Five Favourites: Roller Derby

Kicking off their UK tour tonight in Manchester at The Peer Hat (there will some tickets left on the door), Hamburg dream-pop duo Roller Derby have been charming our ears with their sparkling heartfelt anthems for some time now, and delivered such a wonderful performance for us at their sold out show at Shacklewell Arms last time they were over in London in 2024. Having recently released their exquisite debut album, When The Night Comes, they’ve showcased their ability to meticulously interweave the luscious celestial vocals of Philine Meyer with glistening multi-layered soundscapes and raw textures to create something truly captivating. 

To celebrate their first proper tour of the UK, Roller Derby have reflected on their five favourite albums by British bands and artists, sharing a few words about how much they love them and the different ways they feel influenced by them. So, have a read of their choices below, make sure you check out their stunning album, and pick up a ticket for their UK gigs now!

Dry Cleaning – New Long Leg
When we heard ‘Scratchcard Lanyard’ by Dry Cleaning on the radio for the first time, we were immediately blown away. We love the band’s sound, especially Florence Shaw’s vocal performance. The music video for the song is also one of the best we’ve ever seen. Their long-awaited debut album New Long Leg was released in 2021, and album track ‘Strong Feelings’ is also a really wonderful and hypnotic song.


The Cure – Disintegration
The Cure and Robert Smith are probably our biggest musical inspiration. The way they blend sadness with joy – melancholy with playfulness – is something that never stops inspiring us. Disintegration feels like one cohesive piece, yet it’s incredibly diverse – something we deeply admire and keep coming back to. ‘Plainsong’ is our favourite album opener of all time – maybe even Manu’s favourite song ever. We were lucky to see The Cure live at their 40th anniversary show in Hyde Park in 2018. It was an incredibly hot day, and pretty much everyone in the crowd was dressed in black – which made the whole thing kind of funny, in the most Cure way possible.

Temples – Sun Structures
Manu discovered Temples’ debut album Sun Structures back in 2014 and listened to it non-stop at the time. Alongside Tame Impala, it had a big influence on his taste in music and really pulled him deeper into psychedelic sounds. He has seen the band live twice in Hamburg, and the record is proudly displayed on our living room wall. Maybe the intro of ‘Shelter Song’ even had a little influence on our own track ‘Always on My Mind’!

Rolling Stones – Flowers
This list should also include what is probably the biggest and best-known band from England. Philine came into contact with the music of the Rolling Stones at a very early age, as a cassette of the album Flowers was always played in the family car on long car journeys. ‘Ruby Tuesday’ remained as a favourite song, but ‘Out Of Time’ and ‘Sitting On A Fence’ are also great songs. The recording of ‘Let’s Spend The Night Together’ is also amazing.

The Last Dinner Party – Prelude to Ecstasy
I don’t think anyone has quite been able to get over the band The Last Dinner Party over the past year. They released such an impressive debut album – it’s really exciting musically and we really like the baroque-pop approach, which is reflected in their whole outward appearance. Philine particularly loves the songs ‘On Your Side’, ‘The Feminine Urge’ and of course ‘Nothing Matters’.

Huge thanks to Philine and Manu for sharing their Five Favourites with us! Make sure you check out the full When The Night Comes album and then nab a ticket to their special London headline show at The Lexington this Friday, 9th May!
Get a taste of what to expect in this gorgeous video for recent single ‘In Spring’:



GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

.

WATCH: Roller Derby – ‘Emily’s Dance’

Hamburg-based dream pop duo Roller Derby have released their latest single, Emily’s Dance. This is the fourth single from their much-anticipated debut album, which is set for release early next year. Following performances at Reeperbahn Festival, SXSW, and opening for German band Madsen, the duo have cemented their reputation as a consistent and distinct force in the dream pop genre, earning airplay from Radio X’s John Kennedy and Amazing Radio’s Charlie Ashcroft.

Accompanied by a vibrant and engaging masterpiece of an animated video crafted by Johannes Walenta, ‘Emily’s Dance’ reflects the duo’s signature style: blending dreamy, contemporary influences with nostalgic ’80s vibes. The song opens with luscious synth-driven melodies supported with softly delivered vocals, adding a layer of melancholia and vulnerability; complemented by delicately dreamy guitar riffs. Subtle changes in dynamics and texture keep the song engaging, with swirling melodies, funk-fuelled basslines, and floating guitar licks that dance over the track’s rich layers.

Produced by Moses Schneider, the production feels polished and satisfying, balancing stripped-back verses with expansive choruses, which are marked by thick vocal harmonies, enveloping the listener in a lush warmth.

Lyrically, ‘Emily’s Dance’ is an introspective exploration of time, space, and human connection. The track delves into themes of insignificance and loneliness in this vast universe. Yet it offers a glimmer of hope — that “one day the planets will align” to bring harmony. It reflects a common human struggle, of existentialism and our yearning for meaning and companionship.

With their signature nostalgic sound, Roller Derby continue to captivate and I look forward to what their album has to offer.



When The Night Comes, the upcoming debut album from Roller Derby, is due for release on 28th February 2025. And you can catch the duo live when they’re over in the UK for a small run of live dates in May, including at The Lexington in London on 9th May – tickets and info here.

Ella Patenall
@ella_patenall

WATCH: Roller Derby – ‘Dreams’

‘Dreams’, the latest single from Hamburg-based Roller Derby, is a sparkling, ethereal song about the intensity of relationships. The track is a captivating blend of synth-pop, drawing inspiration from the genre’s early origins, while infusing splashes of a contemporary indie sound.

The track opens sparsely with a vocal line accompanied by a washy synth, until a stirring drum beat and warm synth bass line enters, giving the track a blissful foundation. The highlight musically comes as the swirling guitar licks ooze a captivating New Wave energy, bringing to mind Depeche Mode and The Cure, and giving the track a darker edge. 

Lush harmonies enter, accompanying the well-delivered vocals and melancholic melody as the song grows into something much larger, taking you on its journey, gradually introducing new elements and sounds in the textured and layered soundscape. A real pleasure for the ears; a testament to the slick production style of Moses Schneider. Building from melancholic to euphoric, the lush musicality mirrors the emotive theme of the reflective lyricism.

Since forming in 2020, Roller Derby have swiftly been making waves – having performed at festivals and prominent showcases such as SXSW and Reeperbahn Festival, as well as recently selling out a headline show for us at The Shacklewell Arms; continuing to captivate audiences with their unique blend of synth-pop and indie influences.

The accompanying music video, directed by Stephanie von Beauvais, perfectly visualises the ethereal atmosphere of the track with a trippy, psychedelic allure, vibrant colours and rippling imagery. Roller Derby are clearly a band who have a truly well thought-out vision and know what they want to achieve, and I look forward to hearing more from them throughout 2024.

Ella Patenall
@ella_patenall

Photo Credit: Johann Kressin