’. I read your interview with Line Of Best Fit in which you describe this track as being “hard to complete” because you had several recordings of the song, so it took around 3 years to find a version you were happy with. Have you felt like this about other tracks?

L: ‘Low Life’ is definitely the song that we’ve worked on the longest, so we haven’t had that long a process with other tracks.

A: If you heard the old, old version of the song, it’s completely different to what it is now. We had to grow in to the song, we had to be better musicians and songwriters to write it properly. Half of the songs on the album were written pretty fast though, so we just worked really hard, kept playing at home…

L: ‘Thank You’ and ‘Pills’ were changed a lot for this recording. They’re still the same songs, but we just changed the song structures a bit.

As a blog centred around women in new music, we would love to know what female bands or what new music you’ve been listening too. What can you recommend?

B: Taylor Swift (laughs)

She’s great!

L: She’s not kidding (laughs)

Neither am I!

L: If we’re going with female bands, I love Mazzy Star.

A: Definitely, we love her.

L: She’s one of our favourite singers, and also a very beautiful woman. I’d also recommend Pure X, they’re a band we’ve been listening to a lot. They’re not girls, and they’re not new music (laughs) but they’re unknown to a lot of people and I want to spread the word about them!

They’ll be new to someone! We’ll have to have a listen.

Finally, what’s next for Baby In Vain? More recording? Touring? A holiday?

A: Holidays don’t exist (laughs), but more writing, recording, touring…

B: the same things we always do (laughs)

L: I’m really looking forward to writing songs again. You can’t really do it on the road.

A: We haven’t written a new song in over a year actually…

L: Woah, that’s insane. We need to focus man. That’s the best part of being in a band, writing songs…

…and we can’t wait to hear them. Huge thanks to Bene, Andrea & Lola for talking to us before their show. Follow Baby In Vain on Facebook for updates on future gigs and releases.

Kate Crudgington
@KCBobCut

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