GIHE: Albums & EPs of 2025

After sharing our Tracks Of 2025 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the past 12 months. These eclectic records resonated with us deeply and we hope they’ll do the same for all future listeners.

Huge thanks to all of the bands and artists who have submitted music to us this year. We appreciate how much love, determination, money and admin goes into creating your records and we feel privileged to have been able to share your art with our community.

So, in alphabetical order (and including multiple ‘Honourable Mentions’ at the end because we hate leaving people out) here are our top Albums & EPs of 2025…

 

ALBUMS

Blonde Maze – Second Sight

It wouldn’t really be an end of year round-up if I didn’t include New York artist Blonde Maze. Since immediately falling in love with her debut EP, Oceans, back in 2015, she’s consistently been my most listened to artist year on year for the last decade. I just find that their music brings such a blissful catharsis and soothing energy every time; whatever mood I’m in, however I’m feeling, it just helps me feel better. The sparkling uplifting splendour of this year’s Second Sight is no exception – it hits perfectly every time.
(Mari Lane – Managing Editor)

Blondshell – If You Asked For A Picture

Since seeing Blondshell live at Electric Brixton back in September, I think I’ve had her second album If You Asked For A Picture pretty much in constant rotation, seeking daily catharsis in the raw emotion and sparkling ‘90s-tinged musicality of each track. Offering honest and heartfelt reflections on both romantic and familial relationships, Sabrina Teitelbaum evokes a beautifully endearing vulnerability and all-too relatable insight into everyday anxieties. (ML)

Blue Loop – Cycles

Cycles is a deeply personal work from London-based electronic musician & producer Emma Hall aka Blue Loop; inspired by her experience of being diagnosed with breast cancer and undergoing chemotherapy treatment. Now in remission, Emma spoke candidly to us about the inspirations behind specific tracks when she was a guest on our Soho Radio show earlier this year. Whilst living through a life-altering diagnosis, Emma managed to create this moving, majestic record that fluctuates in mood, volume and tone in order to reflect her feelings during the different ‘cycles’ of her treatment. Whether she’s feeling rightfully resentful on shadowy single ‘The Knife’ or immersed in romanticism on ‘Luxury Chords’, Emma juxtaposes her emotions with precision and passion, reflected in her earnest lyricism and shape-shifting electronics. (Kate Crudgington – Features Editor)

Breakup Haircut – No Worries If Not!

London DIY legends Breakup Haircut formed at First Timers Fest and have been such huge favourites of ours ever since. I’ve lost count of the number of times they’ve played live for us since their first GIHE gig back in 2019. They’re just such a joy every time. Even at our gig with Strange New Places a couple of months back when Ishani was sadly unwell and couldn’t make it; Ripley, Delphine and Jordan still managed to put on an incredible show which I think perfectly epitomises their relentless DIY spirit. Their second album No Worries If Not! only came out last month, but it’s definitely in my top releases of the year. It fizzes with all the playful sardonic wit and scuzzy punk-pop energy we know and love throughout; whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. They may also win the prize for best song titles, with tracks including ‘The Algorithm’s Trying To Kill Me’ and ‘Two Spaghetti Meals’. (ML)

Daffo – Where The Earth Bends

The songwriting project of Brooklyn-based, Philly-raised Gabi Gamberg, Daffo has been a highlight of the year for me, with their debut album Where The Earth Bends pretty much on repeat since its release in September. Interweaving a scuzzy indie-pop musicality with a searing raw emotion and glistening heartfelt grace, it’s a deeply personal and beautifully resonant collection that showcases Gamberg’s unique gift for writing songs that really do feel like they reach out and gently caress how you’re feeling. The GIHE team also managed to catch Daffo live at The Great Escape in May this year, and watching such a gorgeous set alongside Hanni and Clara from ARXX and Rach from Comic Sans was a definite highlight of the weekend for me! (ML)

flinch. – misery olympian

Having played live for us twice this year – in June at The Cavendish Arms and recently at their special festive Flinchmas celebration at The Ivy House – Glasgow’s flinch. also spent 2025 releasing their second album. Building on the distinctive shimmering emo sound of 2021’s enough is enough, with misery olympian they cement themselves as complete favourites. From start to finish, the album oozes a scuzzy raw emotion and fizzing sense of honesty, with incredibly witty (and long!) song titles like ‘i wonder if colin from endoctrinology remembers me’. It’s one of my favourite albums, not just of this year, but probably from the last decade. (ML)

Floralis – Saboteur Club Anthems Vol. 1

Brighton-based artist Floralis makes dismantling fascism sound like a total BLAST on this eccentric and essential record. On the superbly titled Saboteur Club Anthems Vol. 1, the British born, Indo-Trinidadian transfeminine artist blends stomping dance-inspired rhythms and chant-worthy lyrics to create a collection of “anarchist electro punk” anthems that confront and reject capitalism, transphobia, misogyny and racism. From the bold opening beats of ‘black combat boots’ right the way through to the euphoric electronics of closing track ‘YOU’RE NOT DEAD’, Floralis is committed to sabotaging fascism in their own defiant style. She said that her “blood, sweat and tears” were poured into this record and that shines through on every track. (KC)

Jacob Alon – In Limerence

Although I was pretty late to the Jacob Alon party, from the moment I heard the Scottish artist speaking to Annie Macmanus and Nick Grimshaw on the BBC Sidetracked podcast earlier this year, I immediately felt drawn to their beautiful sensitivity. Then, on listening to their exquisite album, In Limerence, I found myself completely spellbound. I was lucky enough to catch them live at Deer Shed festival, where they delivered each of their strikingly stirring offerings with a shimmering heartfelt splendour against a poignant backdrop of the Trans Pride and Palestinian flags; filling me with a warm sense of hope that the young people in the crowd were able to absorb the uplifting sense of queer joy and subtle resistance that radiated from the stage. Both live and on record, I can feel the raw emotion of each and every word of the entirety of In Limerence, inspired by Cob’s insight and conviction. I’m excited to be charmed by more of their captivating creations next year. (ML)

jasmine.4.t – You Are The Morning

Having featured as one of my Ones To Watch for 2025, jasmine.4.t has certainly been worth watching this year. With the release of her debut album, You Are The Morning, back in January on Phoebe Bridgers’ label Saddest Factory Records, sold out tours across Europe, Australia and the US and numerous support slots with Lucy Dacus; it’s been such a fantastic year for jasmine and every success is so, so well deserved. The album has probably been my most-listened to of the year. It’s just an exceptionally beautiful reflection on trans identity and queer belonging and a truly necessary and heartfelt ode to community and solidarity. I’ve been lucky enough to catch jasmine live a few times over the last couple of years – each time has been such a wonderfully moving and empowering experience and I can’t wait to see her again at Deer Shed festival this summer. (ML)

Lōwli – Window In The Woods

A moving, introspective offering that sees her processes unsettling memories and emotions with true serenity; Window In The Woods is the beautiful debut album from Irish composer & songwriter Lowli. Released via VETA records in October, through her tender keys, crystalline vocals and atmospheric electronics, Lowli gracefully guides listeners through her magnetic musical ruminations. I’ve mentioned (multiple) times both on air and online that she is one of my favourite new music discoveries this year and my admiration only increases each time I revisit Window In The Woods. It’s a record that’s equally as laced with melancholy as it is with hope and love, which means something new is gained from every listen. (KC)

Mae Martin – I’m A TV

I’ve been such a huge fan of Mae Martin since watching Feel Good five years ago helped me discover things about myself that I don’t think I’d realised yet. And then, since last year, I’ve been completely addicted to the Handsome podcast which they host with Tig Notaro and Fortune Feimster. It’s one of the few things I’ve ever come across that literally makes me laugh out loud every time. It’s just so deeply comforting and relatable and so, so silly in the best possible way. So, when they shared that they were going to be announcing their debut album, it felt perfectly serendipitous and I was intrigued. A stirring collection of lilting alt-folk reflections on relationships and identity, with I’m A TV, Martin proves themselves to not only be a fantastic actor, screenwriter and comedian, but also an accomplished musician and beautifully reflective songwriter. (ML)

NYX – NYX

By harnessing the sublime power of the collective human voice, the NYX drone choir have crafted a unique form of “psychedelic rebellion” on their eponymous debut album. Released via their own label, the ensemble – led by New Zealand-born composer & director Sian O’Gorman and made up of multi-talented vocalists & musicians – use electronics to manipulate their vocals and create their own idiosyncratic sounds; expanding the realms of what a traditional choir is capable of. I have been fortunate enough to witness the immense musical alchemy of NYX’s live performances several times; something which they have now truly harnessed on this debut solo offering. Inspired by Sian’s holistic and deeply human approach to singing, NYX have developed a collection of sounds that enrapture, inspire and intrigue the more that you engage with them. This is a profoundly moving record, best appreciated when listened to in one full sitting with headphones on and eyes closed. Total bliss. (KC)

Pigeon Dog – Beaks

Pigeon Dog’s debut album Beaks channels ’90s grunge with raw, Brody Dalle–esque vocals that grab you from the first note. The London three-piece blend warm tones with gritty guitar riffs and playful, tongue-in-cheek lyrics; proving they know how to have fun. The band mix catchy riffs and ear-wormy vocal hooks with rich harmonies, layering in ’60s psych-inspired synths for added texture. Their songs balance grit and groove perfectly, resulting in tracks that are both sultry and irresistibly catchy. Pigeon Dog know how to craft bangers that stick in your head while keeping the spirit playful and engaging.
(Ella Patenall – Contributor)

Roller Derby – When The Night Comes

I was lucky enough to work with German dream-pop duo Roller Derby helping them to spread the word about their second album, When The Night Comes, earlier this year; a task which wasn’t hard to do, as the album is just completely exquisite and impossible not to like. Showcasing the duo’s ability to meticulously interweave the luscious celestial vocals of Meyer with glistening multi-layered soundscapes and raw textures, it offers a truly captivating listen throughout. One of my definite highlights of the year was hosting not one, but two sold out shows with Roller Derby back in May. It was such a joy to be able to facilitate them being able to share their immersive, spellbinding sounds with adoring crowds at The Lexington in London and The Rossi Bar in Brighton, with perfect support from other favourites CATBEAR. A completely dreamy weekend. (ML)

Scrounge – Almost Like You Could

The follow-up to their debut mini-album Sugar, Daddy (2022), Almost Like You Could is the first full-length offering from South London post punk duo Scrounge. Together, lead vocalist & guitarist Lucy Alexander and drummer & vocalist Luke Cartledge move through chaos and despondency towards hope and redemption on this biting, vital collection of tracks. Whether Lucy is reflecting on the never-ending process of “coming out” as an queer person on ‘UTG’, or Luke is lamenting about urban isolation on ‘Nothing Personal’, Scrounge manage to hit the right nerve every time. Released via Ba Da Bing! Records, Almost Like You Could is a potent reminder that Scrounge remain driven by the desire to create meaningful art that represents who they are, as well as the voices of the allies and DIY communities they’re part of – something that we back all the way at GIHE. (KC)

Snocaps – Snocaps

Being a huge fan of both Waxahatchee and Swearin’, I was pretty exited to hear about new supergroup Snocaps. Featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook, this collaboration really is the stuff actual dreams are made of. This debut album flows with such a gorgeous, fuzzy allure and gloriously twee folk-strewn musicality and I cannot get enough of its beautiful, lilting energy. (ML)

Strange New Places – Second Puberty

The debut record from Belfast queer punks Strange New Places, Second Puberty has definitely been one of my most listened to albums of 2025. Another band who I was lucky enough to be able to host in both London and Brighton back in October, live they brought a joyous queer energy and a really life-affirming sense of unity, whilst the album as a whole offers a fierce celebration of queerness and neurodivergence. From heartfelt odes to friendship in the form of ‘Coraline’ and ‘YATPYFL’ to ‘Sleep For Dinner’s scuzzy reflection on burnout and depression and the empowering self-love anthem ‘Full Of Myself’; it celebrates the power of community, offering a a reassuring voice of solidarity and unity at a time when we so desperately need it. (ML)

Wombo – Danger in Fives

Kentucky-based, art-rock trio Wombo blend prog, indie, experimental, and psych influences with intelligent musicianship and bold artistry. Their tracks range from accessible to delightfully challenging, with soft, airy vocals floating over unusual, wonky guitar parts and driving basslines. Nothing is straightforward or predictable, yet the band manages to keep even their most experimental moments melodic and earwormy – with the occasional touch of dissonance, keeping you on edge. Angular and gritty guitars and inventive melodies mark Wombo as a band unafraid to push boundaries while still creating music that sticks. Danger in Fives is a great portrayal of what they are capable of. (EP) 

EPs

Junk Whale – See you around, I guess?

Having been big fans of Oxford’s grunge-pop faves Junk Whale since first hearing their 2022 debut, the fantastically named Caught In The Act Of Looking Weird, I was super excited when they released a gorgeous new EP back in May. Since then, See you around, I guess? has been another collection I’ve found myself playing non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!) The band supported Strange New Places at their London gig for us and really are a true force to be reckoned with live – there was “hairography” and everything. (ML)

THE NONE – CARE

I chose Birmingham-based experimental punk supergroup THE NONE as one of my Ones To Watch for 2025 after hearing their abrasive, politically driven cacophonies in the flesh at Supersonic Festival the previous year. CARE is the follow up to their debut EP, MATTER, and it’s another ear-eroding collection of visceral vocals, hefty riffs and pulverizing percussion. Front person Kai Whyte has a formidable voice; paired with a talent for writing engaging lyrics that cut through the masterfully intense, frenetic sounds that their bandmates Gordon Moakes, Jim Beck and Chris Francombe create. From the rallying cry of opening track ‘My People’ to the relentless riffs of closer ‘On Automatic’, CARE is both an assault on the senses and a vital reminder to aggressively challenge the status quo. I urge you to go and see this band live. You will be blown away by their talent. (KC) 

Problem Patterns – Boring Songs For Boring People

Equally informed by their desire for provocation, self-deprecation and amplification; Boring Songs For Boring People is another urgent and essential offering from Belfast queer punks Problem Patterns. Released via Alcopop! Records, the EP sees the four-piece reflect on the trials and tribulations of being in a DIY band and their frustrations at the performative behaviour of industry officials and musicians in the spotlight. In true Problem Patterns style, they tackle these subjects with cathartic screams, witty lyrical refrains and relentless riffs; undermining the idea that Alanah, Beth, Bev and Ciara could ever be accused of living up to the EP’s title. Whether they’re overcoming burnout on the record’s title track or shouting back against noisy neighbours on ‘Classic Rock Has Become My Prison’, Problem Patterns transform the mundanity of everyday life into intensely catchy punk anthems that provide the necessary rage, joy and catharsis we’ve been craving. (KC) 

Sijya – Leather & Brass

An idiosyncratic blend of digital and analogue synth textures and drifting atmospheric vocals; Leather & Brass is the second EP from South Asian composer and producer Sijya. Released via One Little Independent Records, this collection of tracks is a testament to her artistic resilience and experimental energy. Across the EP, Sijya’s immersive electronics intuitively expand and contract, providing her with the much-needed emotional space she craves in her music. Her ambiguous lyrical motifs afford listeners the same catharsis, as they float seamlessly over shape-shifting soundscapes like ‘I only want to crash’ and ‘Why do you fight me’. Leather & Brass is an essential listen for anyone who is looking for escapism through eccentric, intriguing electronica. (KC)

TTSSFU – Blown

By opening her second EP with a track titled ‘Cat Piss Junkie’, Manchester-based artist Tasmin Stephens aka TTSSFU has cemented herself as a candid new icon of guitar music. Full of her lush vocals and dreamy, shoegaze-inspired sounds, Blown is an ode to Tasmin’s growing pains as both an artist and a young woman; full of her reflections on friendship, unrequited romances and messy nights out. She is adept at tackling shame, humour and vulnerability in her lyricism; underscoring this with hazy, reverb-strewn guitars and heady dream-pop melodies. From the lush sounds of ‘Forever’ and ‘Call U Back’ through to the sweet discordance of ‘Being Young’, she faithfully captures the indecisive and exciting energy of being in your 20s and navigating the uncertain world around you. She is also just really funny, which you’ll see if you read this conversation I had with her for The Line Of Best Fit earlier this year. (KC)

 

Honourable Mentions

adults – the seeds we sow are sprouting buds nonetheless
Agnes Haus – Inexorable Ascent
BACKXWASH – Only Dust Remains
Bonnie Trash – Mourning You
The Dead Zoo – Suspects
Eilis Frawley – Fall Forward
Ethel Cain – Willoughby Tucker, I’ll Always Love You
feeo – Goodness
Glixen – Quiet Pleasures
Hilary Woods – Night CRIÚ
Japanese Breakfast – for melancholy brunettes and sad women
Jessica Winter – My First Album
Julien Baker & Torres – Send A Prayer My Way
Kae Tempest – Self Titled
Kathryn Mohr – Waiting Room
Klein – Sleep With A Cane (Mixtape)
Lucy Dacus – Forever Is A Feeling
Mari Somerville – Luster
Nastazia Bazil – From Beirut To Anywhere
The New Eves – The New Eve Is Rising
Penelope Trappes – A Requiem
The Schla La Las – The Schla La Las Are Out To Have Fun
Slung – IN WAYS
Various Artists – vari/ations – Ode to Oram
WISP – If Not Winter

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Five Favourites: Roller Derby

Kicking off their UK tour tonight in Manchester at The Peer Hat (there will some tickets left on the door), Hamburg dream-pop duo Roller Derby have been charming our ears with their sparkling heartfelt anthems for some time now, and delivered such a wonderful performance for us at their sold out show at Shacklewell Arms last time they were over in London in 2024. Having recently released their exquisite debut album, When The Night Comes, they’ve showcased their ability to meticulously interweave the luscious celestial vocals of Philine Meyer with glistening multi-layered soundscapes and raw textures to create something truly captivating. 

To celebrate their first proper tour of the UK, Roller Derby have reflected on their five favourite albums by British bands and artists, sharing a few words about how much they love them and the different ways they feel influenced by them. So, have a read of their choices below, make sure you check out their stunning album, and pick up a ticket for their UK gigs now!

Dry Cleaning – New Long Leg
When we heard ‘Scratchcard Lanyard’ by Dry Cleaning on the radio for the first time, we were immediately blown away. We love the band’s sound, especially Florence Shaw’s vocal performance. The music video for the song is also one of the best we’ve ever seen. Their long-awaited debut album New Long Leg was released in 2021, and album track ‘Strong Feelings’ is also a really wonderful and hypnotic song.


The Cure – Disintegration
The Cure and Robert Smith are probably our biggest musical inspiration. The way they blend sadness with joy – melancholy with playfulness – is something that never stops inspiring us. Disintegration feels like one cohesive piece, yet it’s incredibly diverse – something we deeply admire and keep coming back to. ‘Plainsong’ is our favourite album opener of all time – maybe even Manu’s favourite song ever. We were lucky to see The Cure live at their 40th anniversary show in Hyde Park in 2018. It was an incredibly hot day, and pretty much everyone in the crowd was dressed in black – which made the whole thing kind of funny, in the most Cure way possible.

Temples – Sun Structures
Manu discovered Temples’ debut album Sun Structures back in 2014 and listened to it non-stop at the time. Alongside Tame Impala, it had a big influence on his taste in music and really pulled him deeper into psychedelic sounds. He has seen the band live twice in Hamburg, and the record is proudly displayed on our living room wall. Maybe the intro of ‘Shelter Song’ even had a little influence on our own track ‘Always on My Mind’!

Rolling Stones – Flowers
This list should also include what is probably the biggest and best-known band from England. Philine came into contact with the music of the Rolling Stones at a very early age, as a cassette of the album Flowers was always played in the family car on long car journeys. ‘Ruby Tuesday’ remained as a favourite song, but ‘Out Of Time’ and ‘Sitting On A Fence’ are also great songs. The recording of ‘Let’s Spend The Night Together’ is also amazing.

The Last Dinner Party – Prelude to Ecstasy
I don’t think anyone has quite been able to get over the band The Last Dinner Party over the past year. They released such an impressive debut album – it’s really exciting musically and we really like the baroque-pop approach, which is reflected in their whole outward appearance. Philine particularly loves the songs ‘On Your Side’, ‘The Feminine Urge’ and of course ‘Nothing Matters’.

Huge thanks to Philine and Manu for sharing their Five Favourites with us! Make sure you check out the full When The Night Comes album and then nab a ticket to their special London headline show at The Lexington this Friday, 9th May!
Get a taste of what to expect in this gorgeous video for recent single ‘In Spring’:



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GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here. 
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

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WATCH: Roller Derby – ‘Emily’s Dance’

Hamburg-based dream pop duo Roller Derby have released their latest single, ‘Emily’s Dance’. This is the fourth single from their much-anticipated debut album, which is set for release early next year. Following performances at Reeperbahn Festival, SXSW, and opening for German band Madsen, the duo have cemented their reputation as a consistent and distinct force in the dream pop genre, earning airplay from Radio X’s John Kennedy and Amazing Radio’s Charlie Ashcroft.

Accompanied by a vibrant and engaging masterpiece of an animated video crafted by Johannes Walenta, ‘Emily’s Dance’ reflects the duo’s signature style: blending dreamy, contemporary influences with nostalgic ’80s vibes. The song opens with luscious synth-driven melodies supported with softly delivered vocals, adding a layer of melancholia and vulnerability; complemented by delicately dreamy guitar riffs. Subtle changes in dynamics and texture keep the song engaging, with swirling melodies, funk-fuelled basslines, and floating guitar licks that dance over the track’s rich layers.

Produced by Moses Schneider, the production feels polished and satisfying, balancing stripped-back verses with expansive choruses, which are marked by thick vocal harmonies, enveloping the listener in a lush warmth.

Lyrically, ‘Emily’s Dance’ is an introspective exploration of time, space, and human connection. The track delves into themes of insignificance and loneliness in this vast universe. Yet it offers a glimmer of hope — that “one day the planets will align” to bring harmony. It reflects a common human struggle, of existentialism and our yearning for meaning and companionship.

With their signature nostalgic sound, Roller Derby continue to captivate and I look forward to what their album has to offer.



When The Night Comes, the upcoming debut album from Roller Derby, is due for release on 28th February 2025. And you can catch the duo live when they’re over in the UK for a small run of live dates in May, including at The Lexington in London on 9th May – tickets and info here.

Ella Patenall
@ella_patenall

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