LISTEN: GIHE x The Great Escape Festival on Soho Radio ft. Rubie & Comic Sans (01.05.26)

Kate and Mari were live in the Soho Radio studio with a special show dedicated to the female, non-binary and LGBTQ+ musicians who are playing The Great Escape Festival in Brighton this year!

For the first time ever, Get In Her Ears will have their own showcase on The Beach Soundwaves stage on Saturday 17th May, featuring Scrounge, Comic Sans, RUBIE, Maria Uzor and afromerm. We’re also hosting our own after-party at The Bee’s Mouth from 11:30pm until late.

To celebrate this milestone on the show, Tash shared a wonderful pre-recorded interview they conducted with RUBIE, discussing their anticipations for the festival and their upcoming support slots with Jasmine.4.t. Plus, Rachel from Comic Sans dropped into the studio to keep Kate & Mari company and chat through some of the tracks on the eclectic playlist – we packed a lot in!

Check out the full playlist below and listen back here:

 

We’ll be back on Soho Radio live on Thursday 29th May from 4-6pm
Tune in via www.sohoradiolondon.com or ask your smart speaker to “Play Soho Radio”

Tracklist
Skunk Anansie – Weak
Scrounge – Melt
Comic Sans – Mr President
Currls – Honey
TTSSFU – Studio 54
afromerm – reciprocity
ARXX – Swim
Bria Salmena – Bending Over Backwards
Alien Chicks – Babe
CLT DRP – I See My Body Through You
Clara Mann – Doubled Over
Enji – Ergelt
Maria Uzor – Ventolin
DEBBY FRIDAY – 1/17
KABEAUSHÉ – These Dishes Ain’t Gonna Do Themselves
RUBIE – To Change
**Interview with RUBIE**
Zahra Haji Fath Ali Tehrani – empathy a to z
Daffo – Get A Life
Stella Bridie – Headlights
Gen and The Degenerates – Anti-Fun Propaganda
Jock – Toyota Corolla
Hello Mary – 0%
Divide and Dissolve – Monolithic
Le Tigre – My My Metrocard

ALBUM: Scrounge – ‘Almost Like You Could’

Since our promoter Mari booked South London duo Scrounge for a Get In Her Ears gig at The Windmill in Brixton back in 2018, we’ve been avid fans of their vital art-punk anthems. Formed of lead vocalist & guitarist Lucy Alexander and drummer & vocalist Luke Cartledge, the pair have been bringing their formidable live sound to stages across the UK for years, as well as taking them across the pond to the USA to perform at SXSW in Texas and The New Colossus Festival in New York.

It’s at the latter that Scrounge caught the attention of label Ba Da Bing! Records, who have worked alongside the pair to release their first full length record, Almost Like You Could. Following on from Scrounge’s debut mini-album, Sugar, Daddy – which featured on our Albums of 2022 list – the title hints at the prospect of existing beyond the chaos and despondency of the current social and political climate. All it takes is a commitment to friendship, community and the guts to live authentically; something that Scrounge have dedicated themselves to on and off stage.

Sugar, Daddy was a succinct blend of cutting lyrics, intense riffs and fraught percussion that truly hit a nerve, but on their first full length offering Scrounge have upped the anti and delivered a collection of anthems that are just as hard-hitting and relatable, whilst simultaneously managing to explore new sonic territory in the process. Take closing track ‘Nothing Personal’ for example. Luke takes the lead vocals on this stripped back offering, which tackles themes of urban isolation. It’s a vulnerable and fitting end to a record that doesn’t hold back in any sense. The pair shared in an interview with The Line Of Best Fit that they incorporated samples and recordings they’d captured throughout the album’s recording process into this track, proving that their desire to push the boundaries of what they’re capable of as a two piece is as steadfast as ever.

Single ‘UTG’ is another stellar example of Scrounge’s blend of tenacity and vulnerability. Lucy penned the track to express how as a queer person, she feels that the process of “coming out” never truly ends. She pairs her earnest lyricism with a more buoyant guitar sound here, making it one of the band’s softest tracks to date, but it still retains the visceral emotional potency of Scrounge’s sonically heavier offerings. The duo balance these conflicting elements effortlessly throughout the record, which gives Almost Like You Could its impressive cohesive quality.

The album has been fuelled by the kind of proactive, cathartic cynicism that motivates you to resist and revolt, instead of sending you into a hopeless spiral. The pair acknowledge that even though things might be dire, there will always be moments of joy, pleasure and hope if you look hard enough for them. This is directly addressed on the ricocheting beats and riffs on opener ‘Higher’ as well as the melodic ‘Buzz/Cut’. Even the track ‘Dreaming’ – where Lucy repeats the melancholic line “dreaming isn’t all that it’s cracked up to be” – there is still a strong sense of finding faith in reality, however that might present itself.

‘Waste’ and ‘Rat’ are two of the record’s grittier offerings and both simmer with unrest. Lucy’s distorted riffs and Luke’s urgent percussion are totally gripping on both. ‘Corner Cutting Boredom’ and ‘Melt’ bookend each other beautifully – referencing each others titles – and again, they flow with that distinctive pressing momentum that we have come to admire in all of Scrounge’s music.

Almost Like You Could is a powerful, biting reminder that Scrounge remain driven by the desire to create meaningful art that represents who they are, as well as the voices of the allies and DIY communities that they’re a vital part of; which is something that we back all the way at GIHE. Please, please buy this album. All of the team endorse it.

Buy a ticket for Scrounge’s London headline show on Weds 23rd April at The Lexington here

Scrounge are also headlining our GIHE stage at The Great Escape in Brighton on Sat 17th May!
Day & Weekend tickets available here

Follow Scrounge on bandcampSpotifyFacebook, Instagram and X

Photo Credit: Joseph Elliott

Kate Crudgington
kate_getinherears

LISTEN: GIHE on Soho Radio with Scrounge (08.01.24)

New Year, New Music! Tash and Kate were back on Soho Radio’s airwaves for Get In Her Ears first show of 2024, playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists. Mari offered some of her “musical musings” too. Artists featured on the eclectic playlist included Big Joanie, NewDad, Katy Kirby, Jaed, Cutty, Baby Rose, Vyva Melinkolya, Laura Misch, Roller Derby, Kllo, Liv Wynter, CHERYM, Riotmiloo…and more.

GIHE faves Lucy and Luke from South London duo Scrounge also came into the studio to chat about their recent performance at Third Man Records, the award-winning artwork on their debut album Sugar, Daddy, and their upcoming trip to New York to play New Colossus festival. They also recounted some of their highlights of 2023, including a whirlwind tour with tee-side noise punks Benefits, which involved a lot of long distance driving, and a lot of early starts.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 5th February from 12-2pm!
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
Big Joanie – New Year
chlothegod ft. Baby Rose – Bless Your Heart pt. 2
Isaac Delusion, Olivia Merilahti – All day
NewDad – Nightmares
SPRINTS – Heavy
Thermal – 18
Laura Misch – Hide to Seek
Jaed – All Abandon
Cutty – Overdrive (Garage Mix)
Shygirl, Cosha – thicc
This Mortal Coil – Song To the Siren
Erika Severyns – Ireland
Softcult – Heaven
Vyva Melinkolya – Song About Staying
Chelsea Wolfe – Tunnel Lights
Scrounge – Corner Cutting Boredom
**Interview with Scrounge**
Liv Wynter – Violence
Riotmiloo – Define Normal
Kllo – Affection
Ghost Marrow – Might Of The Small
CHERYM – It’s Not Me It’s You
Bikini Kill – Rebel Girl
Katy Kirby – Hand To Hand
Roller Derby – Always on My Mind
Chappell Roan – Pink Pony Club
Mary J. Blige – Family Affair

FIVE FAVOURITES: Scrounge

Since we booked South London duo Lucy Alexander and Luke Cartledge aka Scrounge as support for our GIHE gig at The Windmill back in 2018, we have been avid fans of their vital, frenzied art-punk sounds. Featured on our ‘Albums of 2022‘ list, their debut mini-album, Sugar Daddy, is full of gritty, relatable anthems that hit a nerve and showcase the passion and determination that underscores all that they do. The duo have always remained loyal to their DIY roots, and their latest single ‘Corner Cutting Boredom’ is accompanied by a limited edition flexi-disc and a zine that “documents and celebrates what’s going on south of the river” in a thriving underground music scene.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with vocalist and guitarist Lucy to ask about her “Five Favourites” – five songs that have inspired Scrounge over the years. Check out her choices below and scroll down to listen to Scrounge’s single ‘Corner Cutting Boredom’.

 

1. Pavement – ‘Fame Throwa’
As soon as I met Luke at Goldsmiths, I knew that I wanted to be his mate. It might’ve been that he looked “dead indie” but I quickly found he is one of the most thoughtful and caring people in the world. Sometimes we’d swap song recommendations, other days we’d just have a few pints at the Marquis where we once talked about how South East London lacked a scene for guitar music, despite having so many amazing venues. At that moment, along with designer Amanda Tooke, we vowed to make our own collective to ‘Support South London and Support Your Mates’. We named it Fame Throwa after Pavement’s chaotic hit and that song inspired us to work together to run a night, radio show and record label. Although Fame Throwa is now dormant, it was our “in” to DIY activism and it introduced us to some truly outstanding human beings.

2. Italia 90 – ‘New Factory’
When we started Scrounge, we had no idea what we were doing; Luke didn’t know how to play drums and I played the acoustic guitar. We were constantly looking for nights – like Get In Her Ears – that we could perform at and bands we’d compliment on a bill. Italia 90 were recommended to us by our mate Ben so we booked them for a Fame Throwa night. We REALLY wanted to play a show with them and, as no one would book us, we decided to book them. ‘New Factory’ is a staple in their set and we’ve spent many nights shouting along to it in sweaty south London venues. This year, Italia 90 released their debut album, Living Human Treasure, and we were delighted to get a mention in the liner notes. As much as they like us, we can guarantee that we like them more and we’ll be forever grateful for their influence.

3. Piglet – ‘It Isn’t Fair’
Charlie Loane is one of South London’s most prolific performers. Over the years, we’ve watched him perform in loads of different bands but Piglet, Loane’s solo project, is utterly incredible. As an activist and beautiful songwriter, Piglet captures everyday life and the trans experience through his poignant lyrics. ‘It Isn’t Fair’ is not only anthemic but a real life representation of the awful standard of trans rights in the UK. Trans rights are human rights and as allies, we need to do better. This song is a call to action and a reminder that we can and must do more.

4. CHUNKY – ‘GNG’ (Guts N Grets)
When I first started performing at open mic nights as a teenager, I constantly sought new opportunities for young musicians. I quickly joined The Albany Theatre’s youth music group and was lucky enough to be mentored by some of the country’s most influential artists. Chunky, an MC from Manchester, mentored on the project and really believed in my music. He supported my early solo project, Fame Throwa and is equally supportive of Scrounge. Despite our genre differences, we’ve ended up working together on a few different projects and I’m in awe of his DIY attitude and work ethic. At the beginning of this year, Chunky released his long awaited debut album, Somebody’s Child, and ‘GNG’ is a standout single that really shows off the quick lyricism and sharp wit that inspired me as a young songwriter.

5. Kae Tempest – ‘Hold Your Own’
It feels like I’ve seen Kae Tempest perform a million times over the years and each performance is always as impactful as the last; it really doesn’t matter whether they’re performing poems, a play, or their music it’s always the same outcome. ‘Hold Your Own’ was a collection of poems by Tempest which I stumbled upon at university and the much needed catalyst I needed to truly accept myself for who I really am. The titular poem also features on Tempest’s album, The Book of Traps and Lessons, and is an aural reminder to persevere through adversity while remembering your own self worth. It’s a love letter to our shared community that I cherish.

Thanks to Lucy for sharing her Five Favourites with us!

Follow Scrounge on bandcamp, Spotify, Facebook, Twitter (X) and Instagram

Listen to Scrounge’s latest single ‘Corner Cutting Boredom’ below